![Cromwell (Oliver) - [Crouch, Nathaniel]. The History of Oliver Cromwel [sic]: being an impartial account of all the battles,](https://cdn.globalauctionplatform.com/264540c1-8006-41b4-8705-ad3600d78abc/3bcbfc76-dc7f-4492-9964-ad36010d8f09/468x382.jpg)
Cromwell (Oliver) - [Crouch, Nathaniel]. The History of Oliver Cromwel [sic]: being an impartial account of all the battles, sieges, and other military atchievements [sic], wherein he was ingaged, in England, Scotland and Ireland. And likewise, of his civil administrations while he had the supream government of these three kingdoms, till his death. Relating only matters of fact, without reflection or observation. By R.B., 1st edition, London: Nath. Crouch, 1692, engraved portrait frontispiece (fore-edge blank margin torn and neatly repaired, fore-edge margin of title neatly repaired, 12 pages of publisher's advertisement leaves at rear frayed mostly to lower margin (touching a few letters of text), some dust-soiling and few marks, light dampstaining towards rear, contemporary calf, neatly repaired to head & foot of spine and to edges of boards, 12moQty: (1)NOTESESTC R21152; Wing C7331. Scarce, only three UK institutional locations found (British Library; Bodleian Library, Oxford; University of Bristol Arts and Social Sciences Library, Special Collections). R.B. stands for Richard Burton or Robert Burton, pseudonyms of Nathaniel Crouch.
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Hogarth (William). The Works of William Hogarth; in a series of engravings: with descriptions, and a comment on their moral tendency, by the Rev. John Trusler, 2 volumes, London: Jones and Co., 1833, engraved portrait frontispiece, 108 engraved plates, occasional light offsetting and spotting, modern half calf gilt, 4toQty: (2)
Hooker (Richard). The Works of that learned and judicious divine ... to which are added, several other treatises by the same author ... the life of the author, sometime written by Isaac Walton, revised & corrected, London: Printed for R.C., S.S., B.W., et al., 1705, engraved portrait frontispiece and additional engraved title (bookplate removed from verso), letterpress title in red & black, modern blind panelled calf, folio, together with: Lempriere (John), A Classical Dictionary; containing a copious account of all the proper names mentioned in ancient authors, with the value of coins, weights, and measures, used among the Greeks and Romans, London: T. Cadell & W. Davies, 1804, toning and scattered spotting mostly to initial leaves, contemporary diced calf, blind & gilt ruled border to boards, blind decorated spine (paper label at foot), joints cracked, 4to, Lyttelton (George Lord), The Works ... formerly printed separately, and now first collected together: with some other pieces, never before printed. Published by George Edward Ayscough, Esq., London: J. Dodsley, 1774, engraved portrait frontispiece, signatures to title, light marginal worming at front & rear, contemporary half calf, gilt decorated spine, 4to, Sadler (Ralph), The State Papers ... edited by Arthur Clifford, 2 volumes, Edinburgh & London, 1809, half-titles, engraved portrait frontispiece to each (vol. 1 frontispiece detached), bookplate of Baron Londesborough to upper pastedown, contemporary half vellum, gilt decorated spine with crest at head, morocco title labels, 4to, Bewick (Thomas), A History of British Birds, (Land & Water Birds), Newcastle: R.E. Bewick, 1847, wood engraved vignette illustrations, light scattered spotting, all edges gilt, contemporary calf, gilt decorated spines with morocco labels, joints and extremities worn, 8vo, plus Burns, Coinage of Scotland, volume 1 only, 1887, 4to; Harmsworth Atlas and Gazetteer, circa 1910, folio; and Bulwer Lytton, The Last Days of Pompeii, 3 volumes, 1834, 8voQty: (12)
A good mid 19th Century Stobwasser circular papier mache box, the lid painted with a waist length portrait of a lady wearing a hat inscribed internally in red to the lid '6593 - Mlle van Maeder - la favorite de Van Dyk', and internally to the base '6593 Stobwassers Fabrik Braunschweig', a small chip to the underside of the lid rim, a small chip to the base rim, 9.8cms dia.
Bessie Gilson (1868-1961)an earthenware rectangular plaque painted with a portrait of lady holding a lyre, after Die Lautenschlägerin, artist signed, dated 1883,50.5cm x 25.5cmCondition report: In a good condition with no cracks, chips, damages or repairs. The only comment to make is that there is a little bit of wear to the lower two corners, some areas of paint rubbing to the foliage and one scuff mark near the very top of the plaque. Please see additional images
Follower of Lam Qua, a pair of Chinese School portraits of a woman, 19th centuryEach of a young woman seated at a table and holding a manuscript, arranged in opposing poses and wearing traditional robes, oil on canvas, unsigned, in plain hardwood frames, 52cm x 38cm (relined and re-stretched).(2)Footnote: Footnote:The Chinese portrait painter Lam Qua (active circa 1825-1860), was a student of George Chinnery and became renowned for the countenances of Western merchants but also the Chinese Hong merchants who traded with them. This fine pair follow the tradition of Western style portraiture and are thought to be depictions of the same woman, possibly a concubine. An inspection of the canvas reveals they have been relined and restretched, so likely contemporaneous with Lam Qua himself, and they bear a striking resemblance to a portrait of the fourth concubine of Hexing (Wo Hing), currently in the Brighton Royal Pavilion Museum, UK.Condition report: Both canvasses relined and re-stretched. Original canvas likely 19th century or earlier and not 20th century as originally catalogued. Faint cracklure overall both. Some retouching visible under UV in places on both.
A 19th century, French gilt metal oval casket, the domed lid with relief moulded floral pendants and engraved with scrolling foliage, the base similarly engraved and relief moulded with bows suspending floral pendants, alternating with small painted portrait miniatures, with key, 14cm wide (2)Condition report: Silk interior some small isolated stains.Overall - Ok.
A 19th century enamel, seed pearl and diamond portrait pendant, designed as a central oval enamelled miniature of a female within seed pearl, rose cut diamond and coloured stone set pierced floral border, all set to oval blue enamel plaque within white and black enamel border with an outer border of seed pearls and hinged locket reverse, all mounted with enamel and seed pearl coronet lug, presented within original 'N. Sternberg...15 Market St Manchester' box, 68mm long, weight approx 28.8gCondition report: Some losses to the black and white enamel, abrasion to stones and wear to claws, general wear in keeping with age, refer to images
Manner of Marcus Gheeraerts II (17th Century) Portrait of a Gentleman with lace ruff, oil on canvas, measurements 59 x 46 cm, frame 75 x 62.5 cm Condition report: This painting is an oil on canvas which has been backed with panel. The paint surface has some craquelure to the upper corners, appears overall stable. The canvas has been relaid on panel and appears to be in good condition with no obvious evidence for holes, rips or tears. Not examined outside of the frame. There is overpainting to the paint surface, primarily around the face of the sitter.
Continental School (Late 18th-19th Century) Portrait Beatrice Cenci after Guido Reni (1575-1642), oil on canvas, measurements 62.5 x 50 cm, frame 80 x 68 cmCondition report: The painting is an oil on canvas, framed without glazing. The canvas has 6 old patches of repair on the verso with some small overpainting repairs to the front. It is in a heavy frame which has had some repair to the bottom right, general wear and tear, joints appear solid. There is craquelure throughout but the surface appears stable. Some minor accretions and dirt present. Damage to the canvas with paint loss bottom right as photographed.
James Joyce. The Undiscovered Country by Benstock in dj. 1977; The Sacred River an approach to James Joyce by Strong. 1951 in dj; James Joyce a portrait of the Artist by Gebler Davies. 1975 in dj; Thrust Syphilis down to Hell and other Rejoyceana by Lyons. 1988 in dj and Song in the Works of James Joyce by Hodgart. 1959. Lacks title page. 5 books.
FOUR PRATTWARE JUGS, early 19th century, variously moulded in relief with a bust portrait of Nelson, an allegory of "Plenty", both 6 1/2" high, Mischievous Sport and Innocence, 6" high, another with topers and one with a hare coursing scene, 6" and 7 1/2" wide (Est. plus 21% premium inc. VAT)Nelson restored extensively especially around top. Topers no damage or restoration, some flaking to enamels. Hare coursing restored lip and rim, a little tired
Late century German School, seven framed oval panels, containing portrait miniatures, groups of scholars, philosophers, artists etc. Each miniature 49 mm x 40 mm with gilt and mahogany surround, nine in each oval glazed frame. 36 cm x 27 cm (see illustration). CONDITION REPORT: It is very difficult to tell what the panels are painted on. We are fairly confident that they are on ivory laid onto wood. Looking at some of the stress fractures on some of the miniatures it would indicate either ivory or bone or something similar. Whilst we are fairly confident of this we are not making any guarantee that this is the case.
A 19th century Naive School - oil painting - portrait of a racing pigeon with pigeon loft and landscape behind, 36 x 45 cm, dated 1876, in rosewood frame with gilt inner slip and glazed (see illustration). CONDITION REPORT: The painting is sealed at the back. It is definitely not painted on canvas but some form of board. We have looked at the picture under a UV light and do not think that there has been any repairs or restoration. There is very feint blurriness around the left and right hand edges of the neck and above the head but we do not think that this is restoration. The condition is generally very good and we cannot see any lifting paint or any losses. The gilt slip has some minor losses to the gesso and there is some rubbing to the gilding. The outer rosewood veneered frame is in generally good condition with only minor nibbles and imperfections.
Early 20th century school, oil painting, three quarter length portrait of a nude woman. Canvas 83 x 46 cm, with signature "Laura Knight". CONDITION REPORT: We do not think that this painting has anything to do with Laura Knight unfortunately. In our opinion it is a copy and simply does not have the quality. The canvas has had one small repair behind the eyebrow and there is some overpainting here. There are other minor areas that may have been touched in also. There is a slight crush to the canvas just below the left hand facing shoulder. There are some nibbles to the oil around the extremities of the canvas. The painting is unframed. Other than the minor blemishes mention the condition is generally good.
Memoirs of Miles Byrne, Chef de Bataillon in the Service of France – Edited by his Widow. Three vols – complete (Paris and New York, 1863). This is a wonderful set in fine binding of this very scarce first edition. Half-leather and finely pebbled cloth binding, marbled endpapers and edges. The frontispiece portrait of Byrne is from a drawing by his wife. Byrne of Monaseed was a leader of the Wexford insurgents in the 1798 Rebellion. He continued a guerrilla campaign in Wicklow until 1803, leaving Ireland for France after the failed Emmet Rising. In exile he served in Napoleon’s Irish Legion.
Republican Interest. I Die in a Good cause. A Study of Thomas Ashe, idealist and revolutionary by O’Luing. 1970; Sean Treacy and the Third Tipperary Brigade by Desmond Ryan. 1945; Portrait of a Revolutionary. General Richard Mulcahy by Valiulis. 1992 in dj and Sir Horace Plunkett and his Place in the Irish Nation by Edward Lysaght. 1916. 4 books.
Celtic Dawn. Portrait of Irish literary Renaissance by O’Connor. 1984; Brian Friel and Ireland’s drama by Pine. 1990; The Heart Grown Brutal. The Irish Revolution in Literature from Parnell to Death of Yeats. 1991-1939 by Costello. 1977; Oscar Wilde by Ellmann. 1987 and The Abbey. Ireland’s National Theatre. 1900-1979 by Hunt. 1979. 5 hardbacks all in dj.
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