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283287 Los(e)/Seite
Los 19
A pair of Victorian miniature watercolours on ivory, portraits of young girls, unsigned, with hair inset glass backs in 9ct gold frames, and mounted in original leather case, case height 9cm, together with another Victorian miniature watercolour portrait on ivory, in original frame with original label verso
![[Vernet, Antoine Charles Horace]. Campagnes des Francais sous le Consulat & L’Empire Album de Cinquante-Deux Batailles et](https://cdn.globalauctionplatform.com/911c0c12-a951-4f70-bc99-a9de00d2e349/bbcea31c-8d7a-4f46-b95f-a9de00dcb6ca/468x382.jpg)
Los 745
[Vernet, Antoine Charles Horace]. Campagnes des Francais sous le Consulat & L’Empire Album de Cinquante-Deux Batailles et cent Portraits des Marechaux, Generaux et Personnages les plus Illustres de L’Epoque et le Portrait de Napoleon 1er. published Paris, no date, circa mid 19th Century, portrait frontispiece, fifty-seven engraved plates, contemporary cloth, rebacked, folio
Los 5289
A 19th century portrait/mourning brooch, lady of fashion, painted on silk, hair and seed pearl arrangement to reverse, yellow metal mount; a porcelain portrait brooch, elegant lady, 800 grade silver mount; a French paste and white metal buckle; a pair paste and pearl earrings; a reverse painted Essex type brooch, flying ducks; a paste set enamel daffodil brooch (6)
Los 189
LATE VICTORIAN EMBOSSED BROWN LEATHER AND BRASS MOUNTED MUSICAL PHOTOGRAPH ALBUM, of ten leaves containing mainly family portrait cabinet photographs, but including images of large pump station wheel, shooting party of four, and tinted example of thee Welsh ladies in National Costume, 10 3/4" x 8 1/2" x 2 1/2" (27.3 x 21.5 x 6.3cm), 2 3/4" (7cm) cylinder movement complete but not working but with original key and a SMALL PLUSH FABRIC AND BRASS MOUNTED PHOTOGRAPH ALBUM OF 24 LEAVES, approx 116 photographs in total (2)
Los 87
A Battersea enamel snuff box c.1750-55, the rectangular form engraved by Ravenet, printed in puce to the top of the cover with Britannia Surrounded by the Arts and Sciences, the interior with a portrait of Frederick, Prince of Wales, the base with putti before a lion and a large flag, within a shaped cartouche, the sides with further putti emblematic of the Arts, with gilt metal mounts, some cracking, 9cm. Provenance: the Watney Collection. Cf. Susan Benjamin, English Enamel Boxes, p.38, no. 2 for an identical example.
Los 86
Theatrical interest: An English enamel patch box c.1780-1800, the oval form printed in black to the cover with a head and shoulders portrait of R B Sheridan, titled, the sides and base enamelled in pink, a mirror fitted to the inside of the cover, some cracking and chipping, 4.7cm. Provenance: the Watney Collection. Richard Brinsley Butler Sheridan (30 October 1751 - 7th July 1816) was an Irish, satirist, playwright and proprietor of The London Theatre Royal, Drury Lane. He was also a Whig MP between 1780 and 1812.
Los 88
A Battersea enamel portrait plaque c.1753-56, the oval form printed in puce with a profile portrait of Prince William Augustus, Duke of Cumberland, engraved by Ravenet, in a gilt metal frame, some repairs, 10.5cm overall. Provenance: The Cyril Cook Collection, no.236. The Watney Collection. Cf. T and B Hughes, English Painted Enamels, p.18, fig.2 for a similar example.
Los 81
Two Birmingham or Liverpool enamel badges c.1770 and later, one printed in black with elements from the arms of the Society of Bucks, one side with the Society's emblems, the reverse with the fable of the Father, Son and Donkey, the other printed and coloured, to one side with the figure of Justice within a beaded border, the reverse with a profile portrait of a hooded, bearded man within the inscription 'Lodge No 2 of Modern Druid, Established at Stockport 1818', the latter cracked, 7.8cm overall. (2) Provenance: the Watney Collection. Cf. 18th Century English Transfer-Printed Porcelain and Enamels, The Joseph M. Handley Collection, p.286 for a similar example of the first badge.
Los 85
A Battersea enamel plaque c.1753-56, the oval form printed in brown with a portrait of a Chancellor of the Exchequer, probably intended to be Henry Boyle, 1st Earl of Shannon, unmounted, 9cm. Provenance: the Watney Collection The identity of the subject is discussed by Bernard Watney, 'The Chancellor on a Battersea Enamel', ECC Trans Vol 7, pt 1 (1968). W B Honey suggested that the print was the work of two hands, the head by Ravenet and the costume by Hancock. See The Connoisseur, Vol LXXIV, 1932. Watney concluded that the subject was perhaps Henry Pelham after an engraving by John Hinton; however, more recent suggestion has been made that the likeness more closely resembles Henry Boyle.
Los 232
A rare Derby figure group of Isabella with a Gallant and Jester c.1765, after a Meissen group of The Hypochondriac by J J Kändler, the young lovers canoodling before flowering bocage, attended by a subservient Harlequin proffering chocolate cups on a small tray, some good restoration, 27.5cm. Cf. Len and Yvonne Adams, Meissen Portrait Figures, p 190, for the original group, which includes a fourth figure behind the couple.
Los 89
A Birmingham enamel theatrical portrait plaque c.1780-90, the oval form printed in manganese with a half-length portrait of Samuel Reddish in the role of Young Bevil, mounted in a gilt metal frame, some cracking, 8.2cm. Provenance: the Watney Collection. The print is taken from a 1777 engraving in Bell's British Theatre, signed I Roberts, of Mr Reddish in his role in The Conscious Lovers. Samuel Reddish (1735-85) was an actor and director from Frome, who played Macduff opposite Garrick's Macbeth in 1767. In 1779 he began to show signs of forgetfulness, and in 1785 is recorded as dying in the York asylum as a lunatic.
Los 300
Tim Fowler, William Hogarth, 2019, mixed media on paper, signed, framed size 105cm x 105cm. On view in situ at New Walk Museum & Art Gallery, Leicester.To be offered, without fees, on behalf of the City of Leicester Museums Trust (COLMT) in support of the 'Save the Hogarth' campaign.This highly distinctive portrait of William Hogarth has been commissioned by COLMT from one of Leicester's leading contemporary artists Tim Fowler. All proceeds generated from the sale of this work will be going to the campaign to save one of Hogarth's most significant conversation family portraits painted in 1730, 'The Wollaston Family'. The COLMT are in a unique position to acquire 'The Wollaston Family' for the city's permanent Collection, having had the work on loan for the last 75 years hanging in the New Walk Museum & Art Gallery, where it has become a much cherished focal point of the Victorian Gallery. The work is at risk of being sold unless COLMT are able to raise £565,000 to save it for the City of Leicester, and nation, from becoming available to the open market and private art investors. Further details of the campaign can be found at www.leicester.gov.uk/hogarth with public donations accepted via www.spacehive.com/savehogarth .Tim Fowler’s work is characterised by its bold and intense use of colour. This Hogarth portrait combines a multitude of media including acrylic, enamel, gloss, spray paint, ink, graffiti paints, oil sticks and marker pens. Further details of his career and art can be found at timjfowler.co.uk . The portrait has been generously framed by A&G Picture Framers, Maker's Yard, Leicester.
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283287 Los(e)/Seite