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CIRCLE OF SIR PETER LELY (BRITISH 1618-1680) PORTRAIT OF JOHN CHAMPNEYS OF ORCHARDLEIGH, WILMINGTOWN Oil on canvas 76cm x 63.4cm (30in x 25in) Note: The sitter's sister, Penelope Champneys, daughter of Richard Champneys of Orchardleigh, was the mother of the much-admired yet tragically short-lived portrait painter John Greenhill (c.1644-1676)
CIRCLE OF NICOLAS DE LARGILLIERE (FRENCH 1656-1746) PORTRAIT OF A GENTLEMAN, THOUGHT TO BE JACQUES I, PRINCE OF MONACO Oil on canvas 202cm x 126cm (80in x 50in) Note: The possible sitter, Jacques Francois Leonor (1689-1751) was Count de Thorigny and fourth Duc de Valentinois. His Paris house, the Hotel Matignon, is now the official residence of the Prime Minister of France.
[§] ERNEST STEPHEN LUMSDEN R.S.A. (SCOTTISH 1883-1948) PORTRAIT OF THE ARTIST'S DAUGHTER Signed and dated 1930, oil on canvas, bears inscription on stretcher 51cm x 61cm (20in x 24in) Provenance: with the Open Eye Gallery, Edinburgh Note: The sitter, Marjorie Comyn Lumsden (b.1917) was later Mrs Marjorie Barton.
19th century British SchoolHead and shoulders portrait of a gentleman in profileA silhouette with gilt highlightsOval9.5 x 7cmTogether with two other silhouettes of ladies and a Allan & Ferguson lithograph silhouette in ebonised frames CONDITION REPORT: Some discolouration, some foxing, minor paint loss
19th century British SchoolHead and shoulders portrait of a schoolmaster in profileTitled to the reverse "Robert Lem Page of Emmanuel Coll. Cambridge, 1828"A silhouetteOval8.5 x 7cmTogether with three other silhouettes of gentlemen (one signed Nevill) in ebonised frames CONDITION REPORT: some foxing and discolouration,
A 19th century gilt spelter mantle clock with a portrait bust to the top quiver and flaming torch, swags of flowers, cherubs, etc, the circular enamel dial with Roman numerals, striking on a bell, bears a plaque inscribed "Presented to Mr G W Parry, as a mark of esteem by the cabinet makers of Messrs Jackson and Graham on his resigning his appointment as foreman, August 1877" under a glass dome, clock height 40cm
A Victorian silver lady's locket, hinged cover engraved and chased with country flowers, beaded outer-border, enclosing a pair of b/w Victorian portrait photographs, of a lady and gentleman, probably H J Cooper & Co Ltd, Chester 1881, the chain later, stamped sterling, 26.1g gross; a Victorian silver Diamond Jubilee thimble, Rd. 295282, Deely & Fisher, Birmingham 1896, 6.1g, fitted morocco case (2)
A 19th century mahogany cased North country longcase clock with gilt orb form pediment, the glazed arched door opening to reveal a painted dial with moon phase to the top section and maker’s name William Fletcher Leeds above scroll painted spandrels, the dial with Roman and Arabic numerals, subsidiary seconds dial and with a portrait of a young lady to the centre. The case with reeded Corinthian column and shaped door above a plinth base. Est £250-400
French bronzed and green marble two train figural mantel clock, the Japy Freres movement with outside countwheel and striking on a bell, the 4.25" white dial within a pedestal casing tended by a winged cherub to one side holding a palette and an artist's easel and portrait to the other, upon a stepped black and green marble base with rounded ends, 22.5" high (pendulum)
*Pablo Picasso (Spanish, 1881-1973)PORTRAIT IMAGINAIRE - 14.3.69 ILithograph printed in colours, 1969, signed in the plate, numbered 136/250 in pencil, printed by Marcel Salinas after the artist's painting, Paris, with the blindstamp lower right, published by Harry N Abrams, Inc., New York. on Arches wove paper, the full sheet printed to the edges sheet 65.2 x 50cm, framed*Artist's Resale Right may apply to this lot.
*Pablo Picasso (Spanish, 1881-1973)PORTRAIT IMAGINAIRE - 6.2.69Lithograph printed in colours, 1969, signed in the plate, numbered 136/250 in pencil, printed by Marcel Salinas after the artist's painting, Paris, with the blindstamp lower right, published by Harry N Abrams, Inc., New York on Arches wove paper, the full sheet printed to the edges sheet 65.2 x 50cm, framed*Artist's Resale Right may apply to this lot.
*David Hockney (British, b.1937) THE PRINT COLLECTOR (PORTRAIT OF FELIX MAN) (SAC 113)Lithograph, 1969, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 65, printed at Curwen Studio, London, published by Edition Galerie Wolfgang Ketterer in co-operation with Felix H Man, München 1971 on Arches paper, with full marginssheet 65.8 x 50.5cm, unframed*Artist's Resale Right may apply to this lot.
Various artistsPLATES FROM VERVEThree lithographs printed in colours, 1938-39, including 'Portrait' by André Derain, 'Fire' by Abraham Rattner, 'The Moon' by André Masson, printed by Mourlot, published by Tériade, Paris, each on wove paper, all with full marginsimage 24.4 x 18cm, 34.5 x 25.7cm and 34.5 x 24.7cm, framed (3)
Rembrandt van Rijn (Dutch, 1606-1669)PORTRAIT OF ABRAHAM FRANCEN, APOTHECARY (WHITE & BOON 273; NEW HOLLSTEIN 301)Etching, c.1657, a good but later edition, from an edition of the 'Recueil Basan', published by Henri Louis Basan c.1810, published by H L Basan, on laid paper, with marginsplate 15.8 x 20.7cm, sheet 16.5 x 21cm, framed

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