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Early 19th century French School, A bust portrait of a young man, oval, oil on canvas laid on board, in gilt frame, 54 x 44cmCondition report: The work has been later laid onto board and presumably restored at the same point. There is overpainting particularly noticeable around the face. A small area of paint loss is visible around his collar, a tiny paint chip also among his hair. The frame has been re-painted gold.
Sir Thomas Lawrence (1769-1830) pencil, red and black chalk portrait on paper - Isabel Smith, called Munia, nurse to John Angerstein, circa 1800, 41.5cm x 34cm, in original frameNB: see copy of 'The Thirty-Ninth Volume Of The Walpole Society' 1964Provenance: purchased by the vendor 31st May 1996Condition report: (Please see further images at www.reemandansie.com). The body is pencil and some wash, the face has the colour, particularly to her cheeks. There is discolouration/staining to the paper as seen in the images, the lower left corner has a paper repair. There is a crease (or possible repair) in the top left corner. The frame has some cracking but seems stable throughout, it appears original.The work was bought from a well respected picture dealer no longer trading.
Set of six 19th century mahogany Sheraton dining chairs with carved pierced vertical splats and drop-in seats on square tapered legs including pair of elbow chairsProvenance: purchased from The Miller General Hospital for South East London, November 20th 1913 for the sum of £36 and 15 shillings, sold with original receipt and related letter and photograph. The collection of Edward and Evelyn Grindlay. See lot 1188 in this sale showing the chair in a portrait by Sir James GunnCondition report: One elbow chair is loose at left arm, small element missing here, the same chair has old repair to splits in front seat rail, also a spliced back leg, one single chair spliced to back leg, one single chair has loose splat (detached below the acanthus capital but present), another chair with repair to splits, otherwise chairs are basically structurally sound but some further old repairs throughout and wear commensurate with age, a few marks to the seats
An early 19th century gold commemorative Henry of Monmouth badge, circa 1800, circular form, pierced with a sun motif and with a portrait of Henry with the letters P and W either side, and titled 'Henry of Monmouth 1403', the reverse with two clenched shaking hands over a sword, and 'LOVE AND HONOUR', diameter 4cm, approx. weight 16g.
A George IV silver beer jug, by William Eley II, London 1824, baluster form, embossed with a stag and deer in a forest setting, the reverse with foliate scroll decoration, leaf capped scroll handle, initialled, gilded interior, on a raised circular foot, height 32cm, approx. weight 52oz. Provenance: Christie's South Kensington, Portrait Miniatures, Objects of Vertu, Silver & Russian Works of Art, 13 December 2007, lot 1836.
A late 17th early 18th century silver counter box, maker's mark TN conjoined, script, circa 1700, cylindrical form, the pull-off cover with a portrait of William III, the interior with three Charles II counters, height 1.8cm, approx. weight 0.6oz. Provenance: A Private Collection. Purchased from Gerald Sattin Ltd., Burlington Arcade, London, 13 July 1981. .
A Charles II silver counter box, maker's mark probably I.F, circa 1660, cylindrical form, the pull-off cover with an engraved portrait of Charles II, with the inscription 'CAROLVS II D:G:ANG SCOFRET HI REX', the base engraved with the Royal Arms within the Garter motto beneath a crown and flanked by the Royal Cipher, the interior with nine contemporary counters struck with the Royal portrait, length 6.3cm, approx. weight 3.6oz. (10) Provenance: A Private Collection. Alastair Dickenson Ltd. The Albert Collection Illustrated in Butler, R., The Albert Collection, Broadway Publishing, 2004, page 53. number 152.
A mid-17th century silver tobacco box, unmarked, possibly by Richard Illingworth, circa 1640-1655, oval form, the pull-off cover with a portrait of Charles I in armour within a pierced and engraved border with cherubs and emblems of France, Ireland, Scotland and England, and with a motto that translates 'The King Lives. The law guides. The flock prospers', above the head of the King there is a sunburst, which may refer to his execution, length 8.2cm, approx. weight 3.2oz. Provenance: A Private Collection. Alastair Dickenson Ltd. The Albert Collection. illustrated in Butler, R., The Albert Collection, Broadway Publishing, 2004, page 8. number 106.
After Cecil Cutler - A portrait of Edward VII, colour photolithograph, published by Fores, London, 1908, 50 x 34cms, in gilt frame; a Victorian chromolithographic portrait of the Queen and family; and 'Going to Whites', hand-coloured etching, published by Fores, London, 1823, 31 x 18.5cms, in gilt frame. (3)
20th Century British School - Bust portrait of a young man, inscribed 'Christchurch', and dated 1965, pencil; together with prints relating to Oxford University, 'Skating at Oxford', 'A sketch of Isis - The Oxford Crew at Home'; four engraved portraits of academics after J. Agar; and two photographs 'Christ Church Fist Eight 1964' and 'Second Eight 1963'; all framed. (9)
A MIXED GROUP OF CHINA to include four Masons ironstone hand decorated flatback figurines depicting a shepherd, a hunter and a farmer, six Aynsley coffee cups with hand painted decoration by N Brunt, two Bavent France glazed pottery mugs, a continental porcelain dish with a hand painted head and shoulder female portrait and a character jug indistinctly signed 'Amanta Popini 2002' Condition: Masons figures in good condition; continental dish with wear to the gilding decoration; Aynsley coffee cans in good condition with very minor wear to gilding; Bavent mugs with some wear to gilding and small glaze chips to rims
LATE 19TH / EARLY 20TH CENTURY SCHOOL Head and shoulder portrait of a girl with large earring, pastel, unsigned, 46cm x 30cm Condition: the picture with some foxing and possibly fading to the paper overall, the mount board faded and the gilt frame with moulded laurel ornament missing in places
HILARY PAYNTER (1943) Portrait of a mother and child, woodcut, signed and numbered 36/50, 8cm x 6.5cm, framed and glazed, overall 28cm x 24cm; HEATHER BEAN, Uffington Horses, artists proof print, 20.5cm x 26cm, framed and glazed, overall 44cm x 49cm (2) At present, there is no condition report prepared for this lot This in no way indicates a good condition Please contact the saleroom for a full condition report
SIX PAINTINGS to include Martin Kaupp (Germany 1953), mixed media pop art portrait of a man wearing a crown, signed bottom right (two glass beads missing), a circular painting of a nude woman holding a man with horns on his head over her shoulder - unsigned, unsigned Fantasy style painting of a male figure holding a planet? while floating in red clouds, unsigned, portrait of a mysterious woman, unsigned, Joan Fielden dog portrait Rottweiler/Collie cross, painting of a ballet dancers and a caricature drawing of a businessman
Jessica Dismorr (1885-1939) Portrait of Robin Ody signed l.r., pencil 23 x 17.5cmCondition report: The paper has discoloured a little to a light yellow. There are some creases in places. Small tear at upper right edge. A little light surface dirt. A small light stain on the bridge of his nose. Not seen outside of glazed frame.
*Victor Weiss ('Vicky') (1913-1966) 'Vicky by Vicky - self portrait' signed and inscribed, black chalk 51 x 75cm; and two other by the same hand, 'This'll throw the Pollsters - I've just changed my mind!'; 'Not at all like the Blackpool and the labour party conference' pen and ink 20 x 15.5cm and 28 x 28cm (3) *Artist's Resale Right may apply to this lot.Condition report: The first has handling creases and the cartoon from the paper glued to the back, plus a date stamp. The second is laid down on card and is date stamped u.c., handling creases and discolouration to the paper. self-portrait - there is some surface dirt and a large tear to the upper right of the paper.
*Michael Renton (1934-2001) Rye (circular, cover); Rye from the Rother; Lamb House (snow); The Landgate; The Town Hall (rain); The Churchyard; The Old Grammar School; Mermaid Street, the Mermaid Inn; The Parish Church of St Mary; The Strand complete set of 11 original wood engravings for 'Portrait of Rye' by Malcolm Saville, published by Henry Goulden, 1976 image 16 x 10cm, unframed (11) *Artist's Resale Right may apply to this lot.
*After Stanley Spencer Self Portrait; Disciples at the Gate; Me Greeting Hilda photo-lithographic reproductions image 40.5 x 27cm and smaller, unframed(3) These photo-lithograph reproduction were probably made by Spencer’s friend, the artist Henry Trivick, and is taken from a set of drawings made by Spencer in the 1930s. Copies are held at the Stanley Spencer Museum in Cookham and are extremely scarce. Being a trial proof, it does not bear a Friary Studio stamp *Artist's Resale Right may apply to this lot.Condition report: Some time staining. Ther is some tearing to the edges of the largest sheet and handling creases on 'Me greeting Hilda'
*Paul Drury (1903-1987) Portrait of Carel Weight (Garton 38) etching, 1939, numbered 'A 16/25' in pencil l.l., from the The Paul Drury Memorial Portfolio 1994, with their blindstamp sheet 30 x 24.5cm, mounted *Artist's Resale Right may apply to this lot.Condition report: Attached to backboard by two pieces of tape at top edge. Paper lightly cockled at left edge. Light dirt along top edge. A little light paper discolouration verso. Overall good condition.
An Edwardian armchair, the artist's studio chair of portrait painter Michael Noakes, early 20th Century, signed to the underside by numerous sitters including; Patrick Caulfield, Brian Johnson, Sir Donald Sinden, Lady Margaret Thatcher (twice), Cardinal Murphy O'Connor, Sir Owen Aisher, The Duke of Norfolk, Francis Pym, Alan Plater, Sir David Attenborough together with a folder of relevant literature.
A photograph of HRH Princess Mary that hung in Mardale Green School. Mary, Princess Royal and Countess of Harewood (1897-1965), was a member of the British royal family. She was the only daughter of King George V and Queen Mary, and was also the aunt of the current British monarch, Queen Elizabeth II. The black and white photo is accompanied by a second picture, of Chapel Hill, the home of the family that won the portrait as a prize. It was part of a raffle of items, from public buildings in Mardale Green. The village was flooded in 1935 when Haweswater's level was raised to form Haweswater reservoir by the Manchester Corporation. The village has reappeared over the years, at times of extreme drought. Haweswater is the most easterly lake in the Lake District.
Paar Mozartbecher,KPM Berlin wohl 2. Hälfte 20. Jh. Entw.: Siegmund Schütz. Weiß glasiert. Glockenförm. Korpus, nach unten zu kl. rd. Stand verjüngt, d. Lippe umrahmt v. schmalem Relief- band, d. seitl. kl. Schlaufen-Henkel bildet. 1 x Wandung schauseitig m. Biskuit-Portrait- Medaillon Mozarts, darunter seine Sign. in Relief. Am Boden Zeptermarke (1 x m. sehr feinem Ritzstrich), Pressbuchstaben. Leicht versch. Scherben-Farbton. H 11,2 bzw. 11,4 cm
A PAIR OF SILVER AND ENAMEL EUROPEAN SNUFF BOXES, LIKELY GERMAN, 20TH CENTURYcomprising:a) square, the cover enamelled with a portrait of Marie Antoinette after Elisabeth Vigee-Lebrun, the underside with a symmetrical acanthus leaf design, the interior mirrored, marked with 800 standard, swan mark, numeral 40; net weight: 136.5 g (4.81 oz)b) shell-form, the cover enamelled with a man and woman leaving a building, the underside with an acanthus leaf design; net weight: 94.4 g (3.33 oz)CONDITIONa) The green border of the cover shows a fractured film over the enamel, as apparent in raking light. Shallow scratch apparent to the right side of Marie Antoinette's feather headdress. Wear and ageing to the mirror.b) The interior cover appears to have been mirrored (mirror now missing). Minor wear and scuffing to the enamel. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
CLARE SHERIDAN (BRITISH 1885-1970)Bust of Lenin, 1922bronze with brown patina29 x 21 cm (11 3/8 x 8 1/4 in.) signed lower right; signed, dated, stamped with copyright symbol and dedicated on verso: Contributed to / Friends of Soviet Russia / For Famine ReliefRELATED LITERATUREFor this model, see Russian portraits by Clare Sheridan (London: Jonathan Cape, 1921), as Lenin (bust) p. (114) 119 (illustrated) LOT NOTES Clare Sheridan Sheridan was a prominent sculptor, journalist and writer, best known for creating busts for notable sitters and as a cousin of Sir Winston Churchill. In 1910 she married Wilfred (William) Frederick Sheridan, with whom she had two daughters. When her daughter Elizabeth died in 1914, Sheridan was moved to commemorate her grave with a small weeping angel sculpture, and so, history has it, begun her sculpting career. Sheridan then moved from London to France to study under John Tweed (1869-1933) and Professor Edouard Lanteri (1848-1917). She was commercially successful, earning commissions like a portrait bust of H.H. Asquith for the Oxford Union.In the summer of 1920 Sheridan was invited by the first Soviet Russian trade delegation to travel to Russia to make busts of revolutionaries. Once in Russia, she stayed in the Kremlin for two months, sculpting Vladimir Lenin, Leon Trotsky and Felix Dzerzhinsky and Lev Kamenev. (Her affairs with some sitters further amplified her notoriety).Back in London, Churchill and the London Society shunned her, leading to her move to America in 1921 (where she again made headlines for her relationship with Charlie Chaplin). On her second trip to Russia in 1923, she was declared 'persona non grata'. She returned to London in 1924 by a cross-continental journey, recording her travels in her 1925 memoirs, Across Europe with Santaella.Under suspicion by MI5 (whose file noted that she conducted herself in an anti-English and disloyal manner in various foreign countries), she moved to Algeria, where she lived for the next decade. She continued working and writing through the end of her life. CONDITION The sculpture appears in good original condition. Overall surface dust visible to the naked eye. Minor patina to the inscription on verso. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
MIKHAIL YAKOVLEV (RUSSIAN 1880-1942)Portrait of a Boy, watercolor on paper 77 x 64 cm (30 1/4 x 25 1/4 in.)initialed lower right CONDITION Observed in frame, the painting appears in age appropriate condition. Scattered creasing visible to the sheet, the largest measuring 49 cm (19 1/4 in.). N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
THEOPHILE ALEXANDRE STEINLEN (FRENCH 1859-1923)Maxim Gorki a mi-corps de face, 1905colored lithograph on wove paper plate mark: 62 x 47 cm (24 3/8 x 18 1/2 in.); full sheet: 64.14 x 50 cm (25 1/4 x 19 3/4 in.) LITERATUREDe Crauzat 264LOT NOTES Swiss born Theophile Alexandre Steinlen was both a prolific lithographer and painter. Active during the end of the 19th century, Steilen illustrated materials for the Le Chat Noir, a bohemian night club which introduced him to the left wing group of avant garde artists including Henri de Toulouse-Lautrec, Louis Anquetin, Adolphe Willette, and Félix Vallotton. Well known for his anti- bourgeois and anarchist politics himself, Steinlen’s portrait of Maxim Gorky exhibits reverence for his fellow political activist. Gorky, a proponent of Marxist social- democracy, was an fervent advocate for Russia's social, political, and cultural transformation. However, the Nobel Prize in Literature nominee’s clashes with Lenin and the repressive attitudes in Russia resulted in a nearly twenty year stint in exile in Italy from 1906 to 1913 and from 1922 to 1932. CONDITION Unframed, the work appears in good original condition. Minor wear to the corners, fine tear to the upper left corner. The right side perimeter is curled slightly.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
RAPHAEL SOYER (RUSSIAN-AMERICAN 1899-1987)Portrait of a Young Man in Worker's Shirt, oil on canvas30 x 26 cm (11 3/4 x 10 1/4 in.)signed on verso CONDITION Observed in frame, the painting appears in very good original condition. A very small tear visible near boy left shoulder, measuring 1 cm (3/8 in.). A vertical line is visible to the left side of the boy, extending from the upper left edge down towards the boys left shoulder, measuring 20 cm (7 7/8in.) in length. A vertical line to the right of the boys head measuring 5 cm (2in.) in length. The canvas as slightly warped causing a visible waviness. Inspection under UV shows scattered retouching to the two lines as mentioned and to a horizontal line from the lower left edge to the lower right edge, measuring 24 cm (9 1/2 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
ABRAHAM PARIENTE (ISRAELI B. 1962)Self Portrait, oil on linen 121 x 126 cm (47 5/8 x 49 5/8 in.)signed lower rightCONDITION Observed in frame, the work appears in excellent original condition. Inspection under UV shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
DAVID BURLIUK (RUSSIAN 1882-1967) Portrait of Joseph Stella, 1944 red pencil on paper full sheet measuring 38 x 30 cm (15 x 11 3/4 in.) signed center right by Stella and Burliuk; signed and dated by Stella on verso PROVENANCERabin & Krueger Gallery, Newark (label on verso erroneously listing artist as Stella and sitter as Burliuk)CONDITION Observed unframed, the work appears in good original condition. Hinged at the top edge, left and right corners. Minor toning visible to sheet. A small tear to the upper right corner, measuring: 1 cm (3/8 in.).N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
ATTRIBUTED TO ALBERT BIERSTADT (GERMAN-AMERICAN 1830-1902)Portrait of a Bearded Man, oil on canvas60 x 48.5 cm (23 5/8 x 19 1/8 in.)CONDITION Unframed, the painting appears in age appropriate condition. Scattered losses of paint to the left edge, neck and perimeter of canvas. Small tear to the lower right center and right corner. The canvas is loose on the frame rabbet. The canvas has been patched on the verso and canvas soiling on verso. Inspection under UV shows no apparent signs of restoration or repairs, variety fluorescences. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
THOMAS WATERMANN WOOD (AMERICAN 1823-1903)Portrait of a Dark-Haired Lady Holding a Lace Shaw , 1861oil on canvas laid on panel 76 x 63 cm (29 7/8 x 24 3/4 in.)signed center left N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
CHARLES WEBSTER HAWTHORNE (AMERICAN 1872-1930)Portrait of a Young Girl, pastel on paper58 x 48 cm (23 x 19 in.)LOT NOTESThe 7 Santini Brothers, NYC inc. export packing label on verso.CONDITION Observed in frame. The work appears in very good original condition. Inspection under UV shows no signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
FLEMISH SCHOOL (17TH CENTURY) A Full-Length Standing Portrait, possibly of Charles V, oil on panel150 x 95 cm (59 x 37 1/2 in.)CONDITION Observed in frame, the work is in stable condition. Inspection under UV shows a thick layer of varnish and scattered retouching. Overall less than 5% of painting. Notably around the hands and hat of the kneeling figure, the shirt of Charles V and light retouching in the cityscape. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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283284 Los(e)/Seite