Follower of Sir Peter LelyPortrait of a lady, half-length, in a silver dress and pearl necklace and holding a floweroil on canvas73 x 60cmCondition Reportoverall: 94 x 79cmCraquelure in parts, mainly to the subject. Some light surface scuffs and abrasions with rubbing to the bottom and right edges. Unexamined under UV light, for a full report please contact the department.
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283284 Los(e)/Seite
Circle of William Egley (1798-1870) Portrait of a lady, bust-length, in a red coat and lace bonnetminiature on ivory, oval4.2 x 3.5cm, mounted with a pendant ring, gold surroundIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: 867ZSBKD
Richard Earlom, after Claude Lorraine Etching and aquatintStorm tossed boat, unframed, two similar landscapesAfter G B CiprianiThree sepia prints Two allegorical portraits and a pair of lovers, all unframed (6) After Rembrandt van Rijn (Dutch, 1606-1669) - David Deuchar (Scottish, 1743-1808) Man walking with stick, 11cm x 9cm, head and shoulders portrait of man in hat, 7.5cm x 7cm, two figures with donkey and baby in a wood, 10cm x 9cm and another, all unframed
MERYL WATTS (British 1910 - 1992) oil on board, titled verso - 'Meryl Watts Self Portrait', 60 x 49cms, 19TH CENTURY watercolours (2) - boats and figures ashore, 20.5 x 29.5cms and coastal view with boats, 15 x 24.5cms and ELINOR EVANS (British born 1982), a pen and ink wash - Llanystumdwy Estuary November '99, signed lower left and titled and dated in pencil, 6 x 18cms
George III and Queen Charlotte, a pair of uniface oval portrait medallions by Wedgwood, in black basalt, armoured bust of George III right, 50 x 43mm, stamped ‘Wedgwood’ on back; draped bust of Queen Charlotte left, 50 x 43mm, stamped ‘Wedgwood & Bentley 36’ on back [2]. Good very fine; each mounted in glazed wooden frame £80-£100
SWEDEN, Scandinavian Polar Expeditions, 1893 and 1896-7, a white metal medal by A. Högel, medallic portrait of Fridtjof Nansen, side view of the Fram sailing left behind, rev. medallic portrait of Salomon Andrée regarding his balloon Oernen above a view of the polar region of the globe, 50mm (Malpas 156; cf. Baldwin 75, 1989; cf. DNW 199, 1160). A soft strike, fine £40-£50
Archbishops of Canterbury, Wulfred (805-32), Penny, Gp I(ii), Canterbury, vvlfredi a[–]piscopi around facing tonsured bust, rev. d[–]roverniae cifitatis around conjoined alpha and omega device, 1.21g/3h (Naismith C36.2, these dies not represented; N 236; S 887). Significant edge chip, otherwise the fabric stable, good very fine and very rare; with a portrait of fine style £600-£800
Kings of Mercia, Coenwulf (796-821), Penny, Large Portrait phase [Gp IVA], Canterbury, Deormod, coenvvlf rex m, draped and diademed bust right breaking inner circle, rev. [–]iormod mo[–], pincer cross, wedges in angles, 1.23g/3h (Naismith C39; BLS 44; N 347; S 916). Flan creased over around 11 o’clock with resulting crack across bend, otherwise fine and rare £200-£260
Charles I (1625-1649), Tower mint, Double Crown, Gp E, class II, mm. triangle [1639-40] over anchor (flukes to right on obv.), .carolvs. d: g: ma: br: fr: et. hib: rex., fifth, ‘Aberystwyth’, bust left, rev. cvltores. svi. devs. protegit., quartered oval shield of arms, crown above, crowned c r in fields, 4.55g/7h (SCBI Brooker 172, same dies; N 2173; S 2705). A few peripheral surface adhesions from the purse or pouch in which the hoard was originally deposited, about extremely fine and probably much as struck with a pleasing portrait and attractive bright fields £2,400-£3,000 --- Provenance: Found in the grounds of Hazelbury Manor near Box (Wiltshire) in 2020 (WILT-0CB2A3)
James I (1603-1625), Third coinage, Laurel, mm. spur rowel [1619-20], iacobvs d: g: mag: bri: fra: et hibern: rex, draped and laureate second bust left, rev. faciam eos in gentem vnam, shield of quartered arms over long cross, crown above, 8.79g/1h (SCBI Schneider 83 var. [obv. legend]; N 2112; S 2638). Numerous scratches behind the head and small graffito in reverse field, otherwise good very fine, strong portrait £1,500-£1,800 --- Provenance: Found in the grounds of Hazelbury Manor near Box (Wiltshire) in 2020 (WILT-0CB2A3)
Edward III (1327-1377), Treaty period, Noble, Calais, type b, single trefoils by z, otherwise double saltire stops, a unbarred in gra and ibat, 7.72g/4h (Stewartby p.253, B1; SCBI Schneider 97; Doubleday 267; N 1235; S 1504). Traces of earthen deposits, otherwise struck on a full, wholesome flan with traces of lustre and an excellent portrait of the king; extremely fine and rare £8,000-£12,000 --- Provenance: Slaney Collection, Part II, Spink Auction 229, 14 May 2015, lot 286 [bt 1946]
James I (1603-1625), Third coinage, Laurel, mm. trefoil [1624], iacobvs d: g: mag: bri: fra: et hi: rex., draped and laureate fourth bust left, rev. faciam eos in gentem vnam, shield of quartered arms over long cross, crown above, 8.91g/12h (SCBI Schneider –; N 2114; S 2638B). Area of scratching behind head and other light marks, very fine, clear portrait £1,200-£1,500 --- Provenance: Found in the grounds of Hazelbury Manor near Box (Wiltshire) in 2020 (WILT-0CB2A3)
James I (1603-1625), Third coinage, Half-Laurel, mm. spur rowel [1619-20], iacobvs: d: g: mag: bri: fra: et hib: rex, large draped and laureate bust left, rev. henricvs rosas regina iacobvs, shield of quartered arms over long cross, crown above, 4.48g/10h (SCBI Schneider 89; N 2116; S 2640). Neatly pierced at 12 o’clock for suspension, otherwise about very fine, strong portrait £600-£800 --- Provenance: Found in the grounds of Hazelbury Manor near Box (Wiltshire) in 2020 (WILT-0CB2A3)
Hiberno-Scandinavian Period, Phase II, Sihtric, Penny, Dublin, Færemin, in imitation of Long Cross coinage, in the name of Sihtric, crude draped bust left, cross potent behind neck, inhirc r+ diedn, rev. fieremen mo dini, long voided cross, pellets in angles, 1.05g/1h (cf. SCBI BM 70ff; cf. SCBI Copenhagen 76; cf. SCBI Ulster 66ff; cf. Roth 44 for portrait; S 6125; DF 23). Edge a little irregular and with a central stress mark, very odd style, very fine £300-£360 --- Provenance: ‘Viking’ Collection [J.F. Chown], Spink Auction 150, 14 March 2001, lot 1100; SNC February 2008 (IH0168); ‘Good Money’ Collection, Noonans Auction 259, 27 September 2022, lot 528 See lot 144 for an Æthelred II Long Cross Penny of York struck from a Phase I Hiberno-Scandinavian obverse die
British Iron Age, GALLO-BELGIC, Stater, series Ab [Ambiani], laureate head of Apollo left, rev. horse left, pellets and ornaments around, rosette below, 7.43g/11h (Sills class 2, 286-7; ABC 4; VA 12-1; S 2). Struck from a worn reverse die, otherwise good fine, the portrait well-centred and clear £1,000-£1,200 --- Provenance: Found near Whelpley Hill (Buckinghamshire)
William I, lead customs tallies (2), from presumably official dies for a Penny of Profile Right type [BMC VII], London, Eadwi, edpi [on liin], 1.49g, 1.66g (Archibald 30ff; cf. SCBI Stockholm 254 and BMC 464 [revs.]) [2]. Both fine, first with clear portrait, unusual £60-£80 --- Provenance: From the Thames
Charles I (1625-1649), Tower mint, Double Crown, Gp A, class II, mm. lis [1625], .carolvs d: g: mag: br: fr: et hi: rex., bust left in coronation robes, rev. cvltores. svi. devs. protegit., quartered shield of arms, crown above, 4.38g/1h (SCBI Brooker 132/130; N 2159; S 2698). Trifling surface marks, otherwise about extremely fine, the portrait well struck up; attractive bright metal £2,400-£3,000 --- Provenance: Found in the grounds of Hazelbury Manor near Box (Wiltshire) in 2020 (WILT-0CB2A3)
British Battles, 1815, a tubular brass box medal by E. Thomason inscribed ‘British Victories’, lid inset with portrait medalet of Wellington, containing 23 [of 26] brass medalets, each with winged Victory, revs. the battles named (lacks Coimbra, Talavera, and Waterloo), each 16mm, tube 36 x 18mm (Eimer 84; BHM 888; E 1076) [Lot]. Tube good very fine, medalets extremely fine; housed in larger brass tube clad in red leather £300-£400
A portrait of a 17th century Spanish nobleman in an ornately carved oval giltwood frame, oil on panel, 96cm high x 83cm width (framed)This work is in overall good condition. However, there is evidence of light wear and handling to surface and natural craquelure. There are scuffs, chips and cracks to the frame. The painting is varnished, therefore there are areas that appear slightly discoloured due to this and there is slight fading perhaps due to natural light and circumstances of previous storing.
A portrait of an 18th century lady, oil on board, mounted in an oval giltwood carved and painted frame, with four carved additional details to the four corners, 97cm x 84.5cmOverall this work is in good condition. There is light wear to the paint surface such as slight marks, scratches and discolouration due to circumstances such as exposure to natural light. There is shallow craquelure across the entire paint surface. The frame has scuffs and slight marks and chips.
A portrait of an 18th century gentleman, oil on board, oval portrait mounted on green velvet material, giltwood framed, 106cm x 92cmThis work is in good condition overall. There is light wear to the painting's surface, such as scuffs, scratches and marks, as well as some slight discolouration to parts due to natural factors such as exposure to light. Scuffs and marks to the frame and slight chips in the giltwood frame. There is a shallow natural craquelure to the entire surface of the portrait.
John Adam Plimmer Houston RSA (British, b.1812 -1884), Portrait of a Gentleman, reputedly a Mr. Dashwood, oil on canvas, signed to the reverse, 101 x 89cmPurchased from Bonhams in Knightsbridge in the 1970s.This work is in good condition overall. There is light wear to the surface including minor scratches and discoloration to the surface due to varnish and light exposure. There is natural craquelure over the entire surface of the portrait, and scuffs and slight chips to the giltwood painted frame.
A watercolour portrait miniature painting on paper in a gilt and black painted wooden frame depiciting a young woman, signed 'T. Wheeler May 1883' lower right hand in pencil, also signed and marked to the back 'Watercolour portrait of Harriot Va? by T. Wheeler May 1833', 19cm x 15cm; together with one sulphide cameo incrustation of The Duke of Wellington, indistinctly marked to the reverse, in a black wooden frame with a brass border, 12.5cm x 10cm; and a small watercolour portrait on paper in a gilt and black oval frame, 12cm x 9.5cm (3)Overall handled condition, showing age, with peeling and marks to the reverse paper on the frames of all.
Thomas Stewart (b.1766-d.1801), portrait of a gentleman, oil on canvas, signed and dated '1783' lower right, 75cm x 63cmSome slight craquelure to the paint surface particularly to the coat of the man, some slight signs of repainting, unlined, with some minor dents and marks to the canvas surface, in need of a clean overall, the painted gilt frame of simple form and with a label 'Mr Cambridge', picture with an old paper label with the artist and date to the reverse.
19th century English school, portrait of a young girl wearing a red hooded cape and holding a bowl, unsigned, oil on canvas, 75cm x 62cmSet within a contemporary gilt frame. The painting lined, with some signs of associated restoration. The frame with some losses and repairs. Some overpainting to the gilding.

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283284 Los(e)/Seite