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Los 308

Circle of John Thomas Barker Beaumont [1774-1841]- A miniature portrait of a gentleman, head and shoulders with powdered hair and wearing a red coat with blue collar:- on ivory, oval 3.8cm, in a gold frame.

Los 309

Follower of Jacques Antoine Arlaud [17/18th Century]- A miniature portrait of a page boy:-, head and shoulders with straight fair hair and brown eyes wearing a high lace collar tied with toggles, a velvet jacket and sash on ivory, oval 5.5cm, in a moulded wood frame.

Los 313

David W. Haddon [ fl.1884-1914]- A portrait of a fisherman and a companion of a fishwife wearing a green shawl:- a pair, each signed oils on board each 19 x 13cm [2]

Los 317

George Henry Harlow [1787-1819]- A portrait of a young lady smiling, seated:- signed and indistinctly dated 1808 pencil and watercolour 20.5 x 16cm

Los 321

After Buonarroti Michelangelo [19th Century]- Self-portrait, bust-length:- oil on board oval, 26 x 20cm, in a Florentine carved giltwood frame [damaged] * Notes. There is also a very simlar portrait of Michelangelo by Jacobino del Conte. * Provenance. Darnick Tower, Melrose, Roxburghshire, circa 1900.

Los 322

French School [17th Century]- Portrait of a young girl, thought to be Mary Queen of Scots aged 17 years:- oil on panel oval, 34 x 28cm. * Provenance. Darnick Tower, Melrose, Roxburghshire, circa 1900.

Los 323

German School, Circa 1800- Portrait of a lady, bust-length, wearing a lace ruff and bonnet:- oil on copper oval, 11 x 9.5cm, together with a portrait of a lady in the manner of Rembrandt van Rijn, oil on ivory [damaged]. [2] * Provenance. Darnick Tower, Melrose, Roxburghshire, circa 1900.

Los 326

Circle of Michael Dahl [1659-1743]- Portrait of a gentleman, thought to be Edward Pierpoint [1739]:, three-quarter length standing with blue eyes, wearing a powdered wig and holding a letter oil on canvas 125 x 100cm

Los 327

Manner of Sir Peter Lely [late 18th Century]- A portrait of a gentleman, bust-length, wearing cloak, cravat and full length wig:- oil on canvas 76 x 63cm.

Los 329

Circle of Thomas Hudson [1701-1779]- Portrait of a young girl, full-length standing, wearing a long pink dress and lace bonnet, holding a basket of flowers, view to a fountain and cypress tree beyond:- oil on canvas 108 x 74cm.

Los 330

English School [late 18th Century]- A portrait of a naval captain, half-length standing, bewigged, wearing a buttoned tunic and waistcoat:- oil on canvas laid down on panel oval, 34 x 24cm.

Los 331

English School [18th Century]- Portrait of a Lady wearing decollete dress:- oil on canvas 72 x 60cm, contained within a period carved wood and gilded frame

Los 333

Ellis William Roberts [1860-1930]- Portrait of a young lady, bust-length, with long red hair tied high, wearing a silk shawl and pearls:- signed top right pastel drawing 59 x 48cm.

Los 334

Circle of James Sant [1820-1916]- Portrait of a young lady:- head and shoulders, with rosy cheeks, wearing a red bonnet and white cotton dress indistinctly inscribed along the stretcher oil on canvas 46 x 35.5cm, unframed.

Los 335

Henry Jamyn Brooks [Exh. 1890-1909]- Portrait of an Edwardian gentleman, bust-length, wearing jacket and white collar:- signed bottom right oil on canvas 75 x 62cm.

Los 5

A 'Duchess of Sutherland Cripples Guild' silver two-handled bowl, Birmingham, 1911: with presentation inscription 'To Catherine Marjorie Shannon, on Her Wedding 7th December, 1912 from Members of The Royal Society of Portrait Painters' , with embossed floral decoration, the scroll handles with female mask terminals, the base stamped D.S.C.G. below a coronet, 26cm. wide. 21.67ozs

Los 533

A Wedgwood white and black jasper oval portrait plaque of Sir Joshua Reynolds: incised title and impressed upper case mark, 19th century, 11 x 8 cm in ebonised frame.

Los 534

A Staffordshire portrait figure of Napoleon Bonaparte: modelled standing in military uniform wearing a tricorn hat and holding a telescope in one hand, on a circular gilt line base, 1845-50, 19.5 cm high.

Los 101

† - James I, third coinage, shilling, mm. lis (1623-1624), crowned sixth bust r., mark of value behind, rev. shield of arms (S.2668; N.2124), very fine with a good portrait

Los 102

Charles I (1625-1649), unite, Tower mint, mm. lis, crowned first bust l., wearing ruff and collar, mark of value behind, rev. crowned, square-topped, garnished shield (S.2685), very fine with a good portrait

Los 234

G - Victoria, proof five pounds, 1893, veiled bust l., rev. St. George and the dragon (S.3872), authenticated and graded by NGC as Proof 65* Ultra Cameo, an exceptional example of this largest coin issued in the proof sets of this year, featuring the mature portrait, here displayed dramatically in frosted contrast to the brilliant mirror-like quality of the surrounding field

Los 330

† - Scotland, Charles I, third coinage (1637-1642), Briot’s issue, mm. B by crown, twelve shillings, crowned bust l., rev. crowned shield of arms (S.5558), excellent portrait, nearly extremely fine

Los 498

† - Germany, Saxony, Johan Georg I, 5 ducats, 1630, struck to commemorate the centenary of the Lutheran Augsburg Confession, half-length portrait of Johann Georg r., rev. half-length portrait of Johann r. (KM.422; Fr.2698), virtually as struck, extremely rare so choice

Los 511

Greece, Republic, proof gold drachma, 2000, portrait of Lascarina Bouboulina l., rev. sailing ship, value and date below (KM.189), in fitted case of issue, with certificate, FDC. Mintage of 10,000

Los 535

G - India, Victoria, restrike proof mohur, 1870c authenticated and graded by NGC as Proof 66+ Ultra Cameo, (Calcutta mint), crowned bust l., in elaborate brocade dress with English title surrounding, rev. INDIA, date within beaded circle and broad border of elaborately floriated inverted Vs, edge grained (KM.481; Fr.1598; Prid.10), , a particularly beautiful and gleaming specimen having heavily frosted portrait and devices set against gleaming mirrored fields; a spectacular coin!. Only one other example of this coin has been graded PF66 Deep Cameo by PCGS. The golden mohur and other issues of British colonial origin, as original or contemporary proofs (or specimens), are extremely rare as a class. Their textures display matt-like qualities as well as fine wire edges. Early restrikes, when seen, tend to reveal heavy cleaning as well as very noticeable die-polishing, both of which make for disturbed surfaces. Later restrikes tend to be of finer quality. The practice of officially re-striking classic Indian coins came to a conclusion in 1970, giving some age even to the latest pieces. Research into the restrikes remains tenuous; this piece appears to fall into the category of issues made for collectors after 1955.

Los 549

† - Italy, Naples, Ferdinand I (1458-1494), ducat, crowned and quartered arms of Hungary, Jerusalem, Aragon and Naples, rev. crowned bust r. (Fr.819), choice example and very close to as struck, good extremely fine. A wonderful Renaissance portrait of Ferdinand I of Spain.

Los 584

G - Netherlands, Beatrix, prooflike 10 euros, undated (2003), Vincent van Gogh, portrait of Beatrix three-quarters l., rev. portrait of van Gogh three-quarters l. (KM.246), in fitted case of issue, with certificate, mint state

Los 656

Spain, Ferdinand & Isabella, excellente, undated (1479-1504), Seville, crowned busts facing each other, rev. crowned shield of arms, wt. 3.44gms. (Fr.136), sharp portrait, good very fine

Los 67

Henry VII, angel, type V, mm. pheon (1505-1509), St. Michael spearing dragon, rev. ship with cross as mast, h and rose by mast, arms in centre (S.2187; N.1698), very fine or better with a good portrait

Los 675

† - Transylvania, Gabriel Bethlen, 10 ducats, 1616, Klausenburg (Cluj), GAB BETLEN DG P TRAN PART REG HVN DO ET SI CO, bust of Bethlen l., wearing plumed cap, rev. DNS ILLUM MEA…, armoured arm appearing from cloud holds sword impaling a crown, legend on scroll reading CONSILIO FIRMATA DEI (Fr.345; Resch 12), almost certainly once mounted and a small striking split by G of REG, some light tooling in fields, very fine, typical grade for this rarity struck only in this year. Born in 1580, this prince of Transylvania found himself at the centre of a religious squabble which caused this Protestant to side with the Ottoman sultan Ahmed I, who boldly proclaimed Gabriel a prince and placed an army at his command. The sultan’s objective was to pit Christian against Christian, specifically the Catholic Holy Roman Emperor Ferdinand II against the Bohemian Calvinist Frederick V. Using this army, Gabriel drove his old protector, Prince Sigismund Báthory, from power and was duly officially made Prince of Transylvania in 1613. This coin’s portrait shows him in military garb as he was about to enter into further conflict during the Thirty Years’ War (beginning in 1618). He died of poor health while the wars raged on.

Los 71

† - Henry VIII, third coinage (1544-1547), groat, Tower mint, mm. lis, crowned bust three-quarters facing, rev. long cross fourchée over shield of arms, annulets in forks (S.2369; N.1844), very fine with a strong portrait

Los 72

† - Edward VI, third period, half sovereign, mm. tun (1551-1553), half-length, crowned portrait of king r., holding orb and shouldering sword, rev. crowned shield of arms, E-R at sides, wt. 5.56gms. (S.2451; N.1928), very fine/good very fine, scarce

Los 74

† - Edward VI, fine silver coinage, shilling, mm. tun (1551-1553), crowned bust facing between rose and mark of value, rev. long cross fourchée over shield of arms (S.2482; N.1937), toned, very fine with a good portrait

Los 77

Elizabeth I, sixth issue, ‘fine’ sovereign of 30 shillings, mm. A (1583-1584/5), crowned figure of queen enthroned facing, holding orb and sceptre, portcullis at feet, rev. shield of arms at centre of full-blown rose, wt. 15.00gms. (S.2529; N.2003; Schneider 778), the portrait somewhat double-struck but all other motifs and the legends sharp and clear, full rims on a broad flan, good very fine, rare. The largest and most intrinsically valuable gold coin of the many issues of this reign, this was the jewel of Renaissance coinage, minted from nearly pure gold (.995 fine) and typically found with bent or wavy flans, often cracked and dented, because of the purity of the metal. While a coin such as this was never or rarely seen by the queen’s subjects other than nobility, it was a staple at Court and viewed by those abroad as emblematic of Elizabeth’s reign, in sharp contrast to the questionable and much unwanted money of the kingdom as it remained at the end of her father’s rule. Almost from the very beginning, the queen sought to restore her money to renown, and as Challis notes (A New History of the Royal Mint, page 248), ‘Elizabeth’s ‘notable convercion of the base monyes to the prestinat state of sterlings’ has rightly been regarded from her own day to this as an important achievement, one which, as Camden put it, ‘turned to her greater, yea greatest, glory’.

Los 80

† - Elizabeth I, second issue, penny, mm. martlet (1560-1561), crowned bust l., rev. long cross fourchée over shield of arms (S.2558; N.1988), edge a little ragged, otherwise good very fine with a pleasing portrait

Los 82

† - Elizabeth I, third and fourth issues, threepence, mm. coronet, 1569, 9 over 7, crowned bust l., rose behind, rev. shield of arms, date above (S.2566; N.1998), good very fine with a strong portrait

Los 84

Elizabeth I, sixth issue, shilling, mm. woolpack (1594-1596), crowned bust l., rev. long cross fourchée over shield (S.2577; N.2014), peripheral water-wear, edge flaw at 3 o’clock, very fine with a good portrait

Los 87

James I, second coinage, unite, mm. cinquefoil (1613-1615), crowned fifth bust r., holding orb and shouldering sceptre, rev. crowned shield of arms, IR at sides, wt. 9.88gms. (S.2620; N.2085), about extremely fine, virtually as struck, with a good portrait

Los 88

James I, second coinage, double crown, mm. tun (1615-16), crowned fifth bust r., rev. crowned shield of arms, IR at sides, wt. 4.90gms. (S.2623; N.2088), weak on portrait, otherwise very fine

Los 91

James I, third coinage, laurel, mm. thistle (1621-3), third laur. bust l., rev. long cross fleury over crowned shield of arms (S.2638A; N.2113), a little weak on shoulder and corresponding place on reverse, extremely fine for issue, an excellent portrait

Los 92

James I, third coinage, laurel, mm. thistle (1621-3), third laur. bust l., rev. long cross fleury over crowned shield of arms, wt. 9.07gms. (S.2638A; N.2113), good very fine with a sharp portrait

Los 94

James I, third coinage (1619-1625), half laurel, mm. trefoil, fourth laur. bust l., mark of value behind, rev. long cross fleury over crowned shield of arms, wt. 4.51gms. (S.2641A; N.2117), good very fine, with a good portrait

Los 95

James I, third coinage, quarter laurel, mm. spur rowel (1619-1620), second laur. bust l., mark of value behind, rev. long cross fleury over crowned shield of arms (S.2642; N.2118), weak in parts, very fine with a good portrait

Los 96

James I, third coinage, quarter laurel, mm. lis (1623-1624), fourth laur. bust l., mark of value behind, rev. long cross fleury over crowned shield of arms, wt. 2.24gms. (S.2642A; N.2119), very fine, with a good portrait

Los 97

† - James I, first coinage, sixpence, 1603, mm. thistle, first bust r., value behind head, rev. shield of arms, date above (S.2647; N.2074), sharply struck with a good portrait and an even, light tone, good very fine, scarce. *ex Norweb (lot 399), R. Carlyon-Britton and Lawrence (lot 768) collections

Los 86

English School (19th century): A portrait of a lady in a landscape with a church beyond, oil on canvas, 60 x 47 cm

Los 88

Circle of Samuel Cooper (British, 1609-1672): Portrait miniature of a lady, H 4.5 cm

Los 100

Four portrait miniatures to inc 19th century examples

Los 103

French School (17th century): A portrait miniature of a gentleman, oil on copper, H 7.5 cm

Los 104

German School (17th/18th Century): Portrait of a gentleman in a red cape & gold embroidered jacket, oil on copper, H 72 x W 55 cm

Los 109

English School (19th century): Portrait of a lady in a landscape, oil on panel, unsigned

Los 131

Continental School: Portrait of a a maiden holding a rose in a landscape, oil on canvas, unsigned

Los 132

Continental School: Portrait of a lady in a turban, oil on canvas, unsigned

Los 137

A large portrait miniature depicting a woman in a blue hat

Los 106

Portrait of Napoleon Buonaparte, 19th Century French School, oil on panel, titled verso, 29 x 24 cm, in gilt gesso frame

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