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Los 1

WILLIAM EWART LOCKHART R.S.A. A.R.W.S. R.S.W. R.E (1846-1900) ELEGANT FIGURES IN AN INTERIOR Signed and dated 1877 oil on canvas 103cm x 91cm (40.6in x 36in) Provenance: Exhibited:Scottish National Portrait Gallery Scott Bicentenary Exhibition 1971

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A 19th Century Mezzotint Bust Portrait, of the Countess of Euston, and two other mezzotints (3)

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English School, a bust portrait of a young boy in Carolean dress, 31 x 26 cm

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A Set of Six Art Nouveau Silver Buttons, decorated in relief with a bust portrait of a lady and flowers

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A Victorian Agate Cameo Brooch, carved a bust portrait of a classical lady, in high relief, set in an 18ct gold mount

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A quantity of postcards, chiefly topographical together with WWI and military, portrait photo cards and cards of Chelsea Football Club 1911-12 and Kent Cricket Team 1906 (approx 250)

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A quantity of Victorian black and white portrait photographs contained in two tooled leather albums with brass fittings, some loose and a photograph of Ellmer Bro's Fish & Ice Merchants.

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A photograph of Evelyn Laye, signed and dedicated 'sincerely yours' together with a pencil shoulder length portrait by Leslie Hill of her at Daly's Theatre, signed by Laye in pencil and 'think this is fun - yours sincerely', framed and glazed.

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A C.R & Co 'British Sports & Pastimes' photograph album, thee further Victorian albums containing portrait photographs and sundry loose photographs.

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BURNET (GILBERT) Some Passages Of The Life and Death of the Right Honourable John, Earl of Rochester, engr. portrait frontis, contemp. calf very rubbed, new label, hinges reinforced, 16mo, London, Richard Chiswell. 1692--ACCEPTED ADDRESSES, Or, Praemium Poetarum, To Which Are Added Macbeth Travestie... upper cover missing, prelims torn, Thomas Tegg, 1814--WEBB (T.) A New Select Collection of Epitaphs...Vol. 1 only (of 2), contemp. calf gilt, worn, covers detached, staining, S. Bladon, 1775 (3) LOCATION A

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BLOOMFIELD (ROBERT) The Farmer's Boy, 6th ed, portrait frontis, woodcuts, BOUND WITH: Rural Tales, Ballads and Sons, 1st ed, woodcuts (by Bewick), contemp. tree calf, sl. rubbed, 16mo, both London, Vernon and Hood, 1802--and other literature and poetry (14) LOCATION B

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JOHNSON (SAMUEL) The Works, Together with his Life and Notes...by Sir John Hawkins, 11 vols, engr. portrait frontis, contemporary tree calf, spines gilt with red and black labels (a few labels chipped), J. Buckland, etc., 1787 LOCATION C

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CAVE-BROWN (J.) The History of Boxley Parish, 13 plates, orig. cl. gilt, sprung, 4to, Printed for the Author, Maidstone, 1892--BRAYLEY (EDW. WEDLAKE) The History of Surrey, Vol. V. Part 1, engr. plates as called-for, orig. dec. cl., faded, front hinge weak, Dorking, n.d.--SHOTLEY PARISH RECORDS, Suffolk Green Books No. XV1 (2), missing 1 portrait plate, orig. cl., sprung, Bury St. Edmunds, 1912 (3) LOCATION H

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GOLDING (LOUIS) Good-Bye To Ithaca, 1st ed, spotted cloth, torn, foxed dustwr, foxing to endpapers and prelims, Hutchinson, 1955. This copy is INSCRIBED by Louis Golding to the artist Juliet Pannett, whose portrait of him was used for the rear of the dustwrapper. There is also an autograph postcard to the artist (some smudging to the ink), dated July, 1955--MAIS (S.P.B.) Sussex, 1st ed, orig. cl., faded, sl. spotted {1930} Signed plus signed photocopy of his portrait by Juliet Pannett --and 6 others with autograph material relating to the artist (8) LOCATION CABINET

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MODERN MASTERPIECES OF BRITISH ART, 200 coloured plates, contemporary two-toned cloth, spine rubbed and faded, 4to, n.d. {1930s}--DRAWINGS BY MERVYN PEAKE, 1st ed, dustwr, 4to, The Grey Walls Press, 1949--and 26 others on art, which belonged to the portrait painter Juliet Pannett (28) LOCATION J

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GOLDSMITH (OLIVER) A History of The Earth and Animated Nature...2 vols, portrait frontis, 2 hand-col. title vignettes, col. title and 45 hand-col. plates, contemp. half calf gilt, A. Fullarton, 1847 LOCATION D

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BISHOP (W.J.) Thomas Dimsdale, M.D. F.R.S. (1712-1800) and The Inoculation of Catherine The Great of Russia, covers missing, The Annals of Medical History, New Series, Vol. IV, Number 4, July, 1932, inscribed by the author--THE JOURNAL OF ELIZABETH, THIRD WIFE OF THE FIRST BARON DIMSDALE ON A JOURNEY TO RUSSIA IN THE YEAR 1781, copy typescript, 130 pp., followed by copy letters from Catherine the Great and others and various writings, etc., bound in modern navy calf gilt, a.e.g.--PORTRAIT PLATE of Baron Dimsdale, mounted, from the European Magazine, published 1802. Thomas Dimsdale wrote several works on inoculation against smallpox, including various tracts published during his time in St. Petersburg. LOCATION CABINET

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IRELAND (SAMUEL) Picturesque Views On the Upper, Or Warwickshire Avon...1st edition, 2 portrait plates, 30 aquatint plates, 1 map, contemporary calf gilt, extremities sl. rubbed, covers detached, 1795 LOCATION J

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FOX (RT. HON. CHARLES JAMES) A History of The Early Part of the Reign of James The Second, 1st ed., engr. portrait frontis, contemp. tooled calf gilt, rubbed, rebacked with orig. spine laid down, upper cover loose, 4to, 1808 LOCATION J

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Hermione Hammond, 1910 - 2005 Portrait of a young girl Signed Pencil, unframed 15x10cm.; 6x4in. (23) To be sold together with twenty-two similar figure studies of various sizes by the same hand, all unframed.

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Hermione Hammond, 1910 - 2005 Portrait of ann wormald Titled and inscribed on the reverse Oil on board 35.5x21cm; 14x8.25in. (2) Executed circa 1935-36, the present work was painted at Middle Copse, Wareham, Dorset. To be sold together with Portrait of a Lady in Red, by the same hand.

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Hermione Hammond, 1910 - 2005 Portrait of john randolph lucas Signed and dated 6/74 Oil on board 61x47cm.; 24x18.5in. Born in 1929, Lucas was a fellow and tutor at Merton College, Oxford until his retirement in 1996. He remains an emeritus member of the University Faculty of Philosophy and is a Fellow of the British Academy.

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Henry Lamb, 1885-1960 Portrait of dylan thomas Signed and dated 41 Black crayon heightened with white chalk 29x20cm.; 11.5x9in.

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Jacob Kramer, 1892-1962 Portrait of augustus john Signed, titled and dated 1915 Ink and wash 49.5x34cm.; 19.5x13.5in.

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Pietro Annigoni, 1910-1988 Portrait of a young woman Signed and inscribed Londra / -LI- Pen and ink 40x29cm.; 15.75x11.5in.

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Christopher Richard Wynne Nevinson, A.R.A., 1889-1946 Portrait of christine bonner Signed Pencil, charcoal and pastel 52x41.5cm.; 20.5x16.25in. Executed in 1924. Nevinson wrote in his biography, 'I was now doing a great many portraits....I painted Mrs Bonner, the famous beauty; and her Florentine perfection inspired me to do one of the best heads I have ever done' (C.R.W. Nevinson, op.cit., p.179). Provenance Leicester Galleries, London; Gustave Besky, London, by whom given to the sitter, and thence by descent to the present owner Literature A. Rutherston (ed.), Contemporary British Artists: C.R.W. Nevinson, London, 1925, pl.30; C.R.W. Nevinson, Paint and Prejudice, London, 1937, p.179 and pl.22.

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Howard Barron, 1900-1991 Portrait of sir winston churchill Signed and titled Oil on canvas 92x71.5cm.; 36.25x28.25in. To be sold together with the original receipt for the picture and three letters written from the gallery to the previous owner. Provenance Hans Galleries, London, March 1965

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Sir Jacob Epstein, 1880-1959 Portrait of a child Painted terracotta Height (excluding base): 21.5cm.; 8.5in. Provenance Collection of John Jesse

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James Lawrence Isherwood, 1917-1988 Self portrait Signed and dated 54; signed and titled on a label attached to the backboard Oil on canvas board 50x40cm.; 19.75x15.75in. Exhibited Wigan, Town Hall, Paintings from the private collection of J. Lawrence Isherwood, 18th November 1994, no.7, illustrated in the exhibition catalogue

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Robert Lenkiewicz, 1941-2002 Portrait of a girl Signed Pencil, unframed 32x22cm.; 12.5x8.75in. (2) To be sold together with Portrait of a Young Girl, signed, pencil Provenance Acquired directly from the artist and thence by descent to the present owner.

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A gold foliate scroll mounted fob, of rounded rectangular form set with a cornelian intaglio carved with a female portrait profile; a signet ring set with a circular monogrammed bloodstone panel between foliate scroll decorated shoulders; another signet ring set with a shield shaped onyx panel engraved with a floral intaglio; two pale blue enamelled half-pearl set rings; together with another ring, collet set with a trap cut emerald with closed back setting (5)

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A Victorian gold mounted oval shell cameo brooch signed NERI, finely carved with a male portrait profile within a ropetwist surround, with glazed locket panel to reverse containing a scroll of hair, inscribed JAMES ANTHONY, STEEL MARCH 1864. Length 4.8cm. James Anthony Steel was reputedly Chief of the Indian Police Service

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A collection of items, to include a pair of enamel decorated folding lorgnettes; an initialled fob seal with foliate cast tapered grip, stamped Sterling; an oval white metal locket decorated with foliate scrolls, containing a miniature portrait of a baby and a lock of hair; together with an Edward VII Half-Sovereign, 1908 (4). Provenance: The Property of Dame Jean Maxwell-Scott DCVO

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A James VI (of Scotland) ten shilling piece, struck on a full but slightly irregular flan, with an excellent portrait, overall GVF or better in places, together with a James VI (of Scotland) 1602 half thistle merk, struck on a regular flan with full clear legends, obverse VF reverse fair - legends good but thistle worn (2). Burns Coinage of Scotland only notes two examples of the first coin of that date (vol II page 379)

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A white metal mounted ivory oval patch box, apparently unmarked, the pull-off cover inlaid with ropetwist and dot borders and painted to the underside with a miniature portrait of an Elizabethan lady. Length 9cm

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A selection of Sevres coffee cans and saucers, circa 1868, each finely painted with a named portrait of a lady to include Mme Roland, Mme Royale, Mme de Graffigny, Mme Dubarry etc, within a gilded border and bleu celeste ground with further floral gilding, each bearing red painted title, entwined blue L's, green printed once cancelled date mark and incised marks, saucer 6.25" diameter, can 3" high

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A Craven Dunnill vase, late 19th century, the double gourd shaped vase glazed throughout in gold lustre, impressed "Craven Dunnill, Jackfield" 10.25" high along with a Maw & Co plate, painted with a portrait bust of a gentleman, impressed marks and printed "FHW" 9" diameter (2)

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A 20th Century African carved soapstone portrait bust with etched detailing

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A late 19th Century spelter figure of a putto seated on a shell, raised on a stepped canted corner marble base, a gilt metal portrait bust of the Duke of Wellington, a heart-shaped wooden box with floral decoration and other pieces of metalware

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A Victorian Vesta Case embossed shoulder length portrait, presentation inscription, Sheffield 1895

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Paul Legrand - Portrait of a Boy beside a seated Girl, oil on canvas, signed, approx 33.5cm x 51cm

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G. De Sanca, Italian School - Head and Shoulders Portrait of an Elderly Man Smoking a Pipe and Wearing a Red beret, late 19th Century watercolour, signed, approx 30cm x 21cm, within a gilt frame

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Mid/late 19th Century British School - Three-quarter Length Portrait of a Lady wearing Traditional European Costume, seated beside a Lute, Sculpture and Open Window revealing the Sea, oil on canvas, approx 52cm x 42cm, within a gilt frame with pierced foliate crestings

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Helen Allingham - ‘Minnie’, (Half Length Portrait of the Young Woman), watercolour, signed, ‘H. Allingham’ recto, inscribed exhibition labels verso, approx 15.5cm x 13cm, within a gilt frame

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Circle of John Raphael Smith - Half Length Portrait of a Gentleman, wearing a White Stock and Waistcoat and Dark Jacket, late 18th century pastel, inscriptions verso, approx 23.5cm x 18.5cm, within a verre-églomisé mount and gilt frame

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A.G. Thurlow - Half Length Portrait of James Andrew of Maidenhead holding a Fishing Rod, mid-19th Century oil on board, signed and inscribed verso, approx 30cm x 22.5cm, within a gilt composition frame

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Mid-19th Century British Provincial School - Oval Portrait of a Young Boy holding a Toy Rifle, oil on artist’s board, approx 29.5cm x 24cm, within a gilt composition frame

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Kaulson (?) - Half Length Portrait of a Lady wearing a Feathered Hat, Jewellery and a Red Robe, mid/late 19th Century oil on canvas, indistinctly signed, within a gilt composition frame

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Louis Icart - Oval Portrait of a Lady seated on a Bench within a Garden Setting, 20th Century colour etching, signed in pencil, approx 42cm x 53cm, within a gilt frame

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Two Art Nouveau brass and plated napkin rings, each embossed with a bust portrait of a maiden flanked by flowers and leaves

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A pair of 9ct gold oval shell cameo earrings designed as the portraits of ladies, the backs with screw fittings, an oval shell cameo brooch designed as the portrait of a lady and a small oval silver mounted Wedgwood black and white jasperware pendant designed as the figure of a classical lady

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A gold neckchain in a pierced link design and on a sprung hook shaped clasp, an oval ceramic brooch designed as the portrait of a lady, a costume necklace and a brooch designed as an animal

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A pair of Minton majolica ‘Continents’ vases, circa 1870, each U-shaped body relief moulded with a male and female portrait bust, on the first vase representing Africa and America, on the second vase representing Europe and Asia, within oval panels alternating with ring handles against a turquoise ground decorated with laurel, raised on circular feet beneath Greek Key rims edged in ochre, pink glazed interiors, impressed MINTON with date code and shape numbers 1388 and 1389, height approx 34cm (faults and restoration)

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A Victorian oval jet cameo brooch, carved as the portrait of a classical lady.

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A 19th Century pewter tankard, a leather bound strut photograph frame emblazened with the Royal Artillery Corps logo, an oil lamp converted for use as a candlestick, one other pewter jug and a cardboard jewellery box with brass mounts and a portrait motif at the centre.

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A patinated plaster portrait bust of Beethoven.

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Eden Upton Eddis (1812 - 1901), Portrait studies of two young girls, signed and dated '1849', black, red and white chalk on light brown paper, 61 x 48cm.

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After Peter Graham, Old Tolbooth, Edinburgh, hand coloured print, an oval chromo-lithographic portrait print of a lady wearing a veil and flowers, after David Law, Lancaster, print, after Harry Kernoff, A bird never flew on the way, and another four prints (8).

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C. E. Ambrose 1842, Portrait of a gentleman seated, oil on panel, inscribed verso 'November 19th T.L. 24 years of Life', 23 x 18cm'.

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A Continental oval porcelain plaque, late 19th Century, painted, after Mme Le Brum with the bust portrait of a lady.

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