283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Verfeinern Sie Ihre Suche

Jahr

Sortieren nach Preisklasse
  • Liste
  • Galerie
  • 283284 Los(e)
    /Seite

Los 4701

Peter Robert Keil, Portrait mit Punktfarbintensive pastose Malerei, Öl auf Karton, links unten signiert, Randblessuren, ungerahmt, Falzmaße 66 x 55 cm. Künstlerinfo: eigentlich Peter Robert Keil, dt. Maler und Plastiker (geboren 1942 in Züllichau/Pommern), Kindheit in Berlin-Wedding, ab 1954 Schüler von Otto Nagel, zunächst ab 1954 Lehre als Kunstschlosser, 1959-61 Studium an der Hochschule der Bildenden Künste Berlin-Charlottenburg, anschließend Aufenthalte bei Joan Miró auf Mallorca, Vertreter der "Jungen Wilden" und der "Hippie-Bewegung" der 1960er und 1970er Jahre, Mitglied im Bund Bildender Künstler Berlins, tätig in Zimmerau, Berlin, London, Paris und Los Angeles (Hollywood), Quelle: Wikipedia und Internethomepage des Künstlers.

Los 4741

Monogrammist A.L., Expressives StilllebenKomposition aus Flasche und Glas mit Zitrone, Pfeife und Gitarre, lasierende, pastose Ölmalerei auf Malplatte, geritztes Monogramm A.L., rückseitig Portrait einer Braut im Schleier, gerahmt, Farbfehlstellen, Falzmaße 29 x 46 cm.

Los 743

Nachlass 1. und 2. WeltkriegOrdensspange mit Eisernem Kreuz 2. Klasse 1914 und Frontkämpferehrenkreuz, drei Feldspangen, Tüte für Eisernes Kreuz 2. Klasse 1939 (Wiedemann Frankfurt), Obergefreitenwinkel, Verleihungsurkunden für Medaille Winterschlacht im Osten und Verwundetenabzeichen in Schwarz der Schnellen Abteilung 188, Leistungsbuch für das Deutsche Sportabzeichen, DLRG Mitgliedsausweis, ca. 30 Fotos, vorwiegend Portrait- und Gruppenaufnahmen, zwei Liederbücher, Führerschein, vier Notizbücher, Paar Winterstiefel Wehrmacht sowie eine Zeltbahn 1. Weltkrieg, Maße 150 x 166 cm, in zwei Teilen, altersgemäßer Zustand.

Los 747

Nachlass Obergefreiter KunzemannWehrpass mit vielen Gefechtseintragungen von 1941-1944, Soldbuch sowie vier Fotos bei der Ausbildung, Marsch, Grabstätte und ein Portrait, guter altersgemäßer Zustand.

Los 864

Fotonachlass 2. Weltkriegca. 350 Fotos, darunter Ausbildung, Polizei, Feuerwehr, Parade, Portrait- und Gruppenfotos etc., auch einige Privatfotos dabei, in einem Album der Zeit sowie in zwei modernen Alben, guter Zustand.

Los 166

Pablo Picasso (1881-1973)"Portrait de Famille I (Homme aux Bras croisés)", 1962Lithograph on Arches paper With the artist's stamped signatureMarked "épreuve d'essai" (one of a few proofs for the artist and printer, aside from the numbered edition of 50)Printed by Mourlot, ParisWith the Marina Picasso inkstamp on the reverse52,5x66,6 cm (mancha/image)56,5x76,5 cm (folha/sheet)

Los 13

Outstanding acrylic and ink painting on board by Neo-Pop artist Romero Britto. This large portrait is a homage to Mexican Surrealist painter Frida Kahlo who is depicted in Britto's style of using vivid colors and geometric patterns delineated by precise black borders. Britto used vibrant primary colors that highlight Kahlo's face, neck and flowers that contrast with her brown braids and bead necklace. Britto plays with visual illusion with diagonal and vertical lines that interplay with the shapes and colors he painted Kahlo. Britto completed this brilliant portrait with silver ink graffiti doodles applied on bright flat yellow color. Signature in silver ink on lower right: Romero Britto. Housed in a black frame with a dark brown linen mat. Artwork dimensions: 31"W x 39"H. Frame size: 46.25"W x 54.25"H x 1.25"D. Artist: Romero Britto (Brazilian/American b.1963)Issued: c. 2000Country of Origin: Brazil/United StatesCondition: Age related wear.

Los 30

New York: The Museum of Modern Art, 1980. Large paperback book featuring a self-portrait of Picasso. 463-pages of various notable and obscure works by the fame Spanish artist. ISBN: 870705199 Artist: William RubinIssued: 1980Dimensions: 9.25"W x 11"H x 1.25"DManufacturer: The Museum of Modern ArtCountry of Origin: United StatesCondition: Good.

Los 54

Black & white Abstract Expressionist portrait made with wide brushstrokes on a paper base that includes drips and washes of baby green and powder yellow. Signature in black paint on lower right: P. Kiel. Housed in a silver frame and a washed yellow mat. Sight size: 21.25"L x 27.20"H. Frame size: 22"L x 28"H x 0.80"W. Artist: Peter Keil (German, b.1942)Issued: c. 1990Country of Origin: GermanyCondition: Age related wear.

Los 11

Outstanding ink and crayon drawing on ecru paper made with bold color markers and bright crayons attributed to Pop Expressionist artist Jean-Michel Basquiat. This artwork depicts Basquiat's self-portrait with black, red, and brown erect hair, pupil-less eyes that are crossed out, a brown triangular nose, an extended ear, and a red and cream wide open mouth with uneven white teeth. Below the blue crown, Basquiat included the words: Temple, Spine, Anus, Duct. A blue dressed character adorned with a black clown nose and clenched teeth faces Basquiat's iconic graffiti tag SAMO written in black marker and partially covered by a red line. Signed on the lower center in green: Jean Michel Basquiat. Stamped on verso: This will certify that it is the oblation of the Authentication Committee of the Estate of Jean-Michel Basquiat it is a genuine work by JEAN-MICHEL BASQUIAT. Signed in black marker: SAMO in between Basquiat's crown design, a skull and four dollar signs. Housed in a black frame with a caramel brown mat. Frame size: 15.80"L x 19.75"H x 0.75"W. Artwork dimensions: 8.75"L x 13.50"H. Artist: Jean-Michel Basquiat (American, 1960-1988)Issued: c. 1980Country of Origin: United StatesCondition: Age related wear.

Los 5

Hand signed single leaf book plate of actress and inventor Hedy Lamarr from the original 1950s' artwork by Pop artist Andy Warhol. Below Lamarr's portrait, To Maybelline - The eye make-up I find so truly flattering - Always, Hedy Lamarr. On recto, the drawing of a sport's car. Signature on lower right in pink crayon: Andy Warhol. Certificate of Authenticity included. Artist: Andy Warhol (American 1928-1987)Issued: 1982Dimensions: 9.50"L x 11"HCountry of Origin: United StatesCondition: Age related wear.

Los 53

Abstract Expressionist artist Peter Keil painted this portrait with continuous black lines that are set on bold colors of deep red, warm yellow and orange, pink and blue with a green arabesque. Signature on lower right: P. Keil. Housed in a marbleized brush silver tone frame with a off-white linen mat. Frame size: 25.40"L x 31.50"H x 1.30"W. Sight size: 17.50"W x 23.50"H. Artist: Peter Keil (German, b.1942)Issued: c. 1990Country of Origin: GermanyCondition: Age related wear.

Los 8

Hand signed single leaf book plate of an unidentified male with decorative stamps on his face from the original 1950s' artwork by Pop artist Andy Warhol. On recto, a profile portrait. Signature on lower right in pink crayon: Andy Warhol. Certificate of Authenticity included. Artist: Andy Warhol (American 1928-1987)Issued: 1982Dimensions: 9.50"L x 11"HCountry of Origin: United StatesCondition: Age related wear.

Los 90

WW2 BOB fighter pilot Maurice Goodman 604 sqn signed 6 x 4 b/w portrait photo, low quality with biography details fixed to A4 page. Single vendor Battle of Britain RAF Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 280

WW2 BOB fighter pilot Witold Urbanowicz 145 sqn signed portrait photo cut out irregular shape. Single vendor Battle of Britain RAF Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 59

WW2 BOB fighter pilot Ronald Dalton 604 sqn signed portrait print with biography details fixed to A4 page. Single vendor Battle of Britain RAF Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 198

WW2 BOB fighter pilot Denis Robinson 152 sqn signed 7 x 5 inch b/w portrait photo in uniform with biography details fixed to A4 page. Single vendor Battle of Britain RAF Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 210

WW2 BOB fighter pilot Peter Rich 25 sqn signed 7 x 5 inch b/w portrait photo in uniform with biography details fixed to A4 page. Single vendor Battle of Britain RAF Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 88

WW2 BOB fighter pilot John Villa 72 sqn signd 6 x 4 portrait print, copy of Orde picture not great quality and 2 other pictures fixed to A4 page. Single vendor Battle of Britain RAF Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 50

WW2 BOB fighter pilot Derek Smythe 264 sqn signed b/w portrait print with biography details fixed to A4 page. Single vendor Battle of Britain RAF Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 27

WW2 BOB fighter pilot Norman Norfolk 74 sqn signed 7 x 5 b/w portrait photo with biography details fixed to A4 page. Single vendor Battle of Britain RAF Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 401

Large group of tintype portrait photography.Size ranges from; height: 6 3/4 x width: 5 in to height: 2 in x width: 1 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 694

Oil on copper portrait painting depicting a woman writing in a book looking out towards the viewer. In the style of Italian Renaissance masters such as Leonardo da Vinci.Sight; height: 18 1/4 in x width: 14 1/2 in. Framed; height: 21 3/4 in x width: 18 in. />Condition: The colors are bold and deep. There is craquelure throughout. Along the extreme edges there losses and areas where the work has rubbed against the frame; not visible when framed. Possible areas in inpainting along the hands; due to a thick varnish it is difficult to discern absolutely. The varnish has yellowed somewhat. Light wear to the frame.

Los 587

Jacques Villon (French, 1875-1963). Etching depicting a self-portrait (or autoportrait) head in loose lines, 1955. Pencil signed along the lower right; numbered 26/30 along the lower left. Jacques Villon was Marcel Duchamp's brother.Sight; height: 9 3/4 in x width: 8 3/4 in. Framed; height: 16 1/2 in x width: 14 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 700

Barton S. Hays (American, 1826-1914). Group of three oil on canvas portrait painting including: one depicting a youth in a light blue dress with a white collar, one depicting a feminine figure in a black dress against brown background, and one profile portrait depicting a feminine figure in dark colored dress. The young boy is B.S. Hays' grandson, Barton D. Hinshaw. The other two paintings depict B.S. Hays' second wife, Amy.Provenance: From the private collection of B.S. Hays, passed down through his family.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Height ranges from 9 3/4 in to 18 in; width ranges from 7 3/4 in to 14 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 698

Barton S. Hays (American, 1826-1914). Group of two oil on canvas paintings of children. One oval portrait and one square. Both portray B.S. Hays' granddaughter, Alice Hinshaw; one on the day of her baptism.Provenance: From the private collection of B.S. Hays, passed down through his family.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Oval painting; height: 17 in x width: 14 in. Square painting; height: 15 in x width: 13 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 692

Xavier Gonzalez (American, 1898-1993). Gouache on paper board titled "Sibyl Cumaean" depicting a self-portrait of the artist with a portrait painting of the Cumaean Sibyl in the background and a wilting rose on a table in the foreground, 1973. Initialed and dated along the lower right. Titled along the verso.Provenance: Estate of the artist; Private Minnesota Collection.Unframed; height: 32 in x width: 24 in. Framed; height: 35 1/4 in x width: 27 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 604

Group of five Old Master etchings including:Johann Christoph Storer (German, d. 1671). Etching on laid paper depicting a scene from ancient Rome, ca.1651. Literature: Nagler 5.After Antonio Busca (Italian, 1625-1686). Etching on laid paper depicting a seated figure surrounded by attendants. Signed in the plate lower right "Antonius Busca Pinxit" and with a monogram along the lower left. Busca worked with Storer in the church of San Marco, Milan. Rare etching with only one example in the Rijksmuseum, AmsterdamAnthony van Dyck (Flemish, 1599-1641). Etching on paper titled "Adam van Noort" depicting a portrait, from "The Iconography," 17th century.Pierre-Alexandre Wille (French, 1748-1837) Engraving on laid paper titled "Portrait of an Elderly Woman." Inscribed verso: Geblaue; 2nd state; very rare proof, with collector's stamp. Literature: Lugt 1145.Jan De Visscher (Dutch, 1636-1692) after Nicolaes Berchem (Dutch, 1620-1683). Etching on laid paper titled "Shepherdess at Rest" depicting a sleeping woman surrounded by farm animals. With a 17th century foolscap watermark, signed in the plate.(Sheet) height ranges from 8 in to 12 in; width ranges from 7 in to 12 1/2 in. (Mat) height ranges from 10 in to 14 in; width ranges from 11 in to 16 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 617

James McNeill Whistler (American, 1834-1903). Transfer lithograph titled "Stephane Mallarme" depicting the portrait of a well-dressed gentleman, 1892. From "Vers et Prose." Signed in plate along the lower right.Sight; height: 4 1/4 in x width: 2 3/4 in. Framed; height: 9 1/4 in x width: 6 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 730

Louis Francois Prosper Roux (French, 1817-1903). Pencil drawing on wove paper depicting a portrait of a seated lady. Inscribed "Mam Marjotin, Louis Roux, 29 July 1865" along the lower right.Sheet; height: 10 1/2 in x width: 9 in. Matted; height: 16 in x width: 12 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 699

Barton S. Hays (American, 1826-1914). Group of two oil on canvas portrait paintings. One depicts a youth wearing a red scarf with a white top. This is Ida Mae, B.S. Hays' granddaughter, who died at age 11. The other depicts a figure wearing a black dress decorated with white lace. This is B.S. Hays' second wife, Amy Woodmansee Elliot.Provenance: From the private collection of B.S. Hays, passed down through his family.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Youth; height: 22 in x width: 18 in. Woman; sight; height: 19 in x width: 15 in. Framed; height: 23 in x width: 19 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Los 88

Seif Wanly (Egypt, 1906-1979)Self-Portrait oil on cardboard, framedsigned 'Seif Wanly' and dated '66' in Arabic (upper right), executed in 196643 x 30cm (16 15/16 x 11 13/16in).Footnotes:Provenance:Property from a distinguished private collection, GizaThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 6

Seif Wanly (Egypt, 1906-1979)Self-Portrait in Anthrax oil on cardboard, framedsigned 'SEIF' and dated '1951' (lower right) and inscribed 'ANTHRAX' (lower left), executed in 195147.5 x 40.5 cm (18 11/16 x 15 15/16in).Footnotes:Provenance:Property from the private collection of Dr Mohammad Said FarsiThence by descent to the present ownerLiterature:Dr Sobhy Al Sharouny, The Collection of Dr. Mohamed Saiid Farsy 'The Egyptian Works', A Museum in a Book, 1998illustrated on page 156 and 183This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 51

The Beggars Bennison: a very rare enamelled opaque twist wine glass of Scottish interest, circa 1770Perhaps by Anthony Taylor, the ogee bowl painted in polychrome with a phallus hung with a pouch in white, red, green and black enamels, with the emblems of an anchor above and a castle below, inscribed 'The Beggars Bennison [sic]' below the rim to the reverse, set on a double-series stem with two pair of opaque white threads encircling a central gauze column, over a conical foot, 13.3cm highFootnotes:ProvenanceWith Asprey, 1986Durrington CollectionLiteratureSimon Cottle, 'The Other Beilbys', Apollo (October 1986), pp.319-20, col. pl.V and fig.9Peter Dodsworth, The Durrington Collection (2006), no.36ExhibitedBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.42Officially founded in 1739, the 'Beggar's Benison' has been described as 'a Scottish society of an erotic and convivial nature, composed of the nobility and gentry of Anstruther and adjacent districts in the Kingdom of Fife and Caledonia', see the footnote to Lot 50 in this sale. It is generally accepted that castle and anchor on these Beggars Benison glasses are emblematic of the City of Edinburgh, but it has also been suggested that they instead allude to the town of Anstruther, see David Stevenson, The Beggar's Benison: Sex clubs of the Scottish Enlightenment and their rituals (2001), pp.249-50. F Peter Lole has suggested that the castle motif could also be interpreted as a reference to the Castle of Dreel in Anstruther, where the society held its earliest meetings, see Dodsworth (2006), p.61. Lole suggests that this would explain why the castle emblem continued in use in Beggars Benison memorabilia long after the Edinburgh chapter had become defunct.Two further glasses from this remarkable set are recorded, including one formerly in the John de Tscharner Vischer Collection which was most recently sold by Bonhams on 19 May 2010, lot 67 and another in the collection of the University of St Andrews (inv. no.HC1064). Similarly limited colour palettes are also employed on a set of Jacobite glasses painted with a portrait bust of Prince Charles Edward Stuart in red, white and blue, a set of cordial glasses bearing the crest of Wilson of Fraserburgh in red and white, together with several Masonic firing glasses also enamelled in red and white. All are considered to be of Scottish origin and perhaps the work of Anthony Taylor, see Simon Cottle (1986), pp.315-27.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 26

A rare engraved Jacobite portrait airtwist wine glass, circa 1750The round funnel bowl with a portrait bust of Prince Charles Edward Stuart clad in tartan, framed within a laurel wreath, flanked by tied sprays of a thistle and a six-petalled rose on a thorny stem with a single closed bud, on a multi-spiral stem with shoulder and central knops, over a conical foot, 16.7cm highFootnotes:ProvenanceKenneth Alexander CollectionWith Asprey, 1985Durrington CollectionLiteraturePeter Dodsworth, The Durrington Collection (2006), no.18ExhibitedAsprey, '100 British Glasses', 1985, catalogue pp.48-9, no.78Broadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.6According to Geoffrey B Seddon, The Jacobites and their Drinking Glasses (1995), the engraving can be attributed to Engraver D in the author's nomenclature. Two portraits engraved in a very similar style, also flanked by a rose and thistle and wearing the star and riband of the Garter over the wrong breast, are illustrated by Seddon (1995) on p.130, pl.96, Seddon suggests that these reversed portraits were intended to be viewed from the opposite side of the bowl.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 39

The Duke of Cornwall: an important engraved Privateer wine glass, circa 1760The round funnel bowl engraved with the three-masted ship in full sail, inscribed around the rim 'Success to the DUKE of CORNWALL Privateer,' above 'DAVID JENKINS COMMANDER,', on a single-series opaque twist stem containing a multi-ply corkscrew, over a conical foot, 15.4cm highFootnotes:ProvenanceCaptain David JenkinsThence by family descent to his great-great-great grandsonChristie's, 23 May 1989, lot 166With Asprey, 1989Durrington CollectionLiteraturePeter Dodsworth, The Durrington Collection (2006), no.56ExhibitedBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.45This glass belongs to a group of wine glasses presumed to have been made for Bristol Privateers, which were in effect officially sanctioned pirate ships. The Duke of Cornwall was an active Bristol-based ship of 350 tons with 30 guns, 12 swivels and a crew of 220 men, owned by John Noble and Joseph Love. She was declared on 21 March 1757 and commanded by Captain David Jenkins until 1760, see J W Damer Powell, Bristol Privateers and Ships of War (1930), pp.201-2. In May 1757 the Duke of Cornwall took a French Privateer of 10 guns with a collier that the latter had taken as a prize, sending them both to Mounts Bay. In July she took the Duc d'Aquitaine from St. Domingo, with a cargo worth a staggering £17,000, and brought her into Kingroad. In 1758, together with the St. Andrew, she took a vessel laden with wine and brandy and recaptured the George galley from Poole for Newfoundland. They also retook the Duke of Marlborough from Virginia for London, and in May sent two large Dutch ships with 900 hogsheads of sugar into Falmouth, two French prizes into St. Johns, Newfoundland, and a Spanish vessel into Kingroad. Two previously unrecorded Privateer wine glasses for the St. Andrew were sold by Bonhams on 18 May 2016, lot 110 and 3 November 2016, lot 113, both with unusual mixed twist stems.Felix Farley's Bristol Journal of 4 November 1758 reports that...'The Duke of Cornwall, Privateer, Jenkins, has taken and sent into Kingroad a ship from Canada; and has retaken the Winchelsea, Man of War of 24 guns, which was taken by a French Man of War of 74 guns; Captain Jenkins left his prize with Admiral Saunders in the Bay.'This was the second instance of a Bristol privateer retaking a King's ship. Other prizes of the Duke of Cornwall were the Lyme brig, the Esperance sloop, the Goodman brig, the Mediterranean snow, the Planter and, in 1759, the French snow St. Thomas. David Jenkins was subsequently captain of the Boscawen of Dartmouth, notably defeating three French frigates on 22 November 1761. He was appointed mayor of Truro in 1776, a position later held by his son Sylvanus. A portrait of Jenkins was sold by Bonhams on 21 April 2010, lot 117.This remarkable glass is one of an original set, of which at least five are recorded including the present lot. They are unusual in that they have round funnel bowls, when glasses of this type typically have bucket bowls. An example from the Dr W J Stephens Collection was sold by Sotheby's on 9 December 1947, lot 121 and again as part of the Sir Hugh Dawson Collection on 21 October 1960, lot 39. Another was first sold by Sotheby's on 23 November 1970, again as part of the Anthony Waugh Collection on 28 April 1980, lot 119 and a third time on 15 September 1992, lot 62; this is illustrated by L M Bickerton, Eighteenth Century English Drinking Glasses (1986), p.295, no.945 and had originally belonged to Miss Lettice Jenkins, the great-great granddaughter of Captain David Jenkins (1717-1802). A third example, with a replacement foot, is in the Royal Cornwall Museum in Truro and was exhibited at the Association Internationale pour l'Histoire du Verre exhibition at the Ashmolean Museum, see the catalogue (1979), p.18, no.34. A fourth is in the National Maritime Museum, Greenwich (inv. no.GGG0185).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 12

Albert Ludovici, Jnr., RBA (British, 1852-1932)Portrait of a gentleman signed and dated 'A Ludovici/ 1888' (lower left)oil on canvas 76.5 x 51.5cm (30 1/8 x 20 1/4in).Footnotes:The influence of Whistler's use of tone and colour can be seen in this portrait. The two became friends when Whistler was elected President of the Society of British Artists in 1886 and Ludovici was serving on the committee, Whistler referring to him as his 'trusty Aide de Camp!' (Whistler to Ludovici letter, 24 March 1886).For further information on this lot please visit Bonhams.com

Los 14

Charles Spencelayh, RMS, HRBSA (British, 1865-1958)Self-portrait signed and dated 'CHARLES SPENCELAYH/1897' (lower right) oil on canvas laid to board 36 x 26.4cm (14 3/16 x 10 3/8in).Footnotes: Provenance Anon. sale, Christie's, London, 3 June 1994, lot 255.Saleroom notices:Please note this lot is subject to Artists Resale RightThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 163

William Philip James Lodder (British, active 1783-1805)Portrait of Sir Walter Stirling Bart, full length wearing officer's uniform of the Somerset Place Volunteers, before a landscapesigned and dated 'W P J Lodder 1800', bears inscription 'Sir Walter/Stirling, Bart 1800.' (upper right) oil on canvas 53 x 44cm (20 7/8 x 17 5/16in).Footnotes:Major Commandant Sir Walter Stirling, Bart (1784-?) in the uniform of the Somerset Place Volunteers, 1800. The unit was part of the numerous London Volunteer regiments and companies raised during the French Revolutionary War. It was disbanded in 1801.Somerset Place, no longer in existence, was previously a row of 23 houses on the north side of the present Euston Road situated between the British Library and Euston Station.With thanks to Dr Andrew Cormack, Hon. Editor of the Journal of the Society for Army Historical Research.For further information on this lot please visit Bonhams.com

Los 176

Robert Rafailovich Falk (Russian, 1886-1958)Bouquet with mimosa, 1930s signed in Latin and inscribed 'Paris' (lower left)oil on canvas 50 x 61cm (19 11/16 x 24in).Footnotes:ProvenanceCollection of V.B. Shklovsky, acquired directly from the artistThence by descentLiteratureRobert Falk/ Paintings/ Addendum to the Catalogue Raisonné, Y.V. Didenko, Three Squares, Moscow, 2018, no. 27 (1235), p. 42 illustratedBoth Hawthorn branch and Bouquet with mimosa were acquired by the renowned Russian writer Viktor Shklovsky directly from Robert Falk. Viktor Borisovich Shklovsky (1893-1984) was a writer, literary critic, screenwriter and film critic who first encountered Falk (as recounted by Shchekin-Krotova) with the artist Elena M. Fradkina (1901-1981). Falk was very taken with Shklovsky's sharp repartee and - interestingly - with the shape of his bald skull, the latter being a preoccupation of the artist. Falk had, apparently, been musing on the subject of bald skulls for a long time and had written to Raisa Idelson from Paris in the 1930s of his desire to paint a portrait of three bald old men.Eventually, Falk persuaded Shklovsky to sit for him, beginning with a series of sketches and resulting in the painting Portrait of V.B. Shklovsky, presently in the collection of the Vladimir Dahl Russian State Literary Museum in Moscow. In the entry for the offered lot in Robert Falk/ Paintings/ Addendum to the Catalogue Raisonne, Yulia Didenko notes that it is possible that the painting was acquired by Victor Shklovsky in the year it was painted, 1948, because it was that year that Shklovsky sat for his portrait in Falk's studio.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 177

Robert Rafailovich Falk (Russian, 1886-1958)Hawthorn branch, 1948 signed in Cyrillic and dated '48' (lower left)oil on canvas 65 x 81cm (25 9/16 x 31 7/8in).Footnotes:ProvenanceCollection of V. Shklovsky, acquired directly from the artistThence by descentLiteratureRobert Falk/ Paintings/ Addendum to the Catalogue Raisonné, Y.V. Didenko, Three Squares, Moscow, 2018, no. 36 (1244), p. 51 illustratedHawthorn branch, 1948, is a remarkable painting shot through with the vibrant colour of the hawthorn berries. Typical of Falk's later still-lifes, the colour combination of the branch's reds and greens would have been well considered by the artist who was, as noted by his widow Angelina Shchekin-Krotova, 'meticulous when it came to composition'. As with the majority of Falk's still-lifes from the period, the branch of berries is set against a darker background of brown and silvered wood, such that the different hues of green and red stand out, lit by a shaft of gentle light. A comparable still-life from 1947, Рябина осенью [Autumnal rowan] (Abramtsevo Museum-Reserve) is similarly composed around the contrasting colours of the leaves and berries of the rowan. Yulia Didenko elaborates on Falk's artistic methods, noting 'He grouped his objects according to the charge of energy in their colours; he created a 'plastic event''. [Didenko (ed.) The Late Still-Lifes of Robert Falk, Angelina Shchekin-Krotova, 'Tretyakov Gallery Magazine', no. 4 2020 (69)].Both Hawthorn branch and Bouquet with mimosa were acquired by the renowned Russian writer Viktor Shklovsky directly from Robert Falk. Viktor Borisovich Shklovsky (1893-1984) was a writer, literary critic, screenwriter and film critic who first encountered Falk (as recounted by Shchekin-Krotova) with the artist Elena M. Fradkina (1901-1981). Falk was very taken with Shklovsky's sharp repartee and - interestingly- with the shape of his bald skull, the latter being a preoccupation of the artist. Falk had, apparently, been musing on the subject of bald skulls for a long time and had written to Raisa Idelson from Paris in the 1930s of his desire to paint a portrait of three bald old men.Eventually, Falk persuaded Shklovsky to sit for him, beginning with a series of sketches and resulting in the painting Portrait of V.B. Shklovsky, presently in the collection of the Vladimir Dahl Russian State Literary Museum in Moscow. In the entry for the offered lot in Robert Falk/ Paintings/ Addendum to the Catalogue Raisonné, Yulia Didenko notes that it is possible that the painting was acquired by Victor Shklovsky in the year it was painted, 1948, because it was that year that Shklovsky sat for his portrait in Falk's studio.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 65

John Ferneley Junior (British, 1815-1862)Portrait of a bay horse signed, inscribed and dated 'John Ferneley Jnr./Melton Mowbray & York/1861.' (lower left)oil on canvas63.5 x 77.2cm (25 x 30 3/8in).Footnotes:It has been suggested that Ferneley started this painting when in Melton to attend his father's funeral and completed in York the following year.For further information on this lot please visit Bonhams.com

Los 7

Charles Spencelayh, RMS, HRBSA (British, 1865-1958)Portrait of a girl signed and dated 'CSpencelayh/1889' (lower left)oil on canvas 48 x 38cm (18 7/8 x 14 15/16in).Saleroom notices:Please note this lot is subject to Artists Resale RightThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 70

John Ferneley Senior (British, 1782-1860)'A Favorite Hunter of H.DeBurgh Esqre of Drayton Hall near Uxbridge' signed, dated and inscribed 'John Ferneley/Melton Mowbray/ 1823' (lower right)oil on canvas 88 x 108cm (34 5/8 x 42 1/2in).Footnotes:ProvenancePainted for H de Burgh: vide Ferneley's account books no.149, H. de Burgh Esq, Drayton, June 1823, Portrait of a Horse and Groom, £12.12.0.Probably Sir Walter Gilbey, Elsenham Hall, Essex.A.F. Reynard of Sunderlandwick and Kenya by 1945.ExhibitedFerens Art Gallery, Kingston Upon Hull, June 1949,'Sporting Pictures', catalogue no. 64.Pretoria Art Museum, August 1966, 'The Sunderlandwick Collection', catalogue no.5.Johannesburg Art Gallery, 1 April - 16 May 1982, 'Equus, the image of the horse' catalogue no. 12.LiteratureGuy Paget 'The Melton Mowbray of John Ferneley', Leicester 1931, pages 115-116.In a letter to his wife dated Sewardstone, Essex Monday eving (sic) July 20 1823 Ferneley writes 'Mr D Burgh paid me for his horse, am going to paint Him as soon as I return to Town, upon the horse he mention when he was at Melton'.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 141

Tabatière à décor émaillé, monture en métal doré, probablement France ou Italie du milieu du XVIIIe siècleA European enamel gilt metal-mounted snuff box, mid 18th centuryProbably French or Italian, decorated with scattered polychrome flowers, the inside of the cover with a portrait of a lady with parasol 7cm (some restoration)Footnotes:Provenance: With Lukacs & Donath, Rome (paper label to the inside)For further information on this lot please visit Bonhams.com

Los 144

Birgmingham, boîte rectangulaire à décor émaillé d'un portrait de l'Impératrice Elizabeth Petrovna de Russie, 1760-75A Birmingham enamel box with a portrait of Empress Elizabeth Petrovna of Russia, 1760-75Of rectangular shape, the lid painted with a scene of the Battle of Kunersdorf, the Russian cavalry chasing the retreating Prussians in clouds of smoke, a ribbon above inscribed in cyrillic 'Kunersdorf Saltykov Victory', the interior painted with an oval portrait medallion of the Empress Elizabeth Petrovna framed by trophies and war and a ribbon inscribed in cyrillic 'God save Elizaveta I the Empress of all Russia', the sides of the box painted with military trophies, mounted with a gilt metal hinged mount, 8.2cm wide Footnotes:Provenance: With Winifred Williams, London (paper label to the interior)The box commemorates the Battle of Kunersdorf which took place three years into the Seven Years War on 12 August 1759. The Russian and Austrian allied force led by Count Pyotr Saltykov gained a triumphant victory over the Prussian army under the command of Friedrich Wilhelm von Seydlitz. The Prussians suffered over 25,000 casualties and Frederick the Great himself barely escaped capture, and was wounded by gunfire. A similar English enamel box was sold at Sotheby's on 27th May 2004, lot 39. Another was in the Rous Lench Collection, 7 July 1986, lot 848. An example is illustrated (as Russian) by Anne Odom, Russian Enamels- Kievan Rus to Faberge (1996), p. 90. The portrait of the Empress Elizabeth is based on a print by Georg Friedrich Schmidt after Louis TocquéFor further information on this lot please visit Bonhams.com

Los 174

Paris, Dihl et Guerhard, vase à décor de portrait, circa 1800-1810A Paris, Dihl et Guerhard signed portrait vase, circa 1800-1810Superbly decorated with an oval portrait medallion of a young man wearing the order of the Légion d'honneur, pinned to the left lapel of his military jacket, wearing gold thread epaulettes, the reverse with the initials AI in gilt letters against a pale blue ground, the vase itself decorated with a high-finished gilding with tooled cartouches around the medallions flanked by two stylised architectural elements, the foot and neck with similar highly worked and tooled gilding, 24.3cm high, 'Dihl' in tooled script to the side of the square baseFootnotes:Christophe Erasmus Dihl was born in 1768 near Mannheim, and was trained already as a young man in chemistry. He understood the chemical processes necessary for the manufacture of porcelain, had access to moulds, and decided to found his business in buoyant Paris. He emigrated in 1778, but as a non-Parisian, he was not allowed to set up his own factory and joined forces with a couple already based in Paris called Guérhard. After Mons. Guérhard's death, Dihl married his widow, and continued the business. The factory became one of the most famous and successful factories in Paris,in some cases even outshining the Sèvres factory in output and orders. Their clients included everyone from Napoleon Bonaparte to George Washington.For further information on this lot please visit Bonhams.com

Los 175

Paire de coupes en porcelaine de Vienne, fin du XIXe siècle (décor postérieur)A pair of large Vienna porcelain bowls, late 19th century, the decoration laterOf quadrangular lobed shape, each decorated with a centrally placed elaborate mythological scenes of Poseidon and Amphitrite surrounded by an entourage of mermaids and mermen en grisaille, all surrounding a single portrait of Poseidon, the rim with four rectangular cartouches enclosing scenes painted en camaieu after the antique, set against a pale grey ground, alternated by puce borders heightened in gilding, blue bands and elaborate gilt borders with gilding in relief, 28x25x8cm shield mark and 5. in underglaze-blue, impressed 99 one bowl with additional impressed L (some rubbing) (2)For further information on this lot please visit Bonhams.com

Los 74

A moonstone and half pearl cameo pendant/brooch, the oval moonstone cameo carved to depict the portrait profile of an Elizabethan lady, to a ropetwist edged mount with half pearl border, the reverse with detachable brooch pin, hinged brooch clasp and pendant fittings, (half pearls untested for origin), length 3.05cmChips, scuffs and dirt/grease reisdue to cameo, with 'centipede' stress crack inclusions and fractures visible under close inspection. Cameo dimensions approximately 2.1cm length x 1.55cm width. Half pearls have blemishes, fractures, chips and surface wear. The mount has general surface wear and all fittings are functioning. The mount appears to be gold but is untested for metal standard. Gross weight approximately 10.3gm.

Los 34

Two pietra dura panel brooches, each depicting a floral spray, together with a pietra dura pendant, of similar design, a shell cameo brooch, depicting a male portrait profile, a seed pearl and turquoise-coloured cabochon cluster ring, and a seed pearl cluster pendant, (all seed pearls untested for origin), ring size approximately M (6)Approximate gross weights only: square pietra dura brooch 5.8gm, oval pietra dura brooch 4.8gm, pietra dura pendant 2.9gm, cameo 1.7gm, ring 4.5gm, seed pearl pendant 4.3gm (all metal standards are untested).

Los 54

An enamel panel bracelet, designed as a series of green and blue enamel panels, each modelled as an Egyptian pharaoh in portrait profile, spaced by Ankh crosses, gilt mounted, stamped '800', together with a cameo bracelet, the graduated oval shell cameos carved to depict classical figures in portrait profile, lengths 19cm and 17.5cm respectively (2)Approximate gross weights only: first bracelet 13.7gm (likely to be white metal with a gilt finish), second bracelet 21gm (untested as gold/gilt metal)

Los 280

A collection of jewellery, comprising a Victorian shell cameo brooch, carved to depict the portrait profile of a bacchante, a diamond single stone bar brooch, stamped '15CT', an open face fob watch, stamped 'K18', (glass and hands deficient), a red stone cluster panel brooch/pendant, glazed verso, a two colour dress ring, of modernist design, stamped '750', a cameo cluster ring, stamped '9CT', a pair of gilt metal lorgnettes, a gilt metal glazed locket pendant, and a hardstone panel brooch, first brooch length 5.25cm (9)Approximate gross weights only: cameo brooch 15.8gm, single stone bar brooch 2.6gm, fob watch 29gm, cluster panel brooch/pendant 14.8gm, two colour dress ring 4.4gm, cameo cluster ring 3.5gm, gilt metal lorgnettes 25.8gm, a gilt metal locket pendant 10.7gm, hardstone panel brooch 3.5gm

Los 82

A cameo and diamond pendant and ear pendants by Catherine Best, each designed as an agate cameo, carved to depict a female portrait profile, the pendant framed by graduated round brilliant-cut diamonds, signed and hallmarked for Birmingham 2008, accompanied by maker's certificate and case, suspended from a flexible collar stamped '750', the ear pendants accented with single brilliants, signed and stamped '18CT', on post fittings, total diamond weight approximately 0.10ct, pendant length 4.4cm, collar length 44.5cm, ear pendants length 3.6cm (2)Surface wear, scuffs and nicks to all pieces, commensurate for occasional use. Diamonds are well matched, bright and lively. The butterfly fittings are missing. Gross weights approximately: collar 20gm, pendant 11.5gm, ear pendants 12.9gm.

Los 36

A mid 19th century cameo bangle, the oval shell cameo carved to depict the portrait profile of a bearded gentleman, signed Saulini F possibly for Tommaso Saulini, to a hinged tapered bangle applied with textured scrolling foliage, cased, cameo dimensions 4.95cm length x 3.65cm width, bangle inner diameter 6.55cm Please note that it is not known whether the signature is original to the cameo or later applied. We are therefore unable to confirm whether the cameo was carved by Saulini.Several hairline fractures to cameo, with surface wear throughout and small nicks/chips to high points of the carved decoration. The cameo mount and bangle have general surface wear, scuffs and nicks/chips, with occasional shallow dings/dents and patchy tarnishing/staining, with traces of verdigris. The clasp is tight fitting. The reverse of the cameo mount and an area to the bangle interior have some deep scuffs/filing marks. The cameo mount and bangle are untested as gold/gilt metal and could be a combination of both, or a combination of different metal standards. The bangle tapers in width from 3.65cm at the shoulders to 2.05cm at the back and the cameo mount measures 5.55cm in length. Gross weight approximately 62.5gm. The case has considerable wear, with tears and losses to the interior lining and part of the fastener is missing.

Los 332

English School, 19th century, portrait miniature, gentleman in black coat and brown waistcoat and tied blue stock, from the same collection as the previous lots, in ebonsied and gilt frame, 13.5cmWx16.5cmH

Los 333

English School, 19th and 20th Century, portrait miniatures of a boy in blue coat and a lady in blue and white dress, the lady signed in outer rim but indistinguishable, dated 1911, each in black and gilt frames, from the same collection as previous lots, (2)

Los 335

A 19th century silhouette portrait miniature of a boy, with two portrait miniatures of the same woman with red ribbon, and an etching portrait miniature and a photograph of a naval officer, (5)

Los 146

NGC – George III (1760-1820), Emergency Issue - Half Dollar Oval Countermark on portrait 4 Reales of Charles IV, 1792 MF, Madrid, (S. 3767), oval countermark, encapsulated and graded by NGC XF Details Cleaned with countermark UNC Strong, certification number 6769251-016, total graded by NGC XF Details is 3 - Harborne Collection -

Los 330

English School, 18th century portrait miniature of Lady Anne Bingham in black and white dress with red robe, believed to be Lady Bingham, “Lady Bingham Great Aunt” en verso, in ebonised and gilt frame, with Arthur Wokins label, 17cmWx20.5cmH, by family descent - Lady Bingham was the daughter of Charles Bingham, 1st Earl of Lucan and Margaret Bingham, Countess of Lucan

Los 145

NGC – George III (1760-1820), Emergency Issues Dollar, portrait type, oval countermark, 1790 Peru, (S. 3765A), encapsulated and graded by NGC XF45 with c/S: AU Strong, certification number 6769248-015, total graded by NGC in XF45 is 5 with 11 in higher grade - Harborne Collection -

Loading...Loading...
  • 283284 Los(e)
    /Seite

Kürzlich aufgerufene Lose