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Preisdatenbank abonnierenAttributed to François Bunel (1552-c.1599) Portrait of Henri IV, King of France (1553-1610), three-quarter length, standing, wearing a green and gold doublet and a white ruff and sash Inscribed Henricus.4 D.G. Rex. Francorum / Et Navare. Aetatis suae 40/1.5.9.1. and charged with a coat of arms Oil on canvas 99 x 72cm; 39 x 28¼in ++Relined, retouched, restored
λ John Smart (1741-1811) Portrait miniature of Baron Crewe, head and shoulders, wearing a green coat and waistcoat Signed with initials and dated 1781 Oval, in later gold and gilt metal frame 47 x 34mm Provenance: The Crewe Family, Scotland By the time this portrait of John Crewe, 1st Baron Crewe was painted in 1781 Crewe, who was born in 1742, was a seasoned politician and MP for Cheshire, a position he held for 34 years. He was best known for Crewe~s Act, passed in 1782 which prevented customs officers and post office officials from voting in an effort to prevent corruption. Crewe was painted by Pompeo Batoni whilst on his Grand Tour and later in life he sat for Thomas Lawrence. ++Good condition
English School c.1700 Portrait of Sir James Stanley, 4th Baronet of Alderley Hall, Chester (d.1746) Oil on canvas 76 x 63cm; 30 x 25in ++Old lining and restoration, a visible repair to left of collar, one or two scratches and abrasions with a little paint loss, some visible retouching, some marks to face and chin, generally fair condition
Northern European School 18th Century Portrait of a boy seated, holding a pen and book, wearing a blue coat Oil on canvas 126 x 102cm; 49½ x 40in Provenance: Lot 393-404 - The collection of Cooper Penrose Cooper Penrose was a significant Irish merchant of the late 18th Century, building much of his success on the manufacture of Waterford and Cork glass and involvement with family timber and property businesses. He and his wife were somewhat unconventional Quakers but also great lovers and patrons of the arts - filling their home, Woodhill House in Montenotte, Cork with Irish and Continental art. Many works from his collection were donated to the Crawford Art Gallery in Cork where it still resides Exhibited: Exhibition of Arts, Industries & Manufactures, Exhibition Palace, Dublin (part-)label on the frame verso
Follower of William Beechey c.1830 Portrait of a boy with his spaniel Oil on canvas 41 x 30.5cm; 14 x 12in ++Relined and restored, some evidence of repairs lower left, lower centre and lower right and one down through boy~s face and neck but little obvious retouching visible to eye or under u.v. light
After Sir Thomas Lawrence P.R.A. Portrait of Sarah Siddons, bust length in a white dress with a blue cloak Pastel, oval in an ornate rococo revival frame 55 x 44cm; 21½ x 17¼in (sight size) (126 x 71cm frame size) With another Attributed to Catherine Read (1723-1778) Portrait of a lady, bust length, with a white shawl and bonnet Pastel, oval, in a matched frame 60 x 46cm; 23½ x 18in (sight size) (128 x 72cm frame size) (2)
Attributed to John Hoppner RA (1758-1810) Portrait of Charles Warren (1762-1823), head and shoulders, wearing a blue coat and white stock Oil on canvas, in a period frame 76.5 x 63cm; 30 x 25in Provenance: By descent in the family of the sitter Private Welsh Collection 2006 Private English Collection Charles Warren was a famous London born engraver who enjoyed a wonderful reputation for his engravings of small book illustrations. He was President of The Artist~s Fund Society and became a member of The Society of Arts in 1804. He is best known for his development of steel plates for engraving and received a Gold medal in 1823 by the Society of Arts for this work ++Relined, restored, in fair restored condition
Sir Thomas Lawrence PRA (1769-1830) Portrait of a gentleman, believed to be William Wellesley-Pole, 3rd Earl of Mornington (1763-1845) Oil on canvas in a period Carlo Maratta frame 76 x 63.5cm; 30 x 25in Painted c.1810-1815, The stretcher is incised Brown, High Holborn Provenance: Entered Christie~s London for appraisal 8th March 1921 (541 DH) by Eva Charlotte Yorke Long, Clairville, Wray Common Road, Reigate. Her great grandfather was Edward Bligh (1797-1872) who was the brother-in-law of Helena Paterson/Bligh who became the second wife of the sitter~s son, William Pole-Tylney-Long-Wellesley, 4th Earl of Mornington (1788-1857) Private English Collection Private St. Louis Collection, USA who donated in 1970s to: The H. Leslie Perry Library, Henderson, North Carolina Private English Collection William Wellesley-Pole was the brother of Arthur Wellesley, 1st Duke of Wellington and Richard Colley Wellesley, 1st Marquess Wellesley. He was an Anglo-Irish politician and in 1821 was created 1st Baron Maryborough. He held various offices including Master of the Mint and Postmaster-General, he was also Clerk of the Ordnance around the time of the Battle of Trafalgar. On his death in 1845 his son William inherited his titles. Both Wellesley-Pole~s brothers had portraits painted by Lawrence.
Lewis Vaslet of Bath (1742-1808) Portrait of a gentleman, head and shoulders wearing a gold coat; Portrait of John Compton (1750-1803), head and shoulders wearing a beige-collared coat Two, one signed and dated 1780 on a label verso Both pastel Each 29 x 24cm; 11½ x 9½in (2) ++Both restored in 1969, both with some scattered foxing, the first with a possible repair from upper margin into hair
Attributed to Anthony Devis (1729-1817) Travellers with cattle, passing a cottage Watercolour and pencil 23 x 30cm; 9 x 12in With 3 further works, a drawing of the River Nith by Thomas Sunderland, a watercolour of putti by Lady Diana Beauclerk and a portrait by Edward Lutterell (4) ++As seen in the saleroom
Eden Upton Eddis (1812-1901) Portrait of Eleanor Frederica Fisher-Rowe (d.1958) Signed with initials and dated 1895 Oil on canvas 61 x 51cm; 24 x 20in Provenance: The sitter was the wife of Hon. Archibald Dudley Ryder, 2nd Son of 4th Earl of Harrowby, (1867-1898), elder daughter of Edward R Fisher-Rowe (E Ravensworth). Victoria Ryder Susan Collingwood-Cameron ++Good restored condition, some retouching to cheeks and a little below lower lip visible under u.v. light
λ Jeanne-Philiberte Ledoux (French 1767-1840) Portrait miniature of a young lady, head and shoulders, wearing a white dress with red shawl Signed and dated 1808 Circular, in the original gold frame 60mm diameter Ledoux was a pupil of Jean Baptiste-Greue ++One or two small marks to left margin otherwise good condition
English School 19/20th Century Portrait study of the head of a man Oil on canvas 40.5 x 36cm; 16 x 14in ++Unlined, puncture upper left with paint loss and small puncture lower left, small dent upper right, a little light bloom, one or two small marks and blemishes, evidence of some earlier restoration
Andrew McCallum RA (1821-1902) Self portrait of the artist in a rocky landscape Signed Oil on canvas 75 x 56cm; 29½ x 22in Provenance: Label verso inscribed by Andrew McCallum, husband of Cousin Susan Tetlow, my Grandfather John Heginbotham~s 1st Cousin JRAS ++Old lining and restoration, repair near lower margin centre, canvas a little rippled
λ Christian Wilhelm Jacob Unger (German 1775-1855) Portrait miniature of Ida, Princess Zu Schaumburg-Lippe, wife of Prince Georg Wilhelm, Prince of Schaumberg-Lippe, daughter of Prince Georg Ze Waldeck (1795-1869), head and shoulders, wearing white with a red cloak Signed and dated 1816 Oval, in the original 18ct gold locket frame 65 x 51mm ++Good condition
C. Thompson (19/20th Century) Portrait of a lady, seated wearing a hat with a dog on her lap Signed and dated Sept. 10th 1908 Oil on canvas 75 x 55cm; 29½ x 21½in ++Unlined, two dents upper right and one lower right with paint loss and retouching, some paint separation, varnish yellowed, would be enhanced by a light clean
λ Charles Dixon (fl. 1748-1798) Portrait miniature of a gentleman in academic robes, mortar board, and a powdered bag wig Oval, gilt frame 42 x 35mm Provenance: Bonham~s 3rd June 1999 lot 147 With another of a gentleman, 19th century continental, in a gilt frame, 30mm diameter (2) and a cased photographic plate (3)
λ William Bate (c.1759-c.1845) Portrait miniature of Ninon de L~Enclos (1620-1705), head and shoulders, in a blue dress Inscribed on the reverse of the enamel, set into the lid of a tortoiseshell and gold rectangular box 42 x 35mm; the box 80 x 60mm Provenance: Lawrence Gould Antiques 12/11/08 Ninon de L~Enclos, author and courtesan, was revered as a freethinker and although always of independent means she mixed in the highest circles in Parisian life. This miniature seems to be based on the portrait etching of her by Antoine-Jean-Baptiste Coupé
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