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Preisdatenbank abonnierenBRYAN ORGAN (b.1935) Framed, signed and dated in print, 1987, and additionally signed and numbered in pencil, `54/75`, lithograph on paper, Contemporary still life of white lillies in a vase on a blue table. Organ painted an almost identical composition in oil, in 1977, before being commissioned in 1980 to paint an acrylic portrait of Prince Charles, which is now part of the Primary Collection of the National Portrait Gallery in London. 62.5cm x 62.5cm.
Follower of KEN MORONEY (b. 1949) Framed, indistinctly signed, oil on board, 20th Century cafe interior, with seated man reading the paper, bears name `Ken Moroney` verso, together with a framed, indistinctly signed, dated 1954, oil on paper, portrait of a seated lady in grey overcoat and hat, 28.5cm x 22cm and 45cm x 33cm (2).
A pair of oval framed, 19th Century, German portrait miniatures on ivory, one signed E. WAGNER, showing an early 19th Century young lady in fur shawl, hair styled in ringlets and pearl drop earrings, indistinctly inscribed vero, the other unsigned, showing a young dark haired lady with ivy leaf headdress and white lace dress, 6.5cm x 8cm, (2)
A pair of rectangular framed, early 19th Century, portrait miniatures on ivory, of Elizabeth Nash, in white lace dress, matching white bonnet and blue ribbon, inscribed on label verso, `Elizabeth Nash- nee Morgan married James Nash (formerly Palmer) 16/10/1806`, the other of her husband, James Palmer Nash, in black jacket and waistcoat with white cravat, inscribed on label verso, `James Palmer Nash 23/8/1777. Changed name 1809. Died 2 Jan 1845, James Ezekial Nash, James Palmer Nash`, 8cm x 6cm (2).
A set of four ivory veneer rectangular framed, early 20th Century oval portrait miniatures on ivory, one after François Gérard`s 1802 portrait of Madame Récamier, bears name `Gérard`, one in the style of Jean- Marc Nattier (1685 - 1766) indistinctly signed, of a French lady in gold and navy dress, with cello, one indistinctly signed of an 18th Century style lady in hat and curled hair, and one intialled `J.K.`, portrait of gentleman in wig, and red, fur trimmed cloak, 8cm x 6.5cm (4).
A set of four rectangular framed, unsigned, each dated `March 1843` verso, oval portrait miniatures of four young children, watercolours on paper, to include sitters, Rosa Caroline Hutchins, inscribed verso, `6 years and a half, born 18 July 1836. Died 27 March 1916`, Georgina Lucy Hutchins, inscribed verso, `12 nearly, born 6 June 1831. Died 22 March 1919, married Edgar Martineau`, Philip Percival Hutchins, inscribed verso, `5 years old, born 28 Jan 1838. Died 21 May 1928`, and William Thomas Hutchins, inscribed verso, `24 years, born 11 March 1819. Died 14 Feb 1844 in his 25th year`, 9.5cm x 12.5cm (4).
Rectangular gilt framed and glazed, 19th Century, portrait miniature on ivory of a lady in blue dress with white lace trim and dark curled hair, seated at a small table painting with easel, beside her husband, also seated holding a recorder and sheet of music, in a hinged Morocco leather case, 11cm x 16cm.
Two items of ceramic to include a Sevres style cabinet cup, bleu celeste ground with gilt decoration, the cup enamelled with a portrait of Louis XIV, the saucer with interlocking monogram of the king, fascimile, printed and incised marks, cup A/F, with a late 19th Century Royal Crown Derby vase, with grotesque mask handles and raised gilt decoration on a deep blue ground, printed mark, larger approx. 11cm high.
JAMES HARDY (1832 - 1889) R.I. and R.O.I. Framed, signed, and dated 1855, watercolour on paper, portrait of a lady seated on a country path, with basket in her lap and red shawl, titled and printed on label verso `A Basket of Eggs`, `Autumn Exhibition 1985, The Barn Gallery, Worcester`, 33.5cm x 24cm. Provenance: Private Collection.
POSTCARDS - ASSORTED Approximately 310 topographical and other cards, including real photographic views of the German steamship `Deutschland` of Hamburg in dry dock; the T.S.S. Rewa moored at a landing stage; the L.B. & S.C. railway station at Crystal Palace; Southampton New Dock, May 1909, with steam navvies in operation; a carnival parade barrel organ and attendants; Baldwin St. & Clare St., Bristol; a Bristol pub, the fascia painted for Georges` Beers (stamped verso `H.G. Summers / 51 Clouds Hill Rd, St. George, Bristol`); individual and group portraits of social-history interest, and others; with views of the Franco-British Exhibition, 1908 (24 different); ten South Australian / Adelaide views, including two Aboriginal portraits; a combined portrait study of `Henri Cot, the French Giant, and Prince Colibri, the Midget`; a portrait of `Captain Clarke, the first British subject to attempt to Walk Round the World`; a canine charity mascot `Bruce of Swindon. The famous collector of £400`; and others, (two albums).
POSTCARDS - ASSORTED Approximately 140 topographical, greetings and other cards, including an artist-drawn Louis Wain Christmas card, `The Swing`, published by Raphael Tuck; another Louis Wain, `Who Said Love?`; two comic by Donald McGill; three novelty multi-views, including one shaped as a crab and another as a bathing hut, each with attached address labels; a real photographic Boys Brigade group portrait (identified verso as 1st Dublin); various hospitals, including those at Yeovil, Williton, Bristol (real photographic view of wounded soldiers at the New Wing), and Epsom (Long Grove Asylum); and others, (album).
AUTOGRAPHS Fifty-two signed and facsimile signed black and white portrait photographs, many of postcard size and form, the signed including Gordon Jackson, Wendy Hillier, Phyllis Calvert, Sally Ann Howes, Glynis Johns, Michael Wilding, Basil Radford, Peter Ustinov, Rachel Kempson [Lady Redgrave], Mary Hayley Bell, David Tomlinson, John Mills, and Eric Portman, most laid-down on paper leaves (one side only), in a cloth-bound stock book.
[LITERATURE]. Thomas, Dylan. Quite Early One Morning, first edition, Dent, London, 1954, blue cloth, dustjacket, portrait frontispiece, octavo (ownership inscription to front free endpaper; jacket chipped and nicked with small loss at spine head); Huxley, Aldous. Island, A Novel, first edition, Chatto & Windus, London, 1962, scarlet cloth, dustjacket, octavo; Spender, Stephen, & Lehmann, John, editors. Poems for Spain, first edition, Hogarth Press, London, 1939, magenta cloth, dustjacket, octavo (jacket foxed and faded, with short tears and small losses at spine ends); and thirty-eight other assorted works, mostly poetry, (41).
[LITERATURE] Swift, Jonathan. Travels into Several Remote Nations of the World... by Lemuel Gulliver..., four parts in two volumes, for Motte, London 1727, full mottled calf with gilt decorated spines in compartments, small octavo; also Swift, Jonathan, Volume III of the Author`s Works containing Travels into Several Remote Nations of the World..., for Faulkner, Dublin, 1735, full speckled calf, portrait frontispiece, six engraved map plate illustrations, small octavo, (3).
WILLIAM SKEOCH CUMMING (SCOTTISH 1864 -1929), BLACK WATCH CROSSING THE VAAL RIVER (South Africa) watercolour, signed and dated `W Skeoch Cumming 1903` 35cm x 59cm (13 3/4 x 23 1/4 inches) Mounted, framed and under glass Note: William Skeoch Cumming (28 December 1864 Edinburgh-10 April 1929 Edinburgh), was a Scottish watercolourist, mainly of military subjects and Scottish Military History. William was the fourth son of John Cumming and Jane Skeoch, who was a cousin of Horatio McCulloch. William enjoyed sketching exercises with his father before studies at the Edinburgh School of Art and the Royal Scottish Academy School, and began his art career at the Theatre Royal as a scene painter. His sketches on Scottish life appeared in the Black & White magazine of 1896. He served with the 19th Company Imperial Yeomanry (previously the East Lothian and Berwickshire Imperial Yeomanry) in the Boer War, commanded by Sir James Percy Miller (1864-1906), whose equestrian portrait he painted. On 23 February 1900 his company and two others boarded the SS Carthaginian laying at anchor on the River Clyde, and arrived at Cape Town on 19 March 1900. From here they were sent to various camps before being dispatched to the front. His sketches recorded incidents during the campaign many of which he developed into watercolours after he returned to Scotland. More than 300 of his photographs are to be found at the Imperial War Museum. Cumming returned from South Africa having suffered no more than a bout of dysentery. Once home he joined the Scottish Horse. His work is held in several Public collections and numerous notable private collections. Although his work rarely appears at auction, recent results for Skeoch Cumming watercolours include £15000 (hammer) The Black Watch at Fontenoy, lot 11, Bonhams Edinburgh 12.09.13 and £9500 (hammer) The Gordon Highlanders: Daybreak In The Trenches, lot 46, Christie`s Edinburgh 23.10.08.
JAMES NORTHCOTE RA (BRITISH 1746-1831), PORTRAIT OF A YOUNG BOY oil on canvas laid down on panel, signed and dated 1821 53cm x 42.5cm (approx 21 x 17 inches) Framed Note: Northcote was born at Plymouth, and was apprenticed to his father, a poor watchmaker. In his spare time, he drew and painted. In 1769 he left his father and set up as a portrait painter. Four years later he went to London and was admitted as a pupil into the studio and house of Sir Joshua Reynolds. At the same time he attended the Royal Academy schools. In 1775 he left Reynolds, and about two years later, having made some money by portrait painting back in Devon, he went to study in Italy. On his return to England, three years later, he revisited his native county, then settled in London, where John Opie and Henry Fuseli were his rivals. He was elected associate of the Academy in 1786, and full academician in the following spring. The "Young Princes Murdered in the Tower," his first important work on a historical subject, dates from 1786, and it was followed by the "Burial of the Princes in the Tower". Both paintings, along with seven others, were intended for Boydell`s Shakespeare Gallery. Northcote has 126 listed paintings within most of the principal UK public collections including The Tate, The V&A and The National Portrait Gallery.
ARR AFTER DAVID HOCKNEY RA (British b.1937), Exhibition poster for Staatliche Graphische Sammlung Munchen, 25 February-17 April 1977(Head and shoulders portrait of Peter Schlesinger) 91cm x 59cm framed together with another by the same hand, for the Metropolitan Opera New York 1981 (Parade) 95cm x 59cm (framed)(2)
A MID-19TH CENTURY FRENCH ORMOLU DESK ORNAMENT, incorporating a portrait medallion, depicting Henri de France, Conte de Chambord, inscribed verso, 'Presented by Son Altesse Royale le Duc de Bordeaux to Sir Thos. Jos. de Trafford Bart on his Departure from Trafford Park, 11th. November 1843', in a foliate scroll frame surmounted by a fleur-de-lys and on a canted rectangular base, engraved and mounted with hardstones, on scroll feet, 14.5cm high; together with an ormolu framed small oval wall mirror, cast with ribbon tied floral swag, ring suspension, 16cm high and a similar small oval strut frame, 10cm high (3)
STUDIO OF FRANCOIS CLOUET (1522-1572) circa 1570, portrait of Henri III, standing full length, in an interior, watercolour on vellum laid on board, 14cm by 9cm, ebonised frame with tortoiseshell mask. See illustration. Provenance: The Duke of Hamilton, The Hamilton Palace Collection, Christie's, London, July 15 1882, lot 1651. The Collection of Captain Bertram Currie of Dingley Hall, Market Harborough, London, March 27 1953, lot 17. Exhibited: South Kensington Museum, Portrait Miniatures, 1865, No. 2428
NICHOLAS DIXON, circa 1660, after Samuel Cooper, portrait of King Charles II, wearing armour and blue sash of the Order of the Garter, lace cravat and full bottomed wig, a landscape beyond, watercolour on vellum laid down on card, oval, 7.5cm x 6.2cm, ebonised pearwood frame. See illustration Provenance: W.N Rumball Collection
CONTINENTAL SCHOOL, circa 1830, portrait of King Charles XIV and III John of Sweden and Norway, half length, in military attire with blue silk sash and decorations, a landscape beyond, enamel on porcelain, oval, 7cm x 5.5cm, embossed gilt brass box frame with ring suspension; and a pair, portrait of Queen Bernardine Eugénie Désirée Clary, half length, wearing a black dress with puff sleeves, pearl necklace and feather plumed hat (2). See illustration
CHRISTIAN FRIEDRICH OF ZINKE (circa 1685-1767), portrait of Anne, Queen of England, bust length, wearing an ermine and lace trimmed yellow dress, the Order of the Garter around her neck, enamel on copper, signed and dated 1716 verso, oval, 3.9cm x 3.3cm, ormolu frame (incomplete). See illustration
SUSAN PENELOPE ROSSE, circa 1685, portrait of Mary of Modena, Beatrice d'Este, Duchess of York and Queen of England, bust length, wearing a white silk dress, ermine trimmed and gold embroidered blue robe, and pearl drop earrings, watercolour on vellum, oval, 3.2cm x 2.5cm, in original gilt brass clasp frame engraved verso with crowned cursive initials, link and loop suspension. Provenance: Countess Charlotte Sophie Bentinck (nee von Aldenburg) Sotheby's, 30 June 1980. See illustration
ATTRIBUTED TO GEORGE ENGLEHEART, circa 1780, portrait of King George III, half length, wearing Windsor uniform of blue coat with red and gold collar, cream coloured waistcoat and lace cravat, and with blue moire sash and breast star of the Order of the Garter, his powdered hair en queue, watercolour on ivory, oval, 5cm x 4cm, copper frame with loop suspension. See illustration
CHRISTIAN FRIEDRICH ZINKE, circa 1735, portrait of a Nobleman, believed to be Frederick Prince of Wales, half length, wearing a blue coat with gold frogging, white stock and lace jabot, his powdered wig tied en queue, enamel on copper, oval, 4.5cm x 3.8cm gilt brass frame with loop suspension. See illustration
SCHOOL OF WILLIAM WISSING, circa 1685, portrait of Mary II, Queen of England, when Princess of Orange, bust length, wearing a lace bordered blue dress, pearl drop earrings and with a large diamond set jewel at her corsage, oil on copper, oval 8.7cm x 7.1cm, gilt brass frame with spiral cresting and ring suspension. See illustration
JOSÉ DELGADO Y MENESES (1775-1856), portrait of King Ferdinand VII King of Spain, bust length, turned sinister, facing dexter, wearing a blue coat trimmed with braid, a blue and white sash and several decorations including a neck badge, watercolour on ivory, signed and dated 1818 lower right, oval, 6.7cm x 5cm, gilt frame with loop and ring suspension. See illustration
ATTRIBUTED TO HENRY BONE (1755-1834), portrait of Edward Gibbon, half length, facing dexter, wearing a fur-trimmed red coat, matching waistcoat and silk jabot, enamel on copper, oval, 10.1cm x 8.1cm, moulded wood frame with ring suspension. See illustration Footnote: A paper label attached verso is inscribed "Gibbon, the Statesman, enamel, from the original, painted by Sir Jos. Reynolds, who lent it to the artist, Bone"
CIRCLE OF JOHN DANIEL KAMM, circa 1750, portrait of Prince Charles Edward Stuart, half length, turned dexter, facing sinister, wearing armour with gilt studs, white lace cravat, blue sash of the Order of the Garter and green sash of the Order of the Thistle, his powdered wig en queue, his red cloak embroidered with the Star and Order of the Garter, gouache on vellum, 5.7cm x 7.7cm, later gilt plaster moulded frame. See illustration Provenance: Christie's Geneva, 9 November 1976
BAVARIAN SCHOOL, circa 1820, portrait of Maximilian I Joseph of Bavaria, bust length, wearing a blue coat with scarlet facings and silver braid, red sash and black stock, watercolour on ivory, oval, 6cm x 4cm, blue enamel and gilt brass frame, gilt tooled red morocco leather travelling case. See illustration
HENRY PIERCE BONE (1779-1855) AFTER ROBERT WALKER, portrait of Oliver Cromwell, bust length, turned sinister, facing dexter, wearing armour and white collar, enamel, inscribed verso 'Cromwell after Walker, collection of Earl Spencer at Althorp. Painted by Henry Pierce Bone, Octr. 1852' (area of restoration), oval, 10.7 cm x 8.5 cm, modern 9ct gold frame with loop suspension, Sheffield 1972. See illustration
BERNARD LENS III (1681-1740), portrait of King George I, half length, facing sinister, wearing state robes, lace jabot and collar of the Order of the Garter, gouache on ivory, signed with gilt initials lower right, extensively inscribed verso, 'Georgius Dg Mag britanniae Francia et Hiberniae Rex Fedei Defensor, Brun: et Lunen: Dux S. R. Arch Thesau: et Princeps Elector & Inauguratus XX die Octobris 1714, Kneller S.R. Imp: et Mag: Brit Baronet: pinx ab Originali Bernard Lens ** fecit May ye 18 1718', oval, 8cm x 6.5 cm, modern moulded wood frame. See illustration
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