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Attributed to Catherine Read (1723-1778, Scottish School) Portrait of Ann Fletcher aged 22 half-length wearing a floral dress and a shawl oil on canvas laid down on board, 74.5 x 62cm, within a carved wood and gilded frame. Catherine Read was born into a wealthy Jacobite - Scottish family at Dundee. She was educated in England, France and Italy and returned to London in 1754 where she set-up a studio in St James’s, principally as a portrait painter in pastels. She exhibited 32 pictures at the RSA between 1760 and 1772 and four at The Royal Academy. She became very fashionable in aristocratic circles during the 1760s, with royal patronage from Queen Charlotte. Catherine Read was devoted to a niece, one Helena Beatson, who had a brother in Madras, William Read a surgeon, who became Governor of St Helena and attained the rank of Mason General. In 1776 they both set sail for India where Catherine continued to paint portraits. Sadly her health failed and in 1778 and she died on a ‘restorative’ voyage to the Cape of Good Hope accompanied by her brother.
Spanish School 17th Century Portrait of a lady, thought to be Queen Christina of Sweden, bust-length wearing a diamond and ruby crown, pearl drop earrings, a necklace and brooch over a white lace collar oil on panel 20 x 14cm. Footnote: Christina (1629-1689), later known as Christina Alexandra, and sometimes Countess Dohna, Queen Regnant of Sweden (1632-1654). The only surviving legitimate child of King Gustavus Adolphus of Sweden and his wife Maria Eleonara of Brandenburg. As the heiress presumptive at the age of six she succeeded her father on the throne of Sweden upon his death at the battle of Zutzen in The Thirty Years War. After converting to Catholicism and abdicating her throne, she spent her later years in France and Rome. She is buried in St Peter’s Basilica.
By T. Willson, 68 Great Queen Street, London A Victorian walnut, marquetry and gilt metal and porcelain mounted rectangular writing table in the French taste, crossbanded in tulipwood, bordered with boxwood lines, the top inset with a shaped panel of tooled leather and with ribbon tied floral spandrels, having twin paterae medallions and a moulded edge, the frieze decorated with scrolling foliate designs and applied with oval porcelain plaques depicting a female portrait and cherubs, containing two short drawers with gilt metal acanthus scroll handle pulls, on square tapered legs, terminating in brass cappings and castors, the top 122cm (4ft) x 66cm (2ft 2in), stamped with makers name to top of left hand drawer.
Richard Cockle Lucas - a wax bust portrait relief of Christian Charles Josias Chevalier Bunsen, the Prussian Ambassador to the Court of St. James, in profile to sinister, on an oval brown wax ground, incised signature and date 1851 and inscribed `Chevalier Bunsen`, height approx 17cm, within a gilt composition frame.
Walton (Izaak & Cotton C) - The Complete Angler or Contemplative Mau`s Recreation Being a Discourse on Rivers, Fish Ponds and Fishing, sixth edition, Hawkins 1797, frontis portrait, title page, r.f.e.p and boards all detached, half calf spine ?? lacking, 8vo; Holt (Adern) Gentleman`s Fancy Dress: How to Choose It, illust London 1882; Gibbs (Philip) Old English Costumes - A Sequence of Fashions through the Eighteenth and Nineteenth Centuries, illust. col. plates; Catling (Thos) The Press Album Published in Aid of the Journalists Orphan Fund, London 1909, orig.gt.dec.boards, and an early 20thC photograph of the Paignton Fire Service.
19thC continental school half length portrait of Admiral Nelson facing to sinister, oil on panel, 13cm x 10.5cm, together with a pair of humorous portraits of scallywags, oil on board, 11cm x 9cm all in uniform ebonised reeded frames, 19thC school half length portrait of a young man in ebonised frame with gilt metal.
British School - Oval Miniature Half Length Portrait of a Boy wearing a White Chemise and Blue Jacket with Gilt Buttons, a Landscape beyond, early/mid 19th Century watercolour on ivory, approx 5.5cm x 4.5cm, within an oval gilt metal frame, together with a mid-20th Century Miniature Portrait of an Elderly Lady.
British Provincial School - Half Length Portrait of a Lady Wearing a Blue and White Bonnet, her Hair in Ringlets, and seated on a Scroll Arm Sofa with a Child, early 19th Century pencil and watercolour, within a gilt and wood frame, together with another similar Study within a period maple frame.
A gold mounted oval pink shell cameo brooch, carved as the portrait of a lady, a gold brooch designed as the portcullis beneath a blank scroll, a seed pearl set jabot pin, two stick pins, and a blue enamelled and half pearl set oval pendant, with a gold finely woven link neckchain, on a cylindrical clasp.
An unusual album of Chinese watercolours on card, mid/late 19th Century, painted on both sides of each card with the narrative of a young woman dispatching her ancient husband, her subsequent trials, loves, madness, demise and death (some foxed), approx 37cm x 28cm (twenty-one images in total), together with a Chinese watercolour portrait of a European gentleman (possibly the intended recipient).
A blue printed pearlware jug, circa 1805, commemorating Horatio Lord Viscount Nelson and his victories, the ovoid body printed in blue with a named oval portrait inscribed around its oval border, to the reverse the warship `Victory`, flanking an inscribed panel, height approx 14cm (faults).
A collection of approximately 400 postcards, the majority artist, portrait and topographical, including photographic postcards of a Children`s Special Service Mission crowd scene at Herne Bay, a military group by K. Bolam of Cairo, `The Christening [of the Lifeboat] The Lord Southborough, Margate` and `The Embankment Bishops Park Fulham`.

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