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283284 Los(e)/Seite
Spelman (Sir John) THE LIFE OF AELFRED THE GREAT, engraved portrait frontispiece, title vignette, discrete shelf mark to foot of spine but with no other library marks, contemporary ownership signature on title and occasional underlining, later half morocco over patterned boards, spine blind- and gilt-stamped, [Wing S-4934], 8vo, Oxford, 1709.
Graff (Reinier De) OPERA OMNIA, second edition, engraved portrait frontispiece, engraved title with contemporary ink signature, 41 engraved plates, many folding, marginal worming to quires H and K, some very slight loss, light damp staining throughout, title defective at inner margin, contemporary sprinkled sheep, spine gilt, paper label on spine, joints repaired, worn, [Wellcome III p.142], Lyon, J. A. Huguetan & Cie, 1678.
Hoboken (Nicolaas) ANATOMIAE SECUNDINAE HUMANAE, FIRST EDITION, engraved portrait frontispiece cropped close, additional engraved title, torn and repaired, 15 plates on 9 folding sheets, one with tear, one with repair at gutter, occasional spotting, bookplates, including the Society of Apothecaries on front pastedown, contemporary calf, rebacked, worn, top board detached, 12mo, Uterecht, J. Ribb, 1669. ***One of the earliest treatises devoted solely to the human placenta and fetal membranes.
Liebault (Jean) TROIS LIVRES DES MALADIES ET INFIRMITEZ DES FEMMES, two woodcuts, closely cropped, Rouen, D. du Petit Val, 1651; Peu (Phillipe) LA PRATIQUE DES ACOUCHEMENS, FIRST EDITION, engraved portrait and 8 engraved plates, bookplate on front pastedown, [Wellcome IV p.350], Paris, J. Boudot, 1694, some damp stains, contemporary calf, spines gilt, joints cracked, rubbed, 8vo, (2).
Portal (Paul) LA PRATIQUE DES ACCOUCHEMENS SOUTENUE D'UN GRAND NOMBRE D'OBSERVATIONS, FIRST EDITION, engraved portrait frontispiece, 8 engraved plates, title frayed at outer margin, ink ownership inscriptions on verso of title and frontispiece showing through, some browning and spotting, mottled calf, spine gilt, rubbed, spine ends and corners worn, [Garrison & Morton 6148, Wellcome IV p.420], 8vo, Paris, G. Martin, 1685
Postcards - Approximately seventy-five First World War and other cards, including portrait and other real photographs, two woven silk regimentals (both A.S.C.), and seven artist-drawn female 'national' types after Arthur Butcher; together with four aerial reconnaissance photographs; and Christmas cards from the 16th (Irish) Division for 1916, 1917 and 1918.
Errol Flynn - A collection of books by and on Errol Flynn, including Beam Ends, reprint, Longmans, London 1937; and My Wicked, Wicked Ways, first British edition, Heinemann, London 1960; together with seventeen Warner Bros. videos; records; reproduction film still and portrait photographs (postcard size); and other items of related interest, (box).
A group of six late 19th/early 20th Century Doulton china Royal Commemorative Plates, featuring Edward VII & Princess Alexandra and George V & Queen Mary, all with coloured transferred portrait decoration, two further inscribed “Britons All" and with named countries of the Empire, green and brown printed marks, each approximately 9 1/2" diam (6)
OZIAS HUMPHRY. (1742-1810) a good collection of eleven letters to the artist by various patrons. Lady Harriet Grey very detailed ALS June 13, 1766 on how she would like her portrait painted; ALS Lord Buchan to picture dealer Cooper (3pp) in great detail about purchasing a picture by James Barry owned by Humphry 1808; 3 other ALS by same to Humphry on the subject. 1808; good 2 pp ALS by Buchan to Humphry ?April 1808 asking for examples of his work ALS June 1782 from Lady Templetown to apologize missing appointment; 4 other ALS to Humphrey mostly from Lady Dunstanville.
A Sevres turquoise ground coffee cup and saucer, 1755, the cup painted with the portrait of a lady and signed 'Binet', the saucer painted with four panels, comprising two horns, sheet music and a laurel wreath, a lyre, sheet music and a laurel wreath, an artist's palette, brushes and paper, the central panel with crown, crossed staffs a medal and a wreath, the cup and saucer with extensive gilt lattice and scrolling foliage decoration, underglaze blue mark, cup 7.5cm high, saucer 15cm diameter, (small area of restoration to rim of cup)
English School early-mid 19th century- View of Clifton, Bristol; pencil with black ink and wash with touches of watercolour, 14x22.5cm. bears label for Frank T Sabin, London, verso: Provenance: The estate of John Hayes 1929-2005. John Hayes was Director of the National Portrait Gallery from 1974 to 1994.In addition to organising an exhibition of Gainsborough's drawings for the Arts Council in 1960 he published a catalogue of Gainsborough's drawings in 1970 and a catalogue of Gainsborough's landscapes in 1982. He also published Gainsborough's prints in 1971 and an edition of the letters in 2000. Whilst at the National Portrait Gallery John Hayes established the National Portrait Award. John Hayes was made a CBE in 1996 and was a Fellow of the Society of Arts.
Follower of Thomas Gainsborough RA 1727-1788- Portrait of a young girl, standing half-length turned to the right in a pink dress and bonnet; oil on canvas, oval, bears fragment of 18th century label attached on the stretcher 'Round Court ** Carries all sorts of Oval, Square and Octagon Frames', 29.2x23.5cm
Bryan Organ b.1935- Portrait of HRH the Duke of Edinburgh; pencil, signed, inscribed and dated April 1983, 40x35cm: together with a drawing in pencil with touches of watercolour of two palm trees, signed, titled, dated September 1988 and dedicated Jan 1989 in pencil, 26.5x28.5cm., (2) Provenance: The estate of John Hayes 1929-2005. see lot 995 for biography. (may be subject to Droit de Suite)
Phil May NEA RI RP 1864-1903- Portrait of John Morley standing full-length; pen and black ink and watercolour, signed and dated 1902, bears inscription, 20x9cm. Note: John Morley, 1st Viscount Morley, 1838-1923, journalist, biographer and statesman. Provenance: The estate of John Hayes 1929-2005. see lot 995 for biography.
George Frederick Watts OM RA RBA RP HROI 1817-1904- Portrait of Charles Couzens; oil on panel, bears inscription on the reverse, in a Watt's frame, 55x36cm: together with three other works in oils on canvas and board by the same hand, one a study of an orator standing full-length, a group figure study within a feigned oval and a battle scene, 29x25cm., 25.4x30.3cm and 11x14cm., respectively, (4)
Lowes Dalbiac Luard RBA 1872-1944- Portrait of a Pierrot; black chalk with touches of watercolour, 24.5x17cm: together with five other drawings by the same hand in pen and ink, watercolour and/or black chalk, to include the following: 'Dog Tired', pen and ink and wash, signed, 20.5x29cm: "Hauling", conte crayon, 17.7x35cm; 'A Resting Cat', watercolour and pencil, signed, 15.2x21cm; 'Butchers', watercolour, signed and titled, 9x10.5cm; 'Sleeping Cat', pencil and white chalk on green/grey paper, 7.5x1cm: together with three etchings by the same hand, all signed in pencil. Provenance: with Michael Parkin Fine Art Ltd., London, according to labels on the reverse of the frames of six of the above. (9)
Glyn Warren Philpot RA ROI RP NPS 1884-1937- Portrait of Dr W Foxley Norris, the Archbishop of Westminster, Knight of the Most Honorable Order of the Bath, standing full-length in ceremonial robes; oil on canvas, 195x132cm., (unframed). Provenance: with Hyperion Fine Art, Canterbury, Kent according to label attached to the stretcher
English School 19th century, a portrait miniature of a young man, traditionally held to be Charles Dickens, standing quarter-length in a black coat by a window, rococo oval brass pendant frame, 8.2x6cm: British School 19th century, a portrait miniature of a gentleman, quarter-length turned to the left, oval gilt metal pendant frame, 7x6cm., (2)
Henry Wren exh 1923- Horses grazing in a wood; oil on canvas laid down on board, signed and dated 46, 46.2x60cm: Jean B Radford mid 20th century- Portrait of a young man head and shoulders; oil on canvas, signed and dated 1940, 45.5x35.5cm., (2), (part unframed) (may be subject to Droit de Suite)

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283284 Los(e)/Seite