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Los 454

A reproduction portrait miniature depicting a lady in pink dress with pink rose in her hair within faux ivory surround, max dimensions 12x10cm

Los 464

A 19th century cameo portrait miniature of a gentleman in profile within an ebonised surround, max dimensions 9x8cm

Los 50

A large Victorian Doulton charger painted with a portrait of a girl in bonnet, having impressed circular Doulton mark verso, monogrammed JC, and numbered 545, dia. 44cmCondition report: Approx. 1.5cm hairline crack to rim.Crazed to the reverse.

Los 197

An African carved hardwood portrait bust, of a man, signed Norman Chopotercra and dated 99, 32cm high

Los 26

Continental school, (early 20th century), head and shoulders portrait of a child wearing a hat, oil on wooden panel, 25 x 19cm

Los 3

Continental School, (20th century), portrait miniature of an 18th century gentleman, on porcelain, 6 x 5cm, in an ornate brass frame, together with a continental dressing table box, of oval shape, inset with a portrait of a young lady, 11cm wide (2)

Los 329

Henri Guillaume Schlesinger, (1814-1893), portrait of a lady, wearing a pink shawl and white dress, with flowers in her hair, signed oil on canvas, 80 x 65cm

Los 362

An antique five row cultured pearl bracelet, set with a portrait miniature of an 18th century gentleman, dated 1765, probably on ivory, 3 x 2.5cm, within an unmarked gilt metal surround, with a gilt clasp

Los 40

English School, (19th century), a miniature portrait of a gentleman, pencil and crayon on paper, 8 x 7cm, together with a collection of four silhouette portraits and another (6)

Los 96

Richard Stone *ARR, (b1951), full length portrait of HM Queen Elizabeth the Queen Mother, signed, crayon on paper, 20 x 13cm, bearing a label for City of Plymouth Art Gallery. Richard Stone is renowned portrait artist, perhaps best known for his portraits of the Royal family. At the age of twenty two he became the youngest commissioned Royal portrait painter for two-hundred years. Examples of his work hang in Buckingham Palace and The National Portrait Gallery in London.

Los 13

Louise Riley-Smith, portrait of a female nude, pastel, 33 x 22cms, framed

Los 3

English School (19th Century), portrait of a lady, oil on board, 45 x 35cms, framed

Los 187

Victorian mahogany slope front work box with brass carry handles, D39cm and a portrait miniature of Marie Antoinette (2) Condition Report Click here for further images, condition, auction times & delivery costs

Los 1056

Collection of photographs in three albums plus loose and in frames, to include Edwardian group portraits of Cheltenham Ladies' College; portraits of members of the Moore and Potterton family; family photographs taken in Hillfield (Surrey) and Jersey, 1930s; holiday photographs taken in Cape Town, Durban, Sydney and Adelaide, 1940s; a mounted photographic portrait by Vandyk, London; small quantity of Edwardian cruise pictures. Together with an invitation card addressed to Miss Mona Potterton, for an Afternoon Garden Party at Buckingham Palace, 11 July 1968, with accompanying windscreen label and handwritten notes recording the experience

Los 1063

A 19th Century William Kent style pier looking glass panel, surmounted with an oval oil portrait of a girl with a bird, height 160cm, width 50cm

Los 1303

After Sir Anthony van Dyck (1599-1641). Portrait of Michel Le Blon, Dutch silver engraver and art dealer, copper engraving by Theodor Matham after van Dyck, on laid/chain-lined paper, rich impression with velvety black ink, published 1630-1640 according to British Museum. Framed, unglazed, 28.5cm by 18cm. Portrait of Prince Rupert of the Rhine, copper engraving by Hendrick Snyers after van Dyck, laid paper, rich impression, published 1645-1655 according to British Museum. Framed & glazed, 27.5cm by 19cm (2)

Los 1325

A collection of assorted oil paintings, picture frames, portrait of a elderly man, prints, etc (Q)

Los 1332

Irish Interest. Illuminated manuscript Address to the Very Reverend Frederick Potterton, Dean of Ardagh, February, 1897, from the clergy, painted by J. Hopkins of Dublin, featuring inset photographic portrait of Potterton. Framed & glazed, 70cm by 54cm

Los 16

Three English school Elizabethan oak wall panels, circa 1560, portrait carving of Romanesque maids and a gentleman with scrolled floral decoration. (3) 50cm H x 22cm W

Los 116

An early 19c oval portrait miniature on ivory of a gentleman, framed, 7cm x 5.5cm.

Los 119

A 19c framed oval portrait miniature of a lady, she wearing a crucifix and blue bow, framed, 9.5cm x 7cm.

Los 122

Unsigned 19c portrait of Pope Paul Juluis II, oil on ivory, framed and glazed, 8.5cm x 7cm.

Los 123

R Cauier - 19c oval portrait miniature of a lady, on ivory, brass framed, 7cm x 5.5cm.

Los 124

A gilt metal framed oval portrait pendant miniature of an officer in military costume and to the reverse a memoriam panel with an enamel monogrammed central shield surrounded by seed pearls within feathered decoration, in original case, 6.5cm x 5cm.

Los 37

A Victorian photograph album with twenty four double sided pages, each containing four portrait frames. The first two pages with coloured plates from members of the Royal Family including Victoria and Albert, Queen Victorian with Princess Beatrice, Prince Leopold, The Princess of Wales together with others. These mostly with cut outs of letter seals. The other plates are mostly of important members of the Aristocracy. Red tooled leather bound with gilt metal mounts and strapping.

Los 383

Unsigned - Chinese portrait of a lady seated at a table, gouache, framed and glazed, 51cm x 36cm.

Los 399

Unsigned 19c - portrait of a Rabbi, oil on canvas, unframed, 111cm x 85cm.

Los 403

Unsigned late 18c/early 19c - portrait of a gentleman, oil on panel, unframed, 17.5cm x 15cm.

Los 37

A 19th century continental Faience plate painted portrait of a Queen within floral and foliate border, monogram DG, 25cm diameter

Los 559A

A pair of 18th century steel engravings after C Lempriere 'Battle Views' with portrait vignette border 26 x 53cm

Los 580

A box of cameras including: Kodak Kollenda 620, Brownie No2, Six-20B, Brownie Hawkeye No2, portrait Brownie, two Brownie127's, six-20 Junior Instamatic 25, Ilford Sprite 35, Praktica Noval B, Polaroid Land 20, Anso Folding and Denhill Binoculars

Los 601

Marjorie Cox - pastel portrait of a black cocker spaniel 'William' 1972

Los 9

Unsigned, identified and with armorial on verso, oval, watercolour on ivory in ebonised rectangular frame with gilt metal mounts, together with a framed Princess Charlotte of Wales commemorative medal and a framed photographic portrait miniature of a lady, both in ebonised rectangular frames with gilt mounts.7cm x 6cmQty: 3Footnote: * Margaret Irving. Born 1741, Wife of George Farquhar, Daughter of James Irving of Wyseby and of Isabel Dalgleish.Condition report: The miniature painting is in good, original condition with no obvious faults to report. The commemorative medal has scratches and scuffing across the medal. The ebonised frames all have scuffs, knocks and losses commensurate with age.

Los 96

Nasser Azam Naran, 2020 Acrylic, collage and mixed media on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Nasser Azam (b. 1963, Jhelum, Pakistan) is a London-based British contemporary artist. Azam's reputation was established in the early 1980s, with exhibitions at galleries in Birmingham and the West Midlands, including the Barber Institute of Fine Arts.   In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist-in-Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008. It was at this time he began working with sculpture, and in February 2008 a monumental bronze, The Dance, was unveiled on London's South Bank.   It was followed in July 2012 by the unveiling of Athena in the London City Airport; at 12 metres it is the tallest bronze sculpture in the UK.   Azam has developed his painting in a series of projects that reflect his interest in extreme working conditions and also painting as a performance, from Zero Gravity (Star City, Moscow, 2008), to the freezing ice deserts of Antarctica (2010), where he completed thirteen large paintings.   A six metre high bronze sculpture, Evolutionary Loop 517 was unveiled outside the new research centre and library at Aberdeen University in May 2013, a month in which Azam also completed a commission of 25 art works for Costata, part of the Altamarea Group of restaurants in SoHo, New York. In June 2014, the group acquired 11 works for display at their flagship restaurant Marea in Manhattan, New York.   Azam unveiled the official portrait commission of Malala Yousafzai in November 2015 at the Barber Institute of Fine Arts, Birmingham, UK. The portrait is displayed permanently at the University of Birmingham. Azam's work is included in numerous private and public collections, including the Zabludowicz Collection and the Sovereign Arts Foundation.  

Los 97

Nasser Azam Antarctica XV.I, 2020 Acrylic, collage and mixed media on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Nasser Azam (b. 1963, Jhelum, Pakistan) is a London-based British contemporary artist. Azam's reputation was established in the early 1980s, with exhibitions at galleries in Birmingham and the West Midlands, including the Barber Institute of Fine Arts.   In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist-in-Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008. It was at this time he began working with sculpture, and in February 2008 a monumental bronze, The Dance, was unveiled on London's South Bank.   It was followed in July 2012 by the unveiling of Athena in the London City Airport; at 12 metres it is the tallest bronze sculpture in the UK.   Azam has developed his painting in a series of projects that reflect his interest in extreme working conditions and also painting as a performance, from Zero Gravity (Star City, Moscow, 2008), to the freezing ice deserts of Antarctica (2010), where he completed thirteen large paintings.   A six metre high bronze sculpture, Evolutionary Loop 517 was unveiled outside the new research centre and library at Aberdeen University in May 2013, a month in which Azam also completed a commission of 25 art works for Costata, part of the Altamarea Group of restaurants in SoHo, New York. In June 2014, the group acquired 11 works for display at their flagship restaurant Marea in Manhattan, New York.   Azam unveiled the official portrait commission of Malala Yousafzai in November 2015 at the Barber Institute of Fine Arts, Birmingham, UK. The portrait is displayed permanently at the University of Birmingham. Azam's work is included in numerous private and public collections, including the Zabludowicz Collection and the Sovereign Arts Foundation.  

Los 98

Nasser Azam Antarctica X.II, 2020 Acrylic, collage and mixed media on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Nasser Azam (b. 1963, Jhelum, Pakistan) is a London-based British contemporary artist. Azam's reputation was established in the early 1980s, with exhibitions at galleries in Birmingham and the West Midlands, including the Barber Institute of Fine Arts.   In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist-in-Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008. It was at this time he began working with sculpture, and in February 2008 a monumental bronze, The Dance, was unveiled on London's South Bank.   It was followed in July 2012 by the unveiling of Athena in the London City Airport; at 12 metres it is the tallest bronze sculpture in the UK.   Azam has developed his painting in a series of projects that reflect his interest in extreme working conditions and also painting as a performance, from Zero Gravity (Star City, Moscow, 2008), to the freezing ice deserts of Antarctica (2010), where he completed thirteen large paintings.   A six metre high bronze sculpture, Evolutionary Loop 517 was unveiled outside the new research centre and library at Aberdeen University in May 2013, a month in which Azam also completed a commission of 25 art works for Costata, part of the Altamarea Group of restaurants in SoHo, New York. In June 2014, the group acquired 11 works for display at their flagship restaurant Marea in Manhattan, New York.   Azam unveiled the official portrait commission of Malala Yousafzai in November 2015 at the Barber Institute of Fine Arts, Birmingham, UK. The portrait is displayed permanently at the University of Birmingham. Azam's work is included in numerous private and public collections, including the Zabludowicz Collection and the Sovereign Arts Foundation.  

Los 99

Nasser Azam Queen, 2020 Acrylic, colleage and mixed media on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Nasser Azam (b. 1963, Jhelum, Pakistan) is a London-based British contemporary artist. Azam's reputation was established in the early 1980s, with exhibitions at galleries in Birmingham and the West Midlands, including the Barber Institute of Fine Arts.   In 2007, after an extended period living and traveling in Japan, Europe and America, Azam became Artist-in-Residence at County Hall Gallery, London, mounting a series of major exhibitions of early and recent work, including the critically acclaimed Anatomica in April 2008. It was at this time he began working with sculpture, and in February 2008 a monumental bronze, The Dance, was unveiled on London's South Bank.   It was followed in July 2012 by the unveiling of Athena in the London City Airport; at 12 metres it is the tallest bronze sculpture in the UK.   Azam has developed his painting in a series of projects that reflect his interest in extreme working conditions and also painting as a performance, from Zero Gravity (Star City, Moscow, 2008), to the freezing ice deserts of Antarctica (2010), where he completed thirteen large paintings.   A six metre high bronze sculpture, Evolutionary Loop 517 was unveiled outside the new research centre and library at Aberdeen University in May 2013, a month in which Azam also completed a commission of 25 art works for Costata, part of the Altamarea Group of restaurants in SoHo, New York. In June 2014, the group acquired 11 works for display at their flagship restaurant Marea in Manhattan, New York.   Azam unveiled the official portrait commission of Malala Yousafzai in November 2015 at the Barber Institute of Fine Arts, Birmingham, UK. The portrait is displayed permanently at the University of Birmingham. Azam's work is included in numerous private and public collections, including the Zabludowicz Collection and the Sovereign Arts Foundation.  

Los 147

Kev Munday Duck Tangle, 2020 Paint pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Kev Munday creates colourful utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages.Using bold lines and block colours, the vibrancy of Munday's style creates an enthralling visual experience. his iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts.Starting his artistic career at the age of 16, Kev's first creative endeavours came in the form of street art; painting walls and leaving stickers, paste-ups and other markings on street furniture. It wasn't until a few years later that a friend and fellow artist suggested he transfer his artwork onto canvas and he found an instant attraction to the surface. Building upon the style he had been developing in his street work, Kev continued to work with spray paint and markers, using the vivid colours and bold lines that are still present in his work to date.Now aged 33, Kev has created artwork for brands including Walt Disney, IKEA, Artfinder and Uni-Ball and his art is collected and exhibited worldwide. Having recently been named by the Telegraph as a 'British artist to invest in right now' and the best-selling British artist of the year on Artfinder, Munday's work can be found transcending the gallery walls onto a plethora of surfaces, including everything from police cars to pianos, billboards to grandfather clocks. Still relishing the opportunity to work in the public domain, Kev likes to see everything as a canvas and can be regularly found producing his artwork live at a variety of events.

Los 148

Kev Munday Bird Tangle, 2020 Paint pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Kev Munday creates colourful utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages. Using bold lines and block colours, the vibrancy of Munday's style creates an enthralling visual experience. his iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts. Starting his artistic career at the age of 16, Kev's first creative endeavours came in the form of street art; painting walls and leaving stickers, paste-ups and other markins on street furniture. It wasn't until a few years later that a friend and fellow artit suggested he transfer his artwork onto canvas and he foundan instant attraction to the surface. Building upon the style he had been developing in his street work, Kev continued to work with spray paint and markers, using the vivid colours and bold lines that are still present in his work to date. Now aged 33, Kev has created artwork for brands including Walt Disney, IKEA, Artfinder and Uni-Ball and his art is collected and exhibited worldwide. Having recently been named by the Telegraph as a 'British artist to invest in right now' and the best-selling British artist of the year on Artfinder, Munday's work can be found transcending the gallery walls onto a plethora of surfaces, including everything from police cars to pianos, billboards to grandfather clocks. Still relishing the opportunity to work in the public domain, Kev likes to see everything as a canvas and can be regularly found producing his artwork live at a variety of events.  

Los 214

Patrick Jones Untitled, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Patrick Jones is one of England's foremost and respected abstract painters. His work is characterised by its colour, vibrancy and size. His survey show at the Poussin Gallery entitled 'Reprise' referred to his continual renewal of abstract imagery and poetic design. He likes to work on large unprimed canvas, improvising a varied technique, like a giant watercolour. The pigment is highly charged and intense, so working flat on the floor allows the thin washes to overlay and dry. Portrait Patrick Jones by John Andow. He is aiming at creating an eloquent and expressive pictorial language like his great hero the Catalan painter, Juan Miro. His influences are many from early European modernists like Juan Gris and Georges Braque to American abstract expressionists, Pollock and Morris Louis. He is an inspirational teacher and has taught extensively in England and the USA,most notably at Wimbledon School of Art and Hunter College in New York. His Abstract Art Course has run for the past fifteen years and is ongoing. His passions are Music, of all sorts and Reading. The history of civil rights movements, independence struggles, Dogon Statuary and Anthropology all feed into his work to broaden its reference and meaning. He is currently working on a series started in 1997 called 'No Pasaran'. This was inspired by the film 'Land and Freedom' by Ken Loach about the complexities f the republican movement in the spanish civil war. Mel Gooding has described Jones work as being"admired for his painterly virtuosity,and above all for the vibrancy of his colour and the boldness of his formal invention".

Los 227

Philip Colbert Lobster Self Portrait with Paintbrush, 2020 Oil and acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Living and working in London. Colbert is known for his multidisciplinary approach, creating a "World of Art". Deeply entwined with pop theory, Colbert works across the mediums of painting, sculpture, clothing, furniture & design. Described as "the Godson of Andy Warhol" by Andre Leon Talley. Colbert's large scale oil paintings push the boundaries of contemporary narrative painting, they follow on from a dialogue established by artists such as Richard Hamilton, James Rosenquist and Roy Litchenstien.

Los 93

Photographs.  Tall Victorian album with some decorative pages containing portrait photographs, poor bdgs.; also an 1881 diary adapted as a scrap & cuttings book & an unused folio account book.  (3).

Los 203

Half length portrait print of a young girl in ornate giltwood frame

Los 29

Box of books, to include Linda McCartney "60's Portrait of an Era"

Los 542

1871 HARDBACK FOLIO PORTRAIT OF SIR WALTER SCOTT AND FIVE ENGRAVINGS IN ILLUSTRATION OF THE PIRATE FOR THE MEMBERS OF THE ROYAL ASSOCIATION FOR PROMOTION OF THE FINE ARTS IN SCOTLAND

Los 107

Two portrait miniatures in typical black frames, 19th century, a Scottish Skean Dhu knife, bone letter opener, etc

Los 203

(20th century School) Portrait of a Rabbi indistinctly signed, oil on canvas, 50 x 40cm

Los 204

(20th century School), Portrait on an elderly man, indistinctly signed, oil on canvas, 50 x 40cm

Los 236

Neil MacPherson, Portrait of a small dog, coloured lithograph, signed and numbered in pencil

Los 293

Portrait of Celia Bedford, inscribed to the reverse on the canvas 'Celia Bedford', oil on canvas, 54 x 40 cmCondition report: A tear to the canvas in the sitter's shoulder and a small hole left of the sitter' head. Scuffs in the bottom left corner

Los 296

Two early 20th century coloured prints after Winterhalter including 'Florinda', 55 x 49cm and 35 x 51cm, in modern gilt frames; and a pair of overpainted head-portrait photographs, (4)

Los 297

A silhouette of two 18th Century gentlemen playing chess, together with four portrait silhouettes (4)

Los 555

•AFTER SIR WILLIAM RUSSELL FLINT (1880-1969) *ARR 'Portrait of Cecilia in White Dress', colour reproduction print, inscribed by permission of Sir Wm Russell Flint R.A., 56 X 44. A Pair of Similar Prints, by the same artist, 'Lady in Mauve Dress' and 'Lady in Pink Dress'. (3)

Los 293

Follower of George Frederic Watts OM, RA (1817 - 1904) , portrait of a man wearing a black cap, later paper label verso inscribed 'Herkomer by Watts', oil on canvas, unsigned, 22.5cm by 18.5cm

Los 301

A miniature portrait of Lord Byron after James Holmes, oil on wood, unsigned, inscribed verso "Lord Byron painted shortly before his death by Michele', 12cm by 9cm

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