Attributed to Andrew and Nathaniel Plimer/Portrait Miniature of Lady Anne Rushout (Lady Northwick)/half-length, wearing a lace ruff and bonnet/and three other portrait miniatures of her daughters, Ann, Harriet and Elizabeth/all 7.5cm x 6cm/in matching papier-mâché frames with thistle finials
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Samuel Cooper (1609-1672)/Portrait Miniature of a Lady/wearing a pearl necklace and blue dress/initialled SC and dated 1649/watercolour on vellum, 5cm x 4cm/see illustration Condition Report: Loose in case, the miniature has been mounted behind glass very slightly scuffed behind the glass but overall in good condition, the initial and date are in gold leaf
After Francis Wheatley - (18th century British) - The Riot in Broad Street, 7th June 1780, black and white engraving by James Heath, published 1790 by J & J Boydell, 49 x 62cm, together with 18th century engraving after Thomas Stothard - The Innocent Stratagem (sic) a Medici coloured print - portrait of Sir Walter Raleigh and one other, various sizes all framed
Two 19th century black and white silhouette portraits one of a young woman with sheet music, the other of a gentleman at a piano, 27 x 20cm approx, together with a further smaller bust length silhouette portrait of a lady, 8.5 x 6.5cm, a pair of oval photographic portraits of a Victorian lady and gentleman in oval gilt frames, a further pair of oval gilt frames containing coloured Baxter type prints, also together with a Victorian beadwork stool (for restoration)
A late 19th century watercolour of a city street scene with figure, 30 x 25cm, unframed, a late 19th century oil painting on panel of a coastal scene with figures, 11.5 x 22cm, a coloured print of a miniature portrait of an 18th century style lady, boxed set of oil paints, various postcards, a collection of coloured prints after Audubon of ornithological subjects, etc
A late 17th century engraved portrait after Sir Godfrey Kneller showing James Earl of Perth, 25 x 17cm, together with a further similar engraving after E Roiley, watercolour of a lake scene signed John Snelling, a humorous, signed, coloured, limited edition print of a court room scene inhabited by animals, a coloured nursery print, etc, various sizes all framed
A collection of assorted 18th/19th century English china and porcelain to include: Staffordshire cottage money box; two blue and white saucers; two luster saucers; a shaped square portrait plate depicting 'Henry the VIII', possibly Spode; an early blue and white coffee cup; floral decorated Derby plate with central armorial and a porcelain flask in the form of an Oriental man (box)Most items damaged or worn decoration.Henry VIII plate - Discoloured surface scratches. Gilded decoration very worn particularly to the centre and his image. No chips or cracks.
John Cherrington - Eight portrait studies - Three oil on canvas, three oil on board and two chalk and charcoal (two framed) (8)Sold from the estate of the late Edith Birkin (nee Hofmann). John Cherrington and Edith Birkin were good friends and their paintings were often influenced by each other
Edith Birkin (nee Hofmann) (1927-2018) - Nineteen various portrait and figurative studies, oil on board, some signed (19)Edith was a survivor of the Holocaust. She was born in Prague and in 1941 along with her parents was deported to the Lodz Ghetto. Within a year her parents had died and she was left alone. In 1944, along with the rest of the Ghetto population she was sent to Auschwitz. Because she was young and fit she was selected for work and was sent to a labour camp. In January 1945, with the Russians advancing, she was sent on a Death March across Germany to Bavaria and arrived in Bergen Belsen on 15th March. One month later the camp was liberated.In 1946 Edith came to England where she studied and became a teacher, but the horrors of her memories never left her. In the 1970s she embarked on an art course and realised that painting could be a therapy where she could interpret her memories in a visual way. Her bold and colourful style is a direct contrast to the dark days she witnessed.Her Holocaust paintings can be found in museums and galleries including the Imperial War Museum, the Ben Uri Museum and the Holocaust Museum. Edith died early this year at the age of 90 and the pictures offered here form part of her private studio collection. Her Holocaust paintings have been donated by her family to relevant institutions around the world.
An oval Tole ware box and cover on stand, painted with flowers on a red ground, 22 cm wide to/w a Regency turned wood snuff box painted with an interior scene of an elegant drawing room, the bottom depicting an imposing tester bed, 9.5 cm diam and a portrait on ivory of a clerical gentleman (3)
An Autobiography by W.O. Bentley, 223pp, 1958 (fourth Impression). Signed in blue pen by W. O. Bentley beneath his portrait opposite the half-title page, and also signed with a dedication by Bertie Kensington Moir in red pen, 'To Ian Hepburn - Who raced with us in the days 'When Knights Were Bold' - H. Kensington Moir - 11. 12. 58'. The book in fair fettle with a tight binding, but with damage to the front cover, no DJ.
Jaguar E-Type A factory-issued publicity book 'Fifty Years of a Design Icon'; Factory Original Jaguar E-Type, an originality guide by Anders Clausager, 2016 edition, 168pp; Ultimate E-type - The Competition Cars, 2011, 528pp, signed by the author Philip Porter; Jaguar Lightweight E-Type by Philip Porter, sealed and unopened; Jaguar E-Type - The Definitive History, 2011, 688pp, signed by the author, Philip Porter; Jaguar E-Type - Portrait of a design Icon by Glen Smale, 2007, 232pp; and Jaguar D-Type, an autobiography of XKD 504 by Philip Porter and Chas Parker. (7)
This Motoring, by Stenson Cooke - Limited Presentation Edition printed on hand-made paper, No. 156 of 500 copies, 1st ed , 1931. An octavo hardback volume in a cream vellum binding (a little marked, the spine browned, and the covers slightly bowed), with gilt lining, gilt lettering to the spine, plus a small 'A.A.' emblem embossed on the spine, top edge gilt, the fore-edge and lower edge of the pages 'rough-cut'. A very nice copy internally, with the four-page 'Characters in Order of Their Appearance' (For Private Circulation Only) loosely inserted and an ink presentation inscription from the author on the rear of the portrait frontispiece reading: 'To "Uncle George" with all good wishes for 1932. From The Author. 31.12.31.' A photograph of preparations for a 'Salon de l'Automobile' at the Grand Palais, Paris, October, 1953, is also loosely inserted in the volume. Together with another slim hardback small octavo volume entitled 'A Song of Speed', by William Ernest Henley, published by David Nutt at the Sign of the Phoenix, Long Acre, 1903. Cloth dull and slightly rubbed. (4)
Cycling - An Illustrated Weekly, Volumes 1 & 2, 1891 & 1892 A quarto half-leather and maroon cloth hardbound volume with gilt banding and lettering, holding the issues of the weekly journal Cycling from Vol. I, No. 1, January 24, 1891 to Vol. II, No. 52, January 16, 1892. No index, but including Supplements, amongst which is a double-page colour lithographic portrait of F. J. Osmond, Ordinary Bicycle Champion 1890. Neatly re-enforced front hinge. Profusely illustrated and, apart from browning of pages through age, slight rubbing to the binding, and a very fragile rear hinge, in very good condition.
A VICTORIAN 'ALBUM DES ROSES' LEATHER BOUND PHOTOGRAPH ALBUM, contains thirteen colour lithographs of various types of rose amongst contemporary portrait photographs, album in fairly good condition but has minor damage to some pages, complete with metal clasp, with a smaller leather bound album with brass hinges containing a collection of Victorian In Memorium cards, including Charles Dickens (2)

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