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283284 Los(e)/Seite
Los 130
1914 WWI Postcard - French Wounded sit on a railway carriage with their trophies. Unusual card-1910 Funeral of King Edward VII, ND Photo Postcard - police standing as horses pass by. Nice card-Royal Army Medical Corps Portrait Postcard, Corporal in battledress-Life Guards - Funeral of Late King Edward VII - LL Postcard. Procession and crowds used 1910
Los 131
1st Life guards at Waterloo, the King's Army, 1815 by F.A. Stewart. Used postcard, 1907-Royal Horse Guards, Harry Payne postcard, passing Buckingham Palace-1st Royal Dragoons - Colour postcard uniformed portrait, Battle Honours, History and Traditions - used 1917-7th (Queen's Own) Hussars - Gale & Polden colour postcard with Battle Honours, History and Traditions.-Royal Horse Guards (The Blues) 1910 Used Gale & Polden colour postcard with Battle Honours, History and Traditions-The Black Watch - Pipers fine colour postcard by Gale & Polden, Battle Honours, History and Traditions.
Los 301
Israel-Isaac (Lippy) Lipshitz (South African 1903-1980) STILL LIFE WITH FRUIT signed, dated 1946 and inscribed 'monotype' in the margin monoprint sheet size: 34,5 by 54cm Although Lippy Lipshitz was considered one of South Africa’s most distinguished sculptors during his lifetime, it is as a graphic artist that he receives consideration from Esmé Berman in Art & Artists of South Africa . “…a large portion of his work has taken the form of coloured monotypes and are an important aspect of his total production, and indeed for several years he showed monotypes and woodcuts far more frequently than he exhibited carvings or his rare bronzes.“Referring to Lipshitz’ last exhibition of monotypes completed during his stay in Greece in 1966, Berman observed that “the exhibition possessed a slightly 'period’ flavour, an accomplished but nostalgic harking back to an earlier “modernism” which has mellowed with the passing of years”Viewed today in the context of the 21st century, it is precisely these attributes which make Still Life with Fruit so appealing. Lippy had lived in Paris in the 1930’s and been accepted into a circle of Montmartre painters and sculptors imbuing his work with “an earlier modernism”.Lipshitz is remembered for his teaching career as Associate Professor of Michaelis School of Fine Art, University of Cape Town. His overseas and local exhibitions of sculpture and graphic work and as a supportive and sympathetic friend to Irma Stern. She painted a captivating portrait of Lippy at work as a sculptor, presently held in the Permanent Collection of the IZIKO South African National Gallery. A retrospective exhibition of his work is planned for the near future, drawing on the memories and collections of his friends and descendants in celebration of his artistic life. - Carol KaufmannBerman, E., Art & Artist of South Africa , A. A. Balkema, Cape Town, 1974, p182 - 183
Los 226
A large quantity of pictures to include a pair of Oriental pictures of traditional subjects; Italian School: Study of a church, watercolour, inscribed verso; A pair of oils of landscape subjects, each signed lower right; Pietro Marzorati (Italian, 1829-1895): Three pencil studies of buildings & plants, variously signed & inscribed; a pair of watercolours by Chris Paris; two portrait pencil drawings, a hand signed figural etching & oil study of figures controlling a bull
Los 277
THREE OLD PENKNIVES, VICTORINOX SWISS ARMY KNIFE WITH SEVEN ATTACHMENTS, SIMILAR KEYRING KNIFE, THREE OTHER KNIVES, WILLIAM MITCHELL LINO CUTTERS, TWO MEDICINE GLASSES, CASED, HORN SHOEHORN, PORTRAIT FLICKER BOOK, PORTSMOUTH, CLAY PIPE, APOTHECARY'S SCALES WITH WEIGHTS, CASED, PART SET OF WEIGHTS, CASED AND OTHER ITEMS, VARIOUS (A LOT)
Los 4094
An 18th Century Renaissance style oil on canvas portrait of a woman at prayer, wearing a white hood and blue robe over a reddish dress. Set in an ornate gilt open work frame. Fragile canvas with splits, signs of over painting and yellowing varnish. Canvas stamped verso 'Point par le che? Antoine Chatelain, via de Ripett No 226, Rome 62cm x 50cm
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283284 Los(e)/Seite