5 Mark, Großherzogtum Sachsen, 1903 Silber. 27,8 g. "Wilhelm Ernst - Caroline Groszherzog und Groszherzogin von Sachsen 30 IV "; Doppelbildnis nach links blickend Zustand: sehr schön.5 Marks, Grand Duchy of Saxony, 1903 Silver. 27,8 g. "Wilhelm Ernst - Caroline Groszherzog und Groszherzogin von Sachsen 30 IV "; double portrait looking left Condition: very fine.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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5 Mark, Großherzogtum Mecklenburg-Schwerin 1904 Silber. 27,8 g. "Friedrich Franz - Alexandra Grossherzog u. Grossherzogin v. Mecklenb. Schw., 7 VI" und Doppelbildnis nach links blickend Zustand: sehr schön+.5 Marks, Grand Duchy of Mecklenburg-Schwerin 1904 Silver. 27,8 g. "Friedrich Franz - Alexandra Grand Duke u. Grand Duchess v. Mecklenb. Schw., 7 VI" and double portrait looking to the left Condition: very fine+.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Miniatur: Damenbildnis aus der Schönheitengalerie2. Hälfte 19. Jh. Undeutlich signiert (Carroux?). Verglaste Gouache, Messingrahmen mit Stoffbezug und Schleifenbekrönung. 6,5 x 5 cm, Rahmen 14 x 10 cm. Porträt der Lady Emily Milbanke aus der Galerie Ludwigs I. von Bayern nach einem Gemälde von Stieler Rahmenaufsteller fehlt, Stoff etwas zerschlissen. Miniature: Portrait of a lady from the Gallery of Beauty2nd half 19th c. Indistinctly signed (Carroux?). Glazed gouache, brass frame covered with fabric and bow finial. 6.5 x 5 cm, frame 14 x 10 cm. Portrait of Lady Emily Milbanke from the Gallery of Ludwig I of Bavaria after a painting by Stieler Frame mount missing, fabric somewhat torn. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Emaille-Miniatur: Adliger HerrWohl 19. Jh. Emailmalerei auf leicht bombierter Kupfertafel, schwarzes Konteremail; Rahmen mit Messingzierleiste und rotem Samt. 11 x 8,5 cm, Rahmen 16 x 14,5 cm. In feiner Tüpfelmanier gemaltes Hüftbildnis eines jungen Mannes mit Kürass unterm Justaucorps; neben ihm ein Ritterhelm mit purpurnem Busch Kaum sichtbare Haarrisse unten. Enamel miniature: noblemanProbably 19th century Enamel painting on slightly cambered copper plate, black counter enamel; frame with brass trim and red velvet. 11 x 8.5 cm, frame 16 x 14.5 cm. In fine stipple manner painted hip portrait of a young man with cuirass under justaucorps; next to him a knight's helmet with purple bush Scarcely visible hairline cracks below. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
3 BildnisminiaturenUm 1800. Dezente Tuschezeichnung mit Bleistift, 2x Gouache; je verglaster Goldrahmen mit Schleifenbekönung. Maximal 7 x 5,5 cm, Rahmen 12 x 9 cm. Knabenbildnis im Profil verso "Emanuel de Ema nuel T..." bezeichnet. / Österreichischer Offizier um 1800 in weißer Uniform. / Damenbildnis mit Spitzentuch und -haube Bleistiftschraffur evtl. nachträglich, Damenbildnis mit Schäden, der große Rahmen angebrochen. 3 portrait miniaturesAround 1800. Decent ink drawing with pencil, 2x gouache; each glazed gold frame with bow decoration. Maximum 7 x 5.5 cm, frame 12 x 9 cm. Boy portrait in profile verso "Emanuel de Ema nuel T..." inscribed. / Austrian officer around 1800 in white uniform. / Lady portrait with lace cloth and bonnet Pencil hatching possibly later, lady portrait with damage, the large frame broken. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Miniatur um 1800: DamenporträtVerso bezeichnet. Verglaste Gouache, ebonisierter Holzrahmen. Ø 5,5 cm, Rahmen 11 x 11 cm. Bildnistondo der jungen Madame Paget Moutillard im roten Kleid mit zartem Spitzentuch Minimale Alters-/Gebrauchsspuren. Miniature around 1800: Portrait of a ladyVerso inscribed. Glazed gouache, ebonized wood frame. Ø 5.5 cm, frame 11 x 11 cm. Picture nude of the young Madame Paget Moutillard in red dress with delicate lace cloth Minimal signs of age / wear. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Miniatur: DamenbildnisFrühes 19. Jh. Gouache, verglast, Rahmen aus Karton mit schwarzem Samtbezug und Aufsteller. 5 x 4 cm, Rahmen 11 x 8,5 cm. Hüftbildnis einer Dame im roten Gewand Miniature: Portrait of a ladyEarly 19th century Gouache, glazed, frame of cardboard with black velvet cover and stand-up. 5 x 4 cm, frame 11 x 8.5 cm. Hip portrait of a lady in red robe .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Monstranz mit Bildnis von Papst Pius IX900/Meisterzeichen B mit Anker gepunzt. Wohl um 1900. Silber, vergoldet. H 28,5 cm. Gesamt 447 g. Vergoldete Monstranz mit Pietra-Dura-Porträt von Papst Pius (1792 - 1878) und 2 Inschriften in lateinischer Sprache Schaft etwas locker, kleiner Defekt im Stirnbereich. Monstrance with effigy of Pope Pius IX900/master mark B with anchor punched. Probably around 1900. Silver, gilded. H 28.5 cm. Total 447 g. Gilt monstrance with pietra dura portrait of Pope Pius (1792 - 1878) and 2 inscriptions in Latin Shaft a little loose, small defect in the front area. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GANDHI (M. K. 'MAHATMA') – CHARLES FREER ANDREWSGroup of correspondence pertaining to Charles Freer Andrews (1871-1940), author, missionary, campaigner and close friend of Gandhi and Tagore, comprising: i) Autograph draft Foreword by Mahatma Gandhi, praising Charles Freer Andrews, unsigned, in English, beginning 'It is not easy thing for me to write a foreword to a life-sketch of Mr Andrews between whom & me there exists a tie closer than between blood-brothers...' and ending '...there does not exist in India a more truthful, more humble and more devoted servant of hers than C.F. Andrews.', written in pencil on the back of a document written in another hand, one page, on lightweight paper torn from a larger sheet, browned, fragile, 4to (c.187 x 142mm.), [Santiniketan, September 1920]ii) Three autograph letters from Charles Freer Andrews: the first signed ('Charlie') to Jawaharlal Nehru, asking if the Congress could send a cable to the Indian Association requesting a 'cordial welcome' and to pass a resolution welcoming him to Fiji ('...I shall not of course commit the Congress to any policy but report to the Congress on my return. I am hastily scribbling this which Agatha will send by air mail...'), 3 pages, marks, rust-stains, small staple holes, discolouration, two filing holes, held with staple, 8vo (150 x 98mm.), Pembroke College, Cambridge, 20 March [dated 1936 in red crayon]; with two further autograph letters signed ('CFA') to Agatha Harrison, the first on a photographic letter card depicting six scenes aboard the S.S. Rawalpindi, describing the overcrowded ship ('...like penguins settling on a beach...'), adding corrections to a piece on India and the Pacific and grateful for his comfortable berth despite the temporary loss of a suitcase, one page, written on verso only, dust-staining, rust-stains from paperclip, tears where opened, 444 x 150mm., aboard S.S. Rawalpindi, [no date]; the second speaking of the turmoil in the country ('...the confusion is beyond words...') and his friendships ('...You remember that I was called the 'hyphen' between Gandhi and Tagore. Well that has been more than ever the case in the last months and I cannot be too thankful that I have been here in India on the spot... Everything depends on all these links holding fast...') and recounting the tragic story of the death of a child ('...Bapu was the great consoler...'), docketed by Agatha Harrison at head, 2 pages on Visva-Bharati headed paper, dust-staining, creased and marked, 4to (225 x 190mm.), Santiniketan, 22 December [dated 1940 in ink, corrected to 1939 in blue pencil]iii) Autograph poem entitled 'The Palm -Trees at Shantiniketan [sic]', comprising eleven verses of four lines, beginning 'When the last glow of day is dying...' and ending '...Here by the palm-trees came, God-given/ Utter ineffable boundless peace', 2 pages, dust-staining, creased and torn at folds, 4to (228 x 177mm.), [no place, no date but Santiniketan, July or August 1914]Footnotes:'BETWEEN WHOM & ME THERE EXISTS A TIE CLOSER THAN BETWEEN BLOOD-BROTHERS': Papers relating to Charles Freer Andrews (1871-1940), campaigner for Indian Independence and 'the hyphen between Gandhi and Tagore', including an admiring pen portrait by Gandhi.The present draft would appear to be an incomplete version of Gandhi's proposed Foreword to Benarsidas Chaturvedi's biography of Charles Freer Andrews. It is published in full (the source being cited as a photostat) in The Collected Works of Mahatma Gandhi, 1999, Vol.21, no.154, p.269, online. In the published version the text continues 'May the lesson of his life prove to the youth of India an encouragements for greater devotion to the motherland' and is signed. According to Mr Chaturvedi it was written during Gandhi's visit to Santiniketan after the Congress session at Calcutta in September 1920. Our version was not used in the final biography, co-written with Marjorie Sykes, and published in 1949, but was replaced by a different facsimile letter written by Gandhi on 8 December 1949, also published in the Collected Works, Vol.98, no.8, p.12. The poem is also published, with slight amendments in the biography (Appendix III, p.325), where it is identified as having been written at Santiniketan in July or August 1914.Charles Freer Andrews first went to India with the Cambridge University mission in 1904, and became a supporter of the cause of moderate nationalism. In 1912 he met Rabindranth Tagore who was with W.B. Yeats at artist William Rothenstein's house in London: '...That Sunday evening in Hampstead was one of the landmarks of his life... he [Tagore] had been attracted by Andrews' writings as strongly as Andrews had been attracted by his. Common ideals and aspirations for India's national destiny had drawn them together...' (Benarsidas Chaturvedi & Marjorie Sykes, Charles Freer Andrews: A Narrative, 1949, p.99). Tagore was to become a major influence on Andrews' life and a lifelong friend. Andrews' connection with Gandhi began in South Africa in 1914 where he was leading a mass civil disobedience campaign for Indian rights, and he soon became his close friend and confidant. Back in India, Andrews based himself at Tagore's ashram at Santiniketan and became particularly interested in the rights of Indians in other parts of the empire, undertaking a punishing schedule of conferences and meetings around the world. His spiritual autobiography What I Owe to Christ was published in 1932, the royalties of which were donated to Tagore's ashram. He was commissioned to 'speak for India' in a series of talks commissioned by the BBC in 1935 (Tinker, H., ODNB).Agatha Harrison (1885-1954) met C.F. Andrews in May 1931, when they worked together on preparations for the Second Round Table Conference in London to discuss the end of British rule, which was attended by Mahatma Gandhi. Andrews's '...width of contacts amazed me... All the time the Conference was in session C. F. Andrews stood by his old friend and other Indian leaders... The Mahatma's headquarters at 88 Knightsbridge was an exciting centre...' (Agatha Harrison, 'Working with C.F. Andrews' in Chaturvedi & Sykes, Appendix I, p.320). When the Conference ended, Andrews went to Africa and Agatha thereafter became his secretary and closest collaborator ('...All his letters were to come to me, extracts from the letters he would send back were to be forwarded to certain people here... Myriads of threads were left behind... some rather tangled!...'). In her memoir she talks of frantic '...comings and goings to India, Africa, Australia, New Zealand and Fiji... He moved from place to place like a human shuttle...' (Harrison, p.321) and of the chaos he left in his wake ('...What a museum of things must be scattered round the world...' Harrison, p.322). When travelling he would '...spread his papers about like autumn leaves...' and keep up an extraordinary level of correspondence with cabinet ministers and parties on all sides. She worked with him twice in India, in 1936 and in 1938-39 when she found that '...being a colleague of C.F. Andrews was all the passport needed to Indian hearts...' (Harrison, p.322).Provenance: Private Collection, U.K.For further information on this lot please visit Bonhams.com
QUARLES (FRANCIS)Divine fancies, sixth edition, engraved frontispiece with portrait of the author, first two leaves loose, extensive loss to H1 affecting text, ink inscriptions on G8, spotting, modern quarter calf, worn [ESTC R3889], 8vo, John Williams, 1671; Francis Quarles' Emblems and Hieroglyphics of the Life of Man, illustrated frontispiece, 92 plates, advertisements at end, right and lower margins shaved (occasionally touching text), tear and loss to 7 leaves, spotting, age toning, contemporary calf, wear especially to corners and head and foot of spine [ESTC N31926], 8vo, J. Cooke, 1766--[HARVEY (CHRISTOPHER)] The School of the Heart, engraved frontispiece, 46 (of 47) plates, some tears, wormhole in inner gutter occasionally touching text, light spotting, vellum binding, worn [ESTC R227979], 8vo, Lodowick Lloyd, 1676; and 5 others (10)Footnotes:Provenance: First item, Eliza Owen, inscription on title; second item, Ann Starling, inscription on title; third item, Elizabeth Wolinsthom 1716, inscription on last free endpaper.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
ALBUM – NINETEENTH CENTURYAlbum containing some 80 autograph letters and cut signatures, assembled by the Rev. Frederic Daustini Cremer, including Charles Lyell (fragment of unfinished draft letter, signed 'Cha Lyell', regarding '...the common English butterfly... I was unable to detect any differences myself but all the American specimens I took to the British Museum were observed by Mr Doubleday...'), writers (Charlotte Mary Yonge, Charles Kingsley, Harrison Ainsworth, Benjamin Jowett), artists (Powell Frith, Leighton, Goodall, Holman Hunt), politicians (Robert Peel, Disraeli (cut signature), Daniel O'Connell (cut signature), John Bright, Bulwer-Lytton, Gladstone), bishops and clergy (Pusey, Cardinal Manning, Dean Stanley, Archbishops of Canterbury and York, Bishop of Manchester etc.), and nobility (Shaftesbury, Selbourne, Stanhope), interspersed with c.5 portrait photographs, c.52 leaves (c.20 leaves reversed), some foxing and dust-staining, original calf, lower cover and spine missing, upper cover detached, worn, 4to (195 x 154mm.); held in 'Stone's Patent Box for the Safe and Orderly Keeping of all Letters, Papers and Document', cloth and marbled paper, printed paper label ('Manuscripts') to spine, 4to (238 x 230 x 60mm.), nineteenth century; with a group of letters from Prime Minister Arthur James Balfour to Canon Cremer, including typed letter signed ('Arthur John Balfour') on free trade and sending Cremer a copy of his Fiscal Speeches, 10 further secretarial letters on various topics such as the Education and Licensing Bills, signed, with envelopes, a telegram etc., 41 pages, 4to and 8vo, Downing Street and elsewhere, 6 March 1900 to 10 January 1906 (quantity)Footnotes:A number of the letters in this album are addressed to Frederic Daustini Cremer, a clergyman who held several livings including Eccles in Lancashire and the post of Hon. Canon of Rochester. From 1871 to 1873 he worked for the 1st Marquess of Ripon as secretary travelling with him the United States for the signing of the Treaty of Washington in 1871. From 1878 to 1881 he was a chaplain in St Petersburg. He married Mary Awdry (1856-1959) in 1878, whose nephew was the Rev. Wilbert Vere Awdry, author of The Railway Series. Other letters in the album are addressed to Lady Ripon and Sir John Awdry, two of which are from John Taylor Coleridge, judge and nephew of Samuel Taylor Coleridge.Provenance: The Rev. Frederic Daustini Cremer (1848-1927); thence by descent to the present owner.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
[AUSTEN (JANE)] – ADMIRAL SIR FRANCIS WILLIAM AUSTEN & CASSANDRA ELIZA AUSTENAlbum relating to Jane Austen's elder brother Admiral Sir Francis William Austen (1774-1865) and his daughter Cassandra Eliza Austen (1814-1849), containing some 73 landscape and maritime watercolours and drawings depicting scenes in the West Indies, Bermuda and Canada, comprising c.12 topographical reliefs probably by Francis ('Porto Santo', 'Peak of Teneriffe at Sunset April 3rd', 'St Lucia', 'Souffriere Mountain, St Vincent', 'Guadaloupe'); and 12 signed with the initials 'C.E.A.' and many dated ('St Pierre, Martinique, Feb 14 1846. French Steamer Styx', 'Port Royal at Sunset March 19 47', 'Halifax from the road to Point Pleasant, Sept 3rd 47', 'Kingston and Port Royal, Jamaica'); further drawings of shipping ('HMS Illustrious & Persian/ Bermuda', ''HMS Pickle') and landscapes abroad ('Clarence Hill Bermuda May 27 1845' (2), 'Shultzs Inn Great Lake Halifax', 'Quebec') and at home ('Godmersham Church', 'Godmersham Park, Kent') with a portrait of a young gentleman; plus 45 photographs of European landscapes etc., twentieth-century ownership inscriptions in pencil on inner front board, pencil, pen and watercolour, half calf, marbled boards, worn, drawings 175 x 254mm. and smaller, album 225 x 300mm.), [1845-1848]; with document dated 9 March 1860 confirming the position of the Austen family plot in Brompton Cemetery ('No.9669 on the plan of the said cemetery') and official Notice of Intestacy of Martha Austen nee Lloyd (first wife of Francis William Austen), dated 3 April 1843Footnotes:JANE AUSTEN'S NIECE RECORDS TRAVELS WITH HER FATHER IN THE WEST INDIES AND CANADA. Admiral Sir Francis William Austen, brother of Jane Austen, enjoyed a long and distinguished career in the Navy during the Revolutionary and Napoleonic Wars, and his memoir, offered in the present sale, describes in detail the many actions he encountered. After peace with France he served as Commander in Chief of the North America and West Indies Station from 1845-1848, when the scenes in this album were painted. In his memoir he describes at length the various places visited during this appointment including Bermuda, Nova Scotia and a Saratoga, where he found the men coarse and the women lacking modesty and decorum. Francis, by his own volition, enjoyed considerable talents in the area of topographical drawing and it is supposed that those drawings in the album are his ('...Capt A from a very early period of his Naval Life had given great attention to Hydrography, never missing an opportunity of doing something of the sort wherever he went...'). Many of the other works are likely to be by his unmarried daughter Cassandra Eliza (1814-1849), who travelled with him, along with her sister Fanny. Indeed, his ship Vindictive (1844-1848) could well be described as a 'family ship', with his sons Herbert and George and his cousin Charles Jnr, also taking positions on board. The artist who painted these delicate watercolours was described in far from glowing terms by a young Lieutenant, William King-Hall in his diary: '...An amused and amusing witness... Cassandra, a woman of forty features as 'Miss Vindictive' and the 'atmosphere' on board was 'dangerous'. If the ship's captain (Michael Seymour) were to leave 'Cass would be the Adl. and commanding officer'... In a later entry when the Vindictive had reached Bermuda, he observed that 'She is the Mistress of the Ship, influences the Adl. in every way, and in fact, I imagine will soon be Commander in Chief'. Such, he commented, were the 'evils of a Family Ship'...' (Brian Southam, Jane Austen and the Navy, 2000, p.320). Also of note in the album are two delicate pencil sketches of Godmersham, the seat of Edward Austen Knight, Jane Austen's eldest brother.A pencil inscription on the front paste-down by a descendant and dated February 1972 erroneously attributes the signed watercolours to Cassandra Esten Austen (1808-1897), daughter of Francis' other 'sailor brother', Charles, and great favourite of Jane Austen, not to be confused of course with her aunt Cassandra Elizabeth (1773-1845), Jane Austen's sister. Cassandra Esten also accompanied her father on his voyages and by all accounts had a similar childhood and upbringing as her cousin Cassandra Eliza (see 'Cassandra Esten Austen, Naval Childhood during the Napoleonic Wars', online blog by Sheila Johnson Kindred).Provenance: Admiral Sir Francis William Austen (1774-1865); his son Rev. Edward Thomas Austen (1820-1908); thence by descent to the present owner.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
WEIS (JOHANN MARTIN)Représentation des fêtes données par la ville de Strasbourg pour la Convalescence du Roi; à l'arrivée et pendant le séjour de Sa Majesté en cette Ville, engraved title, equestrian portrait of Louis XV engraved by J.G. Will after C. Parrocel, 11 double-page engraved plates, 20 engraved text pages, tears neatly repaired to plate 5 and 9, early ownership inscription to title, damp-staining, contemporary armorial calf gilt by Padeloup, covers with arms of Louis XV in the centre, and arms of the City of Strasbourg at corners [cf. Olivier, pl.2495, fer 10], rubbed, rebacked, large folio (625 x 465mm.), Paris, Laurent Aubert, [1745]This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
[GOMBERVILLE (MARIN LE ROY)]La doctrine des moeurs tirée de la philosophie des Stoïques, 2 parts in one vol.,FIRST EDITION,, letterpress title with large engraved vignette, engraved additional titles for both parts, 102 (of 103) large engravings and author portrait, engraved head- and tail-pieces all by Pierre Daret, lacks one leaf (Ss2), contemporary occasional manuscript inscriptions, first engraved title frayed and repaired on lower margin, light damp-staining, lower margins slightly frayed, late seventeenth century calf gilt, repair to bottom half of spine, worn [Brunet II 1656], Paris, Louis Sevestre, 1646--[GOMBERVILLE (MARIN LE ROY)], translated by Thomas Gibbs Moral Virtue Delineated, in One Hundred and Three Short Lectures, 2 parts in one vol., second edition, letterpress title with large engraved vignette, engraved frontispiece, with engraved cancel titles to both parts 'The Doctrine of Morality', engraved portrait of the author, 103 large engraved illustrations all by Pierre Daret, engraved, woodcut initials, text in French and English in parallel columns, some toning and spotting throughout, small occasional marginal tears, modern quarter calf gilt [ESTC T124307], printed for J. Darby and others, 1726, folio; and 2 others (4)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
OXFORD MALTON (THOMAS) Views of Oxford, engraved title, mezzotint portrait of Thomas Malton by W. Barney after W. Stuart, 24 aquatint plates, 6 etched plates, half morocco over cloth by T. Aitken, upper cover tilt lettered 'Views in Oxford' [cf. Abbey Scenery 272], folio (402 x 300mm.), White & Co., and Oxford, R. Smith, 4 June 1810 Footnotes: RARE. First published in 4 parts in 1802 this expanded edition includes a title-page, portrait of the author, and 6 additional etched plates in outline. Provenance: Sir Charles Locock, 1st Baronet (1799-1875), inscribed 'Sir Charles Locock, Bart. with Capt. Malton's kindest regards, Nov. 1860' on front free endpaper. A noted obstetric physician, who in 1840 'was appointed first physician accoucheur to Queen Victoria, and attended at the births of all her children' (ODNB); Sir Manson M. Beeton; Sir Richard Farrant, bookplates. This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com
AMERICA - TREATY OF WASHINGTON 1871Group of material pertaining to the Treaty of Washington, 1871, collected by Frederic Daustini Cremer, accompanying the British delegation under the chairmanship of Earl de Grey, comprising some fourteen letters, signatures and other items:i) Signatures of the British and American signatories of the Treaty of Washington, including the British High Commissioners (George Robinson, the Earl de Grey and Ripon (chairman), Stafford Northcote, Edward Thornton, John Macdonald and Montague Bernard) and the American delegation (U.S. Secretary of State Hamilton Fish (chairman), Robert Schenck, Samuel Nelson, Ebenezer Hoar and George Williams), with seven other protagonists, 2 pages, written on recto only on lined paper, watermark 'Department of State/ US', creased, page one affixed to an album leaf, page two loose, folio (345 x 210mm.), dated at head 'May 8 1871/ 11am'; with portrait photograph of President Ulysses S. Grant seated in an armchair, signed in ink on lower margin ('U.S. Grant') affixed to the reverse of an album leaf, page one of the above list of signatures on verso, folded and creased across centre of image, 151 x 103mm. ii) Autograph note in the third person from General W. T. Sherman to Earl de Grey, accepting an invitation to dine, on US Army Headquarters notepaper, one page on a bifolium, lined paper, affixed to an album leaf, some browning, 8vo (200 x 125mm.), Washington, 28 February [18]71 iii) Two autograph letters signed ('U.S. Grant'), the first to Hamilton Fish, making arrangements to meet the Italian Minister, on Executive Mansion notepaper, one page on a bifolium, creased, 8vo, Washington DC, 13 May [18]70; the second to an unknown recipient, arranging to meet at Harrisburg, 3 pages on a bifolium, lined paper, torn along fold, creased, 8vo, Long Branch, N.J., 6 August 1870, both affixed to an album leaf; with an accompanying letter to Frederic Daustini Cremer on Executive Mansion notepaper sending him '...an autograph letter of Gen Grant's as a memento... it is one selected for the reason that it is entirely unofficial...', 3 pages on a bifolium, creased, 8vo, Washington, 5 May [18]71iv) Autograph letter signed ('Hamilton Fish') to Hon Ogden Hoffman of San Francisco ('My dear Judge'), a letter of introduction for '...Lord Goderich and his friend Mr Cremer. The former is the son of the Earl de Grey & the latter is his Lordships Secretary...', 2pp. on a bifolium, 8vo, Washington, 6 May 1871; with accompanying autograph envelope; and two autograph letters from Charles Sumner, one to Mrs Fish regarding a book of Froissart illustrations and another in the third person to Earl de Grey accepting an invitation, 4 pages, 8vo, 7 May [18]66 and 13 March [no date]; with autograph letter signed ('Schulyer Colfax') to Hamilton Fish, reporting he has not yet received his copies of the Lincoln Memorial, on Vice President's Chamber notepaper, one page on a bifolium, 8vo, Washington, 9 July [18]70; with signature of J. G. Blaine, Speaker, dated 19 April 1871, one page, oblong 8vo, three items affixed to an album leaf, the others loosev) Autograph letter signed ('de Grey') to Cremer written on the voyage back to England after the signing of the Treaty, sorry to leave Washington and regretting that the Senate would not ratify the Treaty before he left, talking of the Free Trade movement in the US and asking him to report back on the reaction to the treaty in Canada, 8pp., creased, remains of guard, 8vo, 31 May 1871; with a manuscript fragment outlining two points of the treaty with regards to inshore fisheries, one page torn from a larger sheet, oblong 8vo, [1871]Footnotes:A LANDMARK TREATY FORGING PERMANENT FRIENDLY RELATIONS BETWEEN BRITAIN, THE UNITED STATES AND CANADA, PAVING THE WAY FOR THE 'GREAT RAPPOCHEMENT' AND THE FORMATION OF THE UNITED NATIONS.The present collection includes the signatures of all the key figures involved in the signing of the Treaty of Washington, including U.S. President, and hero of the Civil War, Ulysses S. Grant, his Secretary of State Hamilton Fish and the British delegation led by George Robinson, Earl de Grey and Ripon. It was assembled by Frederic Daustini Cremer who acted as secretary to de Grey and travelled with him and his son Viscount Goderich to Washington for the proceedings, where he also obtained letters by William Sherman amongst others for his collection. The treaty augmented permanent peaceful relations between the United States and Canada, and the United States and Britain by settling various disputes lingering from the civil war, navigation and fishing rights, and defining the rules for neutral governments during times of war, thereby establishing a precedent for future international arbitration. Provenance: The Rev. Frederic Daustini Cremer (1848-1927); thence by descent to the present owner.For further information on this lot please visit Bonhams.com
GERSHWIN (GEORGE & IRA)Group of items sent by Ira Gershwin to a British fan, comprising: i) Signature ('George Gershwin') clipped from a cancelled cheque, affixed lower left to a black and white portrait publicity photograph of George Gershwin in a pin-stripe suit playing the piano, 165 x 229mm., slight vertical crease towards right, mounted in 'Diamond-Color' card folder, [1934]; with accompanying typed letter signed ('Ira Gershwin') to Mrs Peggy Dunne, explaining '...His actual signature, clipped from a canceled check, is pasted on the photograph...', continuing '...As for Cleo Laine, I have of course heard of her and like her voice and her interpretations... she and Ray Charles have just completed a Porgy & Bess album...', one page on 'Ira Gershwin' headed notepaper, creased with some marks, 4to, 1021 North Roxbury Drive, Beverly Hills, 29 July 1976 ii) GERSHWIN (IRA) Lyrics on Several Occasions, AUTHOR'S PRESENTATION COPY, inscribed on half title ('Best wishes/ Ira Gershwin/ Beverly Hills, 12/24/'77/'), The Viking Press, 1973; with accompanying typed letter signed on behalf of Ira Gershwin ('Walter Reilly'), to Mrs Peggy Dunne, apologising for not replying to her sooner and sending a signed book in recompense, one page on 'Ira Gershwin' headed notepaper, creased, small tear along centre fold, remains of old tape, 4to, 1021 North Roxbury Drive, Beverly Hills, 10 May 1978 (4)Footnotes:'THE LEFT HAND PLAYS THE MELODY UPSIDE DOWN, WHILE THE RIGHT PLAYS IT STRAIGHT, ON THE THEORY THAT YOU SHOULDN'T LET ONE HAND KNOW WHAT THE OTHER IS DOING' (George Gershwin, Music by Gershwin radio broadcast, 19 February 1934).This publicity photograph of legendary composer George Gershwin was taken for his little-known 1934 radio programme, Music by Gershwin which, according to Sarah Sisk, was '...crucial to the existence of one of Gershwin's greatest works, Porgy and Bess... It highlights an important aspect of Gershwin's popularity in his own lifetime – his penchant for being at the forefront of music technology... public broadcast radio...'. Conceived as a way to raise funds for Porgy and Bess, his first full-length opera, the programme aired for the first time on the NBC Blue Network on 19 February 1934, running twice a week until the following May and revived again in September to December. It was sponsored by Feen-a-mint, a chewing gum laxative, and Gershwin selected and introduced the numbers for each programme, his informal dialogue peppered with jokes and anecdotes. The New York Times wrote after his death in July 1937: '...his genius freshened the life blood of radio... his growth and triumphs paralleled the magic advances of broadcasting which in a flash introduced his popular melodies to the entire nation...' (Sarah Sisk, 'Music by Gershwin' University of Michigan School of Music, Theatre & Dance online blog, 2017). The photograph, book and accompanying letters were sent to Mrs Margaret ('Peggy') Dunne, an avid fan of the Gershwins, and have remained in the family since then.Provenance: Peggy Dunne (d.1992); thence by descent to the present owner.For further information on this lot please visit Bonhams.com
BROWNING (ROBERT) - KENSINGTONLOFTIE (W.J.) Kensington. Picturesque & Historical, FIRST EDITION, NUMBER 33 OF 50 PROOF COPIES, INSCRIBED BY THE POET ROBERT BROWNING 'Dorothea Thorpe - to remind her in after-days of the place where not only her dear relatives had their abode but her affectionate friend Robert Browning. Aug. 1. [18]89' on the front free endpaper, limitation numbering ('Proof No. 30. One of Fifty. Field Tuer') in ink on verso of the half-title, 5 maps, upwards of 300 illustrations and plates (some printed in colour) by William Luker Jun., publisher's brown morocco gilt, g.e., FORE-EDGE PAINTING BY WILLIAM LUKER JUN. depicting two scenes (girl and sheep in gardens; street scene), each signed with initials, rubbed, 4to, Field and Tuer, 1888Footnotes:'TO REMIND HER IN AFTER-DAYS OF... HER AFFECTIONATE FRIEND ROBERT BROWNING. AUG. 1 [18]89' - One of fifty proof copies, for which Robert Browning is listed as a subscriber. His elegiac, and prophetic, gift inscription was written four months prior to his death which occurred at his home, 29 De Vere Gardens, Kensington. The recipient was Dorothea Thorpe (1876-1942), whose portrait by Kensington resident John Everett Millais was exhibited at the Royal Academy in 1882.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
[LA FEUILLE (DANIEL DE)]Essay d'un dictionnaire contenant la connoissance du monde, 2 parts in one vol., engraved allegorical frontispiece, engraved portrait of the author, 46 (of 48) engraved plates (2 folding), 2 plates with losses, first few quires loose, light toning and spotting, modern quarter calf, lacking spine, upper cover detached, very worn [Landwehr 436], 4to, Amsterdam, Daniel de la Feuille, 1700--MENESTRIER (FRANCOIS) La Philosophie des images énigmatiques, woodcut printer's device, extensive worming touching text, calf gilt, worn [Brunet III 1629], 8vo, Lyon, Hilaire Baritel, 1694; and 5 other French works (7)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
CARTARI (VINCENZO)Imagines deorum qui ab antiquis colebantur, woodcut printer's device, woodcut portrait of the author, 88 woodcut illustrations, spotting, age-toning and damp-staining, upper margin shaved, modern quarter cloth, light wear [USTC 141828; Adams 785], 4to, Lyon, Barthélémy Honorat, 1581--SUCQUET (ANTONIUS) Via vitae aeternae. Iconibus illustrata per Boëtium a Bolswert, 2 vol., engraved titles, 25 (of 32) plates, damp-staining, first free endpaper of vol. 1 loose, early ownership inscriptions on titles, near contemporary blind-stamped calf with gilt depiction of the Crucifixion and Virgin and Child, clasps, worn [USTC 1003822; Landwehr (LC) 762], 8vo, Antwerp, H. Aertssens, 1625--BORNITZ (JACOB) Emblemata ethico politica, 2 parts in 1 vol., engraved title, half-titles, 98 (of 100) engravings, lacking 3 leaves (M4-N2), light toning, upper margin of title shaved, modern quarter vellum, minor wear [Landwehr (German) 141], 4to, Mainz, Bourgeat, 1669; and 2 others (6)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
CAMDEN (WILLIAM)Britannia, Newly Translated into English: With Large Additions and Improvements...by Edmund Gibson, engraved portrait frontispiece, 50 engraved double-page or folding maps, 8 engraved plates of coins, several illustrations in the text, neatly repaired tear to map of Worcestershire, occasional very light spotting, later mottled calf, gilt, rebacked, corners bumped and one repaired [ESTC R12882; Chubb CXIII], folio (395 x 240mm.), A. Swalle, A. & J. Churchill, 1695This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
SMITH (JOHN)The True Travels, Adventures and Observations of Captaine John Smith in Europe, Asia, Africke, and America [- A Generall Historie of Virginia, New-England, and the Summer Iles], 2 vol., engraved frontispieces (including portrait of Smith), one folding map of Virginia, 2 folding engraved plates (long tears repaired), contemporary tree calf, red morocco gilt lettering labels on spines, rubbed [Sabin 82852], 8vo, Richmond, at the Franklin Press, 1819This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
ROYALTY - QUEEN ELIZABETH II AND PHILIP Portrait of Queen Elizabeth II and Prince Philip, Duke of Edinburgh, by Baron Studios, SIGNED BY THE SITTERS ('Elizabeth R. 1954. Philip') on the mount, bromide print, mounted on stiff card, signed by sitters in lower margin of mount (some fading), contemporary blue morocco standing frame by 'H.H. Plante, London', the image 240 x 185mm., full page 290 x 215mm., [1953] For further information on this lot please visit Bonhams.com
LESLIE (JOHN)De origine moribus, et rebus gestis Scotorum, 2 parts in 1 vol., FIRST EDITION, title with woodcut head-piece and vignette, divisional title with the engraved arms of Mary Queen of Scots on verso, folding engraved map of Scotland, 11 full-page engraved genealogies of the kings of Scotland (incorporating portrait vignettes), woodcut initials and head-pieces, double-ruled borders throughout, light spotting, 2 small worm holes to first few leaves, contemporary limp vellum, manuscript title to spine, light wear [Adams L541; EDIT16 CNCE 33941], 4to (215 x 170mm), Rome, In aedibus populi Romani, 1578Footnotes:First edition of an important history and description of Scotland by the Catholic John Leslie (1527-1596), Bishop of Ross, and adviser of Mary Stewart, Queen of Scots. Although originally composed in Scots during Leslie's imprisonment in 1568-1570, a Scottish version was not published until 1830.Provenance: P. Matthei Paseniy, early ownership ink inscription on title-page.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
SCHUBERT (FRANZ)TELTSCHER (JOSEF) Portrait drawing of Schubert, Anselm Hüttenbrenner and Johann Baptist Jenger, black and red chalk on paper, tipped onto mount with 2 small tabs on reverse, 160 x 206mm., [c.1827]Footnotes:ONE OF A SMALL NUMBER OF SCHUBERT LIFETIME PORTRAITS: JOSEF TELTSCHER'S 'DIE DREI FREUNDE' REDISCOVERED.The image of the 'three friends', Schubert, Anselm Hüttenbrenner and Johann Baptist Jenger, is well known and often considered to include one of the most accurate depictions of Schubert. The exact dating of this portrait remains unclear, as does its relationship to Teltscher's lithographs of Schubert on his own, but it was certainly drawn during Schubert's last two years, which were spent largely in Vienna but with one excursion to Graz in September 1827. It was a period of great creativity and compositional innovation, the composer reaching new artistic heights with works such as the Winterreise cycle, the Impromptus, the Piano Trio No. 2 and the two last symphonies. It was also a period with huge ups and downs in terms of his physical and mental health, his pecuniary situation, and his social life. Luckily Schubert had a circle of close friends and advocates around him, and the frequent 'Schubertiads', were immensely important in sustaining him through the difficult times and in fuelling his creativity.Two of Schubert's closest friends from Graz were the composer Anselm Hüttenbrenner, a friend of Beethoven, and his brother Josef. Anselm wrote his memoirs of Schubert in 1854, and though he admitted that many names had slipped his memory and that he had burned his Vienna diary, he stated that he had 'made Schubert's acquaintance in the year 1815 at the Imperial Court Kapellmeister Salieri's [sic]... we visited each other very frequently, are fond of one another, and became intimate friends and brothers' (Schubert. Memoirs by His Friends, edited by Otto Erich Deutsch, 1958, p.178). Schubert composed a fine set of variations on a theme of Anselm's, who also helped him by arranging symphonies for piano and handling some of his affairs. It was Hüttenbrenner's requiem in C minor that was chosen to be performed at Schubert's memorial service on 23 December 1828.The third of the 'friends' is Johann Baptist Jenger, composer, musician and board member of the influential Gesellschaft der Musikfreunde in Vienna. Like the Hüttenbrenner brothers in Graz, he worked hard to make Schubert's works known in Vienna, and he also arranged the trip to Graz in 1827 to introduce him to the pianist Marie Pachler and her husband Karl, a trip that was postponed from 1826 because Schubert didn't have the money. An entry from Karl Pachler's cash-book dated 16 September 1827: 'several Schubertiads were held in the Pachler house. But for the most part Schubert had to be his own singer... and he frequently played pianoforte duets with Jenger' (Otto Deutsch, Schubert: A Documentary Biography, translated by Eric Blom, 1946).The artist Josef Eduard Teltscher was also an integral member of the Schubert circle of friends. Born in Prague in 1801, he was considered a very gifted portrait painter, but little is known about him before he came to Vienna, where from 1825 to 1829 he mainly devoted himself to the relatively new process of lithography, working from his studio. After Schubert's death, Teltscher went to live with the Pachlers in Graz, developing his own technique of watercolour miniatures to some acclaim, but in 1837 he was to drown during a trip to Greece which he had undertaken with Jenger. Amongst the sketchbooks he left is one containing his pencil drawings of the dying Beethoven on his bed in March 1827, now held at the British Library (Stefan Zweig MS 207). Some accounts state that Schubert was also present with the Hüttenbrenner brothers, but there is no evidence to suggest the two great composers ever met, although Schubert was one of the torch-bearers at Beethoven's funeral.Given that Teltscher was devoting himself to the art of lithography at the time, it is not surprising that his first recorded portrait of Schubert is a lithograph which can be dated to late 1825 from the diaries of the Viennese salonière Sophie Müller. Numerous extracts from these are quoted by Deutsch, including 'In the evening... there was singing... Teltscher brought Schubert lithographed' (11 January 1826, op. cit., p.503), and 'Teltscher, Jenger and Hüttenbrenner came at midday; they brought me the lithographed portrait of Schubert' (24 January, p.505). The following day Jenger and Schubert returned again for dinner, and the latter 'sang new songs' - this on the same day as the first rehearsal of the Death and the Maiden quartet at the home of the violinists Karl and Franz Hacker, two years after it was composed (p.506).According to Maurice J.E. Brown (Essay on Schubert, 1966), the lithograph referred to was the one published by Mansfeld & Co. after Schubert's death, adding that 'copies of the original pressings and of the two later editions are extremely rare'. However, in her 1993 article on the Teltscher portraits ('Schubert und der Maler Josef Teltscher,' in: Schubert durch die Brille, 11 June 1993, pp.118-132), Rita Steblin suggests that the one published in 1828 is a second version dating from that year. Whether it was made in 1825 or 1828, it was the image chosen by his friends to sell in aid of raising funds for Schubert's memorial, and as their abiding memory of him. Certainly, the Wiener allgemeine Theaterzeitung of April 23, 1829 considered it the most successful in 'depicting the true character of Schubert, that of an innocent, childlike, pious and upright spirit'.The present chalk portrait of 'Die Drei Freunde' is generally described as having been drawn in around 1827. Deutsch dated it to that year because Hüttenbrenner visited Vienna in March, but he used to make the journey frequently and the drawing may equally have been made in 1828, the year the resulting lithograph was published by Mansfeld & Co.Although Teltscher had produced lithographs all of the three friends individually, Rita Steblin points out that he clearly drew Hüttenbrenner and Jenger anew for this portrait, both men appearing slightly older, and speculates that the same might be true of Schubert ('Ist es dann nicht wahrscheinlich, dass Teltscher auch Schubert neu gezeichnet hat?').Provenance:According to different accounts the portrait was either drawn for Karl von Schönstein, or was bought by him after the composer's death. Schönstein (1797-1876) was one of the Esterhazy circle and considered the finest singer of Schubert's songs - the 'Schöne Müllerin' were dedicated to him. By 1892, when the drawing was photographed in order to make the colour print by which it is generally know, it was in the possession of his niece Ida von Schweitzer (née von Keyle), of Lengefeld near Krems, Schubert having been a frequent visitor to the family. The drawing was included in the 1897 Vienna Schubert Exhibition and subsequently hung at the family home at Gneixendorf; in 1966 it was recorded as being in the possession of Baron Otto von Schweitzer of Sterbfritz-bei-Schlüchtern in Germany. Despite often being described as 'lost', it has passed down by descent to the present owners.Illustrated: Otto Erich Deutsch, Schubert: A Documentary Biography, translated by Eric Blom, 1946, plate XXVIII.For further information on this lot please visit Bonhams.com
MOUNTAINEERINGALMER (CHRISTIAN) A Facsimile of Christian Almer's Führerbuch 1856-1894, Reproduced under the Superintendence of C.D. Cunningham and Capt. W. De W. Abney, FIRST EDITION, [LIMITED TO 200 COPIES], this copy without the limitation notice, half-title, heliogravure photographic frontispiece portrait of Almer, 2 illustrations, publisher's green cloth, gilt morocco spine labels (some abrasions), g.e. [Neate C157], 8vo, Sampson Low, 1896Footnotes:Christian Almer (1826-1898) was one of the great pioneering Alpine guides from the golden age of mountaineering, making the first ascent of the Eiger, and many other Alpine peaks. Privately printed, the Führerbuch reproduces in facsimile the manuscript recommendations of the climbers he accompanied, together with a lengthy introduction. On publication the book caused great controversy amongst Alpine circles, the reviewer in the Alpine Journal (Vol. 18, 1897) stating that 'in our opinion 'Fuhrerbuch' ought not to be published, and we trust that this volume may remain an unique specimen in its class'. According to Neate of the 200 copies 'only 68 copies were published after which the plates were destroyed'.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
AMERICA - ABOLITION OF SLAVERY LINCOLN (ABRAHAM) Proclamation of Emancipation. By the President of the United States of America, wood-engraved broadside by W. Roberts, printed by C.A. Alvord, headed by a portrait of Lincoln beneath an eagle with wings spread and American flags, 6 vignettes at sides and larger one beneath the text, backed with archival tissue, one or two repairs (longer one at top more noticeable), 580 x 470mm., New York, R.A. Dimmick, 1864 Footnotes: Scarce Broadside printing of the Emancipation Proclamation, with facsimile signatures of Lincoln and William Seward. The six smaller vignettes contrast the horrors of slavery with indications of a brighter future in agriculture, commerce and education, whilst the larger vignette depicts the bombardment of Fort Sumter. This lot is subject to the following lot symbols: * * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. For further information on this lot please visit Bonhams.com
PHOTOGRAPHY - COLLECTIONA collection of upwards of 200 miscellaneous photographs including views, portraits and genre studies, mostly albumen and gelatin silver prints, some mounted on card, various sizes, c.1859-1950 (quantity)Footnotes:The earliest image is a portrait of a seated young man, Lieut. Le Mesurier, R.E., by 'H.D.C., 1859', with many nineteenth century topographical views; Central Africa (2 views by Richard Buchta), Pyramids at Meroe; the Rhone glacier; Happy Valley Cemetery in Hong Kong; street scence, China; Kingston Harbour, Jamaica; Trinidad; Forth Bridge, etc. Later images include views of butcher exhibition (3, 1950s), King Edward VII and family, yachts by Beken of Cowes, etc.For further information on this lot please visit Bonhams.com
ANGLINGALDHAM (W.H.) A Quaint Treatise on 'Flees and the Art a Artyfichall Flee Making', FIRST EDITION, AUTHOR'S PRESENTATION COPY, PORTRAIT PHOTOGRAPH OF THE AUTHOR SIGNED 'yours faithfully W.H. Aldam' beneath the image pasted to leaf facing list of contents, half-title, 2 chromolithographed plates after James Poole, 25 actual specimens of hooked flies, and samples of fly-tying materials within 22 sunken mounts, samples attached with coloured serrated paper seals, light spotting, publisher's pictorial cloth gilt, g.e., neatly rebacked preserving original spine [Westwood & Satchell, p.3], 4to, John B. Day, 1876Footnotes:Provenance: Mary Benwell, presentation inscription from the author ('Mary Benwell with W.H.A's kind regards') in red ink, and further inscription 'Dr. Roberts with Mrs Benwell's kindest regards' in black ink on title-page.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
WITHER (GEORGE)A Collection of Emblems, Ancient and Moderne, 4 parts in 1 vol., separate titles for each part, engraved additional title by William Marshall, engraved portrait of the author and engraved emblems after Crispijn van de Passe the Elder, with the woodcut dials with volvelles, lacks 4 leaves in second book (Q1-Q4), some tears and marginal repairs (occasionally affecting text), irregular paginations (as usual) at the beginning of book 3, p.135-137 loose and torn, final four leaves loose and worn, damp-staining throughout, repairs to margins of one leaf, later tan calf, spine heavily worn with some loss, repairs to covers, hinges cracked, corners bumped [ESTC S118583], folio, Printed by A.M. for John Grismond, 1635Footnotes:The emblems are printed from plates which were originally engraved by Crispijn van de Passe the Elder (1564-1637) for the Nucleus emblematorum by Gabriel Rollenhagen.Provenance: Judith Weston, ink inscription; George Dillwyn, January 1825, bookplate and ink inscription.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
BROWNING (ROBERT)Two autograph letters signed ('Robert Browning'), the first to 'Miss Gabriel', beginning '...'How good are you and how unworthy am I'... 'I am more stupid than ungrateful and even (I hope) more reckless than stupid, - for it is hardly my fault that I can so seldom do what I like... however, may Spring be coming, for anything I know, and with it a chance of better fortune...', one page, 8vo (182 x 114mm.), Warwick Crescent, Upper Westbourne Avenue, 23 January [18]66; the second to Lady de Grey ('Dear Lady de Grey'), regretting he is unable to dine with her as he is '...forced to be at Oxford that day...', one page on a bifolium, 8vo (182 x 114mm.), Warwick Crescent, Upper Westbourne Terrace, 18 February [18]68; both affixed to an album leaf with an illustrated envelope addressed to Miss Gabriel, 5 Chester Street, London, S.W. depicting a lion in a cave, and a portrait of Robert Browning cut from a larger photograph by Elliot & Fry (4)Footnotes:'MAY SPRING BE COMING...AND WITH IT A CHANCE OF BETTER FORTUNE'.Both letters come from the collection of clergyman Frederic Daustini Cremer (1848-1927) who was employed by the first Marquess of Ripon, and his wife Henrietta Vyner, to whom the second letter is addressed, from 1871 to 1873. Neither letter is published in The Brownings' Correspondence online. The recipient of the first letter was Virginia Gabriel (1825-1877), a successful singer and composer of over 300 songs, who set several poems by both Robert Browning and Elizabeth Barrett Browning to music. She was particularly successful in the 1860's and '...the person who did most to convince people that women could compose ballads which would bear close comparison with anything similar by men...' (Victorian Web online). The lion depicted on the enclosed envelope may allude to her opéra bouffe entitled The Lion's Mouth, which unfortunately achieved limited acclaim. Provenance: The Rev. Frederic Daustini Cremer (1848-1927); thence by descent to the present owner.For further information on this lot please visit Bonhams.com
SHAW (GEORGE BERNARD) and HAYDEN CHURCHArchive of correspondence, interviews and other material assembled by journalist Charles Hayden Church (1878-1956) during a long association with George Bernard Shaw over some twenty years, comprising:i) Articles and questionnaires, typed by Church and annotated with responses and extensive manuscript amendments by Shaw, giving his opinion on a wide variety of topics such as sex education in schools ('...Sex should not be discussed with children, either by parents or school teachers...'), his vegetarianism ('...I eat cheese, butter and eggs but no flesh, no fowl and no fish... I object to a carnivorous diet not only because I feel instinctively that it is abominable but because it involves a prodigious slavery of men to animals...'), prohibition in the US ('...It may be that life is so miserable in America that people cannot bear it without drugging themselves with alcohol...'), the economic future of England ('...If the Big Ship [Civilisation] goes down, England will go down with it...'), women's success in previously male preserves ('...Why shouldn't they? Miss Johnson did not fly to Australia: a machine did; and she hung on to it and steered it... several women had babies yesterday without any help from a machine. Prove to me that a man has achieved that amazing and arduous feat...'), on longevity ('...we die because we do not know how to live, and kill ourselves by lethal habits...'), suggesting future political programmes ('...I am not God Almighty disguised as GBS... I am advising women to demand the Coupled vote – One Couple One Vote... I advise the whole nation to put before every other reform the invention of an alphabet of at least 42 letters capable of indicating every sound in our speech...'), matrimony ('...a woman's right to motherhood should not be conditional on her taking on a husband...'), adding a scene to the film version of Pygmalion ('...the cinema can afford practically unlimited money...'), artificial insemination ('...raises many questions... I can not forsee what will happen...'), his 91st birthday ('...Birthday! Get out. Go. The man who ever utters the word Birthday in my presence is no friend of mine... Good afternoon. Don't come again...'), an amusing account of faking a séance ('...An evening of miracles followed... After that experience I could not discuss the subject with Oliver Lodge grieving for his lost son, nor with the infatuated author of Sherlock Holmes...'), on the partition of Palestine ('...The Jews and Arabs, backed by local Home Rulers and Imperialists, must fight it out until they are tired of bloodshed and financially bankrupt...'), writing ('...A slosher using ready made phrases and ideas and never stopping to think can write several thousand words a day... I can write the dialogue of a long play easily within two months if I stick at it... the stage business is pure drudgery...'), on Shakespeare ('...a volcano from whom plays burst like lava. I am by comparison a tidy old maid...'), inspiration ('...I can sit down without an idea in my head except that I must write a play; and a play comes. A good play too...'), and much else; with a typed article signed and dated ('G. Bernard Shaw/ 19 May 1933') explaining that his initial sympathies with the Nazi movement were soon expelled by Hitler's 'insanity' over the 'Jewish question': '...an epidemic of a very malignant disease... I appeal to Herr Hitler and Captain Goering to bear in mind that Judophobia is not a part of Fascism, but an incomprehensible excrescence on it... May I add that I am not a Jew? I belong to that still naively anti-Jewish nation, the Irish. The Irish do not know that Jesus Christ was a Jew. Probably ninety nine per cent of the Nazis are equally ignorant...', comments in red and black ink and pencil, c.70 pages, 4to and 8vo, [1930's/40's]ii) Autograph and typed letters, memos, and postcards signed ('G. Bernard Shaw', 'G.B.S.'), to Hayden Church, some marked 'Private', with typed letters from Hayden Church to George Bernard Shaw, returned with Shaw's responses, and three from his secretaries, with additional fragments, Shaw's comments mostly written in red ink, c.25 items on various subjects, including an early letter warning Church not to bother his wife ('...Do not exploit Ayot St Lawrence and Mrs Shaw any further... unless you want to have an implacable enemy always at my elbow take note to keep on the right side of her... Pardon the hint...'), his play On the Rocks ('...Provisionally you may call it Piffle...'), death ('...I am a member of the Cremation Society... earth burial should be made illegal. As to my ashes I do not care what becomes of them provided they are inseparably mixed with those of my wife...'), Napoleons inability to procreate ('...Something was too short and the seminal jet did not reach the effective place...'), on Elizabeth II ('...constitutional monarchy is one of the professions for which women are specially fitted...'), etc.; with six autograph envelopes, c.30 pages, 4to and 8vo, Ayot St Lawrence, Whitehall Court, SW1 and Malvern Hotel, Malvern, and elsewhere, [11 September 1930 to 4 August 1950 where dated]iii) Group of nine photographs taken by George Bernard Shaw, all but one annotated on reverse by Shaw in ink or pencil ('Ayot St Lawrence/ Shaw's Villa/ called Shaw's Corner', 'Jehanne la Pucelle/ watching for English soldiers/statue by Claire/ Winston', 'Shaw's mulberry tree/ There is another in Malvern but this is his home one', 'Shaw's favourite statue/ of Shakespeare/ 15' high/ bought by him in Frinton/ for twenty three/ shillings'), each with a typed caption by Church attached, 83 x 135mm. and smaller, [no date]iv) Album of press cuttings kept by Hayden Church ('Property of Hayden Church/ Liberal reward to finder'), including letters from John Galsworthy and George Moore, c.48 leaves, red cloth titled 'Scraps' on front board, worn and stained, binding loose, folio (282 x 225mm.), [1913-1917]; with additional loose cuttings of his articles on Shaw from Sunday Despatch, New York Times Magazine, Evening Standard etc., [1929-1947]; and a photograph of Hayden Church and his wife on camels in Egypt at the press opening to Tutankhamun's tomb, 1923; group of articles, writings and press cuttings relating to Church's other work such as 'The Real Annie Oakley' and 'The Strange Case of Dr Minor'; with a copy of George Bernard Shaw: Eight Interviews by Hayden Church selected by Edward Connery Lathem, The Perpetua Press, 2002, limited edition of 500 copies.v) The Plays of Bernard Shaw, 12 vol., inscribed beneath portrait frontispiece in Saint Joan 'G. Bernard Shaw to Hayden Church/ Ayot St. Lawrence 20th October 1945', publisher's limp blue leather, spines gilt (slightly worn at ends), housed in original hinged box with facsimile signature on lid (this near detached), small 8vo, Constable, 1926Footnotes:'I AM NOT RESPONSIBLE FOR YOUR ASSUMPTIONS. THE INTERVIEW IS AT AN END. GOODBYE': THE ARCHIVE OF GEORGE BERNARD SHAW'S 'FAVORITE INTERVIEWER'.For further information on this lot please visit Bonhams.com
ORDONEZ DE CEVALLOS (PEDRO)Viage del Mundo, FIRST EDITION, woodcut coat-of-arms on title, full-page woodcut portrait of the author, final leaf supplied in manuscript facsimile, soiling to title, occasional light damp-stains (mostly marginal to table at end), later half calf over marbled boards, gilt morocco spine label [Palau 03651; Sabin 57524, 'Rare'; Streit I:345], small 4to, Madrid, Luis Sanchez, 1614Footnotes:Scare first edition of this account by Ordonez de Cevallos' (c.1557-1635) of his circumnavigation of the world from 1589 to 1593, the first to commence from the Americas, when he travelled throughout the Spanish colonies there. He devotes two chapters to one of the earliest accounts of Bermuda before it was settled by the Somers Islands Company in 1612. Provenance: ?Eighteenth century ownership inscription to verso of the front free endpaper; Antonio Canovas del Castillo (1828–1897), Spanish historian, statesman, and prime minister, bookplate; his sale, Sotheby Parke Bernet, 20 November 1975, lot 277.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
[SCUPOLI (LORENZO)]The Spiritual Conflict, second edition, half-title, printed title in red and black, engraved frontispiece, engraved portrait of the author, engraved illustrations throughout, lower margin shaved occasionally touching text, light age-toning, rebacked, some wear, 8vo, Paris, 1652--GOODWYN (THOMAS) Moses and Aaron: Civil and Ecclesiastical Rites, title-page repaired, early manuscript annotations, margins shaved occasionally touching text, some toning [ETSC R1855], Andrew Crook, 1671; Romanæ historiæ anthologia recognita et aucta, manuscript annotations, tear with loss of text to D7, light age-toning [ESTC R85], R. Chiswel and J. Wright, 1680; ROUS (FRANCIS) Archæologiæ Atticæ libri septem, light toning, Oxford, Richard Davis, 1675, 3 works bound in 1 vol., modern half calf, shelfwear, corners bumped, 4to, and 3 others (5)Footnotes:Provenance: Second item, Thomas Connolly, bookplate; Rev. Frank Parker MA, bequeathed to the Bishopric of Cornwall, 1883, bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Duppa, Richard 1770-1831 'The Life of Michel Angelo Buonarroti with his Poetry and Letters', second edition, Murray et al 1807, with portrait frontispiece, small Fo. half calf marbled boards, foxing and in used condition plus a facsimile of 'Georgii Acricolae De Re Metallica Libri XII Froben, Basle 1591', Edinustria, Rome 1959, 51/1000. Small Fo. full vellum with stains (2)
Roberts, David. Scottish Artist 1796-1864 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia from drawings made on the spot' by David Roberts R.A. with historical descriptions by the Rev.d George Croly L.L.D., lithographed by Louis Haghe. First edition, F & G Moon 20 Threadneedle St London 1842-1849, 6 vols, half black calf by J Wright, probably contemporary, large Fo. (630 x 450mm), 249 plates as per lists of subjects, some coloured including 6 pictorial titles, 2 maps and a portrait of the author by Charles Baugniet (1814-1886), gilt titled and edges, some spotting and fading, bindings mislabelled and scuffed, general wear consistent with age (6)With presentation bookplate for the Architectural League of New York – C. H. SENFF. April 1897 and subsquently from the Library of the late Peter Frederick Heppell Mason OBE.
Oxford - Ackermann, Rudolph, Publisher 'A History of The University of Oxford', First Edition, London 1814, 2 vols. 4to. with dedication to William Wyndham Grenville, Lord Grenville Chancellor of the University, with engraved portrait frontispiece and 81 hand coloured plates as per 'arrangement', after Pugin et al, half blue calf with gilt edges and marbled end papers, b/ps for W.R. Courtenay Shaw and Michael Cary, binding bumped and minor splits, fair condition
Prinsep, Henry T 'A Narrative of the Political and Military Transactions of British India Under the Administration of the Marquess of Hastings 1813-1818', John Murray London 1820, with portrait frontispiece, folding map and 9 plates, 4to. (270 x 220mm) b/p for Richard Gregory (Coole, Ireland and London), full gilt tooled calf, repaired back with losses, marbled edges and end papers, some staining
Captain Richard Pierce, The Halsewell Tragedy 1786A 38pp manuscript document on watermarked paper entitled ‘These poems were composed and written by my dear lamented grandfather Captain Pierce who lost his life with two of his daughters and two nieces on board his Ship as well as several Passengers and Crew in the Halswell’ Black ink on paper, taped and torn edges, corners bent, damp stain (325 x 200mm)Note: The Halsewell was an East Indiaman launched in 1778. Under the command of Capt. Richard Pierce she set sail in January 1786 on her third voyage to India and foundered during a storm on rocks off the Isle of Purbeck with great loss of life including Capt. Pierce, his daughters and niecesNote: Charles Dickens recounts the tragedy in his short story ‘The Long Voyage’ 1853. The heroic efforts of the Captain to avert disaster created a sensation. King George III visited the scene, George Cruickshank published a portrait of Captain Pierce (1786), JMW Turner depicted the storm in the ‘Wreck of the Halsewell’ (c.1818) The document contains the following written in a good longhand:-pp. 1-6 ‘A Sonnet’, 30 versespp. 6-10 ‘Parting’, 33 versespp. 11-12 ‘Reflections at Sun-rise. Written in the N.E. Trade-winds’, 55 linespp. 13-15 ‘Reflections at Sun-Setting’, 82 linespp. 16 ‘An Epitaph on a Friend’, 28 linespp. 17-18 ‘A Monody’, 43 linespp. 19-25 An Elegiac Poem written in False Bay (South Africa) 1772, 212 lines(Titled). ‘Written on board the Asburnham (East Indiaman, Earl of Ashburham, launched 1761) occasioned by an abusive paragraph in the Weekly Chronicle of that Ship in answer to a hint that improper attention was shewn to a Young Lady under the Guardianship of the Author’pp. 26-28 A 17 verse Poem(Titled) ‘Written at the Top of a hill, In the village of Coldhorne near Bath. (from whence is a beautiful prospect over the adjacent country) where the author went to school pp. 29-33 A 21 verse poem(Titled) ‘A Copy of Verses sent to Humphrey Primatt. D.D. with two Java Sparrowspp. 34-35 An 7 verse poemNote 1: Humphrey Primatt (1734-1776?). Clergyman and animal rights pioneer. R.P. refers to this in a note at the bottom of p.34. ‘Dr Primatt has just published a treatise on mercy to brutes’. With a further note at the bottom of p.35. ‘The cruel distinction made by many in disfavour of the blacks was often a subject of his commiseration’(Titled) The following Lines were written on board the Halsewell By a private soldierpp. 36-38 67 line poemPasted on signature ‘Sophia Ricketts’
American Civil War Interest. A photostatic copy of 'Official Orders to the Troops of Brigham Young to Resist General Albert Sydney Johnston's Federal Forces sent to Utah in 1857 to restrain the Mormons from depredations against Gentiles', with typed letter dated October 8 1938 together with a collection of fifteen monochrome portrait prints of civil war leaders (quantity)
Ancell, Samuel 'A Journal of the Late and Important Blockade and Siege of Gibraltar from the Twelfth of September 1779 to the Third Day of February 1783', third ed. Edinburgh 1786, portrait frontispiece, signed by the author on title verso, four folding plates, 4to. full calf, restored plus Mann, J.H. 'A History of Gibraltar and Its Sieges', with photographic illustrations, second ed. Provost London 1873, 4to, half calf marbled boards plus 'Gibraltar Directory' for 1890, red cloth and morocco back (3)
Loudon, J.C. 'The Landscape Gardening and Landscape Architecture of the Late Humphry Repton esq.', Longman / Black 1840, portrait frontispiece, numerous in text illustrations, 4to. green cloth, edges bumped plus Strachey, Lady 'Later Letters of Edward Lear', Fisher Unwin London 1911, grey/brown cloth plus a mixed collection of 7 travel and associated titles, all in used condition (9)
Layard, Austen Henry 'Nineveh and Its Remains', second edition, 2 vols. with engraved frontispiece, John Murray 1849. Green cloth plus Storrs, Ronald 'Orientations', Nicholson and Watson 1943 with portrait frontispiece plus 'Iraq and the Persian Gulf' Naval Intelligence Division September 1944, thick 8vo. green cloth plus twelve assorted titles. Mixed used condition (15)

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