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PRYCE (WILLIAM). "Mineralogie Cornubiensis; a Treaties on Minerals, Mines and Mining...Idioms of Miners." engr portrait, ded, preface, subscribers, plt leaf, contents, and 331 pp complete, seven engr folding plts, plus chart comp, cont 1/2 cf, label, folio for author, 1778 vg, early printing E.W.W. Pendarves copy.
Circle of Hayman. Portrait of Alexander Pendarves of Roskrow. Oil on canvas. Circa 1705. 74 X 61cm. (See illustration) Alexander Pendarves (1662 - 1726) was a wealthy Cornish landowner and Tory politician, being Member of Parliament for Penryn, Saltash, Helston and Launceston. His estate was at Roskrow, a large property near Penryn. He is most notable for his second marriage. At the age of 60, he secured himself Mary Granville as a bride. She was just 17. Mary was the niece of his friend and political ally Lord Landsdowne, who emotionally blackmailed her into the marriage, assuring her of security and financial independence for her family. Mary was an intelligent and engaging writer and fortunately much of her correspondence survived (see Lot 58). She describes Pendarves, who she called Gromio, thus: "He was excessively fat, of a brown complexion, negligent in his dress, and took a vast quantity of snuff which gave him a dirty look: his eyes were black, small, lively and sensible; he had a honest countenance but altogether a person rather disgusting than engaging." Pendarves was often gout ridden, he was a drunk and he was insanely jealous. For eight miserable years Mary bore her marriage with grace and fortitude. She was 25 when he died and after all that she had endured, it transpired that he hadn't changed his will. She was left with nothing but a small widows pension. The estate of Roskrow went to his niece Mary Bassett of Tehidy. Despite this very unfortunate start in life, Mary Pendarves, (later becoming Mrs Delany) blossomed into one of the 18th Century's most enchanting figures. By the 1780s she had acquired an almost legendary status, embodying the virtues of the passing age of enlightenment: propriety, style and wit, this combined with her kindness and goodness of heart made her greatly loved by a huge circle of friends - many of which are some of the great names of the age: Handel, Hogarth, Swift, Pope, Garrick. She was wooed by John Wesley and painted by Opie. She is best known for her beautiful, botanically accurate, flower collages, of which there are nearly a 1000. An astonishing project which she began at the age of 72. They are now housed in the British Museum. Her creativity drew her to the attention of George III and Queen Charlotte, who became so fond of her that they moved her to Windsor to be near them in her final years. Her extraordinary life has been the subject of several books.
ROYAL WORCESTER CREAM PORCELAIN BAS RELIEF OBLONG PLAQUE `Portrait of Her Majesty Queen Elizabeth II` modelled by Arnold Machin, OBE, R.A. to commemorate the Silver Jubilee 1952-1977, a limited edition of 1000, plaque number 145, 13" x 8 1/2", framed, also with framed certificate of authenticity
ORIVIT EMBOSSED PEWTER BEAKER, FOOTED CYLINDRICAL FORM, the swollen rim decorated with a portrait and inscription `Sanctus Hubertus` above oak leaves and accents, 5 1/4" (13.4cm) high, stamped mark and No. 2181, together with an ART NOUVEAU PEDESTAL PEWTER DISH WITH FOUR SUPPORTS AND SPREADING FOOT, 5 1/2" (14cm) high, stamped No. 01271, and a pair of cast spelter ART DECO FEMALE FIGURES, modelled in stylised poses with fans, on circular stepped bakelite bases, 13 1/2" (34.3cm) high overall, patination badly rubbed (4)
Fine Bindings, Gibbon, Edward "A History of the Decline and Fall of the Roman Empire", in 12 volumes, printed for T. Cadell, W. Davies, Rivington etc, 1820, frontis portrait to volume 1, contemporary full calf, backstrip replaced on all volumes with pastedowns and gilt titles, gilt armorial crest to each front board, all marbled edges, front board to volume 1 detached
Fischer, Bobby "My Sixty Memorable Games", Faber and Faber, 1972, paperback, Abrahams, Gerald "Technique in Chess", G. Bell and Sons, 1961, with d.j., Sergeant, Philip W. "Morphy's Games of Chess...", G. Bell and Sons, 1916, frontis portrait, backstrip replaced and a quantity of pictorial cloth books, (12)
"The Works of Edmund Spencer", Routeledge, Warne and Routeledge, 1861, engraved vignette on half title, frontis portrait with tissueguard, half leather with raised bands and gilt decorations, Sayle, Charles (ed) "The Works of Sir Thomas Browne", John Grant 1912, in 3 volumes, bookplate inside front covers, frontis portrait with tissueguard to volume 1, some foxing and staining, with various leather bound and other books (16)
Lydekker, Richard (ed) "The Royal Natural History", section 2 volume 1 and section 3, volume 1, numerous colour and other illustrations, paper covers and Mawe, Thomas and Abercrombie, John "Everyman his own Gardener: being a new and much more complete Gardeners Calendar and General Directory...", the 16th edition, London 1800, engraved frontis portrait of John Abercrombie, full index, contemporary tree calf, "The Natural History of Birds, compiled from the best Authorities...", ills, copperplates, printed for E. Newbery, 1793, front board detached, full leather, White, The Rev. Gilbert "The Natural History of Selbourne", Whittaker, Treacher and Co, 1832, frontis portrait, various illustrations throughout, rebound, marbled boards, half leather, gilt titles and raised bands and one other volume (6)
Byron, Lord "The Works of Lord Byron", in 4 volumes, John Murray, 1823, frontis portrait to vol. 1, some offsetting on title page, all bound, marbled boards, half calf with red pastedowns and gilt titles to spine, marbled edges, Dickens, Charles "The Posthumous Papers of the Pickwick Club", Chapman and Hall, illustrated by "Phiz" (H.K. Browne), frontis, vignette to title page, illustrated throughout, some foxing throughout, modern binding with decorated end papers, green cloth, half morocco and contemporary pastedowns on backstrip, Gaskell, Mrs A set of seven volumes, published by Smith Elder and Co, 1893, bookplate to inside front board, all green cloth, black and gilt titles, and three other leather and half leather volumes (15)
Scott, Sir Walter "The Waverley Novels" in five volumes, Robert Cadell, Edinburgh, 1843, frontis portrait to volume 1, engraved half title pages to all volumes, a facsimile letter in volume 1, half maroon leather, gilt decorations and raised bands to spines, spines faded, marbled end papers and red speckled edges (5) with Dickens, Charles "The Works of Charles Dickens", in eleven volumes, Chapman and Hall, illustrated by J. Mahoney, calf leather, dark green, marbled end papers, raised bands with red and black pastedowns to spines but all spines faded and all edges marbled
Edison, Thomas Alva (1847-1931) Signed Black and White Photographic Portrait. Inscribed to L.H. Long, "one of the pioneers of the industrial truck," Edison in his laboratory, dressed in vest, jacket and bowtie, with a dark flower in his lapel, framed, the photograph 8 1/2 x 6 1/2 in., matted and framed, 12 3/4 x 9 3/4 in. overall.
Kennedy Family, Photograph Collection, 1960s-1970s. Three signed photographs of Ted Kennedy, one signed photograph of Joan Kennedy, and a portrait of JFK with two examples of the 1964 Kennedy half dollars set into a commemorative matting, all of the above framed; four unframed 8 x 10 in. black and white photos: two of Joan Kennedy, one signed on the mat; one of Ted, Joan, and Robert Kennedy on a boat; another of Rose Kennedy and two men seated at a restaurant; four Christmas cards from Ted`s family, one of which is signed by Ted; two letters signed by Joan Kennedy, one by Rose, and one typed letter signed by rocket scientist Robert Goddard`s widow Esther, dated December 30, 1968, all letters with envelopes; one postcard signed by Ted, sent from Tunisia; other Kennedy-related ephemera, including Look magazine from December 3, 1963, and Life from November 29, 1963, both with cover stories on JFK; and thirty-six candid color snapshots of Ted, Robert, Joan, and other Kennedy family members and friends fishing, sailing, swimming, sometimes posing, including duplicates, most 3 1/2 x 3 1/2 in. Provenance: By descent through the family of Joseph T. Benedict (1912-1995), former president and chairman of Worcester Federal Savings Bank and Kennedy family friend.
Kennedy, John Fitzgerald (1917-1963) Secretarially Inscribed Photograph. Framed 10 1/2 x 7 1/2 in. black and white portrait of JFK seated, hands together, arms resting on a table, a painting and a curtain are visible behind him; the photograph mounted on white card, with the following inscription, "To Joe Benedict, with my best wishes John Kennedy," in the hand of Secretary II, framed, 14 3/4 x 11 1/2 in. overall. Provenance: By descent through the family of Joseph T. Benedict (1912-1995), former president and chairman of Worcester Federal Savings Bank and Kennedy family friend.
Lincoln, Abraham (1809-1865) Photographic Portrait by Alexander Gardner (1821-1882) Washington, D.C., 9 August 1863. Large oval photograph on an evenly-toned beige paper, depicting Lincoln in a three-quarter view, with touch-ups along eyebrows, eyelids, pupils, the edges of the nostrils, and a line where the lips meet, in a period mahoghany oval frame with inner gilt oval, 21 x 16 in. overall, the photograph itself, 15 x 12 in. O-121 from Charles Hamilton and Lloyd Ostendorf`s Lincoln in Photographs. According to the diary of John Hay, Lincoln`s secretary, on Sunday August 9, 1863, Hay and the President went to Alexander Gardner`s photo studio for a portrait session. Gardner used two cameras on the occasion, one with four lenses that took four images on a single plate at once, and a single-lens camera. Gardner`s studio would officially open to the public on the following day, and Lincoln wished to be the photographer`s first subject. A Sunday was chosen so that the President might avoid, in his words, curiosity seekers. Lincoln`s hair and whiskers are so distinctive, and often unruly, their appearance helps to place each of his known portraits. In this session, his hair is fairly closely cropped, and under control. Gardner has captured the President in several sitting and standing poses; the full-length and three-quarter shots include the same ornate table with a marble top. In his diary, Hay noted, "I went down with the President to have his picture taken at Gardner`s. He was in very good spirits." Provenance: Descended through the Hay family through John Hay (1838-1905), who was present at the photo session, to his son Clarence Leonard Hay (1884-1969) m. Alice Appleton, and thereby to his son John Hay (b. 1915).
Lincoln, Abraham (1809-1865) Steel Engraved Portrait after Francis Bicknell Carpenter (1830-1900), by Frederick W. Halpin (1805-1880) Copyrighted by Carpenter in the Southern District of New York, 1866, on the original thick paper mount, matted, small mend to verso of the mount, bottom right corner; spotting across the image; one inch wide toned area from Lincoln`s shirtfront down to the foot of the sheet, 24 x 18 3/4 in.
Reading the Emancipation Proclamation. Hartford: Peters, copyright by Lucius Stebbins, 1864. Steel engraving by James W. Watts after H.W. Herrick, with title, publishing information, and small portrait of Abraham Lincoln at the foot, framed, toned, some debris between print and glass, slight marginal discolorations, 20 1/2 x 17 1/2 in. visible through the frame.
Roosevelt, Franklin Delano (1882-1945) Typed Letter, Signed, Washington, D.C., 21 June 1916. One page, to Frederic L. Woods, Executive Secretary, National Security League, denying the loan of a naval defense mine, a Colt machine gun, and a complete set of code signal flags for an exhibition, signed as Secretary of the Navy, matted and framed with a portrait of Roosevelt, 14 1/2 x 17 in. overall.
Washington, George (1732-1799) Woven Jacquard Silk Portrait, 1856. Lyon: J.R., 1856. Oval portrait of Washington with the phrase, "First in war, first in peace, and first in the hearts of his countrymen" around his head, and the fabric woven into an ornate monochromatic frame surmounted by an eagle, in a damaged gilt gessoed frame; the silk with water stains, evidence of cello tape, and short marginal breaks with slight loss, the fabric slightly rumpled in the frame, could be washed, repaired, and flattened, the silk 16 x 19 in.
Chesterfield, Philip Dormer Stanhope, Earl of (1694-1773) Letters [.] to his Son, Philip Stanhope. London: for J. Dodsley in Pall-Mall, 1774. Octavo in four volumes, later edition, portrait frontispiece present in volume one; contemporary boards, rebacked, worn, some labels chipped, edges worn, first few signatures in volume one starting, 8 1/4 x 5 1/4 in. Chesterfield wrote more than 400 letters to his son from the 1730s until 1768, when the son died. As a study in 18th century diplomatic manners and customs, they are invaluable.
Churchill, Sir Winston (1874-1965) Four Volumes: My African Journey, London: Hodder & Stoughton, 1908, first edition, illustrated, in publisher`s pictorial red cloth, stamped with an image of Churchill beside a slain rhinoceros, in a plastic jacket, 7 1/2 x 4 3/4 in. London to Lady Smith via Pretoria, New York: Longmans, Green, & Co., 1900, first American edition, illustrated, bound in publisher`s red cloth with gold lettering on spine and front board, spine sunned, board surfaces lightly rubbed, in a plastic jacket, 4 5/8 x 7 5/8 in. Ian Hamilton`s March, London: Longmans, Green, & Co., 1900, first edition, with portrait frontispiece, maps, and plans, in red publisher`s binding with gilt lettering on spine and front board, and black end papers; binding somewhat bumped, scratched, spine sunned, in a plastic jacket, 7 1/2 x 5 in. Savrola, New York: Longmans, Green, & Co., 1900, octavo, half-title, twelve leaves of publisher`s advertisements after the text, in publisher`s blue cloth lettered in gilt on front board and spine, endcaps rubbed, bookplate removed from inside cover leaving adhesive behind, leaning slightly; 7 1/2 x 5 in.
Clarendon, Edward Hyde, Earl of (1609-1674) The History of the Rebellion and Civil Wars in England, Begun in the Year 1641. Oxford: Printed at the Theater, 1717. Six octavo volumes, each with a portrait frontispiece (sometimes bound as three), in very good contemporary English paneled and speckled tan calfskin, with the bookplate of Robert Gooden (d. 1839) of Over Compton, Dorset pasted inside the front board of each; three heads slightly chipped, leather cracked at a few front joints, back board of volume six with surface scratches, generally an attractive and well-preserved set, 7 3/4 x 4 3/4 in. (6).
Classics, Continental Imprints, 17th and 18th Centuries, Six Volumes: Johannes van Meurs`s Glossarium Graeco-Barbarum, Leiden: Elzevir, 1614, large quarto, title printed in red and black, portrait of the author on verso of title, later parchment binding; Maggio`s Syntamaton Linguarum Orientalium Liber Primus [et Secundus], Rome, 1670, folio, half parchment and paper boards, blind library stamp to title, boards worn and abraded; Matthias Martini`s Lexicon Philologicum, Praecipue Etymologicum et Sacrum, Utrecht: Schouten, 1697, two folio volumes, contemporary blind-tooled Dutch parchment over stiff boards, title to volume one printed in red, with added engraved title; and Hesychii Lexicon, Leiden: Luchtmans, 1766, two folio volumes. (6).

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