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283287 Los(e)/Seite
Los 79
CIRCA 1850 DAGUERREOTYPE, EARLY PHOTOGRAPH, A THREE QUARTER LENGTH PORTRAIT OF A SEATED GENTLEMAN, inscribed to reverse of frame in ink on contemporary paper label 'PHOTOGRAPH OF JAMES A. WOOD BY MAYALL TAKEN IN PARIS JULY 6th 1850', image 3 3/4" (9.5cm) x 2 3/4" (7cm) under glass in a rounded oblong gilt embellished mount within a badly worn gilt metal border and black papier mache frame (image now within oval haze)
Los 484
George Barrett, R.A. 1730 - 1784, Irish SchoolChalks & Pencil. Self - Portrait, a profile view, head and shoulders, the artist with curled wig, and holding a pencil? bears signature, approx. 25cms x 21.5cms (9 3/4" x 8 1/2") unframed. Ex. Rare. (1)NB. After Nathaniel Dance not George Barrett
Los 51
Privately PrintedGenealogy: Clarke (Mrs. Godfrey)ed. Gleanings from an Old Portfolio, Containing some Correspondence between Lady Louisa Stuart and her Sister, Caroline Countess of Portarlington, and other friends and relations. 3 vols. 4to Edin. 1895. Privately Printed. Portrait illus & other plts., uncut, orig. gilt decor. cream buckram. V. Scarce. (3)
Los 512
Rare First IssueKavanagh (Patrick) Self Portrait (Dolmen 1963). The very rare First Issue, with wrapper and f/p photograph by Philip Pocock showing Kavanagh in a flat cap and stained shirt, generally somewhat unkempt. Kavanagh objected to the photograph, and the edition was pulped. With a copy of the Second Issue (1964), still described as 'First Edition', containing new photographs by the publisher Liam Miller, showing a tidier poet. Both issues with very good wrappers. Also with the Second Edition (1975, reset, in wrappers), with the photographs in sepia. The first issue was never distributed, and only a handful of copies survived. A rare and attractive trio. The text is from a television programme broadcast by RTE in 1962. (3)
![Signed Artists ProofsSir John Lavery, R.A., R.H.A. (1856 - 1941)[Collins & Griffith] A pair of Portrait Prints depicting both](https://cdn.globalauctionplatform.com/7a8ea991-1c32-47c1-980c-a82000b965a8/b3e5e119-e8aa-41e5-aad6-7ae2b438447f/468x382.jpg)
Los 534
Signed Artists ProofsSir John Lavery, R.A., R.H.A. (1856 - 1941)[Collins & Griffith] A pair of Portrait Prints depicting both Arthur Griffith and Michael Collins, T.D.s, Artists Proof, after J. Lavery, published by Wilson Hartnell & Co., Dublin, c. 1921, each Signed by Artists and Sitter, each approx. 51cms x 41cms (20" x 16"), framed. (2)
Los 579
Bell (Sam Hanna) Summer Loanen and other Stories, Newcastle (Mourne Press) 1943. First Edn., port. frontis with Signed Christmas Card, orig. portrait photograph of the author, loosely inserted, orig. boards; also December Bride, L. 1941, First Edn., lacks f.f.e. cloth; and Erin's Orange Lily, L. 1956. First Edn., Signed Pres. Copy to his Mother, 11th Sept. 1956, illus., cloth & d.w. All Scarce. (3)
![[Yeats, Anne] A collection including Pyle (Hilary) Yeats, Portrait of an Artistic Family. NGI 1997, quarto, specially boun](https://cdn.globalauctionplatform.com/7a8ea991-1c32-47c1-980c-a82000b965a8/fe7b8aa4-28e5-48c9-89c2-8f2715d72126/468x382.jpg)
Los 674
[Yeats, Anne] A collection including Pyle (Hilary) Yeats, Portrait of an Artistic Family. NGI 1997, quarto, specially bound in full morocco, slipcase inscribed 'Presented to Anne Yeats on the occasion of the opening of The Yeats Museum, March 3rd, 1999'; Images in Yeats. NGI Catalogue, July 1990, 4to illus. card, inscribed to Anne Yeats by Charles J. Haughey [Taoiseach] and Hilary Pyle; Irish Women Artists from the Eighteenth Century to the Present Day [NGI Catalogue]. Anne Yeats' copy (exhibitor, see p. 43), enclosures; Le Brocquy (Louis) A La Recherche de W.B. Yeats. Paris 1976, catalogue, typescript of a speech by Anne Yeats laid in; Arnold (Bruce). Jack Yeats. L. 1998, quarto cloth in d.w, inscribed to Anne Yeats on t.p. (5)Provenance: The Yeats Family Collection.
![Attractive Illustrated Volumes[Limited Editions Club] Tindall (W.Y.) The Poems of W.B. Yeats, 8vo N.Y. 1970, cold. illus., l](https://cdn.globalauctionplatform.com/7a8ea991-1c32-47c1-980c-a82000b965a8/6937a554-c948-4241-9e20-9918c7cd8732/468x382.jpg)
Los 158
Miniatures & Miniturists: Lamberger (Ernest) Portrait Miniatures of Five Centuries, lg. 4to L. n.d. 75 mtd. cold. plts. unopened & uncut, ful vellum; Williamson (G.C.) Richard Cosway, R.A. and his Wife and Pupils, folio L. 1897. First Edn., numerous plts. & illus., orig. cloth; Mauclair (Camille) Les Miniatures du XVIII Siecle (Portraits de Femmes) lg. 4to Paris [1912], fine plts. & illus. uncut, orig. ptd. wrappers; 1 other sim. (4)
Los 204
Yeats (W.B.) A Full Moon in March, L. 1935. First Edn., green cloth & orig. ptd. d.w. Wade 182; also The Herne's Egg, A Stage Play. With newscutting, Portrait of Author, tipped to verso of hf. title, red cloth, & orig. ptd. d.w. Wade 195. With ptd. Programme for The Herne's Egg at the Abbey for 29th Oct. & 5th Nov. 1950, loosely inserted. Both extremely good copies. (2)
Los 221
Special Edition in Fine BindingSullivan (Edmund J.) illus: Goldsmith (Oliver) The Vicar of Wakefield, roy 8vo L. 1914., 16 fine cold. plts. & other bl. & white illus. by Edmund J. Sullivan, a.e.g., with fine full green crushed mor. Kelligram type binding with tooled portrait of the Vicar. Delightful item. (1)
Los 240
With Hand-Coloured Title & PortraitBinding: Moore (Thomas) Irish Melodies, with Symphonies and Accompaniments by Sir John Stevenson. Folio D. (James Duffy) n.d. (1859). New Edn., ed. by J.W. Glover. with finely hand-coloured portrait frontis & title, a.e.g. in attractive full green mor. binding, with lg. gilt tooled & blind border, with large harp surrounded by shamrocks in centre of each cover, the spine with raised bands, profusely tooled in gilt in panels with harp in centre of each. Fine binding. (1)
Los 359
Early Irish Photographic Prize CollectionCoghill (Sir Joscelyn) Amateur Photographic Association Prize 1867 [an Album submitted for, and awarded the prize]. Folio album strongly bound in full leather gilt, reinforced hinges, about 89 small portrait photographs, circa 4 x 2 ½ ins, not captioned but mostly family, neatly mounted up to 9 to a page, followed by two full page pencil sketches and about 28 full page landscape photographs, good quality, mostly Continental, including a fine lakeside shot, snow-covered mountains, an attempt at a panoramic shot with two photos joined, an old mill, various landscapes probably in the Swiss highlands, etc. The album in excellent clean condition. (1)
Los 418
Caricatures: Vanity Fair, a group of 15 very clean Portrait Caricature Prints of Politician, Military, Sportsmen etc., & with fine large dbl. page cold. print titled In Vanity Fair, published Nov. 29th 1890, showing the personalities of the period; also 5 large hand-coloured female fashion prints La Mode Artistique, all c. 1884, & unframed, in portfolio, all v. good. As a coll. (1)
Los 150
A Wedgwood solid pale-blue jasper plaque of Admiral The Viscount Duncan (1731-1804), circa 1797, sprigged in white with a half length portrait of the admiral in profile, impressed WEDGWOOD and incised Duncan , 11cm high; Wedgwood blue-dip jasper plaque of Emperor Marcus Salvius Otho (AD32-69), early 19th century, impressed WEDGWOOD and incised AD 69 Otho , 6cm high; and another small sulphide plaque of Lord Duncan , 4cm high NB. Adam Duncan, British admiral elevated to the peerage for defeating the Dutch at the battle of Camperdown, 11th October 1797. Provenance: Hall Place, sold on the instructions of the Executors of Sonja, Lady Hollenden
Los 272
‘Shah Jahan in the Time of Youth’ ascribed to GovardhanIndia, Mughal, c.1630-1640opaque watercolour with gold on paper, inscribed at lower left '…dhan' (the second half of [Govar]dhan), inner blue border, outer gold-flecked cream border, inscribed in the lower border 'shabihi shah jahan dar ‘alam juwani ‘amal-i govardhan', 'a picture of Shah Jahan in the time of youth the work of Govardhan'; reverse with a letter dated 1846 relating to the provenance (see below)miniature: 23.8 x 14.2cmvisible area: 29.5 x 19.5cmProvenance:In the possession of an East Anglian collector, probably in or near Bury St. Edmunds, before 1846. A handwritten letter from R E Lofft dated 18th July 1846 describing the painting and giving interpretations of the inscription is pasted to the reverse of the frame.This is an important and rare painting of a Mughal prince seated with his consort in a palace chamber. There is a later inscription in the lower border describing the scene as 'a picture of Shah Jahan in the time of youth…' and naming the artist as Govardhan, one of the leading Mughal royal painters of the first half of the seventeenth century. This attribution is apparently confirmed by a short inscription at the lower left of the painted area which reads '…dhan' - the second half of the name Govardhan. It is not clear why only the final letters of the name survive in this inscription, but it may simply be due to localised loss of pigment and subsequent retouching, of which there is evidence at the lower left corner.The style of the painting is very close to Govardhan’s, in particular the subdued, brownish palette, the precisely drawn facial features of the two figures, the romance and palpable intimacy of the scene, and the candid gaze that the princess directs outwards towards the viewer. There are several works signed by or attributed to Govardhan that provide comparisons, of which the following are the most relevant: a scene of a prince (possibly Parviz) and his consort on a terrace, a scene of Jahangir celebrating Holi in the women’s quarters, and a scene of a gathering of princes in a garden (all three in the Chester Beatty Library, Dublin, see E Wright, Muraqqa’, Imperial Mughal albums from the Chester Beatty Library, Alexandria VA, 2008, nos. 39, 41, 44, pp. 302-303, 310-311, 322-323); two ladies on a daybed (Seitz Collection, see J Seyller, 'Mughal and Deccani Paintings', Zurich, 2010, no. 11, p. 55); a prince and consort (probably Jahangir and Nur Jahan) embracing on a terrace (Los Angeles County Museum of Art, see P Pal, 'Indian Painting', Los Angeles, 1993, no.71, pp. 259-261); a portrait of Jabha (see J Seyller, ‘Govardhan’, in Beach, Fischer and Goswamy, 'Masters of Indian Painting 1100-1650', Artibus Asiae Suppl. 48-1, Zurich, 2011, p. 369, fig. 13). In terms of the general style and subject matter, there are several further works of the 1630s and 1640s that relate to the present painting, including a scene of Jahangir with Sultan Khurram
Los 278
Attributed to Sir William Charles Ross RA (1794-1860)PORTRAIT OF A YOUNG GENTLEMAN, HALF LENGTH SEATED, IN A BLACK COAT, CHEQUERED WAISTCOAT AND BLUE AND BLACK STOCKMiniature on ivory114 x 88mm;and another,English School, c.1840PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE LACE CHEMISEMiniature on ivory90 x 70mm (2)
Los 345
English School, early 19th centuryPORTRAIT OF A LADY, SAID TO BE QUEEN CAROLINE OF BRUNSWICK, BUST LENGTH, IN A BLACK DRESS, CORAL NECKLACE AND FEATHERED HAT;PORTRAIT OF A LADY, SAID TO BE PRINCESS CHARLOTTE, BUST LENGTH, IN A GOLD DRESS AND PEARL NECKLACEA pair, oil on panel21.5 x 16cm, unframed (2)
Los 432
A French marble portico clock and stand, 19th century, with ormolu mounts, the convex enamel dial inscribed 'Guy d'amour, Paria', below an urn finial and with a printed portrait of Napoleon Bonaparte below, flanked by a laurel garland, with a striking French drum movement and a plinth base,43cm high with a glass dome (2)
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283287 Los(e)/Seite