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Los 14
LUIS TABERNER Y MONTALVO (Madrid, 1844-1900)."Interior of a Tavern", 1871.Oil on canvas.Signed and dated in the lower right corner.Re-coloured.Size: 38 x 51 cm; 54 x 67 cm (frame).In the present canvas, Luis Taberner shows us a tavern interior. The protagonists, a group of characters dressed in the popular Catalan manner, with sashes and barretinas, are crowded around a central table, eagerly discussing the matters that concern them. The waiter, concentrating on his task, pours a glass of wine for his guests. Particularly noteworthy is Taberner's successful use of light and bright tones to highlight the main figures, while the rest of the room is submerged in sober darkness.Trained at the San Fernando School of Fine Arts in Madrid, Luis Taberner regularly attended the National Exhibitions of Fine Arts, where he presented "El propagandista" ("The Propagandist") in 1871. The Prado Museum documents that he was also present at the Madrid Horticultural Exhibition of 1881 with the painting entitled "Unas orzas". The Spanish art gallery continues, "A genre painter and skilful portraitist, his works include the Portrait of King Alfonso XII and those of Emilio Arrieta, Francisco A. Barbieri, Manuel Fernández Caballero and Francisco López Dóriga y Bustamante. He also practised decorative painting, of which numerous oil sketches have survived.
Los 2
SANTIAGO RUSIÑOL I PRATS (Barcelona, 1861 - Aranjuez, Madrid, 1931)."Female portrait", ca.1890.Oil on canvas.Signed in the lower right corner.Size: 41 x 30 cm; 58 x 47 cm (frame).Among other pictorial genres, Santiago Rusiñol excelled in the genre of portraiture, especially female portraits. His gallery of self-absorbed, melancholic and withdrawn women is in keeping with the fin-de-siècle decadent taste. In the case of this young woman with her slanted gaze and half-closed eyelids, the face hides from direct contemplation, thus preserving its mystery and keeping it at a distance. The colourful, almost impressionistic brushstrokes with which the costumes, the patterned mantilla, the pleats, etc., are reproduced contrast with the naturalistic definition of the facial features. Rusiñol flirted with various avant-garde movements then in vogue, but his artistic personality stands out above specific styles.Rusiñol was one of the main ideologists of the Catalan modernist movement. He trained as a disciple of Tomás Moragas and frequented the Centre of Watercolourists. He made his debut in 1884 at the Sala Parés in Barcelona, together with his friends Ramón Casas and Enric Clarasó. In those years he made a carriage trip around Catalonia with Casas, taking sketches of types and landscapes. The year 1888 marked a turning point in his career, as he began three new activities: he took part in the Paris Salon and held his first solo exhibition at the Sala Parés. The following year, 1889, Rusiñol settled in Paris, in the Montmartre district, with Utrillo, Clarasó and Canudas. He attended the academy of the painter Henri Gervex, and completed his training with Puvis de Chavannes and Carrière. The ruralism he had adopted in Barcelona disappeared and his style evolved towards naturalism. He also came closer to the thematic, but not technical, approaches of the Impressionists, as well as to their desire to capture a fleeting snapshot. In 1890 he established a relationship with Sitges, where he painted some of his first courtyards and gardens, a theme that would define his later style. That same year he held his first exhibition at the Sala Parés, together with Casas and Clarasó. In 1890 he returned to Paris with Casas and Utrillo. At this time he concentrated on depicting the entertainment venues of the area, such as the Moulin de la Galette, which featured in many of his paintings. However, in 1893 he left his studio in Montmartre and moved to the Île Saint-Louis. The following year he travelled to Italy with Zuloaga. On his return he exhibited the paintings made on this trip in what was to be his first personal exhibition at the Sala Parés. That same year he inaugurated the Cau Ferrat in Sitges, the seed of today's museum. In 1895 he made his first trip to Granada, and began the series "Gardens of Spain". In 1897 he produced some of his best paintings of gardens, an interest that also appears in his literary work "The Abandoned Garden", in which he cultivates a symbolist decadence. Around this time he exhibited in Paris at the Salon des Indépendants, at the Exposition Nationale and at the gallery of Samuel Bing, the main promoter of Art Nouveau in France. The latter, a solo exhibition held in 1899, brought international recognition to Rusiñol, whose success was based on a new vision of Spain, totally free of clichés and full of truth. From then on his activity multiplied as a painter, novelist and comedian, he premiered outstanding works in Madrid and Barcelona and held annual painting exhibitions at the Sala Parés, always with Casas and Clarasó. In 1908 he was awarded the medal at the National Exhibition of Fine Arts. He is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo Camón Aznar in Zaragoza and the Thyssen-Bornemisza, among others.
Los 33
EUGENIO D'ORS ROVIRA (Barcelona, 1881- Villanueva y Geltrú, 1954)."Portrait of Carlota Rower.Ink on paper.Signed in the lower left corner. It has a signature anagram in the lower right corner.Size: 13 x 15.5 cm; 40 x 42.5 cm (frame).This work was reproduced in issue number 516 of the Catalan magazine Auba, published from 1901 to 1902. The image shows, inside a cartridge, the initials O. R in reference to Octavi de Romeu, one of the pseudonyms used by Eugenio d'Ors to sign some of his drawings, such as those published in Gaseta d'art between 1904-1905, and for his writings, which became a literary character with his own identity and the artist's alter ego. As for the image of Charlotte Rower, sometimes called Charlotte Rower, there is a clear influence of modernism and specifically of the artist Toulouse Lautrec, especially in the conception of the main character's dress and the movement of her legs.Born in Barcelona in 1882, Eugenio d'Ors started out in modernist literary circles. In his youth, between the ages of nineteen and twenty-five, he participated in this aesthetic. He studied law in Barcelona and took his doctorate in Madrid. From 1906 onwards he contributed to La Veu de Catalunya and was a member of the Catalan Noucentisme movement. He was secretary of the Institut d'Estudis Catalans in 1911 and director of the Instrucció Pública de la Mancomunitat de Catalunya in 1917, but left in 1920 after the death of Enric Prat de la Riba. In 1923 he moved to Madrid, where he became a member of the Spanish Royal Academy in 1927. In 1938, during the Spanish Civil War, he was Director General of Fine Arts in the provisional Francoist government in Burgos. He was the father of the famous Spanish jurist, historian and political theorist Álvaro d'Ors, and grandfather of Juan d'Ors.
Los 54
French school, 19th century."Portrait of a lady.Oil on canvas.Signed "Winterhalter" in the lower left zone.Measurements: 76 x 60 cm; 87 x 74 cm (frame).The signature, in addition to the aristocratic style that characterises this female portrait, leads us to think that the author could belong to the circle of painters close to the one who was the main court portraitist during the Second French Empire, Franz Xaver Winterhalter (Black Forest, 1805-Frankfurt am Main, 1873). This is a half-length portrait of a lady with dark eyes and a firm gaze. Her countenance denotes character, so that the painter captures the psychology as well as the sumptuous qualities of the silks, the jewels and the smooth flesh tones.Franz Xaver Winterhalter was a German painter and lithographer particularly known for his portraits of royalty painted in the mid-19th century. Among his best known works are The Empress Eugenie surrounded by her ladies-in-waiting (1855) and the portrait of the Empress Elisabeth of Austria, popularly known as Sisi (1864). In Paris Winterhalter soon became a fashionable painter. He was appointed court painter to King Louis Philippe of France, who commissioned him to paint portraits of the members of his great family. Winterhalter executed more than thirty commissions for him. His success also earned him a reputation as a specialist in dynastic and aristocratic portraiture, skilfully combining portraiture and flattery and intensifying official ostentation with modern fashion. In 1852 Winterhalter travelled to Spain, accompanied by his compatriot Edward Magnus, also a prominent portraitist, to paint Queen Isabella II1 and also worked for the Portuguese royal family. Russian aristocrats visiting Paris also liked the portraits by the famous master and often hired his services. As the "painter of princes", Winterhalter was in great demand at most European courts: in England (from 1841), Spain, Belgium, Russia, Mexico, the various German states and France. In the following years Winterhalter's fame continued and his services were in great demand. In 1856 he travelled to Poland to paint the local aristocrats and in 1857 he painted the German-born Tsarina Maria Alexandrovna in Bavaria. During the 1860s he received many commissions from Russia. His popularity increased after Napoleon III came to power in France. During the Second French Empire he became the leading portraitist of the court and the imperial family. The beautiful Empress Eugénie became one of his favourite models and she treated him generously. In 1856 Winterhalter painted what was to be his masterpiece, The Empress Eugénie surrounded by her ladies-in-waiting, in which the Empress of France - the Spanish-born Eugénie de Montijo - is shown in a pastoral setting picking flowers in a harmonious circle with her ladies-in-waiting. The painting was acclaimed by the public and exhibited at the Universal Exhibition of 1853, and remains Winterhalter's most famous work. During the Second Mexican Empire, under the rule of Emperor Maximilian I of Mexico, Winterhalter was commissioned to paint the portraits of the imperial couple. The Empress consort of Mexico, Charlotte of Belgium, was the daughter of Louise Marie d'Orléans, Queen of Belgium, who had engaged Winterhalter's services early in his career. Some of Winterhalter's paintings of the Mexican monarchs are still preserved in his palace in Mexico City, which is now the National Museum of History.
Los 2005
Oil on canvas, portrait of a man staring at the moon with a star behind, unsigned, probably 17th or 18th century, 17cm x 13.5cm, framedCanvas has been laid down onto another canvas and stretcher, possibly a fragment from a larger work, no labels or inscriptions verso, early gilt-gesso frame with Latin text to the frieze, overall frame dimensions 25cm x 22cm, provenance: from a local private deceased estate
Los 2007
19th century oil on canvas, portrait of a young woman with flowers, unsigned, 60cm x 50cm, unframedCanvas has been lined, evidence of a long tear running from her chin along her raised arm almost to the corner with some overpainting along the tear, also paint chip on her cheek and several other minor surface chips and abrasions
Los 2049
18th century French School, oil on canvas, portrait of a young girl with a flower basket, unsigned with various labels verso, 47cm x 38cm, original framePainting appears to be in untouched condition with no canvas damage or repairs, no sign of overpainting, label on frame for Stephen Gooden of Pall Mall London, several stamps on the stretcher including impressed Momper Paris, collection label on frame for Sir H Howarth, frame appears to be the original with some minor gesso chipping on the edges but generally good original condition
Los 784
Nonesuch Press:- 'Democritus Junior' (Robert Burton) 'The Anatomy of Melancholy'. 2 vols. Limited to 750 copies 1925. Frontispiece portrait. E Mc Knight Kauffer Illus. Small Fo. With accompanying note from the Manchester Guardian dated 15th Dec. 1925 asking 'Mr Binyon to review this book' (Laurence Binyon Poet and Art Scholar d.1943) Some warping and staining, original vellum backed boards (2)
Los 848
Lloyd, Major Hesperus David Watkiss. Cameronians, Scottish Rifles, 25th August 1872-10th March 1915 (Neuve Chapelle)Manuscript descriptive Journal of Service in Egypt, October 1898-March 1905 plus a private diary for 1915 with minimal but poignant entries until his death plus a memoir in pamphlet form by E.M. Lloyd Oct 1917 plus two portrait photographs plus ten further images inc. regimental parades and dinners, Egyptian scenes. Mixed condition, photographs torn and faded ("+) Provenance: from the Estate of Patrick Dockar-Drysdale
Los 204
A 19th century silhouette portrait of a lady inscribed verso 'Jane Blackford Sept 1809, married Philip Williams Q.C. last owner (prior to Queen Victoria) of Osborne House' together with four further named silhouette portrait miniatures, all in black frames with acorn hangers, varying sizes (5)
Los 213
Attributed to John Henning: a silhouette cameo portrait of Edward Maltby 1770-1859 Bishop of Durham, in classical pose and glazed wooden frame, indistinctly signed and inscribed verso, 140 x 130mm overall, plus two further miniature cameo silhouette portraits - Duke of Wellington and an unknown subject, both in black frames (3)
Los 468
Ducarel, Andrew Coltée. English Antiquarian (1713-1785). A Series of above two hundred Anglo-Gallic or Norman or Aquitain Coins...'. With portrait frontispiece after A Soldi, London 1758 with folding map and multiple plates. 4to. with ACD bookplate (loose). Rebound with marbled boards, red title plus Martin-Leake, Stephen. 'An Historical Account of English Money...'. 2nd Ed. Meadows, London 1745. 8vo. Full calf re-backed. plus seven associated titles/catalogues etc (9)
Los 500
Rapin de Thoyras. 'The History of England' translated from the French by N Tindal. Vicar of Great Waltham, Essex. 2nd Ed. 2 Vols. Fo. Knapton, London 1732. With engraved portrait frontispiece and all plates by George Vertue present as per Directions to the Bookbinder. Full reversed calf with red label, restored binding, fair condition (410 x 264mm) (2)
Los 533
Chamberlayne, John. Fellow of the Royal Society. 'Magna Britannia Notita or The Present State of Great Britain'. 2 pts in 1 vol. Goodwin et al, London 1718. With frontispiece portrait of George I. 8vo. (185 x 116mm). Full calf plus Spectacle de la Nature: or Nature Delineated...'. 4 vols. James Hodges, 1743 with numerous full calf (160 x 105mm) for restoration. Boards loose etc (5)
Los 570
Barrington, Sir Jonah (1760-1834) Irish Lawyer and Politician. 'Personal Sketches of His Own Times'. Two vols. 8vo. Henry Colburn, London 1827. 1st Ed(?) portrait frontispiece. Half calf and marbled boards plus Dodington, George Bubb, The Diary of the late....Baron of Melcombe Regis. Easton and Wilkie, London 1784. 8vo. Full tree calf (splits). de Spon and Duke of Leeds b/ps. plus Sheridan, Thomas. 'Lectures on the Art of Reading'. Dilly, London 1781. 8vo. Full calf. Boards loose, de Spon b/p (4)
Los 582
Belzoni, Giovanni Baptista (1778-1823). Narrative of the Operations and Recent Discoveries with the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia. 3rd Ed. 2 vols. John Murray, London 1822 with portrait frontispiece, preface to 3rd/2nd Ed. Folding Map of the Course of the Nile reduced from Col. Leakes Map of Egypt, Vol I. and folding Plan of the Temple of Jerusalem in Vol II. 8vo. Full calf with splits/losses etc., plus Wilson, Erasmus. 'Cleopatra's Needle'. Brain & Co, London 1877. Gilt decorative red cloth. 8vo. Ex lib with stamps plus Klunzinger, C.B. 'Upper Egypt It's People and It's Products'. Blackie, London 1878. Red cloth. 8vo. In used condition with splits. All with de Spon b/ps (4)
Los 599
Shakespeare, William. 'Works' with Notes. Howard Staunton Ed. Thick 8vo. 3 vols. Routledge, London 1858 with frontispiece portrait, full calf with red title b/ps plus Butler, Alan. Lives of the Fathers, Martyrs and Principal Saints. 4 vols. with plates 1838. Full calf plus 'Poems of William Wordsworth. Routledge, London 1859. Decorative leather binding, b/ps (8)
Los 609
Buxton, Edward North. Short Stalks: or Hunting Camps North, South, East and West. Stanford, London 1893. Half red morocco and marbled boards. 4to. plus Grey, Zane. 'Tales of Fishing Virgin Seas'. Hodder and Stoughton, London 1925. Green cloth (rubbed and bumped) (260 x 190mm) plus Schillings, C.G. 'In Wildest Africa'. Harper, New York and London 1907 with portrait frontispiece. Rust coloured cloth with elephant study (240 x 160mm) plus three associated titles, used condition (6)
Los 632
Darwin, Erasmus (1731-1802) Physician (Grandfather of Charles). 'The Botanic Garden' A Poem in two parts; containing 'The Economy of Vegetation and the Loves of the Plants with Philosophical Notes'. Jones and Company, London 1825 with portrait frontispiece and nine pp of plates. Half calf and marbled boards. B/p for L.B.C. Trotter. Owners signature, back rubbed plus Hales, Stephen (1677-1761). English Clergyman and Botanist. 'Statical Essays: Containing Vegetable Statics'. 2 vols. 8vo. Vol I. Ltd Ed. Vol II. 3rd Ed. Wilson and Nicol 1769. 19 plates in Vol I and in text engravings. Full calf, red title plus two associated titles (5)
Los 661
Gibbon, Edward. The History of the Decline and Fall of the Roman Empire. 8 vols. John Murray, London 1855 with frontispiece portrait. With b/p for George Eden Marindin 1841-1939 Author and Editor and inscribed by W Wayte 'On his leaving Eton August 1860'. 8vo. Full calf, splits and losses (8)
Los 675
Marsollier, Jacques. Histoire de Henry de la Tour d'Auverge, Duc de Bouillon. 3 vols. Titles in red and black with engraved vignettes, bookplate of Sir Robert Gunning, contemporary calf, spine gilt, worn at extremities, Paris, François Barois, 1719. Cottin, Marie. Élisabeth, ou les exilés de Sibérie. Slight spotting, contemporary calf gilt, worn, Paris L. De Conchy, 1808. De Lille, Jacques. Le Malheur et la Pitié. Portrait frontispiece, two further portrait engravings (of 3), engraved armorial plate, contemporary boards with library label on spine, J.J. Stockdale, 1814. 8vo, and nine others
Los 676
Taylor, Brook. New Principles of Linear Perspective, Or The Art of Designing on a Plane, fourth edition, portrait frontispiece, 13 folding engraved plates, slight spotting, contemporary quarter calf, worn, upper board loose, 8vo. J Taylor 1811. Crunden, John. Convenient and Ornamental Architecture. 64 (of 70) engraved plates. Slightly soiled, occasional tears, contemporary calf, worn, boards detached. 4to. I Taylor 1785; plus two associated titles (4)
Los 696
Ralegh, Sir Walter. 'The Historie of the World in Five Books'. George Dawes, London 1671. Red and black printed title page with engraved frontispiece and maps, dated 1665 with portrait of Ralegh and manuscript of his epitaph. With chronological table and later manuscript 'particular index'. Fo. Full calf. B/ps and inscription. In poor condition, for restoration
Los 63
THE IMPRESSIVE DA VINCI CODEX FINE SILVER COIN COLLECTION,comprising 24 edgeless colourprinted silver bars, dated 2011, numbered 200 of 500, each featuring one of Da Vinci's innovative designs, that come together as one unit to form a completed image of the Vitruvian Man, each featuring an effigy of Queen Elizabeth II to the reverse, 1020g gross, in perspex case, within a timber frame, inside a timber case with laser etched self portrait of Da Vinci, the case designed to look like a bound codex, within a further timer case inscribed, 'The Genius of Leonardo da Vinci - 1452-1519'
Los 636
Dorothy Wilding photographs - five black and white glamour portrait photographs, largest 10" x 12" - ** Dorothy Frances Edith Wilding (10 January 1893 – 9 February 1976) was an English professional portrait photographer from Gloucester, who established successful studios in both London and New York. She is known for her portraits of the British Royal Family, some of which were used to illustrate postage stamps, and in particular for her studies of actors and celebrities which fused glamour with modernist elegance
Los 775
After E. Scriven and Sir Peter Lely - 'La Triste Heritiere', inscribed on a later label verso with the date (c. 1810), coloured engraving, oval, 2.75" x 2.25"; together with a companion, portrait of a fashionable lady (a pair), also a small watercolour of sailing boats initialled JH and two smaller watercolours of the beach at Budleigh Salterton and the Exe Estuary at Exmouth, various sizes (5) - ** Sold together with the original invoice from Fearn Antiques, dated October 1992 for the two original Georgian engravings, the original cost price being £79
Los 809
William Kay Blacklock (1872-1924) - portrait of a young girl, seated three quarter length wearing a cream dress and holding a blue ribbon, a sunlit meadow beyond, signed and dated 1908, pencil and watercolour, 16.5" x 12.5" - ** Attached to the reverse of the picture is the original backing board bearing the indistinct details where the exhibition was shown. - ** The artist was born in Sunderland, and worked as a lithographer's apprentice whilst living with his widowed mother. He continued practising the trade of lithography and printing, but became a watercolourist and painter in oils. Exhibiting works at The Royal Academy between 1897-1918. His wife Nellie modelled for him as did their daughter Elenore. He visited Walberswick in 1914 but later moved to St. Ives in Cambridgeshire he died in Polperro and is buried in the civil parish of Liskeard. - *** The picture is sold together with the original invoice dated, June 1989 from the Wren Gallery of Burford, Oxfordshire, the original price being £2,200, and was described as being titled “Lydia”
Los 1101
From the Library of Dennis Wheatley - Mosley(Leonard) War Lord, Michael Joseph, 1st Ed. 1938, with signed message to Dennis Wheatley from author, Ex-Libris sticker for Dennis Wheatley, newspaper articles glued into books, Smith(Sir William) A Smaller History of Rome from the Earliest Times to the Death of Trajan, John Murray, 1904, Ex-Libris sticker for Dennis Wheatley and one for Tony M.Chance, Dennis Wheatley signature (x2) to front cover fly-leaf page, Bassett(Ronald) The Carthaginian, Herbert Jenkins,1st Ed. 1963, Signed message from author to Dennis Wheatley, Ex-Libris stickers for Dennis Wheatley and Tony M.Chance & Hollis(Christopher) Lenin Portrait of a Professional Revolutionary, Longmans Green and Co, 1st Ed. 1938, signed message from author to Dennis Wheatley, Ex-Libris stickers for Dennis Wheatley and Tony M.Chance(4)
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283287 Los(e)/Seite