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A quantity of collectibles including a Victorian mother of pearl card case, an ivorine pot-pourri, two plated shell shaped salts, a circular white metal pot and cover, the lid inset with a portrait miniature of a lady, three watches, compacts, a Swiss wooden box painted with a view of Lake Geneva with the Chateau de Chillon, together with a glass figure of Bonzo.
Three portrait miniatures, comprising of a circular watercolour on paper of a gleaner mounted in a circular ebonised wood frame, an early Victorian portrait bust of a lady in a blue bodiced dress, ornate jewellery and curled hairstyle in a carved gilt frame, and a framed coloured print of a young officer in mahogany and gilt frame.
* Clara Klinghoffer (Ukrainian, 1900-1970), The Girl with Plaits, oil on canvas, in a gilded and painted frame, 67 x 50cm (26 x 20in). Provenance: J Leger and Son, 13 Old Bond Street, London, W1. Clara Klinghoffer became a shining painter overnight at the age of nineteen when she had her first exhibition at the Hampstead Gallery in London. She studied at the Slade from 1918 to 1919 and her work was much admired by her many mentors such as Bernard Meninsky, Alfred Wolmark and Sir Jacob Epstein who recommended her to the gallery. Klinghoffer’s work is represented in both the National Portrait Gallery and the Tate Gallery
* Anna Airy, RO, RE, ROI (British 1882-1964), Pink Roses, signed bottom right “A Airy”, oil on canvas, 59 x 49cm (23 x 19in). Anna Airy studied alongside Augustus John, William Orpen and Philip Wilson Steer at the Slade School of Art where she won numerous prizes for portrait and figurative painting. She was one of a few women commissioned as a First World War artist and was brave enough to work on site for many of her works in often challenging conditions. Anna Airy exhibited at the Royal Academy and her work is represented in the Imperial War Museum, the Victoria and Albert Museum and the British Museum, London
German porcelain plate hand painted with a portrait of a lady in period costume, framed, late 19th century, the plate measures 19cm diameter Condition report: The plate is sealed into a frame and therefore the extreme edge is not available for inspection and cannot be guaranteed. The main face and reverse of the plaque is free from damages or restorations.
Turners Sprig Jug circa 1800 also black basalt bowl, also a treacle glaze jug printed with a portrait of Nelson together with a salt glazed cottage money box, (4) the Turner jug measure 21cm high Condition report Turner jug: firing cracks to the sprigged decoration. Basalt bowl: no damage or restoration. Nelson jug: spout restuck with losses, rim chip, wear to print. Money box: one chimney missing, door sill chipped.
Ellis Silas (British, 1883-1972), Portrait of the artist`s wife, half length, seated in riding clothes, signed on verso, oil on canvas, 74. 5 x 62cm.; 29. 5 x 24. 5in. * Exhibited at the Royal Academy, Royal Institute of Painters in Watercolours, Royal Institute of Oil Painters. He was a war artist for the Australian Government 1914 - 1918 and spent three years in Papua painting and collecting curios which he described in his book `A Primitive Arcadia`. President of the London Sketch Club 1930.Artists` Resale Right ("droit de suite") may apply to this lot.
Fritz Aigner (Austrian, 1930-2005), Folder of 19 ink drawings by Fritz Aigner to include portraits of ladies from around the world, self portrait in front of Union Jack and many other subjects, all signed and dated `68, ink and brush, laid down onto sheets, unframed, various sizes 17.5 x 17cm.; 7 x 6.75in (19).Artists` Resale Right ("droit de suite") may apply to this lot.
Ebony veneered striking and quarter repeat bracket clock , the gilt brass pierced and repousse basket top decorated with neo-classical portrait medallions of Britannia, William and Mary, applied gilt panels to the doors and sides, the break arch brass dial with a silvered Roman dial and strike/silent ring, Nicholas Lambert, London, matt field, ringed winding holes, date aperture and mock pendulum, five pillar, twin fusee movement, anchor escapement, repeating the quarter by a pull chord on four bells and the hour on a top bell, the backplate engraved with an urn of scrolling foliage, minimum height 53cm (ticks, winds, strikes, repeats; pendulum, winding key).*See clocks and watches proviso.
19thC English School. Le Duc de Leuchtenberg, head and shoulders portrait, pencil on paper, enscribed lower left `By Queen Victoria`, 20cm x 16cm, framed and glazed together with Baily (J.T.Herbert), Napoleon, illustrated with prints from contemporary and other portraits, London 1908, original red dec borders and Eposito (Vincent) and Elting (John R.), a Military History and Atlas of the Napoleonic Wars, Faber & Faber 1964, slip case. (3)

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