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Richard Stone *ARR, (b1951), full length portrait of HM Queen Elizabeth the Queen Mother, signed, crayon on paper, 20 x 13cm, bearing a label for City of Plymouth Art Gallery. Richard Stone is renowned portrait artist, perhaps best known for his portraits of the Royal family. At the age of twenty two he became the youngest commissioned Royal portrait painter for two-hundred years. Examples of his work hang in Buckingham Palace and The National Portrait Gallery in London.
Collection of photographs in three albums plus loose and in frames, to include Edwardian group portraits of Cheltenham Ladies' College; portraits of members of the Moore and Potterton family; family photographs taken in Hillfield (Surrey) and Jersey, 1930s; holiday photographs taken in Cape Town, Durban, Sydney and Adelaide, 1940s; a mounted photographic portrait by Vandyk, London; small quantity of Edwardian cruise pictures. Together with an invitation card addressed to Miss Mona Potterton, for an Afternoon Garden Party at Buckingham Palace, 11 July 1968, with accompanying windscreen label and handwritten notes recording the experience
After Sir Anthony van Dyck (1599-1641). Portrait of Michel Le Blon, Dutch silver engraver and art dealer, copper engraving by Theodor Matham after van Dyck, on laid/chain-lined paper, rich impression with velvety black ink, published 1630-1640 according to British Museum. Framed, unglazed, 28.5cm by 18cm. Portrait of Prince Rupert of the Rhine, copper engraving by Hendrick Snyers after van Dyck, laid paper, rich impression, published 1645-1655 according to British Museum. Framed & glazed, 27.5cm by 19cm (2)
A Victorian photograph album with twenty four double sided pages, each containing four portrait frames. The first two pages with coloured plates from members of the Royal Family including Victoria and Albert, Queen Victorian with Princess Beatrice, Prince Leopold, The Princess of Wales together with others. These mostly with cut outs of letter seals. The other plates are mostly of important members of the Aristocracy. Red tooled leather bound with gilt metal mounts and strapping.
Unsigned, identified and with armorial on verso, oval, watercolour on ivory in ebonised rectangular frame with gilt metal mounts, together with a framed Princess Charlotte of Wales commemorative medal and a framed photographic portrait miniature of a lady, both in ebonised rectangular frames with gilt mounts.7cm x 6cmQty: 3Footnote: * Margaret Irving. Born 1741, Wife of George Farquhar, Daughter of James Irving of Wyseby and of Isabel Dalgleish.Condition report: The miniature painting is in good, original condition with no obvious faults to report. The commemorative medal has scratches and scuffing across the medal. The ebonised frames all have scuffs, knocks and losses commensurate with age.
Nasser Azam Naran, 2020 Acrylic, collage and mixed media on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Nasser Azam (b. 1963, Jhelum, Pakistan) is a London-based British contemporary artist. Azam's reputation was established in the early 1980s, with exhibitions at galleries in Birmingham and the West Midlands, including the Barber Institute of Fine Arts. In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist-in-Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008. It was at this time he began working with sculpture, and in February 2008 a monumental bronze, The Dance, was unveiled on London's South Bank. It was followed in July 2012 by the unveiling of Athena in the London City Airport; at 12 metres it is the tallest bronze sculpture in the UK. Azam has developed his painting in a series of projects that reflect his interest in extreme working conditions and also painting as a performance, from Zero Gravity (Star City, Moscow, 2008), to the freezing ice deserts of Antarctica (2010), where he completed thirteen large paintings. A six metre high bronze sculpture, Evolutionary Loop 517 was unveiled outside the new research centre and library at Aberdeen University in May 2013, a month in which Azam also completed a commission of 25 art works for Costata, part of the Altamarea Group of restaurants in SoHo, New York. In June 2014, the group acquired 11 works for display at their flagship restaurant Marea in Manhattan, New York. Azam unveiled the official portrait commission of Malala Yousafzai in November 2015 at the Barber Institute of Fine Arts, Birmingham, UK. The portrait is displayed permanently at the University of Birmingham. Azam's work is included in numerous private and public collections, including the Zabludowicz Collection and the Sovereign Arts Foundation.
Nasser Azam Antarctica XV.I, 2020 Acrylic, collage and mixed media on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Nasser Azam (b. 1963, Jhelum, Pakistan) is a London-based British contemporary artist. Azam's reputation was established in the early 1980s, with exhibitions at galleries in Birmingham and the West Midlands, including the Barber Institute of Fine Arts. In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist-in-Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008. It was at this time he began working with sculpture, and in February 2008 a monumental bronze, The Dance, was unveiled on London's South Bank. It was followed in July 2012 by the unveiling of Athena in the London City Airport; at 12 metres it is the tallest bronze sculpture in the UK. Azam has developed his painting in a series of projects that reflect his interest in extreme working conditions and also painting as a performance, from Zero Gravity (Star City, Moscow, 2008), to the freezing ice deserts of Antarctica (2010), where he completed thirteen large paintings. A six metre high bronze sculpture, Evolutionary Loop 517 was unveiled outside the new research centre and library at Aberdeen University in May 2013, a month in which Azam also completed a commission of 25 art works for Costata, part of the Altamarea Group of restaurants in SoHo, New York. In June 2014, the group acquired 11 works for display at their flagship restaurant Marea in Manhattan, New York. Azam unveiled the official portrait commission of Malala Yousafzai in November 2015 at the Barber Institute of Fine Arts, Birmingham, UK. The portrait is displayed permanently at the University of Birmingham. Azam's work is included in numerous private and public collections, including the Zabludowicz Collection and the Sovereign Arts Foundation.
Nasser Azam Antarctica X.II, 2020 Acrylic, collage and mixed media on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Nasser Azam (b. 1963, Jhelum, Pakistan) is a London-based British contemporary artist. Azam's reputation was established in the early 1980s, with exhibitions at galleries in Birmingham and the West Midlands, including the Barber Institute of Fine Arts. In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist-in-Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008. It was at this time he began working with sculpture, and in February 2008 a monumental bronze, The Dance, was unveiled on London's South Bank. It was followed in July 2012 by the unveiling of Athena in the London City Airport; at 12 metres it is the tallest bronze sculpture in the UK. Azam has developed his painting in a series of projects that reflect his interest in extreme working conditions and also painting as a performance, from Zero Gravity (Star City, Moscow, 2008), to the freezing ice deserts of Antarctica (2010), where he completed thirteen large paintings. A six metre high bronze sculpture, Evolutionary Loop 517 was unveiled outside the new research centre and library at Aberdeen University in May 2013, a month in which Azam also completed a commission of 25 art works for Costata, part of the Altamarea Group of restaurants in SoHo, New York. In June 2014, the group acquired 11 works for display at their flagship restaurant Marea in Manhattan, New York. Azam unveiled the official portrait commission of Malala Yousafzai in November 2015 at the Barber Institute of Fine Arts, Birmingham, UK. The portrait is displayed permanently at the University of Birmingham. Azam's work is included in numerous private and public collections, including the Zabludowicz Collection and the Sovereign Arts Foundation.
Nasser Azam Queen, 2020 Acrylic, colleage and mixed media on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Nasser Azam (b. 1963, Jhelum, Pakistan) is a London-based British contemporary artist. Azam's reputation was established in the early 1980s, with exhibitions at galleries in Birmingham and the West Midlands, including the Barber Institute of Fine Arts. In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist-in-Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008. It was at this time he began working with sculpture, and in February 2008 a monumental bronze, The Dance, was unveiled on London's South Bank. It was followed in July 2012 by the unveiling of Athena in the London City Airport; at 12 metres it is the tallest bronze sculpture in the UK. Azam has developed his painting in a series of projects that reflect his interest in extreme working conditions and also painting as a performance, from Zero Gravity (Star City, Moscow, 2008), to the freezing ice deserts of Antarctica (2010), where he completed thirteen large paintings. A six metre high bronze sculpture, Evolutionary Loop 517 was unveiled outside the new research centre and library at Aberdeen University in May 2013, a month in which Azam also completed a commission of 25 art works for Costata, part of the Altamarea Group of restaurants in SoHo, New York. In June 2014, the group acquired 11 works for display at their flagship restaurant Marea in Manhattan, New York. Azam unveiled the official portrait commission of Malala Yousafzai in November 2015 at the Barber Institute of Fine Arts, Birmingham, UK. The portrait is displayed permanently at the University of Birmingham. Azam's work is included in numerous private and public collections, including the Zabludowicz Collection and the Sovereign Arts Foundation.
Kev Munday Duck Tangle, 2020 Paint pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Kev Munday creates colourful utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages.Using bold lines and block colours, the vibrancy of Munday's style creates an enthralling visual experience. his iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts.Starting his artistic career at the age of 16, Kev's first creative endeavours came in the form of street art; painting walls and leaving stickers, paste-ups and other markings on street furniture. It wasn't until a few years later that a friend and fellow artist suggested he transfer his artwork onto canvas and he found an instant attraction to the surface. Building upon the style he had been developing in his street work, Kev continued to work with spray paint and markers, using the vivid colours and bold lines that are still present in his work to date.Now aged 33, Kev has created artwork for brands including Walt Disney, IKEA, Artfinder and Uni-Ball and his art is collected and exhibited worldwide. Having recently been named by the Telegraph as a 'British artist to invest in right now' and the best-selling British artist of the year on Artfinder, Munday's work can be found transcending the gallery walls onto a plethora of surfaces, including everything from police cars to pianos, billboards to grandfather clocks. Still relishing the opportunity to work in the public domain, Kev likes to see everything as a canvas and can be regularly found producing his artwork live at a variety of events.
Kev Munday Bird Tangle, 2020 Paint pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Kev Munday creates colourful utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages. Using bold lines and block colours, the vibrancy of Munday's style creates an enthralling visual experience. his iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts. Starting his artistic career at the age of 16, Kev's first creative endeavours came in the form of street art; painting walls and leaving stickers, paste-ups and other markins on street furniture. It wasn't until a few years later that a friend and fellow artit suggested he transfer his artwork onto canvas and he foundan instant attraction to the surface. Building upon the style he had been developing in his street work, Kev continued to work with spray paint and markers, using the vivid colours and bold lines that are still present in his work to date. Now aged 33, Kev has created artwork for brands including Walt Disney, IKEA, Artfinder and Uni-Ball and his art is collected and exhibited worldwide. Having recently been named by the Telegraph as a 'British artist to invest in right now' and the best-selling British artist of the year on Artfinder, Munday's work can be found transcending the gallery walls onto a plethora of surfaces, including everything from police cars to pianos, billboards to grandfather clocks. Still relishing the opportunity to work in the public domain, Kev likes to see everything as a canvas and can be regularly found producing his artwork live at a variety of events.
Patrick Jones Untitled, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Patrick Jones is one of England's foremost and respected abstract painters. His work is characterised by its colour, vibrancy and size. His survey show at the Poussin Gallery entitled 'Reprise' referred to his continual renewal of abstract imagery and poetic design. He likes to work on large unprimed canvas, improvising a varied technique, like a giant watercolour. The pigment is highly charged and intense, so working flat on the floor allows the thin washes to overlay and dry. Portrait Patrick Jones by John Andow. He is aiming at creating an eloquent and expressive pictorial language like his great hero the Catalan painter, Juan Miro. His influences are many from early European modernists like Juan Gris and Georges Braque to American abstract expressionists, Pollock and Morris Louis. He is an inspirational teacher and has taught extensively in England and the USA,most notably at Wimbledon School of Art and Hunter College in New York. His Abstract Art Course has run for the past fifteen years and is ongoing. His passions are Music, of all sorts and Reading. The history of civil rights movements, independence struggles, Dogon Statuary and Anthropology all feed into his work to broaden its reference and meaning. He is currently working on a series started in 1997 called 'No Pasaran'. This was inspired by the film 'Land and Freedom' by Ken Loach about the complexities f the republican movement in the spanish civil war. Mel Gooding has described Jones work as being"admired for his painterly virtuosity,and above all for the vibrancy of his colour and the boldness of his formal invention".
Philip Colbert Lobster Self Portrait with Paintbrush, 2020 Oil and acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Living and working in London. Colbert is known for his multidisciplinary approach, creating a "World of Art". Deeply entwined with pop theory, Colbert works across the mediums of painting, sculpture, clothing, furniture & design. Described as "the Godson of Andy Warhol" by Andre Leon Talley. Colbert's large scale oil paintings push the boundaries of contemporary narrative painting, they follow on from a dialogue established by artists such as Richard Hamilton, James Rosenquist and Roy Litchenstien.

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