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283284 Los(e)/Seite
A Spode bone china urn and cover made to commemorate the death of Sir Winston Churchill, 1874-1965, decorated with oval portrait within coat-of-arms on a wine and gilt ground, with gilt spiral fluted knop to cover, 14ins high (No. 108 of edition commissioned by Thomas Goode & Co, London), a Spode bisque porcelain bust of Winston Churchill on rectangular base, 7ins high, and the medal ribbons of Sir Winston Churchill mounted in rectangular display case by Spink & Sons
James Ward (1769-1859) - Shoulder length portrait of Mr. Josias Herd Harling wearing black coat, canvas 15ins x 12ins, signed and dated 1846 to reverse and inscribed “Josias Herd Harling, born at Sedgwick Nov 23 1818, died at Albion State of New York America, May 24 1850”, in ornate gilt swept frame and glazed
17th Century English School - Three quarters length portrait of James Cooke II (1669-1703) of Stockton Manor, wearing lace ruff and collars, holding a letter in his right hand, with classical drapes to background, oak panel 42ins x 29ins, in moulded ebonised frame (with identification label pasted to stretcher)
19th Century English School - Miniature family portrait with young boy in blue dress seated on a pony with his mother standing to side wearing straw hat, his two sisters standing to left collecting flowers, watercolour on card, 10ins x 12.5ins, contained in gilt moulded frame, and contained in cloth lined box display frame
19th Century English School - Miniature shoulder length portrait of a young man wearing a white cravat and blue coat, on ivory, oval 2.75ins x 2.25ins, in gilt metal oval double sided frame, the reverse with plaited hair and initial “R” and off-white enamel borders (see previous lot for illustration)
Mid 19th Century English School - Half length portrait of Mr Bartholomew Gidley wearing a black coat and white shirt, seated in a chair, on ivory 4ins x 3ins, contained in red leather covered folding case , and 19th Century English School - Pair - Pastel shoulder length portraits heightened in colour of Mr Bartholomew Gidley and his wife, ovals each 9.25ins x 6.75ins, signed “Morosini” (?)
Attributed to George. Perfect Harding (1780-1853). After Mary Countess Rivers (nee Fitzlewis). a full-length standing portrait wearing lace ruff collar, embroidered bodice and velvet dress. watercolour and tempera heightened with white 27.5 x 17.5cm. Mary Fitzlewis married Anthony Wydeville, Earl of Rivers, in 1480. The original portrait is at Hengrave Hall, Suffolk.
Alexander Blaikley (1816-1904). ‘The Passing Smile’. a portrait of Princess Alexandra. signed, inscribed with title and dated 1863 in pencil bottom left. pastel and pencil. oval, 67 x 49cm. The authenticity of this portrait is confirmed by The Hon. Mrs Roberts, Curator of the Print Room at The Royal Collection Trust. On 10th March 1863 Princess Alexandra married the future King Edward VII. Alexander Blaikley obtained from her Lady-in-Waiting a photograph of the Princess and when the day arrived for public entry into London he took a good window on the route and caught her expression as her carriage went by. The bonnet was a gift to the Princess from Queen Victoria and there is a watercolour in Portsmouth Museum of The Prince and Princess receiving an address from the Mayor in which the Princess is seen wearing the bonnet and blue velvet Dolman trimmed with fur shown in the present lot.
English School 18th century. Portrait of George Farmor Esq. A companion portrait of Lady Farmor. a pair. both bust-length, he wearing a full wig, white collar and cloak; she with ringlets, a pearl choker and satin dress. each inscribed top right. oils on canvas laid on panel. each 22.5 x 19.5cm. (2). George Farmor son of Sir William Farmor Bart of Northamptonshire. Lady Farmor wife of Sir William.
William Duffield (1816-1863). Portrait of George Edward Lance as a young man. seated on a portico, a river landscape beyond. signed and dated 1843 lower left. oil on panel 44 x 35cm. Provenance: Ada C. Lance, thence by family descent. Exhibited: Pump Rooms, Bath. Boy of beauty, in those eyes. Is the fire of genius glowing;. On that brow affection lies;. On that cheek the rose is blowing. In its opening spring of youth. Like a halo round thy head. Innocence and loyal truth. All their moral glory shed. William Duffield was a still life artist who occasionally painted portraits and conversation pieces. He studied under George Lance and latterly in Antwerp under Baron Wappers. He lived most of his life in Bath. Duffield also wrote some much acclaimed poetry, a verse of which above is dedicated to the sitter in the present lot. George Lance (1802-1864) was a Victorian still life painter. He exhibited numerous works mostly at The Bristol Institute, The Royal Academy and Suffolk Street. His only son, George Edward, is the sitter in the Duffield portrait.
Charles A. Sellar (1856-1926), Portrait of Lt. Col. George John Haynes, full-length standing, signed C. A. Hellar bottom left, oil on canvas, 54.5 x 32cm.; together with a World War I death plaque for George John Haynes, Victoria Jubilee medal, George V coronation medal, Edward VII Territorial Medal, Edward VII Volunteer Force Long Service Medal, framed official memorial letter for Lieut. Col. George John Haynes, R.A.M.C. and a framed photograph.
A 19th Century porcelain ormolu mounted comport, painted with winged cherubs playing with doves within a rose garland collar within floral gilt borders on a turquoise ground, within gilt metal mount cast with birds above tripod base with Classical portrait medallions and scroll feet, 9’ diameter, 7.25’ high. Gilt rubbing.
A pair of beadwork child's slippers; a collection of children's shoes; a quantity of unframed Victorian watercolour portrait studies; a variety of hat trimmings and hat pins; a selection of board games including a boxed part Cavendish table tennis set; juggling batons; a boxed Aunt Sally game etc (qty)
Ramsey (Allan) The gentle shepherd. Glasgow: A Foulis 1770 4to pp. iv 111 17 leaves b1-4 absent portrait frontispiece 12 aquatint plates (1 sepia) by David Allan 18 pages of engraved music contemporary blind stamped and gilt calf hinges worn water staining to corner of one plate - [Brookes (Richard)] The art of angling rock and sea-fishing: with natural history of river pond and sea-fish... London 1740 first edition 12mo woodcuts contemporary calf rubbed upper board loose p. 107-108 absent - Lessius (Leonard) Sir Walter Rawleigh's ghost; or his appartition to an intimate friend willing him to translate into English this learned book ... entituled De providentia numinis & animi immortalitate written against the atheists and polititians of these days ... London: Tho. Newcomb for John Holden 1651 12mo pp. A2 & A3 absent [xxiv] 384 later calf boards detached paper slightly discoloured throughout. Sold not subject to return (3)
ALBERTO MORROCCO R.S.A. R.S.W. R.P. R.G.I. L.L.D. D UNIV (1917-1999) PORTRAIT OF THE COMMANDER IN CHIEF OF EDINBURGH CASTLE signed and dated '44 pastel on board unframed 56cm x 39cm Note:During the Second World War Morocco served with the 51st Highland Division. Upon Italy joining the war he was sent to Edinburgh Castle together with other soldiers of non-UK origin where he spent three and a half years painting in his spare time.
A cast commemorative medal commemorating Lady Arabella Stuart (1575-1615) depicting a half-length portrait holding a book inscribed *O God Grant Patience In That I Suffer Vrang* with six line verse to reverse Diameter 5cm Note; Lady Arabella Stuart claimant to the throne was imprisoned in the tower for her marriage without Royal consent to William Seymour 2nd Duke of Somerset.
A commemorative silver medal cast to one side with a portrait profile inscribed OLIVARIOUS CROMWELL and J Dassier the reverse cast with a tomb decorated with the arms of Cromwell and four putti inscribed ANGLIAE SCO. ET HIB. PROTECTOR NAT 3 APRIL 1603 MORT 3 SEPT 1658 Diameter 3.6cm Note: Cromwell was born in 1599 not 1603.
A Napoleonic medal struck by J. Parish in honour of his old friend Blucher the obverse depicting Prince Blucher in uniform astride his horse whose leg is raised over the body of Marshal Davoust with the town of Hamburg and figures with raised arms in the distance beneath a banner inscribed THE FALL OF HAMBURGH'S TYRANT DAVOUST; BLUCHER and ELBA'S EMPEROR the reverse cast with an oval portrait of Wellington surmounted by an angel and a radiant crown and above a swag inscribed SUCH WELLINGTON ART THOUGH TRIUMPHANT FAME SHALL THRO THE WORLD IMMORTALIZE THY NAME contained in a fitted case Diameter 7.3cm
Attributed to Momokawa Shiko, monochrome woodblock print, three quarter length portrait of a lady, a Japanese woodblock print depicting a procession of a coach with shinto priests and army officers, a Japanese woodblock print depicting a male figure and an Indian watercolour on paper of huntsmen attacking a tiger.

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283284 Los(e)/Seite