Samuel William Reynolds II (1794-1872), after William Owen (18th/19th century) Portrait of Elizabeth Duchess of Buccleuch & Queensbury, Seated, Three Quarter Length Holding a Book] Extensively inscribed, engraved and published by S.W. Reynolds, Bayswater, 1819, black and white mezzotinted engraving, 44cm by 34cm (17 1/4in by 13 1/2in) (pl); together with two further prints [Admiral Earl St Vincent KB, Full Length, in Naval Uniform Standing beside a Desk and a Terrestrial Globe, Holding a Sword in his Left Hand; View of Greenwich and the Thames, possibly after a Watercolour by Thomas or William Daniel] 55.5cm by 40cm (21 3/4in by 15 3/4in) and 44cm by 69cm (17 1/4in by 27 1/4in) respectively (3) *The first print is contained within an ornate black and gilded French frame which is inscribed on an old label attached to the backing board "L. Souty Fils Successor to Mason Souty, Rue Vanneau, 33 Paris" (3)
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Sir Peter Markham Scott (1909-1989) Portrait Study of Henrietta Diana Baker; Portrait Study of Lucilla Fidele Baker (Luli) aged 5, Peter Scott's Goddaughter] One signed with initials and dated "1951", the other signed and dated "1950", also inscribed on the backing boards verso, pencil drawings, 27.5cm by 23cm (11in by 9in) and 20.5cm by 19cm (8in by 7 1/4in) respectively (2) *Provenance. With Arthur Ackermann & Son Ltd, Dealers in Works of Art, 3 Old Bond Street, London W1 *The pictures are sold together with two books, one entitled "Portrait Drawings by Peter Scott", signed by the artist in the fly leaf, the other entitled "A Bird in the Bush" by Lord Kennet and Peter Scott (4)
Italian School (17th/18th century) Portrait of the Young Christ, Head and Shoulders, Wearing a Purple Robe and Green Tunic, the Robe and Tunic Edged with Gold and Lace, a Gilded Halo above his Head, A Gilded Latin Inscription Around the Oval relating to Luke 2.49] Extensively, indistinctly, inscribed on old labels attached to the frame verso, also relating to Luke 2.49, oil on copper, 24.5cm by 19. 5cm (9 3/4in by 7 3/4in)
Follower of Sir Anthony Van Dyke (16th/17th century) Portrait of a Young Nobleman, Head and Shoulders, Wearing a Period Costume, Said to be Lord John Stuart, Son of the Duke of Lennox] Inscribed with the sitter's age, "aetatis svae 15", also inscribed with a family crest, inscribed on old labels verso, oil on canvas, 75. 5cm by 63cm (29 3/4in by 24 3/4in) *Possibly ex. collection Lady Gorst. September 24th 1917. It is also inscribed on an old label with the name “Van Dyke”.
F...Lindo (fl.1755-1765) Portrait of Lady Elizabeth Seymour, 1st Duchess of Northumberland, Standing, Full Length on a Balcony, Wearing a Gown with a Scarlet and Ermine Robe] Signed and dated "1765", also inscribed with the sitter's name and the artist together with the date on a plaque attached to the frame, oil on canvas, 76.5cm by 62cm (30in by 24 1/2in) *The picture is sold together with various documentation and letters from Alnwick Castle, Northumberland and a further letter from the Greater London Council, both dated 11th March 1970 and 23rd March 1970 respectively. The letter written by the Duke of Northumberland refers to the present portrait being a copy of the 1st Duchess of Northumberland by Sir Joshua Reynolds which is at Syon. The artist F. Lindo is thought to have originated from Isleworth, he painted a good many portraits in Lowland Scotland and in Aberdeenshire between 1760 and 1762, both head and shoulder studies and small scale pictures as well as full length portraits. He might have been a pupil of Francis Hayman (c.1708-1776). *The Duchess of Northumberland, here seen in ceremonial robes, is Elizabeth Seymour, the only surviving child of the Duke of Somerset; she married Hugh, 1st Duke of Northumberland in 1740. Ex. collection of Commander E. Culme-Seymour
William Moore (1790-1851) Portrait of Alicia Marcia Greame, Seated, Head and Shoulders, Wearing a Blue Dress, Lace Accessories and Bonnet with Gold Earrings, a Chain and a Cameo Brooch] Inscribed with the artist's name on a later label verso, together with some biographical details and his dates, oil on canvas, 76.5cm by 63.5cm (30in by 25in) *Contained within its original elaborately decorated Victorian gilt plaster frame with foliate scrolls and acanthus leaves
English Provincial School (19th century) "Portrait of a Seated Lady with a Spaniel"; "Portrait of a Seated Gentleman Wearing a Black Coat and Yellow Waistcoat, Shirt and Bowtie"] Oils on canvas, each 76.5cm by 63.5cm (30in by 25in) (a pair) *Provenance. With Jayes, Fine Art Dealers, Cambridge Gallery, 4 Cambridge Arcade, Southport, PR8 1AS, stock no. J2295
George Cammidge (1846-1916) Portrait of a Gentleman, Seated, Three Quarter Length, Wearing Victorian Costume and Holding a Pencil in his Right Hand, a Picture of a Building in his Left Hand, possibly a Town Planner or Architect] Signed and dated "1871", oil on canvas, 91.5cm by 71cm (36in by 28in)
Frederick C. Mulock (1888-1932) Portrait of Wyn Mulock, Head and Shoulders, Wearing a Red Beret and Said to have been Painted after She and the Artist had Attended a Fancy Dress Party as Rembrandt and Titus] Signed with the artist's initials and dated "1929", also inscribed "Winifred Mulock as Titus", oil on canvas, 61cm by 50.5cm (24in by 20in)
Frederick C. Mulock (1888-1932) Portrait of Anne Thursfield, Seated, Half Length, Wearing a Cream Dress and Holding her Dog under her Right Arm] Signed, also inscribed with the sitter's name on a label verso and numbered "13", further inscription on the remnants of the artist's original label and numbered "1", oil on canvas, 76.5cm by 63.5cm (30in by 25in)
Ferdinand Georges Lemmers (1871-1944) "Lady in Pink", Portrait of a Young Lady, Standing, Full Length, Wearing a Pink Dress, a Chair and Book by her Side] Signed and dated "1903", also extensively inscribed on an exhibition label verso, oil on canvas, 201cm by 111cm (79in by 43 3/4in) *Provenance. With Park Grosvenor Galleries, 35 Park Street, London W1 3AA, ref. no.23, the original price being #17,000
Sir Walter Westley Russell R.A., R.W.S., N.E.A.C., N.P.S., I.S. (1867-1949) "The Profile", Portrait of a Young Lady, Seated, Three Quarter Length, Wearing a Cream Dress] Signed, also extensively inscribed on exhibition labels verso, oil on panel, 35.5cm by 26cm (14in by 10 1/4in) *Provenance. With Ernest Brown & Phillips, The Leicester Galleries, Leicester Square, London WC2. Exhibited at a special exhibition of the artist’s works in March 1922. Ex. collection Mr Jewell.
Florence Small (c.1869-1933) Portrait of Charles Frederick Hardy (1858-1927), Seated at a Desk, Holding a Pen in his Right Hand, with Manuscripts, Books and Other Documents Nearby] Signed and dated "1894", also inscribed with the sitter's name and his dates on a plaque attached to the frame, oil on canvas, 66.5cm by 97.5cm (26 1/4in by 38 1/2in) *The picture is sold together with a wooden plaque giving details of the sitter's history. He was a great great grandson of the Rev. Joseph Hardy (1723-1786), Master of the Grammar School at Sutton Valence in Kent, who was born at Barbon Beckfoot.
![Attributed to Robert Cauer (the Younger): A Bronze Figure Group of a Young Boy and Girl], standing in conversation on a cant](http://lot-images.atgmedia.com/SR/10041/2669547/1101-63-10041_468x382.jpg)
Attributed to Robert Cauer (the Younger): A Bronze Figure Group of a Young Boy and Girl], standing in conversation on a canted rectangular plinth, signed, 42.5cm *Robert Cauer the Younger (1863-?) was born at Kreuznach in 1863, the son and pupil of Karl Cauer. He studied in Rome and spent three years (1889-92) working in the United States, where he produced numerous portrait reliefs and busts. From 1893 onwards he worked in Kreuznach and Berlin. See Mackay (James) The Dictionary of Western Sculptors in Bronze, page 61.
![A French Boulle and Ormolu Bracket Clock, Mynuel a Paris], the waisted case surmounted by a seated figure of Diana, the dial](http://lot-images.atgmedia.com/SR/10041/2669547/1271-63-10041_468x382.jpg)
A French Boulle and Ormolu Bracket Clock, Mynuel a Paris], the waisted case surmounted by a seated figure of Diana, the dial with black and white enamel tablet numerals, the central field chased with a profile head portrait of a king amongst military trophies and a crown, with lower tablet "Mynuel a Paris", the “later” twin fusee movement with striking on a bell, whole case highlighted in stained ivory and mother of pearl, the lower case with eagle and viper mount amongst scrolls, on scroll form feet, 71cm high, conforming wall bracket, 95.5cm high overall
![A Pair of Late 19th Century Ebonised, Tortoiseshell and Ivory Inlaid Mirrors], each with a rectangular plate within a broad](http://lot-images.atgmedia.com/SR/10041/2669547/1372-63-10041_468x382.jpg)
Alan Lowndes 1921-1978 portrait of william sydney graham signed and dated 1960 oil on canvas laid down on board 75.5x50cm.; 29.75x19.75in. William Sydney Graham (1918-1986) poet was born in Greenock Scotland but moved to St Ives Cornwall where he became great friends with Lowndes and was his most regular drinking partner.
Dame Elisabeth Frink D.B.E. R.A. 1930-1993 portrait of Ben Bernstein signed and numbered 2 bronze with dark brown patina height (including base): 42cm.; 16.5in. Conceived in 1979 the present work is number 2 in an edition of 6. Literature Bryan Robertson Elizabeth Frink Sculpture Catalogue Raisonne Haprvale Salisbury 1984 illustrated p.202.
Sir Eduardo Paolozzi 1924-2005 maria painted plaster (after a model kit) on a wood and plaster base height (including base) 45.5cm.; 18in. Maria was the robotic 'heroine' of Fritz Lang's 'Metropolis' (1927) one of the artist's favourite films. In the 1990s Paolozzi made several variant portrait studies of her in plaster and bronze. A bronze Artist's Copy and a plaster and wood version of the sculpture are in the sculptor's estate.
John Vanderbank (1694-1739) Thomas Hamilton 6th Earl of Haddington (1680-1735) of Tyninghame House East Lothian Hereditary Keeper of Holyrood Park oil on canvas 126 x 100cm His wife the Countess sister of the Earl of Hopetoun died in 1768. His descendant married 4th Baron Lilford in 1885 and she was responsible for the renovation and recasting of Lilford - hence this portrait hanging in pride of place in the entrance hall in 1942. Provenance Lord Lilford Lilford Hall Northamptonshire sale April 1942 Lord Vaux Harrowden Hall Northamptonshire sale 1965 From the collection of Peter Inskip Esq
Photographs-A Victorian leather photograph album the thick card leaves with floral chromolithographic decoration the padded and embossed upper cover with original sprung clasp fastening; containing fifty-two portrait photographs of varying sizes and two others including one of the Somerset Light Infantry 'B' Company football squad dated 1911 (15.5cm x 20cm).
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