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Three Coin Albums of English pre decimal Coinage, half penny to shilling, a small quantity of pre 1947 50% silver coinage and a few other loose pre decimal coinage, eight commemorative crowns and two £5 commemorative crowns, all various conditions, two series `C` portrait £1 notes and a Fforde ten shilling note, all v.fine.
Clare Trenchard Hareman I & II Bronze resin Edition of 5 185cm.; 73ins high Clare studied at the Chelsea School of Art and graduated with a BA in Fine Arts in 1978. Her work is modelled from life in clay, plaster or wax and cast in bronze and bronze resin. She has exhibited at the ICA in London and for The Society of Portrait Sculptors. Her work is exhibited widely across the West Country of England.
Lithographic print of painting by Titian entitled Portrait of a Man, originally painted 1518 (c.1514-18)Acquirer Charles II (1630-85). Among the pictures presented to Charles II in 1660 by the States of Holland and West Friesland.Oil on canvas. Dated variously as from 1511 to early 1520s, the vestments and hairstyle worn by the sitter would indicate a date closer to 1513. Although the sitter is unknown, the pose with his finger marking a page in the book, suggests a writer or humanist the most likely of whom being the Neapolitan poet Jacopo Sannazaro (1458-1530) and is listed as such in The Queen`s Collection.Print size inches: 7.7 x 9.3
Lithographic print of painting by Artemisia Gentileschi entitled Self-portrait as Pittura, originally painted c.1638-9.Recorded by the trustees of the sales of Charles I in October 1649 at Hampton Court; sold to Jackson on 23rd October 1651. Recovered at the Restoration.Oil on canvas. Painted as a self-portrait in accordance with the description of the personification of `Painting` given in the Iconologia of Cesare Ripa (1611): A beautiful woman with full black hair, gold chain and iridescent clothing. It is probable that Artemisia produced this work during her stay in London from 1638 - 41.Print size inches: 7.1 x 9.4
Set of two lithographic prints comprising:lithographic print of painting by Pompeo Batoni entitled Edward Augustus, Duke of York (1739 - 1767), originally painted Attributed to the Studio of Pompeo Girolamo Batoni and created in 1764 or later.Acquired by Victoria, Queen of the United Kingdom (1819-1901) the portrait was first recorded at Buckingham Palace in 1876.The Duke was the younger brother of George III; he served in the Navy and is seen here in the undress uniform of a flag officer wearing the Garter. He was in Italy in 1763-64, and while in Rome he sat for Batoni.Print size inches: 6.8 x 9.4 together with lithographic print of painting by Johann Zoffany entitled The Tribuna of the Uffizi, originally painted Created in 1777 and brought to England in 1779Oil on canvas; commissioned by Queen Charlotte.In the summer of 1772, Zoffany travelled to Florence to commence work on the Grand Duke of Tuscany`s collection in the Tribuna of the Uffizi. Built by Francesco de` Medici to a design by Bernado Buontalenti in 1585-9, this hexagonal domed room at the Uffizi Palace, displayed the masterpieces of the Medici collection. Zoffany brings into his painting other works and objects from elsewhere in the Grand Duke`s collection to create a symposium in accordance with contemporary taste. He includes portraits of Florentine connoisseurs and diplomats in addition to young Englishmen passing through the city on the Grand Tour.Print size inches: 8.9 x 7.1
Set of two lithographic prints comprising:lithographic print of painting by Guido Reni entitled Cleopatra with the Asp, originally painted c.1628Acquired Frederick Louis, Prince of Wales, 1st son of George II, King of Great Britain (1707-51). Acquired in or before 1749.Oil on canvas, the painting was hung in the Prince`s Closet at Leicester House. Executed in the late 1620s, Reni is known to have painted at least three other versions. According to Reni`s biographer Carlo Cesare Malvascia, Cleopatra was commissioned by his friend Palma Giovane (d.1628) for Boselli, a Venetian merchant, to be judged in competition with companion pictures by Giovane, Renieri and Guercino. Although Reni did not win the competition, Renieri purchased the painting following Boselli`s death.Print size inches: 7.7 x 9.3 together with lithographic print of painting by Artemisia Gentileschi entitled Self-portrait as Pittura, originally painted c.1638-9.Recorded by the trustees of the sales of Charles I in October 1649 at Hampton Court; sold to Jackson on 23rd October 1651. Recovered at the Restoration.Oil on canvas. Painted as a self-portrait in accordance with the description of the personification of `Painting` given in the Iconologia of Cesare Ripa (1611): A beautiful woman with full black hair, gold chain and iridescent clothing. It is probable that Artemisia produced this work during her stay in London from 1638 - 41.Print size inches: 7.1 x 9.4
Lithographic print of drawing by Giovanni Bellini entitled Head of an old Man, originally drawn c.1460-70First recorded in The Royal Collection inventory of c.1810.Brush drawing on blue paper, heightened with white. Attributed to Giovanni Bellini on the grounds that the portrait closely resembles St. Anthony Abbot in the polyptych painted by Giovanni for the church of Clarita at Venice (c.1462-64).Print size inches: 7.3 x 9.9
Lithographic print of painting by Giovanni Bellini entitled Portrait of a Young Man, originally painted c.1505Acquired by George III, King of the United Kingdom (1738-1820) in 1762 as part of the collection of British Consul Joseph Smith.Oil on panel. Signed below on a label, this painting is one of the last surviving portraits executed by Bellini. Although unidentified, the apparel worn by the sitter is typical of a Venetian cittadino and may possibly be the Venetian writer and humanist Pietro Bembo (1470-1547).Print size inches: 7.4 x 9.4
A SET OF FIVE CORAL SHIRT STUDS, each with a gilt metal serpent mount, cased; together with a gold tie or stick pin with an oval memorial miniature portrait and another gilt metal stick pin, with oval miniature portrait on enamel; seven assorted coins and a set of four silver salt and mustard spoons and a larger Victorian crested silver salt spoon. (19)
A VERY RARE PAIR OF ACID ENGRAVED GLASS CLARET JUGS, 19th century, probably by the Pugh Family of Glassmakers, Dublin c. 1863-1890, commemorating Master McGrath's record three victories in the Waterloo Cup, 1868, 1869, and 1871, each with a portrait of the greyhound within an oval and two stags verso, 10.25in (26cm). (2)
Mandela, (Nelson), The Long Walk to Freedom, Littlebrown and Company 1996, limited edition of 425 copies, numbered 224/425, limited edition. Note: This beautifully illustrated and limited edition of Nelson Mandela's brilliant autobiography is quarter bound by hand in wassa goatskin leather from South Africa and housed in the original custom made, silk-lined presentation box complete with a silk ribbon bookmark. It includes a specially commissioned portrait of the author taken by Benny Gool that is signed by Mandela and dated 28.10.96.
A VERY FINE AND UNUSUAL REGENCY PERIOD BRASS INLAID AND BRASS MOUNTED BREAKFRONT SECRETAIRE LIBRARY BOOK CASE, the moulded cornice above a brass inlaid frieze and four Gothic style doors, with very attractive brass glazing bars, enclosing adjustable shelves, on a conforming base, with pull out drop front secretaire drawer, enclosing a fitted interior, with drawers pigeon holes and a centre brass inlaid cupboard, flanked to either side with two box type drawers, each with a brass knob depicting a portrait in relief and four similar brass inlaid doors below, on a short plinth, 98in (249cm)h x 104in (264cm)w. (1)
A VERY ATTRACTIVE EDWARDIAN DECORATED SATINWOOD CARLTON HOUSE DESK, the stepped back with pierced brass gallery and two left up compartments, each decorated with a female portrait, above a small drawer and tooled leather writing surface, two frieze drawers below each painted with floral garlands, on four conforming square tapering legs, 36in (91cm)h x 36in (92cm)w. (1)

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