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283287 Los(e)/Seite
A tortoiseshell oval box cover, carved in bold relief with a head and shoulders portrait of Queen Anne, 7cm high (2 3/4"), (chipped), a 19th century ivory folding ruler, signed Norris, Bull St. Birmingham, a 19th century metal mounted treen hound shaped penknife (blade damaged), and other items
Wedgwood: K29 42 hunting scenes jug with raised dog handle, along with a Portuguese majolica cauliflower dish, a Japanese lidded majolica-type mustard pot, three Ridgways mustard glaze portrait plates (two LLoyd George one Chamberlain) plus a Fielding & co glazed advertising jug 'Sanderson's mountain Dew', Leith (q)
Lord Nelson. A commemorative transfer printed and brown glazed creamware jug, printed in yellow with a portrait medallion of ADML LD NELSON and inscribed ENGLAND EXPECTS EVERY MAN TO DO HIS DUTY reserved on floral, mesh and vermiculi patterns, 15cm h, early 19th c Minor old chip to the tip of the lip. No restoration
A pair of Kerr & Binns spill vases, painted en grisaille possibly by Thomas Bott with classical portrait medallions framed by gilt foliage tied with a puce ribbon, the rims gilt, 10.5cm h, red printed shield mark, 1858 Even fine crazing of the glaze which is hardly noticeable and does not detract, some slight oxidisation of the blue background to the portrait medallions (please ask for images)
English School, c1850 - A Lady and a Gentleman, a pair, oval, ivory, 6.5 x 5.5cm, giltmetal frames; English School c1900 two ladies, by the same hand, oval, ivory, in giltmetal frames; an early 19th c portrait miniature of a gentleman in a blue coat, ivory, oval, 5 x 4cm, in papier mâché frame with giltmetal leaf hanger (5) All in fine condition
English School, early 19th c - A Gentleman, in a black coat, ivory, 8 x 6cm, in papier mâché frame with giltmetal acorn hanger; an oval portrait miniature of a lady, brass frame (2) Gentleman - the ivory very slightly warped with small spot of flaking extreme lower left and rather speckled with dirt/dust. Lady - cracked and with surface rubbing
John Smart - A Lady, wearing a ribbon in her hair and blue trimmed white gown, signed with initials JS, dated 1786 and inscribed I, ivory, oval, 5.2 x 3.8cm, in gold frame with bright cut reverse centred by a glazed oval This ravishing portrait was painted shortly after Smart's arrival in India. Having obtained permission of the East India Company, he and his daughter Anna Maria sailed on the 19th April 1785 on board the "Dutton" bound for Madras. On arrival they took up residence in North Street, Fort St George. He enjoyed the patronage of the Nawab of Arcot, government officials, army officers and many of the English residents. Much of Smart's finest work dates from the ten years he spent in India. The unknown sitter's fashionable dress is closely similar to those of Lady Oakley and Charlotte Porcher who sat to Smart in India in 1786 and 1788 respectively. See Foskitt (Daphne) John Smart the Man and his Miniatures, plt XVIII. In a fine state of preservation
Royal - William IV's copy. Watkins (John) - A Biographical Memoir of ..... Frederick, Duke of York and Albany... with numerous anecdotes of the Royal Family, etc , portrait and plts inc folding funeral procession, half scarlet morocco gilt, bookplates of William IV, Colonel FitzClarence and the Earl of Munster: Henry Fisher, Son, & Co, 1827
ENGLISH SCHOOLA Gentleman bust length in profile, pencil and watercolour on card, 11 x 9cm, with a label on the backboard inscribed "This likeness taken by a person in Carrington Street, Nottingham on Monday March 24 1845 Edw. Moody", in maple frame; and a naive watercolour portrait of a lady in a green dress (2)
CHARLES JENOUR Portrait of Lieutenant William Innes three-quarter length in uniform, signed and inscribed on the backboard Wm Innes Lieut. 15th Regt - 1837 Ch Jenour artist and further inscribed Mrs Greig Sibston, pastel, 19 x 15cm, in maple frame In an excellent state of preservation in what is probably the original frame
MARY ELIZABETH BERRY Portrait of Kate Berry head and shoulders, signed, 44 x 34cm Localised instability of the paint surface near the extreme upper margin with small spot of flaked paint. Some minor craqueleur in the lower part of the composition but in overall very good condition although the varnish in need of a light clean. In what is probably the original 'Rosetti' gilt oak and incised frame
Lisle, Edward. Observations on Husbandry. 4to., 1757. Engraved portrait frontispiece, some offsetting to the title-page. Worming to the upper margin of the first hundred pages, with one industrious gourmet feasting on to page 381. Contemporary full calf binding, rubbed, hinges cracked and weak.
A VICTORIAN NAVAL GROG BOWL, earthenware, transfer-printed in underglaze blue with a cartouche inscribed MESS/No 29 (inverted) within vignettes of naval scenes and a portrait vignette of the young Queen Victoria, the interior printed with a central royal Crown and foliate border, impressed mark of quatrefoil form, probably Spode, 16.5cm, (6.5in) diameter
A LATE GEORGIAN WATERCOLOUR MINIATURE PORTRAIT OF A GENTLEMAN, depicted in profile facing left, in white stock and black jacket, 7.5cm x 7cm, (3in x 2.75in), in contemporary laurel-decorated gilt frame under glass, the later backing paper inscribed "From the late Earl of Lonsdale's Collection 1950"
Tompion: A LATE GEORGE III GENTLEMAN'S SILVER PAIR-CASED POCKET WATCH, the white dial having arabic hour numerals, the fuseé movement with verge escapement having an elaborately pierced balance cock with bust portrait of a gentleman, signed Edwd. Tompion, London, No 142 32, the cases having matching hallmarks for Birmingham, 1818, maker S.P. (incuse), (no duty mark)
A Meissen group Allegorical of the Arts circa 1880, modelled as a putti seated painting a portrait of a cherub at an easel, another putti seated on the floor in the foreground, whilst another standing is leaning over the easel, a sketchbook under his arm, raised on a shaped base decorated with gilt scrollwork beneath a band of green-tinted leaves tied with pink ribbon, crossed swords in underglaze-blue, impressed 144, script painter's numeral 20, 18.4cm., 7.25in. small chips and losses
Two German engraved George II portrait tankards possibly Bohemian, circa 1740, each cylindrical form with everted foot ring and applied scroll handle, one engraved with a portrait of a bewigged gentleman inscribed God blefs King George., the other with an equestrian portrait inscribed God blefs King George the Second, all within a polished slit and oval frame, flanked by further cut and polished stylised decoration, 17cm. and 16.4cm., 6.625in. and 6.325in. (2)

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283287 Los(e)/Seite