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283287 Los(e)/Seite
Los 609
A Victorian gold, banded agate and black enamelled oval pendant mourning locket, the interior glazed with a photographic portrait, detailed 'Jane Emma Pemberton Born 21st Octr 1832, died 7th Decr 1865', the front with a banded agate cruciform motif, the back with a black enamelled monogram, unmarked, weight 17.1g, length 4.2cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 589
A gold mounted oval shell cameo pendant brooch, carved as a portrait of a classical lady wearing a helmet, detailed '18', weight 12.6g, length 4.7cm, and a silver mounted pink shell cameo pendant brooch, carved as a portrait of a lady, unmarked, length 6.2cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 250
British School - 'Melody' (Portrait of a Racehorse), early/mid-20th century pastel with coloured chalks, titled recto, label verso, 27cm x 34.5cm, within an oak frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 715
A gold multiple link bracelet, detailed '14K', with a sprung hook shaped clasp, weight 16.2g, length 18.5cm, fitted with a gold pendant charm, designed as a portrait of an angel, indistinct mark, weight 2.6g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 616
A gold mounted oval shell cameo ring, carved as a portrait of a lady, detailed '9ct', ring size approx M1/2, a 9ct gold, diamond, peridot, amethyst and pale blue gem set ring, a 9ct gold Dearest ring, a 9ct gold and amethyst half-hoop ring and another 9ct gold and gem set ring, total weight 10.7g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 777
A gold and malachite cameo ring, carved as a classical portrait within a wirework surround with floral motifs to the shoulders, unmarked, weight 3.2g, ring size approx P.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 799
A 9ct gold, blue and colourless gem set cluster ring, ring size approx J1/2, a gold, red and colourless gem set cluster ring, detailed '9ct', total weight 5g, a gilt metal brooch, designed as a classical portrait, detailed 'F. Lasserre', and a group of mostly Chinese hardstone bead bracelets and necklaces, including varicoloured agates and tiger's eye.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 200
British School - Three-quarter Length Portrait of a Lady, 19th century oil on panel, 28.5cm x 22.5cm, within an oval inslip and gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 191
Italian School - Three-quarter Length Portrait of a Lady wearing a Turban and holding a Shawl, 19th century oil on canvas laid onto panel, 29cm x 23cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 135
Jacob Houbraken - 'Henry Stafford, Duke of Buckingham', copper engraving on laid paper, published by John and Paul Knapton 1747, 38cm x 24.5cm, together with seven similar portrait engravings by the same hand, all within Hogarth style frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 136
James Mason, after Claude Lorrain - 'A View on the River Po in Italy', engraving on laid paper, published by John Boydell 1769, 48.5cm x 61.5cm, within an ebonized frame, together with four other prints and a portrait drawing.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 554
A Victorian oval pendant locket, mounted with a shell portrait cameo, the back mounted with an oval sardonyx, length 2.9cm, a gold and gem set pendant, detailed '9ct', a gold and oval shell cameo ring, detailed '9ct', total weight 4g, a silver gilt and turquoise pill box, mounted with a row of six turquoise, with a case, and two further items.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 134
James McArdell, after Allan Ramsay - 'Mrs Flora Macdonald', 18th century mezzotint, sheet size 33.5cm x 23.5cm, together with four other portrait mezzotints including Lady Macintosh, Jane Duchess of Gordon, Elizabeth Duchess of Buccleugh and Lady Mary Scott, and George Duke of Gordon, and two further portrait stipple engravings, all within Hogarth style frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 202
British School - Half Length Portrait of a Gentleman wearing a Brown Velvet Jacket and White Waistcoat holding a Letter in his Right Hand, 19th century oil on panel, 28.5cm x 23.5cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 253
W. Drown, after Joshua Reynolds - Portrait of Hon. George Seymour-Conway, oil on canvas, signed and dated 1933 verso, 60cm x 46cm, within a gilt composition frame of wide section.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 295
Arnold Mountfort - Half Length Profile Portrait of a Gentleman identified as Albert I. Boss, oil on canvas, signed and dated 1913 verso, 37cm x 26cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 617
A 9ct gold and sapphire single stone ring in a cross shaped design between pierced shoulders, London 1990, ring size approx I1/2, a 9ct gold oval shell cameo ring, carved as a portrait of a lady, a 9ct gold curblink neckchain and two further 9ct gold neckchains (both broken), total weight 12.9g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 155
Noel Francois Bertrand, after Jules Antoine Vauthier - 'L'Amerique' (Portrait of a Native American), 19th century stipple engraving, sheet size 39cm x 27.5cm, together with a quantity of 18th and 19th century engravings and lithographs, including examples of Chinese and South American and Italian interest.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 283
Elvic Steele - Portrait of an Artist at an Easel (probably a Self Portrait of the Artist), 20th century oil on board, signed and labels verso, 50cm x 43cm, within a bird's eye maple frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 737
A gold and oval cornelian intaglio bar brooch, carved as a classical portrait beside a scorpion and a sword, unmarked, weight 11.5g, width 8.5cm, a cornelian rectangular brooch and a silver pressed amber oval brooch, detailed '925'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 259
Charlotte M. Alston - Tondo Half Length Portrait of a Young Lady wearing a White Dress and Blue Hair Ribbon, watercolour, signed and dated 1908, diameter 26cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 714
A gold ring, claw set with an oval cut citrine, detailed '9ct', ring size approx K, a gold and oval shell cameo ring, carved as a portrait of a lady within a ropetwist surround, detailed '9ct', another gold and cameo ring, decorated with floral shoulders, detailed '9ct', total weight 8.6g, and a gold, silver and colourless paste ring, detailed '9ct & Sil', weight 1.8g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 1121
William Drummond Young (Scottish school, 1855 - 1924) - A late nineteenth century pastel portrait study painting depicting a debutante woman against a sunset wearing a pleated red gown with hair partially up in ponytail. Signed to bottom W. Drummond Young 1889. Set to a tondo background with gilt painted stepped frame. Framed and glazed. Measures approx. 79cm x 88cm.
Los 5
Sale Item: FRAMED PORTRAIT- (FRAME AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Los 394
Steinert, OttoSaarbrücken, 1915 - Essen, 197829,7 x 39,5 cm, o. R."Bildnis mit Plastiken - (Portrait Göta Tellesch, Plastiken von Wilhelm Loth, Darmstadt)", 1953, Silbergelatineabzug auf Fotopapier, auf Karton aufgelegt. In Farbstift rückseitig signiert, datiert und betitelt.Privatsammlung, Köln.
Los 28
ATTRIBUTED TO WILLIAM MOUAT LOUDAN (BRITISH 1868-1925)PORTRAIT OF KATE CHRISTINE KNOWLES Oil on canvasInscribed as titled (upper centre)40 x 25.5cm (15½ x 10 in.)Painted circa 1899.Provenance:Whitford and Hughes, LondonPrivate Collection, acquired from the above by the present ownerThe present study shows Kate Christine Knowles (11 March 1890-5 May 1965) as a young girl dressed in a white smock dress, tights and ballet pumps holding her wide brim sunhat in her right hand. Bold capital lettering spelling out the sitter's name runs along the top edge of the work in yellow which sits atop a pale green background constructed of fast-moving brushstrokes that swirl around the young girl, possibly depicting a curtain or studio backdrop. Kate Christine Knowles lived her adult life in Staplehurst, Kent and was a respected member of the community having set up the 'Forget me not' league during the war which arranged for useful parcels of toiletries and essentials to be sent to captured allied servicemen. A street named Knowles Walk in Staplehurst was named after her. The present lot is believed to be a study for William Mouat Loudan's Royal Academy exhibit which was presented in 1900 as 'Miss Kitty Knowles (no. 1087).' The work was described in the St. James' Gazette on the 21st May 1900 as a 'portrait of a little girl in white, standing hat in hand against a green damask curtain.' Mouat Loudan is known to have exhibited a painting of Kate Christine Knowles, as a baby at the Annual Exhibition of the New English Art Club in April 1892. In a review published in the Northern Whig on 13 April 1892 the critic commented 'Kate Christine Knowles by Monat [sic] Loudan appears to be enveloped in clouds of cotton wool.' This specific work was referred to in Kate Christine Knowles' last will and testament and gifted 'to such member of my family as my executors shall choose.' The will goes on to describe a full length portrait 'of myself aged nine' by William Mouat Loudan mostly likely referring to the 1900 RA exhibit for which the current lot is likely to be a study. The Will also bequeaths a portrait of Miss Kate Christine Knowles painted by William Nicholson showing her in a green riding habit. It is interesting to compare the work with Loudan's head study of Miss Mary Duthy which was exhibited at Abbott & Holder in November 2019 as it was inscribed with the sitter's name along the upper edge in a very similar fashion. Kate Christine Knowles was the daughter of Charles Julius Kino (Knowles) (c. 1841-1900) and Louisa Knowles (née Essinger) (1850-?). Charles Julius Kino Knowles was born in Russia and believed to have moved to London in the early 1870s. By 1874 Charles and Louisa were married in Hampstead and they went on to have five children, according to the 1891 census. By this time Charles had dropped his original surname and was referred to as Charles Julius Knowles. Knowles was a tailor and merchant outfitter but by the 1890s he had turned his attention to property development in London which provided hugely successful. On his death in 1900 he is recorded as leaving £1.2 million to his son Hugh C. Knowles and £400,000 to his son Guy John Fenton Knowles. The family were based in London but just before Charles' death he purchased Likenholt Manor including the village, based in Hampshire, not too far from Newbury. The family were close friends of French born artist Alphonse Legros. His son Guy John Fenton Knowles started a motor vehicle company with Alphonse's son Lucien. Charles and Louisa Knowles went on to form friendships with both James Abbott McNeill Whistler and Auguste Rodin. Their son Guy as a young boy would play in Rodin's studio messing around with the clay. In March 1903, Louisa commissioned a cast of Rodin's 'Brother and Sister' which she gifted to her son Guy. The work was later bequeathed to the Fitzwilliam Museum and is held in their collection. These close friendships ignited Charles' passion for art collecting. It is also believed that they knew Charles Freer, the American industrialist and art collector who donated his collection to the Smithsonian Institution in 1906. The family's close knit circle of artist friends encouraged commissions during their lifetime including a known sketch of Louisa by John Singer Sargent, as referenced in Miss Kate Christine Knowles' last will and testament and portraits of both Louisa and Charles by George Percy Jacomb-Hood according to Margaret, Kate's sister's last will and testament. In the 1950s Guy John Fenton Knowles, donated a small selection of work from his father's collection to the British Museum including a group of original drawings and etchings by Alphonse Legros. Having been inspired by his father and the artistic circles in which he grew up, Guy had developed his own interest in art and added to his father's collection throughout his lifetime. Guy's collection was bequeathed to the Fitzwilliam Museum in 1959 including a large collection of Whistler etchings and drawings, original drawings by Jean Auguste Dominique Ingres (which had been gifted to Charles by Legros), Giovanni Battista Tiepolo, Augustus John, a painting by Walter Sickert titled, The Lion of St. Mark and casts by Edgar Degas and Auguste Rodin. Condition Report: Craquelure throughout. Some minor losses to the extreme corners. There is a vertical line of craquelure running down the right hand edge, in line with the stretcher verso. Inspection under UV reveals a thick green varnish and some light infilling. Condition Report Disclaimer
Los 36
CARL MOLL (AUSTRIAN 1861-1945)OLIVENHAINOil on canvasSigned with monogram (lower left)49.5 x 60cm (19¼ x 23½ in.)Painted in 1931. Provenance:Gallerie Aktuaryus, Zurich where Moll had an exhibition, on 19 June 1934Private Collection, Oskar Reinhart (1885-1965), Winterthur, Switzerland, purchased from the above on 19 June 1934 By descent to The Hon. Mrs James Tennant Exhibited:Zurich, Galerie Aktuaryus, June 1934 Literature:Monthly Journal of the Aktuaryus Gallery, 17 June, 1934, ZurichArthur Roessler, Radio Vienna, Österreichische Rundfunkzeitschrift, Report, vol. 12, no. 35, 22.5, 1936, p.8Cornelia Cabuk, Stella Rollig, Christian Huemer, Carl Moll, Monograph and Catalogue Raisonne, Belvedere, Vienna, 2020, p. 255, no. GE 478, illus. in black & white (recorded with Belvedere no. Ex 43154) Rediscovered portrait by Viennese successionist Carl Moll, hidden away in the private collection of Swiss arts patron Oskar Reinhart comes to market for the very first time. Oskar Reinhart was born in Winterthur, Switzerland in 1885. His father Theodor Reinhart (1849-1919) worked as a textile merchant running Volkart Brothers, which was founded by his wife's family, and facilitated the trade of cotton across the continent mainly from India. Theodor was an active art collector and devoted to supporting the careers of promising artists. By the age of 39 Oskar, inspired by his father, retired from the family firm to focus on building his already established art collection. Reinhart travelled across Europe visiting museums and private collectors devoting his time to art patronage. Reinhart purchased villa Am Römerholz in his hometown which was to become his own private gallery to house his collection as well as his private residence. In 1940 Reinhart donated the Austrian, German and Swiss works of art from his collection to the town of Winterthur which was housed from 1951 in the Museum Oskar Reinhart, now within the Kunst Museum including pieces by Caspar David Friedrich and Adolph Menzel. The rest of the collection was bequeathed to the Swiss Confederation including his home in 1958 and this opened to the public in 1970 and is still available to visit today. The original bequest included over five hundred paintings and several thousand drawings.Reinhart was particularly drawn to French Impressionists and he enjoyed mixing old masters with modern masters arranging displays in order of form and colour rather than period. It was the focus on colour and light used by the Impressionists that sparked Reinharts' interest. Reinhart was conscious of seeking talent and artists with potential in order to support and encourage their careers. The collection on display at Am Römerholz includes works by Pierre-Auguste Renoir, Vincent Van Gogh, Edouard Manet, Paul Cezanne and Alfred Sisley amongst a selection of old masters such as Pieter Brughel the Elder. Carl Moll was born in Vienna in 1861 to Julius Johann Franz Moll and Maria Magdalena Rosina Schmid. Inspired by his uncle Karl Schmid Moll enrolled at the Academy of Fine Arts, Vienna in 1880. Moll studied under Christian Gripenkerl and went on to become the assistant to Emil Jakob Schindler. Shortly after Schindler's death in 1892 Moll married the German actress Anna Sofie Bergen, the widow of Schindler. Significantly Carl Moll was one of the cofounders of the Viennese Secession alongside Josef Hoffman and Gustav Klimt. The Secession was founded by a group of Austrian painters, writers and architects in 1897 to oppose the conservatism of traditional art academies and the forumlaic teachings of the Vienna Academy of the Arts. The group sought to encourage promotion of all arts and creative thinking looking towards the future rather than themes from the past by supporting contemporary artists, both Austrian and international combining ideas from artists and designers. This movement sparked the formation of modern art in Vienna which can be seen to flourish at the turn of the century. In 1905 a number of artists broke away from the secession including Moll who went on to establish the Gallery Miethke. Moll's work is full of light and freshness. He is renowned for mesmerising landscapes and intimate still lifes. The viewer is immediately struck by the sense of harmony created across the composition through the balance of colour and attention to detail. Moll uses the shadows caused by the light hitting the trees to create depth, leading the viewer along the pathway and into the canvas. The broad fluid brushstrokes draw influence from the French neo-impressionists whose work Moll came to admire. The present lot has not been seen on the open market since its creation in the 1930s. The work is included in the catalogue raisonne published in association with the Belvedere museum, its location listed as unknown with a black and white illustration until now. Recorded in the catalogue raisonné are four other works by Carl Moll all depicting olive groves during the early 1930s. The locations include Rapallo and Volterra in Italy and Provence in France including specifically Sanary-sur-Mer which may be the subject matter of the present lot. Extensive correspondence between Carl Moll and Oskar Reinhart is stored in the archives of the Kunst Museum Winterthur. Condition Report: One pin hole to the upper left and lower left corner. Two pin holes visible to the lower right corner. There is an area of yellowing varnish to the sky which may benefit from a clean. Some very fine craquelure visible to the areas of the thickest impasto, this is hardly noticeable. Inspection under UV reveals a thick green varnish. Overall in good original condition. Condition Report Disclaimer
Los 39
λ SIR JACOB EPSTEIN (BRITISH 1880-1959)EIGHTH PORTRAIT OF PEGGY JEAN (WITH CURLY HAIR AT 2 YEARS 4 MONTHS)Bronze with a dark green patinaHeight (excluding base): 26cm (10 in.)Conceived in 1921.Literature:Evelyn Silber, The Sculpture of Epstein, Oxford, 1986, p. 148, cat.no.118, (illustration of another cast)
Los 1877
An Elizabeth II Royal Mint Fourth and Fifth Circulating Coinage Portrait Collection silver proof sixteen-coin presentation year-type commemorative set 2015, twin-cased, with certificates and paperwork.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 026
A 19th century portrait oil painting believed to be Charles Burnard (Mayor of Plymouth( 1882) paper label on reverse inscribed 'Charles Frederick Burnard of Chatsworth Lodge Compton, Gifford & Hucabby House Lifford. Born July 18th 1860 Plymouth, Mayor of Plymouth 1882, died November 10th, 1905 aged 89 years etc' relined, possibly the original gilt frame (some faults) overall size 100cm x 90cm.
Los 066
A rare Royal Mint 2022 Queen Elizabeth II Platinum Jubilee gold proof double sovereign (two pounds) by Jody Clark, obverse portrait QEII, reverse Queen on the Throne, weight 16.0g, issued Alderney, mintage 299, from Harrington & Byrne, London, presentation box with certificate of authenticity and dispatch invoice, 14/06/22 (£1,499.00)
Los 071
An interesting mixed lot of jewellery to include a string of coral beads, 31.00gm, an Edelweiss brooch/pendant on silver chain, a silver Art Deco marcasite & pearl ring, a fancy link chain, silver & electroplated flower brooch, a heather design brooch by Ward Brothers, Scotland, a 9ct yellow gold St Christopher, 1.07gm, a gold plated Celtic style brooch set with turquoise, a silver pendant with a portrait after Gainsborough on silver chain, a heart, anchor & cross brooch, a vintage Turler pendant watch and a pair of silver wing style earrings, (possibly of Danish design).
Los 091
A mid 19th century, portrait oil on board, with note indicating a portrait of Captain James Sothern, together with a list of No.4 Company Royal Lancashire Militia Artillery at Dover Castle 9th April 1859 and commanded by Captain Sothern, a photograph of his home 'Tower House' Salisbury and sale particulars of The Auction of the contents of his house and wine cellars after his death.
Los 275
Condition: Coalport blue can and saucer - not in perfect order with can having glue repair, saucer ok but with crazing to back and rubbing. Coalport green saucer - condition ok but not perfect with mild rubbing to top. Staffordshire green can - condition ok but not perfect with suspect signs of restoration to foot. Coalport yellow can - condition ok but not perfect with crazing and mild rubbing. Coalport yellow saucer - condition ok but not perfect with crazing and mild/heavy rubbing. Coalport portrait saucer - condition ok but not perfect with crazing and mild rubbing. Coalport cartouche trefoil can - Condition ok and pings well, however not perfect with mild rubbing and some pitting to gilt bowl. Coalport pin can with double loop handle - Pings dull with crazing. Coalport pink and white can - Condition ok but bot perfect with some discolouration and mild rubbing. 2 x coalport double handled cobalt trefoil cans - One in ok order and pings well the other pings dull with crazing. Coalport cobalt blue can - not perfect order with rubbing to gilt and signs of crazing
Los 506
Miniature portrait of an officer wearing uniform, his red jacket with blue facings, on ivory; 3.75 x 2.5 cm, gilt frame formerly with brooch fitting Ivory Submission reference PW1RWT2J. CITES permit is included. Exporting outside the EU will require an additional export permit. *Condition: Face somewhat faded, some water damage to left shoulder of jacket, Brooch pin of frame missing.
Los 507
Miniature portrait of a lady, her hair dressed with blue ribbons and wearing blue dress, head and shoulders, on ivory; 4 x 3 cm , silver gilt frame Ivory Submission reference JEJT48Z3. CITES permit is included. Exporting outside the EU will require an additional export permit. *Condition: Flesh tones of miniature faded, frame requires cleaning.
Los 510
Miniature portrait of Lady Chichester with blonde hair and wearing white dress edged with red, with blue wrap, on ivory; 8.75 x 7.25 cm, hairwork reverse Ivory Submission reference V5MPEL6E. CITES permit is included. Exporting outside the EU will require an additional export permit. *Condition: Ivory slightly warped at edges and background with two areas of paint loss.
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283287 Los(e)/Seite