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19th Century School, A Portrait of Robert Burns in his Masonic Regalia, after the etching by Charles Ewart possibly based on portraits of the artist by Alexander Nasmyth and William Stewart Watson, inscribed top left "Depute Master of St James' Lodge, Tarbolton Lodge, No. 135", oil on canvas, in a gilt-composition frame moulded with flowers and foliage. 74cm by 62cm
Frank O. Salisbury R.I., R.O..I, R.P. (British, 1874-1962), Portrait of Sir Frederick Henderson K.B.E., signed lower left and dated 1930, with presentation plaque dated May 8th 1930, oil on canvas in a handsome giltwood frame. 151cm by 115cm. Note: Sir Frederick Ness Henderson (1862-1944) was a prominent Glasgow shipbuilder.
Vincenzo Bentivegna (Italian, 1879-1943), A Patinated Bronze Portrait Roundel of James Gordon Gray, signed, inscribed "Roma" and dated 1912, with Fonderia Lagana, Napoli foundry stamp. Diameter 41cm. Note: Professor James Gordon Gray (1876-1934) was a Scottish mathematician and physicist who was Professor of Applied Physics at Glasgow University and a Fellow of the Royal Society of Edinburgh.
Harris (John & Wallis, John, publishers), "Historical Pastime or a New Game of the History of England from the Conquest to the Accession of George the Third," pub. J. Harris & J. Wallis, December 1st, 1803, hand-coloured engraving, comprising 157 circles, terminating in an oval portrait of King George III, divided into twelve sections and mounted on linen, 565 x 535mm together with 47 page booklet "Rules and Directions for Playing the Historical Game...", pub. J. Harris & J. Wallis, 1806, in original buff wrappers with printed oval label to upper cover, housed together in original cardboard slipcase, with printed paper label, rubbed and worn
Attributed to Louisa Sharpe (British, 1798-1843), Portrait of a Young Lady Seated on a Sofa, unsigned, watercolour heightened with white, bearing an old paper label verso indistinctly inscribed, "Portrait of ......daughter of........Painted by Miss Sharpe in London in the year 1829", in a gilt-composition frame. 31cm by 24cm. Provenance: Scottish Private Collection
AN EDWARDIAN SILVER FRAMED PORTRAIT MINIATURE, the frame by George Elisha Sumner, London 1901, the miniature of three children, signed K.E. Hill and dated 1901, in a leather case. Miniature 10.5cm wideCONDITION REPORTThe marks are clear and crisp. There is a split running horizontally across the ivory approximately 1cm above the heads. In otherwise excellent condition. The leather case in good order.
19th century English school - Quarter-length profile portrait of a lady, miniature watercolour on ivory(?), within ebonised surround, bearing label verso for J Trewinnard No.40 Strand, with hand-written annotation 'Cecilia Maria Barthelemom ad1800', image dimensions 6.5 x 5.5cm, frame dimensions 13 x 10.5cm
AN 18TH CENTURY GOLD-MOUNTED VERNIS MARTIN SNUFF BOX, circular, the pull-off cover with a boy and girl in a roundel, within a surround of scrolling openwork foliage, under glass, the sides painted with ribbon-tied swags and portrait medallions, the base decorated with putti in a circular cartouche, tortoiseshell lined interior. 7.5cm diameter
A FINE VIENNESE ENAMEL TABLE CLOCK, CIRCA 1870, the oval case surmounted by the figure of a putto, the conforming hinged bezel housing a foliate enamelled dial, the chain fusee movement signed 'Moulinie Bautte & Moynier / Geneve', the reverse of the case decorated with a club-yielding hero, partially clad in bear fur, protecting a maiden from a snarling beast, the case raised on the back of an ostrich, supported on a domed base painted with four reserves depicting Classical figures, the cobalt ground picked-out with gilded foliage and applied with four scroll and portrait motifs, the underside blue painted with foliage, raised on mask-capped scroll feet. 18.5cm highCONDITION REPORTThere are no silver marks on this item.
A FINE AND RARE GENTS MOVADO TRIPLE CALENDAR WATCH, circular two tone silver dial with gilt sword hands and red date pointer hand, day/month indicators at 3/9 o'clock positions and outer date track in red, plain case 32mm diameter with adjustment recesses at 2/4 o'clock, plain case with snap on back and bezel internally stamped 18k 0.750, manually wound movement signed Movado Factories 15 Jewels, serial number C475681 R4776, engraved presentation from King Ibn of Saudi Arabia to United States Wyoming Senator Edward V. Robertson 1948', fitted with an aftermarket brown lizard grain strapSold with a book on King Ibn Saud and a photo of Edward V. RobertsonThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.This watch has an interesting provenance as it was a gift from King Ibn Saud, the first King of Saudi Arabia, to Senator E.V. Robertson in December 1948. There is a case back engraving attesting to this event and the watch is accompanied by a hardback book detailing the life of King Ibn (1880-1953). It is believed that the watch was given as a gift during the OPEC talks and a copy of the Portrait of the Senator is also included together with a copy of his biography available on Wikipedia. The watch has been fully serviced by Prestige Time Services in September 2019 and the dial which is in exceptional condition does not appear to have been restored.
DAVID CARPANINI limited edition (5/50) etching - portrait of Sir Kyffin Williams in flat-cap and raincoat, signed, 32 x 31cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
DAVID PORTEUS BUTLER limited edition (63/75) Curwen Chilford print - standing portrait of Sir Kyffin Williams, entitled 'Kyffin', signed with initials, 38 x 29cms Provenance: private collection Kent Presentation & Condition: no problems, unframedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
JACK JONES mixed media - title to margin 'Self-Portrait, Aged 55', signed and dated March 1991, 24 x 17.5cms Provenance: private collection Powys, Attic Gallery Swansea Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
EDWARDS watercolour - portrait of Augustus John in old age, with beret, pipe and a portrait on an easel, indistinctly signed, 31 x 24.5cms Provenance: private collection Powys Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
EDWARD DUNCAN pencil on brown paper - portrait of a standing gentleman with rifle, signed with initials, 14.5 x 8cms Provenance: Abbott & Holder label verso, from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: paper has aged, later framed and glazed
SIR KYFFIN WILLIAMS RA mixed media - head portrait of a young girl, circa 1970s, entitled on Tegfryn Gallery label verso 'Sioned', 33 x 26.5cms Provenance: Tegfryn Gallery label, private collection London Presentation & Condition: no problems, original frame, glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
SIR KYFFIN WILLIAMS RA oil on canvas - head and shoulders portrait, entitled verso 'Willie', signed with initials, 75 x 74cms Provenance: private collection Powys Auctioneer's Note: Willie is purported to be Willy Lee of Ynys Mon (Anglesey) and formed part of a local support group for epileptic sufferers together with Sir Kyffin who was himself also an epileptic. If Kyffin Williams had not developed epilepsy he might never have become a painter. Kyffin recalled that in 1937 after a St David's Day dinner at the Anglesey Arms, Menai Bridge: 'I went to bed at about 12.30 happy and sober. I don't know when I woke, but I remember lying beside the open window. It was unbearably cold and I was covered in snow. There was a taste of blood in my mouth and my tongue was terribly painful…. I must have lost consciousness, for the next thing I remember was waking up in bed…. My tongue was agony, but I got up, dressed and unsteadily made my way downstairs to breakfast. I don't think I ever got there, because once again I found myself in bed, my tongue was worse and everything was unbelievably vague. A few weeks later he was taken to see Dr Henry Cohen in Liverpool 'He told me that I had had an attack of grand mal epilepsy, that the pupil of my left eye was fixed and I had no reaction to light, and that I had no reflexes in my knees. He prescribed luminal and a foul tasting mixture of belladonna and Irish moss. A few days later again in April 1937 Kyffin received his commission in the 6th Battalion Royal Welch Fusiliers but six months after the first attack of grand mal he had a second one: 'In the morning I felt reasonably well but was found unconscious on the pavement near Pwllheli station while on my way to lunch. I regained consciousness twenty four hours later. Again there was the taste of blood in my mouth and my tongue was unbelievably sore'. In August 1938, on the return from summer camp as the train left Prestatyn, he had another attack of grand mal, and further attacks followed. The last while still in the army occurred while buckling on his Sam Browne belt prior to a company inspection. He was sent to Moston Hall Hospital, Cheshire, for two weeks; then followed investigations at a military hospital in Oxford, under the supervision of Dr (later Sir) Hugh Cairns. Kyffin describes these as follows, '... first test was the inevitable lumbar puncture. This was followed a few days later by the electro-encephalogram, the first machine of its kind to be assembled in this country. I sat in a wire-netting rabbit hutch and a strange permanent-wave machine hung above my head as terminals were attached to my ether-soaked hair. At the other end of the room a girl pressed a switch, and a large metal hand started to draw a crazy graph on some paper pinned to the wall. The next day in came my doctor. 'What are you going to do when you leave the army? … as in fact you are abnormal,' he announced. 'I think it would be a good idea if you took up art'. Rogers Jones & Co have decided to donate 5% of the price from the commission to Epilepsy Research UK Presentation & Condition: no problems, framedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)BUYER'S PREMIUM:24% + VAT (28.8%) on all lots up to a hammer price of £19,99916% + VAT (20%) on all lots of a hammer price £20,000 and over10% + VAT (12%) on all lots of a hammer price £60,000 and over***PLEASE CLICK ON THE IMAGE MULTIPLE TIMES TO SEE A CLEAR HIGH RES IMAGE'
CLAUDIA WILLIAMS oil on board - group portrait of the artist's three sons, signed verso and dated 1963, 110 x 78cms Provenance: private collection consigned via our Carmarthen office Presentation & Condition: no problems, framedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
EVAN WALTERS oil on canvas - head and shoulders portrait of Winifred Coombe Tennant and unfinished portrait of a lady verso, 41 x 29cms Provenance: private collection consigned via our Carmarthen office Auctioneer's Note: Winifred Coombe Tennant was the artist's most important patron, they met at the artist's first solo exhibition in 1920, and commissioned him to paint her portrait and portraits of her husband and children, she described him as 'A young dark typical Welshman. Very intelligent and pleasant... He has genius' Presentation & Condition: craquelure, later framedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
ELFYN JONES oil on canvas - semi-abstract head and shoulders portrait of a male, entitled and signed verso 'Cafe Society', 40 x 30cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
LIAM O'CONNOR oil on canvas - head portrait, signed verso and dated 2008, 38 x 55cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, unframedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
CARL MELEGARI large impasto oil on box canvas - head portrait, entitled 'Ernesto', 100 x 75cms Provenance: private collection Somerset Presentation & Condition: no problems, impressively framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
A PAIR OF LLANELLY POTTERY PURPLE TRANSFER COMMEMORATIVE JUGS with sides printed pictorial representations for the mourning of Prince Albert showing a weeping Britannia and a solemn lion at Her feet and with a portrait of The Prince Consort, the loop handles with thumb-spurs and with wide elevated spouts, marked ALBERT to base of larger, 21cms and 18.5cms high Provenance: private collection, consigned via our west Wales office Condition Report: scrapes to spout of both, larger has scrapes to foot and one small chip to foot with hairline at foot
DAVID CARPANINI artist's proof etching - portrait of Sir Kyffin Williams in flat-cap and raincoat, entitled verso on Attic Gallery Swansea 'Kyffin IX' signed, 32 x 31cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84 Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
A large framed Oil on canvas Portrait of a rosy-complectioned white haired lady in dark clothing with a white collar and ruched white sleeves and wearing an elaborate brooch set with pearls. Labels verso state: ''A Lady of Dordrecht'', attributed to J.F. Van der Merck, On Canvas, 24'' x 31'' "., & restorers' label: "HERM. RITSCHL Maler - k.u.k. Restaurator, Heugasse 54, Wien, 4/2", "Restaurier Buch Nr. 4491".

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283284 Los(e)/Seite