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An unusual Arabia pottery wall plate by Toini Muona, dated 1932, painted possibly with a self-portrait at the wheel, working on a low vase on the wheel, with two tall vases drying on a shelf behind and four low bowls glazed turquoise in the foreground, another female potter watching on, painted in colours painted Arabia and TM monogram, 25.5cm. diam.
AFTER PABLO PICASSO, (Spanish, 1881-1973), portrait of a mounted Spanish soldier, possibly Don Quixote, off set lithograph print, appearing to be personally signed by the artist and bearing the printed date: 13.07.59, 36 x 26cm.(B.P. 24% incl. VAT) CONDITION REPORT: A number of tears along the top edge, may be stuck down to the back board, modern glazed frame. David Smith authentication service certificate of authenticity included.
A COLLECTION OF JAPANESE WOODBLOCK PORTRAIT PRINTS, being mostly close up head and shoulders, with a few full length portraits, some with text verso. (10) 34 x 25cm approx.(B.P. 24% incl. VAT)Inv. no. 194 CONDITION REPORT: 10 prints in the lot. Creases overall. Some minor holes, tears to edges, stains, marks and folds in various areas. Some minor losses.
NELLY GERTRUDE DIXON, (British, exhibited 1900-1932), portrait of a butcher, believed to be a neighbour of the artist, signed, oils on canvas, 62 x 50cm.(B.P. 24% incl. VAT) CONDITION REPORT: Artist recorded as living in Southport, Lancashire, picture is in fair original condition, some over splashes and minor areas of damage to paint, a little grubby. In a more modern frame.
BRITISH SCHOOL (19TH CENTURY), portrait of a bewigged gentleman with landscape through window, 'possibly John Walker 1785', with initials A.F. 53. 76 x 63cm approx. (Damaged) (B.P. 24% incl. VAT) CONDITION REPORT: Has hole in canvas, appearing to be with an older lining. Minor over-painting in places.
Of rowing interest, The Henley diamonds pineapple trophy goblet,1908, won by Alexander McCullock., by Charles Boyton and Sons, London 1908, 27 cms high, 686 grmsFirst awarded in 1844, the Diamond Sculls ‘For Amateurs, open to All England’ was seen as the pinnacle of individual rowing. In 1850, the Diamond scarf pin prize was replaced by the Diamond Challenge Sculls, the winner being awarded a silver gilt pineapple goblet to retain. This tradition was continued at every regatta until 1973, and has subsequently been reinstated, with all winners now receiving a cup to record their victory.McCulloch was born at Melbourne, Australia, the son of George McCulloch. His father, who was born in Scotland, made his fortune at Broken Hill in Australia and returned with his family to Britain about 1891 and set up home at 184 Queens Gate, London (demolished 1971).McCulloch attended Winchester College where he was a member of the Winchester College Boating Club (WCBC) and developed a keen interest and proficency in rowing. He then went to University College Oxford. In 1907 he competed in, and was runner up to Captain Darell in the Diamond Sculls at Henley Royal Regatta. In 1908 he rowed for Oxford in the University Boat Race against Cambridge. Also in 1908, McCulloch, as a member of the Leander Club won the Diamond Sculls at Henley, beating Athol Alexander Stuart.[1]He was subsequently selected for the British Team and won the Silver Medal in the single sculls, rowing at the 1908 Summer Olympics. The winner of the Gold Medal was Harry Blackstaffe of the Vesta Rowing Club who was twice McCulloch's age at the time and something of a sculling legend. The final was considered the finest race of the Olympic Regatta and was virtually level until the last 50 yards when Blackstaffe held on to a light advantage to become the oldest sculling champion in Olympic history[2] Victory falling to the home crew in the Sculls, Pairs and Fours, Great Britain could claim a success in every event of the Olympic Regatta of 1908. McCulloch competed in the Diamond Challenge Sculls again in 1912, when he was runner up to Eric Powell.His father George McCulloch was an avid art collector and bought works by many pre-eminent pre-raphaelites and impressionists. Alexander McCulloch was himself the subject of a portrait called On His Holidays... Norway painted in 1901/1902 by John Singer Sargent. At the time the McCullochs, accompanied by John Singer Sargent, were on a salmon fishing holiday in Norway. At the time of the portrait Alexander was a pupil at Winchester College, and in the portrait the school tie can be seen serving as a belt for his trousers. The painting is now on display at the Lady Lever Art Gallery in Merseyside, England. It was acquired by Lord Leverhulme, along with several other paintings, shortly after the death of George McCulloch. McCulloch died in England at the age of 63.Provenance: consigned from a deceased estate. The 1905 goblet was sold at Bonhams in 2012..
19th century portrait miniature on ivory of a seated young woman, her hair in long ringlets with continental landscape through a window beyond, 13.5cm x 10.5cm,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. . condition report viewed through glassHairline crack top right from top to top of the chair approx 4cm, and hairline crack to lefthand side approx 6cm and small piece of ivory missing to edge of the miniature lower leftsurface cracking all over
19th century portrait miniature on ivory of a young woman in a black dress and blue shawl with flowers in her hair, 12.5cm x 8.5cm,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. . condition report viewed through glass- appears to be good overall conditioninternal size 12cm x 9cmFrame overall 26cm x 22cm
In the manner of Sir Henry Raeburn, portrait of Sir Walter Scott, half-length, H. Paton framer's Edinburgh label verso, W. Freeman & Son LTD. Albermarle Street restorers label after restoration and canvas relining c.1970 verso, oil on canvas, framed, picture size: 77cm x 64cm, frame size: 90cm x 77cm. Provenance: by family descent to the vendor, believed to have come from the contents of the family home Skeabost House, Isle of Skye. . RelinedPicture shows areas of overpainting under UV lamp particularly to the face area
19th Century portrait of a Young Woman with a Gold Locket and Chain, unsigned oil on canvas - 77 x 64 cm . Extensive craquelure , 4 visible patch repairs to the back of the canvas the largest 6cm x 3cm approxabrasion to top of head and loss of paintminor scrapes to surface and some paint loss to areas.visible stretcher marks
Pietro Annigoni (Italian, 1910-1988). Queen Elizabeth II. Photolithograph published by Raphael Tuck of Annigoni's 1954/5 original portrait. Signed by Annigoni below the image. Together with a photolithograph portrait of Prince Philip, Duke of Edinburgh, also after Annigoni. Images sizes 50x32cm. Both framed (2) .
A VICTORIAN BRONZE CIRCULAR DISH, cast with two borders of putti, masks, mythical birds and scrolls, the centre with three cherubs, approximate diameter 18cm, together with a late Victorian brass comport and a Victorian circular brass and bronze tazza, pierced cast border, the centre with roundel portrait of a female in 16th Century costume, approximate diameter 25.5cm (3)
A MID 20TH CENTURY BROOCH PENDANT OF A PORTRAIT MINIATURE OF A YOUNG MAIDEN, inset eight cut diamonds to her hair adornment, necklet and earring, enclosed within a border of blue enamel, further decorated with a rope twist surround and scroll design, overall dimensions approximately 40mm x 32mm, stamped '750', approximate gross weight 14.0 grams
A Folio containing unframed etchings comprising 'Rue Chat qui Peche' etching by Anthony Gros (signed, inscribed and dated 1924)'Rustic Pupils' etching by Anthony Gros (signed, inscribed and dated 1924); together with a collection of unframed etchings by Robert Smith Forrest: their subjects comprise: Old College Wynd, Edinburgh; Sir Walter Scott Monument, Edinburgh; Melrose Abbey; Portrait of Sir Walter Scott (after Raeburn); Dryburgh Abbey; Abbotsford House; and two etchings by Gordon Story titled Duddingston; and Edinburgh; ten (10)

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283287 Los(e)/Seite