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283284 Los(e)/Seite
Los 171
One century daguerreotype portrait photograph of a seated woman next to an ornately decorated tablecloth and bonnet, ca. 1850s. Housed in an ornately tooled case with scrolling and angled geometric lines. One side of the case is absent.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Sight; Height 3 in x width: 2 3/4 in. Framed; Height: 3 1/2 in x width: 3 1/4 in.
Los 172
Group of seven 19th century daguerreotype portrait photographs in four cases. One case with four portraits of children; one with a single figure in a large hat and a pink velvet lined case; one of two figures standing side-by-side in a yellow velvet lined case; and one of a single figure in a case missing one side. Each housed in cases with ornate scrollwork designs along the exterior; one of which depicts a mother, child, and pet seated together.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.(Closed) Height ranges from 3 in to 4 1/2 in; width ranges from 2 1/2 in to 3 1/4 in; Depth ranges from 1/2 in to 1 in.
Los 189
One 1760 Hibernia Voce Populi halfpenny featuring a right facing portrait along the obverse and "VOCE POPULI" and along the reverse a woman with a harp surrounded by "HIBERNIA" and "1760." Graded by PCGS as MS61BN indicating that it is in mint state with no wear, with average or weak strike. As a copper coin it retains less than 5% of its original mint red color and appears brown.
Los 190
One 1766 William Pitt half penny token featuring a left facing portrait of William Pitt, a British ally of the Colonial Americans and opponent of the Stamp Act. His portrait on the obverse is surrounded by "THE RESTORER OF ∑ COMMERCE 1766 NO STAMPS" and on the reverse there is a ship surrounded by "THANKS ∑ TO ∑ THE ∑ FRIENDS ∑ OF ∑ LIBERTY ∑ AND ∑ TRADE ∑ AMERICA." Graded by PCGS as AU53 indicating a slight flatness and loss of luster on the high points of the design but some of the luster remains.
Los 587
A gold identity bracelet, detailed '9ct', weight 3.6g, length 16.2cm, a pendant locket, enamelled with a portrait of Horatio Nelson, and an imitation pearl necklace on a gold clasp (the centre stone lacking).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 692
A gold mounted oval shell cameo brooch, carved as a portrait of a lady with flowers, detailed '9ct', width 2.9cm, a 9ct gold company brooch, designed as a scallop shell, detailed '10 Years Service', and a gold brooch in an interwoven knot design, detailed '9ct', total weight 12.1g, together with a silver bar brooch, designed as the Royal cypher of King Edward VII.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 702
A Victorian gold mounted oval shell cameo brooch, circa 1850, carved as a portrait of a lady, the decorated mount spaced with four foliate spray motifs, the back glazed with an oval hair locket compartment within a wirework applied surround, unmarked, total weight 36g, width 6.6cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 714
A French Emile Dropsy Art Nouveau silver circular brooch, designed as a portrait of a lady with irises, detailed 'E. Dropsy', weight 3.9g, diameter 2.3cm, a silver and enamelled brooch of floral design, weight 7.6g, a sterling silver brooch, designed as a bird, weight 14g, an amethyst and cultured pearl bar brooch and a moonstone brooch in a star shaped design.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 706
A gold and chalcedony oval intaglio ring, engraved with a portrait, unmarked, weight 13g, ring size approx P.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 401
An Edwardian silver mounted shaped rectangular photograph frame, decorated in relief with foliate scrolls and presentation inscribed 'To R. Craven Barnard Scenic Artist', Chester 1908 by J. & R. Griffin, height 30cm, together with a signed photographic portrait of 'G.L. Battenberg', dated 'April 1909'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 712
A pair of Victorian gilt metal and shell cameo earrings, circa 1860, each carved as a portrait of a lady with a beaded surmount and tapered drop, with wire fittings, length 7.1cm, and a pair of Victorian gilt metal pendant earrings, each with a faceted tapered drop and floral shaped surmount, length 5.4cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 511
A gold ring, claw set with an oval cut citrine, detailed '9ct', weight 11.3g, ring size approx P1/2, and a 9ct gold ring, mounted with an oval shell cameo, carved as a portrait of a lady within a ropetwist surround, Sheffield 1979, weight 2.7g, ring size approx K1/2.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 749
A gilt metal oval brooch, circa 1800, glazed with a portrait miniature of a lady, width 2.9cm (converted from a clasp), an oval jasperware panel, designed as a standing classical lady, a gold and ceramic mounted cornelian seal, circa 1800, and a group of mother-of-pearl charms, fitted to a split ring.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 580
A gold mounted oval shell cameo brooch, carved as a portrait of Bacchus with wine cup and lyre motifs, the later mount with an applied bead and arcaded border, unmarked, weight 33.8g, width 6.1cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 499
Oval portrait of Sophia Baxter, daughter of Thomas, inscribed July 180418.5 x 14cmsprivate collection Neath-Port Talbot, note to accompany that reads '...she is wearing the Baxter corals, which were stolen. She was considered the belle of the Baxter family and was much admired by artists'Condition report: Comments: good condition, framed and glazed
Los 578
(1) Enwogion Cymru: A Biographical Dictionary of Eminent Welshmen, by Rev Robert Williams, London. 1834 8vo. Original cloth some wear, and repair but a sound copy (2) The Cambrian Plutarch Comprising Memoirs of Some of the Most Eminent Welshman, by John H Parry, (3) Who's Who in Wales, by A. G. Reynolds, London Reynolds. 1933. The Second Edition . Original blue cloth. Frontispiece portrait and many other illustrations. A useful and uncommon reference book.(4) Eminent Welshman – A Short Biographical Dictionary of Welshmen, by T. R. Roberts, Cardiff and Merthyr. 1908. Vol.1. [all Published]. Large 4to. Original cloth. Profusely illustrated with portraits.(5) Deacon’s North and South Wales Court Guide and County Blue Book, LONDON C.W. Deacon. First Edition 1887. A thick 8vo. With two large coloured fold out maps with some repaired tears. Many very interesting advertisements at the front and rear and interspersed throughout the text. Part Biographical and part commercial directory. Scarce and very informative.The Jeff Towns Collection of Welsh related antiquarian books
Los 625
Pwllheli: Issued to Subscribers only, 1906. First Edition, 4to. Fine copy in original blue cloth gilt. Fine photogravure portrait of John Williams – the first President of the National Library of Wales. The text is printed in a remarkable typeface that Evans had designed and cut to resemble the rubrication of the manuscript on the editor's own press – a remarkable piece of bookmaking. Limited edition of 600 numbered copies.The Jeff Towns Collection of Welsh related antiquarian books
Los 632
Adnitt And Naunton, 1871. 4to, In original maroon cloth binding, bevelled edges and with gilt title on cover and spine. 13 fine full page, together with 'Hanes Morganwg' by Dafydd Morganwg, Aberdar, 1874. 8vo. Welsh text county history with fold out coloured map, finely engraved frontispiece portrait, 7 fine black and white vignette engraved plates. Original decorated green cloth gilt bindingThe Jeff Towns Collection of Welsh related antiquarian booksCondition report: Comments: (2) binding has some fading and corners bumped, interally good
Los 653
Lewis, Min and Stan : Laugharne and Dylan Thomas. 1967. Signed by Author and ArtistFerris: Dylan Thomas: 1977. Long inscription to Dylan’s housekeeper Hettie OwenSinclair : Dylan the Bard. 1999. Signed by Author and Gordon Stuart whose portrait of Dylan is the dust jacket image.Maud; Poet in The Making. The Notebooks of Dylan Thomas. 1967. Signed.Caitlin Thomas/ Life with Dylan Thomas. 1986. Signed.Tremlett: Dylan Thomas. 1991.Tremlett : The Death of Dylan Thomas. 1997.Fryer: Nine Lives of Dylan Thomas. 1993.Fitzgibbon: Life of Dylan Thomas. 1965.The Jeff Towns Collection of Welsh related antiquarian books
![(1) The History of Wales, by John L.L.D. Jones, London [1824]. Frontispiece portrait of the author a Barrister at Law – an ol](https://cdn.globalauctionplatform.com/6eb699b1-a020-495f-be84-ae3f00eb3e53/c3f4e089-c784-48e1-af94-ae4500ffb560/468x382.jpg)
Los 658
(1) The History of Wales, by John L.L.D. Jones, London [1824]. Frontispiece portrait of the author a Barrister at Law – an old pencilled note reads ‘A strong likeness of a stupid old Celt. A good copy in recent half calf of an uncommon and somewhat eccentric work - the full title - THE HISTORY OF WALES, descriptive of THE GOVERNMENT, WARS, MANNERS, RELIGION LAWS, DRUIDS, BARDS, PEDIGREES, AND LANGUAGE of the ANCIENT BRITONS AND MODERN WELSH and of the REMAINING ANTIQUITIES OF THE PRINCIPALITY. JOHN JONES (1772-1835) was born at Derwydd, near Llandybie, Carmarthenshire. He was a barrister, translator and historian. For some years he taught at a school in Wimbledon where Sir Robert Peel was one of his pupils and became a successful barrister until he fell foul of the legal profession(2) The Character of the Welsh as a Nation, by Rev. William Jones, London 1841. Original cloth. Spine rubbed(3) The History of Wales, in Nine Books, With an Appendix, by Rev, William Warrington, London Johnson. 1791. 2 Vols. 8vo. The Third Edition. Vol. 1 has a large fold-out map of Wales. Old full calf binding, rubbed and joints weak but holding. Recent new labels, A decent reading copy of a standard work – internally crisp and clean.The Jeff Towns Collection of Welsh related antiquarian books
Los 667
(1)A large hand coloured fold out map of the Breconshire Turnpike Roads,(2) An Act For More Effectually Repairing Several Roads in Brecon, Radnor and Glamorgan. London, 1830. 28 pages. Bound with South Wales Turnpike Roads Proposed Regulations, No date or place. [1844] 23 pages bound with blank leaves one with a page of ms. notes (3) Bound with Glen, William Cunningham: The South Wales Turnpike Road Acts. London, Shaw. 1846. Fold out chart 87 pages. Bound with Single folded leaf printed Parliamentary Act 12 May 1954. 'for extending the Time limited extending the time limited for putting into execution...the act for the better Management and Control of Highways in South. All items Extremely rare(4) Evans, Henry Tobit Rebecca and her Daughters. History of the Rebecca Riots. Educational Publishing Company, Cardiff, 1910. Numbered edition copy is No. 442. The number is written and initialled by the Author. Frontispiece portrait of the author plus folding map, Chronological index, Index of Persons, General Index and List of Subscribers. A very good copy of an uncommon book.The Jeff Towns Collection of Welsh related antiquarian books
Los 160
JAMES JOYCE: 2 titles: ULYSSES, Pennsylvania, The Franklin Library, 1976, limited edition, limitation not stated, original decorative leather gilt, vgc; A PORTRAIT OF THE ARTIST AS A YOUNG MAN, intro Hugh Kenner, ill Brian Keogh, Connecticut, The Heritage Press, 1968, original pictorial cloth, slip-case (some wear and soiling) (2)
Los 262
English School, a 19th century pastel portrait of a lady in a black dress with red shawl, pastel on paper, unsigned, the reverse with inscription to the backboard 'B????vald 1834', within a glazed giltwood frame with beaded inner border, 42 x 30.5 cm; together with a large oil on canvas portrait of an elderly woman wearing a bonnet with white lace frill and spectacles, 77 cm x 64 cm
Los 343
FRANK BROWN: FROST'S DRAWINGS OF IPSWICH AND SKETCHES IN SUFFOLK WITH MEMOIR AND PORTRAIT OF GEORGE FROST AND SHORT DESCRIPTIVE NOTES ON THE PRINCIPAL PLATES, Ipswich, published by the author, 1895, (105), numbered (41) and signed, plates collated complete, fo, original buckram decorative silk covered boards, v worn
Los 156
λ Carel Weight (British 1908-1997) Self Portrait with Nancy CarlineOil on canvas Signed (lower left)122 x 84cm (48 x 33 in.)Provenance:Sale, Bonhams, 21 September 2004, lot 230 Carel Weight was interviewed in 1991 for National Life Story Collection: Artists' Lives. Weight discusses the imaginative qualities of the present lot. He placed the table and plant in the corner of the composition to enhance the space. He used bricks to create a contrast to the flatness of the walls emphasising the effect of patterns. This effect can also be seen through the juxtaposition between the striped sofa and textured carpet. Strong angles created by fragments of objects to interject the space were commonly used by Weight in his compositions. In the present lot the rigid trunk of the tree and vertical railings fill the upper left quadrant developing pattern and interest. On showing the picture to Nancy Carline, she commented that she liked the picture very much.
Los 171
λ David Hockney (British b. 1937)Portrait of Richard Hamilton (S.A.C. 126/Tokyo 118)Etching with aquatint, 1971An unsigned proof aside from the edition of 3034 x 26.5cm (13¼ x 10¼ in.)Provenance:A gift to the present owner circa 1985/86Condition Report: Unexamined out of glazed frame. Light discolouration to the image with a white circular blemish to the middle of the left edge. There is one light stain to the lower left corner of the margin and two areas of foxing, one to the left middle edge and one to the right middle edge. There are some light handling creasing visible to the lower margin and very slight undulation to the sheet. Otherwise the work appears to be in good original condition.Condition Report Disclaimer
Los 18
λ†Frank Dobson (British 1886-1963)Portrait of T.W. EarpPencil32.5 x 22cm (12¾ x 8½ in.)Provenance:The Artist's EstateGillian Jason Gallery, LondonT.W. Earp was one of the most renowned art critics, curators and writers of the Edwardian era. Regarded as one of the pioneers of Modernism in England during the 1920s and 1930s, his publication 'The Modern Movement in Painting' of 1935 caused a particular stir within the more conservative circles of British society. He also published a monograph on his close friend, in 1945, titled `Frank Dobson, Sculptor'.
Los 191
λ John Wonnacott (British b. 1940)View from Lloyds Building I, DaytimeOil on boardSigned (verso)95 x 136cm (37¼ x 53½ in.)John Wonnacott is one of Britain's most celebrated portrait painters, with The Royal Family and Prime Ministers amongst his most notable commissions. However, these immersive portraits would not be possible without his exploration into how we physically see and experience the world around us and in turn how he, as a painter can capture this moment; this experience.The present works form part of a series of London landscapes painted from the glass elevators of the Lloyd's Building. Although these paintings are topographically accurate, placing the onlooker unmistakably above the city of London skyline, Wonnacott uses the glass lift to construct a dynamic space that draws the viewer into the canvas and suspends them hundreds of feet above the ground. The dramatically foreshortened perspective of the intricately congested cityscape in View from Lloyds Building I, Daytime contrasts with the expansive open sky above giving that feeling of joyous vertigo as one is propelled into the air by the glass elevators. Through his masterful use of palette, perspective, and pictorial construction Wonnacott has brought a wonderful immediacy to these pictures that allows us, the viewer, to share his experience both physically and emotionally.Condition Report: Examined under ultra violet light there is no fluorescence. The painting appears to be in excellent condition. Condition Report Disclaimer
Los 192
λ John Wonnacott (British b. 1940)View from Lloyds Building IV Night TimeOil on board105 x 133.5cm (41¼ x 52½ in.)John Wonnacott is one of Britain's most celebrated portrait painters, with The Royal Family and Prime Ministers amongst his most notable commissions. However, these immersive portraits would not be possible without his exploration into how we physically see and experience the world around us and in turn how he, as a painter can capture this moment; this experience.The present works form part of a series of London landscapes painted from the glass elevators of the Lloyd's Building. Although these paintings are topographically accurate, placing the onlooker unmistakably above the city of London skyline, Wonnacott uses the glass lift to construct a dynamic space that draws the viewer into the canvas and suspends them hundreds of feet above the ground. The dramatically foreshortened perspective of the intricately congested cityscape in View from Lloyds Building I, Daytime contrasts with the expansive open sky above giving that feeling of joyous vertigo as one is propelled into the air by the glass elevators. In View from Lloyds Building IV, Night Time Wonnacott subverts this feeling into one of a sensory claustrophobia. Reflections of the city and the Lloyds Building behind bounce off the glass elevator, enclosing the onlooker as the surrounding buildings crowd in. Through his masterful use of palette, perspective, and pictorial construction Wonnacott has brought a wonderful immediacy to these pictures that allows us, the viewer, to share his experience both physically and emotionally.Condition Report: Examined under ultra violet light there is no fluorescence. The painting appears to be in excellent condition.Condition Report Disclaimer
Los 21
λ†Frank Dobson (British 1886-1963)Elsie Queen Myers (Child's Head)PlasterHeight (including base): 29cm (11¼ in.)Conceived in 1921, this work is unique.Provenance:The Artist's EstateGillian Jason Gallery, London Literature:Neville Jason & Lisa Thompson-Pharaoh, The Sculpture of Frank Dobson, Perry Green & London, p. 122, cat. no. 19 (illustration of the bronze)The present work, along with the bronze of the same subject, was commissioned by novelist Leo Myers. The two had met in 1920 and Myers invited Dobson to do portrait busts of both his daughters - Elsie and Evelyn and Dobson would go on to complete a bronze of Myers himself in 1927. E. Q. became a noted painter and textile designer and married Christopher 'Kit' Nicholson, the youngest son of artists William Nicholson and Mabel Pryde.
Los 35
Mortimer Menpes (British 1855-1938)Portrait of James Abbott McNeill WhistlerBlack and white chalkSigned (lower right), indistinctly inscribed (lower left)49 x 35.5cm (19¼ x 13¾ in.)Provenance:Sale, Skinner Auctioneers, Boston, 27 January 2017, lot 378 (part lot)Menpes, born in Port Adelaide, South Australia, came to England in 1875 to study at the National Art Training School, South Kensington, under Sir Edward Poynter. Whilst studying there he met Whistler, and alongside Walter Sickert became his studio assistant, printing up many of Whistler's etchings. They worked together closely until 1888, and these drawings must have been executed during that time. Menpes published a memoir of their friendship, Whistler as I Knew Him, in 1904, the frontispiece of which is a lithographed portrait of Whistler in the same outfit as the present drawing.Condition Report: There are two pieces of acid free tape attached to the reverse of the sheet in the top left and top right corners which appear to be left from previous mounting hinges. There is a crease running horizontally through the centre of the drawing (visible in the catalogue illustration). The lower right edge of the sheet, beneath the mount, is uneven, consistent with it being torn away. The sheet has not been laid down. Condition Report Disclaimer
Los 45
λ John Duncan Ferguson (Scottish 1874-1961)Portrait of a lady in a hatPencil20 x 12cm (7¾ x 4½ in.)Provenance:The collection of Margaret Morris (1891-1980)Thence by descent to the present ownerCondition Report: Unexamined out of glazed frame. Light handling creases throughout. Puckering along the lower left edge. Light discolouration to the sheet most notable at the edges. Condition Report Disclaimer
Los 61
λ Ronald Ossory Dunlop (Irish 1894-1973)Portrait of a lady, wearing a red scarf Oil on board Signed (lower centre)51 x 41cm (20 x 16 in.)Condition Report: The board is bowing. Craquelure and light surface dirt throughout. There are two pinholes to each lower corner. There is rubbing tot he framing edges. Inspection under UV reveals a green masking varnish which may be concealing the extent of restoration or repair. Condition Report Disclaimer
Los 64
λ Béla Kádár (Hungarian 1877-1955)Portrait of a womanWatercolourSigned (lower right)51 x 38cm (20 x 14¾ in.)Provenance:Sale, Ben Ami Auctions, Israeli and International Paintings from the Histadrut Health Insurance, 1955, lot 240 (according to label verso)Gallery Farkash, Old Jaffa, IsraelCondition Report: Unexamined out of glazed frame. An area of surface skinning to the upper right quadrant, just at the right edge of the sitter's hair. There is another area of skinning to the middle of the lower edge. Evidence of extensive repair to possibly an old tear to the lower right corner. Condition Report Disclaimer
Los 133
Eleven pottery Ice Skater plaques by Guy Sydenham, incised and impressed with a portrait of Joan Sydenham ice skating, one Long Island pottery plaque of Joan ballet dancing, dated 1967 by Guy Sydenham, glazed in colours, four coat of arms plaques by Guy Sydenham, a similar portrait plaque by Guy Sydenham and two bead necklaces, various impressed marks, 18.5cm. high (largest skater plaque), (19) Provenance The estate of Guy and Joan Sydenham. Literature
Los 146
A Poole Pottery wall plate designed by Olive Bourne, pattern GZ, painted with a stylised portrait of a woman, in colours printed and painted marks, hairline to rim, 28cm. diam. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 50 for a comparable example. Exhibited Art Deco by the Sea, Sainsbury Centre, UEA, 9th February-20th September 2020 for a comparable plate exhibited.
Los 401
'Morris Angel' a Dennis China Works limited edition vase designed by Sally Tuffin after William Morris, dated 1997, swollen cylindrical form, tubeline decorated and painted in colours, a Dennis China Works feather vase produced for The National Portrait Gallery, a pair of Hummingbird vases, and a Birthday present plate impressed and painted marks, angel no.18, 24cm. high (5) Provenance Private collection of Dennis China Works.
Los 54
A rare and early Carter's Poole Pottery vase probably painted by James Radley Young, flaring conical form, painted with a band of scrolling grape vine with portrait roundels of Adam and Eve flanked by grape and vine roundels, in blue and green on an off-white ground, the base rim with green band, the top rim with dash band in green, the interior well painted with a vine motif, impressed Carter's Poole, painted D and XV marks, hairline crack, 17.5cm. high Provenance The Poole Pottery Museum and Archive, Christie's South Kensington, 31st March 2004, lot 33. The Redstone Collection. Literature Poole Pottery Collector's Club, Winter 1995, page 13 this bowl listed as a recent acquisition, with an original photograph of a comparable example (possibly this bowl), illustrated in a catalogue issued in 1921.
Los 214
20th Century School'Untitled abstract landscape', oil on canvas, signed indistinctly lower right, 78cm x 58cmCondition report: Overall signs of wear and overall scuffs. Small blemish, area of damage and thinning, almost a hole to the lower left of the canvas. Frame is dirty and in need of attention. The frame hanger is hanging landscape, rather than portrait, so when hanging by the current fixings, the frame is the wrong way up.
Los 215
Adolphe Milich (1884-1964)'Untitled portrait of nude female', oil on canvas, signed lower left, 71cm x 58.5cmInformation: By repute the female sitter is the artist's wife. There is no written provenance for this, this is passed on from the vendor. Condition report: Overall display wear to the frame as expected. It is not the original frame. Crazing to the paint. There is a patch applied to the reverse of the canvas, which is likely to be an old repair. This is not noticeable from the front.
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283284 Los(e)/Seite