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Modern Raff rust coloured poncho, of panelled design with mink trims to the collar and cuffs and chenille decorative appliques; J P Gaultier Classique Paris Black Wool Mix Coat, labelled 'model 203' with collar, side pockets, button front and printed line portrait of Gaultier to the lining (2)
Galilei (Galileo) Opere, 3 vol., half-titles, vol.I with additional title printed in red & black with engraved allegorical device for Florence, engraved portrait of the author, folding engraved plate, numerous diagrams and illustrations, woodcut decorations and initials, vol. 3 T3v with printing flaw, small stain on T4r, contemporary vellum, morocco labels to spines, spines darkened a little rubbed, 4to, [Riccardi I 520; Tomash & Williams G10], 4to, Florence, Tartini Giovanni Gaetano and Santi Franchi, 1718.⁂ Second edition of Galileo's works.
Lansberghe (Philip van) Tabulæ motuum cœlestium perpetuæ; ex omnium temporum observationibus constructæ temporumque omnium observationibus consentientes. Item novæ et genuinæ motuum cœlestium theoricæ & astronomicarum observationum thesaurus, elaborate engraved title depicting the author along with other noted figures from the fields of astronomy and mathematics, woodcut initials, head- and tail-pieces, diagrams and illustrations, engraved portrait of the author, folding table, book label to pastedown, contemporary boards, [Tomash & Williams L25], Middleburg, Zacharias Romanus, 1632.⁂ The Horblit copy of this set of astronomical tables, popular for their ease of use.Provenance: Harrison Horblit (1912-1988, book label).
Leibniz (Gottfried Wilhelm) Essais de Theodicee, oder Betrachtung der Guetigkeit Gottes..., first German edition, engraved frontispiece, title in red and black, folding engraved plate of author's calculator, lacking the engraved portrait of Leibniz and the list of his works, light browning, contemporary vellum, [Tomash & Williams L67; VD18 11190809], 8vo, Amsterdam, Cornelius Boudestein, 1720.⁂ As well as containing a German translation of Essais de Theodecee sur la bonte de Dieu, la liberte de l'homme et l'origine de mal, first published in Amsterdam in 1710, this work includes a short assertion of Leibniz's priority over Newton in the invention of calculus, a brief description of the binary system and an account in Latin of the Leibniz calculator.
Leybourn (William) The Art of Dialling, Performed Geometrically... Arithmetically... Instrumentally, first edition, engraved portrait, folding plate and 1 illustration, woodcut head-piece and diagrams, ink erasure on title, first gathering soiled, contemporary calf, spine and corners neatly and sympathetically repaired, preserved in custom drop-back box, [Tomash & Williams L89; Wing L1900], 4to, S. A. and B. G., 1669.⁂ This issue has "dialling," in line 2 of title, and the imprint date 1669; another issue has "dialling:" and is undated.Provenance: John Harwood, 1701 and Chaloner Greville (ink inscriptions); Greville Mairis Livett (bookplate).
Leybourn (William) Panorganon: Or, An Universal Instrument, Performing All Such Conclusions Geometrical And Astronomical As Are Usually Wrought By The Globes, Spheres, Sectors, Quadrants, [&C.], first edition, engraved portrait frontispiece and 2 folding plates, woodcut initials, head-pieces and diagrams, marginal browning and occasional chipping, occasional light marking or soiling, modern panelled calf, [Tomash & Williams L104; Wing L1928], small 4to, William Birch, 1672.⁂ The Panorganon describes a quadrant which Leybourn had himself designed, though he acknowledged that he owed much to the manuscript notes of Samuel Foster, professor at Gresham College.Provenance: John Gardiner, William Green and Doubleday Auborn (early ink inscriptions).
Merchants' handbooks.- Smart (John) Tables of interest, discount, annuities, &c., bookplate of Edward, Lord Suffield, rebacked, J. Darby and T. Browne, 1726 § Rowlett (John) Rowlett's tables of discount, or interest, index tab, browning, Philadelphia, Hugh Maxwell for the Proprietor, 1802 § Hatton (Edward) An index to interest, portrait frontispiece, volvelle on final leaf, cancelled bookplate of Rochester cathedral library, Printed and sold by Mr. Harper [and others], 1711, contemporary calf, rubbed, [Tomash & Williams S127, R119 & H74]; and 2 others, similar, 4to & 8vo (5)
Oughtred (William) Clavis mathematicae denuo limata, sive potius fabricata, 4 parts in 1 vol., title within ruled border, engraved portrait frontispiece (closely shaved), tables and diagrams, title foreshortened at head, contemporary ink inscription to frontispiece recto, lacking front free endpaper, contemporary calf, extremities rubbed, [Tomash & Williams 041, O46, O48, O53; Wing O577], 8vo, Oxford, Leon Lichfield for Thomas Leigh, 1698.⁂ Provenance: George Courthorpe (1687-1741, ink inscription).
Playford (John) Vade mecum, or the necessary companion, containing, 1. Sir S. Morland's perpetual almanack... 2. The computation of years... 3. The reduction of weights and measures. 4. The ready casting up any number of farthings [&c.] With Sir Samuel Morland's new table for guinneys... 5. The interest, and rebate of money, the forbearance, discompt, and purchase of annuities, at 6 per cent. 6. The rates of post-letters... 7. The rates or fares of coach-men [&c.], first edition, dedication f., engraved portrait of Samuel Morland, 3 engraved and numerous woodcut tables, small repair to title fore-margin, modern morocco-backed boards, [Kress (Supplement) S.595; Tomash & Williams P95; Wing P2505], small 8vo, by A. G. and J. P., 1679.⁂ Rare in first edition. Provenance: Royal Society, London (ink stamp to foot of dedication).
Schott (Gaspar) Technica Curiosa, Sive Mirabilia Artis: Libris Xii Comprehensa, 2 vol., second edition, half-title, printed title in red and black with engraved portrait of the dedicatee on verso, engraved additional title, 60 engraved plates on 58 sheets, a few closely trimmed, half-title and engraved title holed by an inkblot, occasional light foxing or offsetting, modern speckled boards, [Tomash & Williams S60; VD17 23:269555T], 4to, Würzburg, Johann Jobst Hertz, Johann Andreas Endter & Wolfgang Endter, 1687.⁂ "This two-volume work was Schott's description of the latest technological wonders and experiments... It includes hundreds of devices used in pneumatics, water movement, time keeping, cabalistic and secret writings, etc. The most famous section deals with the experiments of Otto van Guericke with vacuums." - Tomash & Williams.
Smith (Thomas) Quorundam Eruditissimorum et Illustrium Virorum. Quorum nomina exstant in pagina sequenti, first edition, engraved portrait frontispiece, title with woodcut portrait of Erasmus, woodcut initials and head-pieces, contemporary speckled calf, spine gilt, some cracking to head and foot of joints, [Tomash & Williams S151], 4to, David Mortier, 1707.
Stadius (Johannes) Tabulae Bergenses aequabilis et apparentis motus orbium coelestium... Item de fixis stellis commentarius, first edition, woodcut portrait vignette on title, woodcut initials and tables, browning and dampstaining, contemporary vellum, rebacked, extremities repaired, soiled, [Tomash & Williams S176; VD16 S8483], folio, Cologne, heirs of Arnold Birckmann, 1560.⁂ A compendium of astronomical tables, named after the author's patron, the prince Bishop of Liège, Robert de Bergues, in pompous imitation of the Alfonsine tables. It includes "De fixis stellis commentarius" an update of Ptolemy's astrological star catalogue for 1560.
Bion (Nicolas) Traite de la Construction et des Principaux Usages des Instrumens de Mathematique, fourth edition, engraved allegorical frontispiece, portrait and 37 folding plates, engraved and woodcut initials, head- and tail-pieces, occasional very light offsetting, ink name to foot of title, contemporary mottled calf, some chipping and wear to spine ends and corners, [Tomash & Williams B158], 4to, Paris, C.A. Jombert & Nion fils, 1752.⁂ Provenance: "Maire d'Hurecour Canonicus Bisuntinus" (ink inscription).
Calandri (Filippo) [Aritmetica], first edition, 104 ff., partly double column, 26 lines, 3- and 4-line initial spaces with printed guides, gothic type, woodcut illustrations, some full-page, several signatures shaved, some marginal repairs to first few leaves, l7-8 repaired, washed, later vellum, yapp edges, 8vo (141 x 95mm.), Florence, Lorenzo Morgiani and Johannes Petri, 1 January, 1491/92.⁂ First edition of the first illustrated Italian book on Mathematics. The work also includes the first appearance in print of long division, and the first use of the word "zero". The woodcuts include superb decorative borders and a portrait of Pythagoras as well as illustrations of problem-solving. The work, one of the earliest illustrated Florentine incunables, was dedicated to Giuliano de' Medici, the son of Lorenzo the Magnificent (who later became Pope Leo X).Provenance: Edouard Rahir (1862-1924, leather book label); Piero Ginori Conti (1865-1939, bookplate).Literature: Tomash & Williams C9; Smith, Rara arithmetica, pp.47-49; ISTC ic00034000.
De Morgan (Augustus) An Essay on Probabilities, and on their Application to Life Contingencies and Insurance Offices, first edition, engraved additional title, contemporary red half morocco, gilt, light rubbing to extremities, 1838 § Brown (Richard) A history of accounting and accountants, number 57 of 250 deluxe copies signed by the author, portrait frontispiece, plate, original morocco-backed cloth, gilt, t.e.g., others uncut, light rubbing to extremities, Edinburgh, 1905, [Tomash & Williams D34 & B276]; and 3 others, similar, 8vo & 4to (5)
George V silver and enamel cigarette case, of large size, shaped for the hip, the hinged rectangular cover centred by a large oval enamel photograph portrait of a lady wearing a wide-brimmed bonnet, Birmingham 1912, sponsors Horace Woodward & Co Ltd, 15.5cm wide, 10.4toz gross approx Condition: Superficial scratching to cover commensurate with age and use, light marks and wear to interior, but overall sound. **General condition consistent with age
1930's Ingersoll Watch Company 'Mickey Mouse' pocket watch, the white Arabic dial with portrait of Mickey, his hands as pointers, inscribed 'Mickey Mouse Ingersoll' at 3, subsidiary at 6, top-wound movement, 50mm diameter, with a base metal chain Condition: Case is difficult to open, some wear to silver plating and brass is showing through in areas, hands are currently loose so will require an overhaul, sold as seen - **General condition consistent with age
Royal Commemoratives - Queen Victoria Diamond Jubilee bronze plaque, by Francis John Williamson (1833-1920), Esher, modelled in relief with a portrait bust facing to dexter, 26.5cm diameter, together with a Coronation edition of 'The Sun', Thursday Evening, June 28th, 1838, No.14, 289 (2) Condition: Plaque has been polished and displays general wear and tarnishing to borders, superficial pitting and scratching etc. Newspaper has been folded, is discoloured, and general marks and edge wear etc, sold as seen. **General condition consistent with age
Admiral Lord Horatio Nelson Interest - George Riley (pub.) - Stipple engraving with etching by Percy Roberts after the portrait of Nelson by Lemule Francis Abbott and The Sea Battle by Francis Chesham, marked proof to lower left - titled Admiral Lord Nelson, K.B. and the victory of the Nile, 44cm x 27cm, framed and glazed Condition: There is discolouration to the paper and a horizontal tear through the title extending across a third of the page with further tear visible above the lower right corner - **General condition consistent with age
Franz Till, Dresden - Late 19th Century oval porcelain portrait miniature plaque, decorated with a bust-length figure of a lady, signed lower right, 12cm x 9.5cm, in later frame Condition: Not inspected out of frame but displays no faults or post-production damage to visible areas. **General condition consistent with age
19th Century English School - Pair of oils on canvas - Portrait of a gentleman wearing dark blue coat and holding a riding crop and Portrait of a lady wearing a dark red dress with lace shawl, verso inscribed 'Copied by Herbert Sidney - 1885 from the portrait of Mrs Buttle (aged 53 years) by Arrowsmith, - June 23rd, 1815', 77cm x 63cm Condition: The female with a couple of paint losses to the left hand side, each approximately 3mm in diameter also craquelure across the surface of the female portrait, losses to the mouldings on the frames - **General condition consistent with age
Andrew Beer (1862-1954) - Oil on canvas - 'Lady Marjorie' - Pigeon portrait with results listed and details of where the bird was bred and raced by owner P.J. Parrett, Weston-Super-Mare, signed lower left, 30.5cm x 40.5cm, unframed Artist Resale Right may apply Condition: The canvas is very loose in the stretcher, there is a small tear approx 8mm in length visible just below the horizon on the far right of the image, there is also a glued down paper label visible in the bottom right corner which relates to a race from San Sebastian in 1928. **General condition consistent with age
Pair of Victorian watercolour full length silhouettes - Portrait of a lady wearing lace shawl and a gentleman wearing Masonic regalia, 33.5cm x 18cm, both in birds eye maple frames Condition: Some discolouration to the paper and very light foxing, the frames some-what tired. **General condition consistent with age
Attributed to John Comerford (Irish 1770-1832) - Portrait miniature of a gentleman wearing black coat, saffron waistcoat, white chemise, stock and frilled cravat, having gold frame, the reverse with border of blue glass surrounding gold-mounted aperture, glaze to reveal gilt metal monogram RD, set on an oval blue glass plaque and surrounded by gilt metal and blue foil border, 70mm high Condition: There is possibly overpainting of the black coat, on the reverse the blue foil band would perhaps appear to be a replacement - **General condition consistent with age
Two unusual 19th Century oak hall chairs, in the 'Romayne' tradition, one with oval back and relief-carved profile portrait, the other back a full three-quarter bust portrait of 17th Century gentlemen, possibly Charles I and Cromwell, shaped solid seats and ring-turned splayed supports, each approximately 92cm high (2) Condition: Typical rubbing to tips of legs, otherwise sound. Please see extra images and TELEPHONE department if you require further information.
Please note gold and major Items of jewellery can only be viewed by appointment and on production of photographic IDA Royal Mint The Sovereign 2015 presentation set of gold coins, comprising The Sovereign five gold coin set fifth portrait first edition and The Sovereign five coin set, both sets in presentation boxes and outer case
English School, 18th century, Portrait of Charity Woodroffe, wife of George Dod (1660-1736), unsigned, titled on mount, oval, oil on canvas, 74 x 61.5cm, 29 x 24.25in.Condition report: The painting is in good, restored condition. The painting has been re-lined. The varnish has yellowed in places across the painting. There is craquelure across the surface of the painting. Under UV light there is evidence of overpainting and cleaning. The painting is ornately gilt framed but not glazed. The frame has the odd minor knock and loss commensurate with age.
English School, 19th/20th century, Female portrait, unsigned, oil on canvas, 49.5 x 39cm, 19.5 x 15.5in.Condition report: The painting is in good, restored condition. There are one or two small areas of overpainting across the canvas most notably a small circle to the right of the head. The painting is framed but not glazed. The frame has the odd minor knock and loss commensurate with age.
Noel Laura Nisbet (1887-1956), Portrait of a woman's head, unsigned, oil on canvas, 40 x 30cm, 15.75 x 11.75in.Condition report: The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The painting is reframed but not glazed.
English School, 19th century, Portrait of a seated gentleman, unsigned, oil on canvas, 90 x 69.5cm, 35.5 x 27.25in.Condition report: The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is craquelure across the surface of the painting. The painting is ornately framed but not glazed. The frame has the odd minor knock and loss commensurate with age.
C. Brugher, 19th/20th century, Portrait of an elderly lady, indistinctly signed, oval, oil on canvas, 59 x 48cm, 23.25 x 18.75in.Condition report: The painting is in good, restored condition. There is some minor craquelure across the surface of the painting. There is a patch visible on the reverse of the canvas with corresponding overpainting and restoration on the front of the painting. The painting is framed and glazed.

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