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283284 Los(e)/Seite
Los 1292
Cecil Lallee - An early 20th Century chalk pastel study -painting depicting a portrait of a lady wearing a blue stone necklace and black dress, set within an ebonised and gilt oval frame. Paper labels to verso reading Royal Institute Galleries Piccadilly London, Portrait of Mrs Bailward, Artist Mrs Cecil Lallee, framed a Middleton's on King's Road Chelsea. 44cm x 53cm.
Los 267
A LARGE COLLECTION OF PAPER EPHEMERA 19TH AND 20TH CENTURY Comprising: a large number of Japanese woodblock prints; a portrait by Ikeda Shozo (1922-2004), two depictions of birds and flowers entitled Early Summer and Winter by Rakuzan Tsuchiya (1896-1976), bookplates, maps, and other printed and painted items. (a lot) PLEASE NOTE THIS LOT IS TO BE OFFERED AT NO RESERVE.
Los 38
Christopher Wood (British, 1901-1930)Portrait of a Young Man oil on canvas41.2 x 33.6 cm. (16 1/4 x 13 1/4 in.)Painted in 1927Footnotes:ProvenanceP.H.B. BurtonWith Mercury Gallery, London, 28 June 1977, where purchased by the family of the present ownerPrivate Collection, U.K.ExhibitedLondon, The New Burlington Galleries, Christopher Wood: Exhibition of Complete Works, 3 March-2 April 1938, cat.no.249London, Mercury Gallery, Christopher Wood: Paintings, Watercolours, Drawings, 29 June-23 July 1977, cat.no.6, exh.no.201LiteratureEric Newton, Christopher Wood 1901-1930, The Redfern Gallery, London, 1938, p.70, cat.no.249In 1927 Christopher Wood left London and returned to Paris where he moved into Tony Gandarillas' new Passy apartment. It was a tough time for the artist who was dissatisfied with much of his recent work, which was predominantly a mixture of still life, landscape views of the Passy streets and the River Seine. However, it was also at this point that he completed one of his finest works, the almost life-size Self-Portrait (Kettle's Yard, University of Cambridge) that oozes with self-confidence and illustrates the artist as a young man, standing on the balcony, holding a paintbrush and with a background of houses amidst a captivating Prussian blue sky.The only other portrait listed in Eric Newton's 1938 literature on the artist from this year is the present work, Portrait of a Young Man. Like the aforementioned Self-portrait, which was likely painted earlier in the year, it is a confident example which no doubt depicts an attractive member of Wood and Gandarillas' male circle. The head and shoulders of the sitter dominate the canvas with little room for anything other than the intriguing background, which with its moody sky and formation of clouds gives no clue of specific location but hints at Surrealism. Wood's use of the dark palette is characteristic of his time spent in Vence later in the year where he was nursing his friend René Crevel, a member of the Surrealist movement, and inspired to paint darker landscapes that were influenced by Van Gogh's paintings of St Rémy.For further information on this lot please visit Bonhams.com
Los 4
Vanessa Bell (British, 1879-1961)Self Portrait signed with initials, inscribed and dated 'VB/Self Portrait/50?' (in Duncan Grant's hand, verso)oil on canvas42 x 31 cm. (16 1/2 x 12 1/4 in.)Painted circa 1952Footnotes:ProvenancePossibly Adams Gallery, London, 1961, where purchased byCyril ConnollySale; Christie's, London, 1 July 1993, lot 22Sale; Christie's, London, 11 March 1994, lot 117Private Collection, U.K.ExhibitedLondon, Adams Gallery, Exhibition of Paintings by Vanessa Bell, October 1961, cat.no.39London, Belgrave Gallery, British Post-Impressionist and Moderns, February-March 1985, cat.no.1London, National Portrait Gallery, Mirror, Mirror: Self Portraits by Women Artists, 12 September 2001-20 January 2002; this exhibition travelled to Leeds, Leeds City Art Gallery, 18 April-9 June, Bath, Victoria Art Gallery, 22 June-1 August and Canterbury, Royal Museum & Art Gallery, 7 September-2 November 2002London, Dulwich Picture Gallery, Vanessa Bell, 8 February-4 June 2017LiteratureSarah Milroy & Ian A.C. Dejardin, Vanessa Bell, Philip Wilson Publishers, London, 2017, pp.178-9 (col.ill)Richard Shone, The Art of Bloomsbury, Roger Fry, Vanessa Bell and Duncan Grant, Tate Gallery Publishing, London, 1999, p.236, fig.133 (ill.b&w.)There are five extant self-portraits by Vanessa Bell dating from her last decade. All in their ways are revealing of her gradual withdrawal from the world as she confronts herself in her attic studio at Charleston. To anyone who knows something of Bell's character and art they can be mined for their biographical and aesthetic disclosures on several levels. For anyone knowing nothing of her, they might strike a chord of detachment, painted in a modest, even tentative style, the brushwork behaving itself in front of her watchful presence. The tonal range is quite low; it is warm but not effusive; the drawing is soft-edged, following but not emphasising the contours. Here she is, in her studio beneath the eves in the near silence of Charleston's second floor, among the few sounds, those barely audible ones of the painter's activity – the unscrewing of a paint tube , the exchange of brushes, the mixing of oil and turpentine. It was up here that, as her daughter Angelica said, 'she was in heaven'.The present Self-portrait contains paintbrushes, a plate for a palette and a framed painting by the artist, probably an Italian townscape, leaning against shelving behind her. The chair is covered in the fabric Bell had designed for Alan Walton's company in the early 1930s. A beam at top left shows the sharp slope of the studio ceiling; the room is lit from a long window overlooking Charleston's walled garden. Bell wears a broad sunhat to temper the distraction of light above her: when one is seated in her studio, there is only sky to be seen through the window. The hat shades her face whose features are indicated rather than spelt out, much as she had done forty years before in several portraits and figures . She looks extraordinarily like Virginia Woolf in her well-known painting of her sister in a deckchair of c. 1912. Some commentators have read this near-blankness as deliberate self-effacement but this goes against what we know of her personality and aesthetic. She was never a 'symbolic' painter; she did not aim to convey states of mind or make the viewer alert to some psychological undertow (though this is not absent from some her works). It is from her manner of painting, her choice of subject and colour scheme, her refusal to be drawn away from what she sees in front of her that we can deduce, especially in this painting, those elements of reticence, modesty and watchfulness that characterise her work, 'steeped in emotion deep but contained' as her friend and admirer Dunoyer de Segonzac wrote of her .We are grateful to Richard Shone for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 5
Roger Fry (British, 1866-1934)Portrait of E.M. Forster oil on canvas73 x 60 cm. (28 1/4 x 23 5/8 in.)Painted in 1911Footnotes:ProvenanceThe ArtistEdward Morgan Forster (1879-1970)Florence Barger, thence by family descentWith Anthony d'Offay Gallery, London, 1984Private Collection, U.S.A.ExhibitedLondon, Alpine Club Gallery, Paintings and Drawings by Roger Fry, January 1912, cat.no.2 (as A Novelist)London, Arts Council, The Arts Council Gallery, Vision and Design: The Life, Work and Influence of Roger Fry, 17 March-16 April 1966, cat.no.10; this exhibition travelled to Nottingham, University Art Gallery, 27 April-22 May, Leeds, City Art Gallery, 28 May-18 June, Newcastle upon Tyne, Laing Art Gallery, 25 June-16 July, Manchester, City Art Gallery, 23 July-13 August 1966London, Courtauld Institute Gallery, Portraits by Roger Fry, 18 September-14 October 1976, cat.no.6, pl.3; this exhibition travelled to Sheffield, Mappin Art Gallery, 23 October-21 November 1976London, Anthony d'Offay Gallery, The Omega Workshops: Alliance and Enmity in English Art 1911-1920, 18 January-6 March 1984, cat.no.23LiteratureQuentin Bell, Bloomsbury, Futura Publications Ltd., London, 1974, pp.48-9 (ill.b&w.)S.P. Rosenbaum, The Bloomsbury Group: A Collection of Memoirs and Commentary, Croom Helm, 1975Philip Nicholas Furbank, E.M. Forster: A Life, Volume One, The Growth of the Novelist 1879-1914, Secker & Warburg, London, 1977, pp.205-7 (front cover illustration)Frances Spalding, Roger Fry, Art and Life, University of California Press, California, 1980, pl.51Richard Shone, The Art of Bloomsbury: Roger Fry, Vanessa Bell and Duncan Grant, Tate Gallery Publishing Ltd., London, 1999, p.93, fig.80 (ill.b&w.)Wendy Moffat, E.M. Forster. A New Life, Bloomsbury, London, 2010, p.106The sitter in this arresting portrait needs little introduction. In 1911 Edward Morgan Forster (1879-1970) had recently reached a new audience and a breadth of critical acclaim with his fourth novel Howards End, published in 1910. He was not, however, a well-known figure in the London literary world. He lived comfortably with his widowed mother in Weybridge, invariably stayed in a club if he visited London for a night and kept to a relatively small circle of friends. Several of these he had met through the Cambridge University society known as The Apostles. Friends from an earlier generation at King's College included the writer Goldsworthy Lowes Dickinson (1862-1932) and Roger Fry (1866-1934). Dickinson and Fry were close friends and both followed with great interest Forster's career, beginning with his first novel Where Angels Fear to Tread (1905). Over the years, Fry seems to have read everything Forster published. There was great praise for A Passage to India (1924) – 'a marvelous texture – really beautiful writing,' he wrote to Virginia Woolf, although he had reservations about the intrusive mysticism towards the end of the novel (as well as in other writings by Fortser). The novel was translated into French by Fry's friend Charles Mauron whom Forster came to know well and whom he appointed as his French translator. (He also translated Woolf's Orlando). And a few months before his death, Fry read Forster's biography of Dickinson:'it's beautifully done, I think', he wrote to Gerald Brenan, 'and it was a desperately difficult thing to do' (implying that the British public were not yet ready for male foot fetishism).Very early on, before Fry and Forster came to know one another, Forster admired a series of Adult Education lectures on art that Fry gave in Cambridge, in his pre-Post-Impressionist years. Later, in an early draft of A Room with a View, Forster included a character called Rankin (later dropped from the novel), an art historian attending tea-parties in Florence at which Florentine attributions were a leading topic and 'pictures were snatched from one great name and thrust upon another, or slighted and left as doubtful [. . . ] or utterly damned as the work of a clever forger who flourished in the middle of the nineteenth century at Hamburg'. In her recent book Roger Fry and Italian Art (London 2019), Caroline Elam gives an excellent, detailed account of Fry and Forster and the influence of the former's aesthetics on the latter (although Forster was never entirely converted to Fry's full-on formalism). Fry drew curious endpapers and a non-figurative cover for Forster's book of short stories The Celestial Omnibus, published in the same year as the present portrait was painted. Just as Fry was completing the picture (painted in his house at Guildford), Forster wrote to a friend, that he appeared to be 'a bright healthy young man, without one hand, it is true, and very queer legs, perhaps the result of an aeroplane accident, as he seems to have fallen from an immense height on to a sofa' (letter to Florence Barger, 24 December 1911). Actually Forster liked the picture and bought it but, after it was shown in Fry's one-artist exhibition in 1912, he gave it to his great friend Florence Barger and it was not seen again in public for well over fifty years. This is an important work in Fry's development as a painter and is certainly among his most accomplished portraits. Forster is depicted as both alert and yet slightly ironic in expression, finding himself plopped down among Post-Impressionist-seeming fabrics. Earlier in the year Fry had been in Turkey with Clive and Vanessa Bell and had sent a mass of textiles, mostly from Brusa, the historic centre for Turkish textile production, back to England. Some may well feature among the variety shown here and would have influenced Fry's own designs; the patterned cushion by Forster's left shoulder pre-figures textiles he designed for the Omega Workshops a year or so later. Frances Spalding has rightly drawn attention to the faceting and angularities of Forster's head (which Lytton Strachey called 'triangular'), almost certainly derived from Picasso's 1909 portrait of Clovis Sagot, which Fry had included in his momentous exhibition Manet and the Post-Impressionists held in London in 1910-11. In the same exhibition was Matisse's 1908 Girl with Green Eyes which also appears to have guided aspects of Fry's work here – the simple frontality of a figure seen against a busy but essentially flat background. The green modeling on Forster's face is further indebted to Matisse's recent portraits of his wife and himself.A number of painted and sculpted images of the men and women associated with Bloomsbury have become canonical and are frequently reproduced. Among them are, of course, several works by Grant and Bell (such as portraits of Virginia Woolf of 1911-12); Strachey by Henry Lamb; Maynard and Lydia Keynes by William Roberts. Forster was often photographed but not much painted – two portraits of him by Carrington and Vanessa Bell, and drawings by Grant, William Rothenstein and Paul Cadmus. The present portrait deserves to be better known, commemorating as it does, not only a warm personal friendship but also the association of two highly influential figures from the early twentieth century whose reputations have not dimmed.We are grateful to Richard Shone for compiling this catalogue entry.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 415
A 19TH CENTURY TORTOISESHELL CIRCULAR BOX, with pique inset greek key borders, the cover inset with a glazed panel painted with a naked maiden in a landscape, 7.8cm diameter; and another circular tortoiseshell box, the cover inset with a 19th Century oval miniature portrait of a lady, watercolour on ivory, 8cm diameter (2)
Los 416
A LATE VICTORIAN SILVER CIRCULAR PILL BOX, repoussé decorated with scrolls, Birmingham 1900, 3cm; another silver pill box; a silver cased whole walnut box, stamped 925; an enamel propelling pencil painted with a cherub; a glazed circular miniature portrait of a young girl; a pair of mother of pearl and guilloche enamel opera glasses, painted with flowers (AF); a gilt compact, decorated with flowers; and four various decorative boxes (11)
Los 421
AN EARLY 20TH CENTURY SILVER OVERLAID GLASS SCENT BOTTLE AND STOPPER, with pierced and engraved foliate decoration, 11.5cm high; two pairs of Norwegian silver and vari-coloured enamel topped cut glass scent bottles, each pair on a fitted oval plate stand; a silver and blue enamel topped glass jar, Birmingham 1926; a cut glass powder jar, the top inset with an Art Nouveau style embossed portrait of a lady; and one other small silver topped jar (qty)
Los 6
CHEN ZI (1634-1713) PORTRAIT OF CHEN HONGSHOU A Chinese scroll painting, ink on paper, title-slip reads Chen Xiaolian zhang li xing yin tu, dated the gengchen year (1700), signed Zi Xiaolian with one artist's seal, inscribed by Gao Fenghan with seven artist's seals, also inscribed by Liu Qinglan with one artist's seal, with one collector's seal which reads Cheng Bo jiu, 66cm x 26cm.陳字（1634-1713） 杖黎行吟圖 水墨紙本 立軸題識：（一）老蓮人奇畫自奇，奇從骨里結成之，怪來拂草螢披妙，亦調徐熙亦有兒。陳章侯號老蓮，小蓮其裔也，為子為孫為暇細考。向于金陵曾見其畫冊，綽有章侯遺意，今觀此畫後超亦宗殊有鳳毛也。南梁君其好收之，乾隆庚辰學弟高鳳翰題。（二）杖黎影外露春光，墅客行吟味自長。不是簪花貪愛好，只應遊戲少年場。甲午四月劉晴嵐題。款識：庚辰仲春為石第世長兄寫，字小蓮。鈐印：不求形似、鳳翰、老阜、西園居士、興來不暇懶、老大轉抄、豁然開懷、劉晴嵐、程伯舊收藏印。
Los 336
Alan Dale signed 10 x 8 colour Ugly Betty Portrait Photo, from in person collection autographed at London Theatre 2008. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 337
Adrian Brody signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Film Festival 2007. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 338
Aaron Eckhart signed 10 x 8 b/w Photoshoot Portrait Photo, from in person collection autographed at BBC Radio London 2016. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 340
Ashley Jensen signed 10 x 8 colour Ugly Betty Portrait Photo, from in person collection autographed at TV Studios London 2007. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 341
America Ferrara signed 10 x 8 colour Ugly Betty Portrait Photo, from in person collection autographed at Theatre London 2011. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 344
Anna Faris signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at TV Studios London 2011. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 346
Billy Ray Cyrus signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at BBC Radio London 2009. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 348
Billy Boyd signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at TV Studios London 2011. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 349
Brian Krause signed 10 x 8 colour Charmed Portrait Photo, from in person collection autographed at London Convention 2012. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 350
Bobby Davro signed 10 x 8 colour Comedian Portrait Photo, from in person collection autographed at Theatre Surrey 2016. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 355
Adrian Pasdar signed 10 x 8 colour Heroes Portrait Photo, from in person collection autographed at BBC Radio Studios 2007. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 360
Craig Fairbrass signed 10 x 8 colour Stargate Portrait Photo, from in person collection autographed at Film Premiere 2012. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 362
Craig David signed 10 x 8 colour Music Photoshoot Portrait Photo, from in person collection autographed at London TV Studios 2017 dedicated to Lee. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 365
Cuba Gooding JR signed 10 x 8 colour Hero Wanted Movie Portrait Photo, from in person collection autographed at Baftas London 2017. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 368
Colin Firth signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at Baftas London 2010. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 369
Chris Sarandon signed 10 x 8 colour Bordello Of Blood Movie Portrait Photo, from in person collection autographed at London Convention 2009. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 370
Cherry Jones signed 10 x 8 colour 24 Photoshoot Portrait Photo, from in person collection autographed at New York 2014. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 371
Carla Gugino signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Premiere 2010. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 372
Christina Ricci signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Premiere 2008. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 375
Don Cheadle signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at New York 2014. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 379
Dougray Scott signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Film Festival 2008. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 380
David Suchet signed 10 x 8 colour Poirot Portrait Photo, from in person collection autographed at Theatre London 2013. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 386
Douglas Booth signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Theatre 2017. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 387
David Boreanz signed 10 x 8 colour Bones Photoshoot Portrait Photo, from in person collection autographed at New York 2014. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 388
Danny Huston signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at Theatre London 2017. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 393
Diane Kruger signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Premiere 2009. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 394
Elizabeth Banks signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at New York 2014. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 395
Eric Dane signed 10 x 8 colour Grey's Anatomy Portrait Photo, from in person collection autographed at New York 2014. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 397
Emile Hirsch signed 10 x 8 colour Speed Racer Portrait Photo, from in person collection autographed at Speed Racer London Premiere 2008. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 402
Guy Ritchie signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 403
Guy Pierce signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Premiere 2012. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 406
Harry Hill signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at The Comedy Awards London 2009. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 412
John Lithgow signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at Theatre London 2012. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 413
John Lithgow signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at Theatre London 2012. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
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283284 Los(e)/Seite