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Various art related books, to include The National and Tate Galleries by R.N.D. Wilson, Modern Still Life Painting in Oils, The Illustrators, Oil Paintings, The Technique of Portrait Painting, How to Draw Horses, The London Sketch Club, The Technique of Oil Painting, Drawing in Pen and Pencil, etc. (1 shelf)
A large pair of Dutch silver fruit baskets in 18th century style, maker’s mark RS over ‘2’, also with pseudo marks and Dutch dolphin control mark, early 20th centuryDiaperwork-pierced sides with foliate swags and 18th century portrait bust in oval cartouche on either side, on foliate feet, reed and ribbon rims, 38.4cm long, 16cm high, 102oz (3162gm). (2)
A Third Reich photograph album, the cover mounted with Luftwaffe metal cap eagle and RAD metal cap badge, and impressed “Meine Dienstzeit”, containing 132 mostly privately taken photographs including a portrait of the very young good looking owner, who apparently after serving in the RAD joined a Luftwaffe Flak unit, the early photographs show RAD camp life, personnel etc, followed by three portraits of him as a Luftwaffe Flieger, Gefreiter and Obergefreiter, groups of personnel, barrage balloon, anti aircraft batteries, and camp scenes. GC (slight wear to the cover) £130-150
STEPHENSON (George, Railway Founder): interesting 3pp ALS, Kyle of Bute 13 August 1879 to the mayor of Chesterfield refusing, with regret, to allow a portrait to be copied...'when I tell you that the late Mr Robt Stephenson always refused to allow the picture to be copied you will see that I am bound to carry out his wishes...'. Together with 3 side ALS from Sir Robert Peel, 3rd Baronet, dated Feb. 23 1878. (2)
COLIN JELLICOE (1942 - 2018) THREE ACRYLIC PAINTINGS ON PAPER IN CIRCULAR MOUNTS ?C.J. PLAYING COVER HERO?, 1994 10? (25.4cm) diameter ?Colin?s Fancy Cowboy Boots?, 1984 14 ¼? (36.2cm) diameter Horse portrait, untitled, indistinctly dated 9 ½? (24.1cm) diameter Signed and dated, (3)C/R- images good
A Collection of Six Books on a Military Theme: 1960 Edition of A Full Life by Lieut-General Sir Brian Horrocks, 1947 Edition of Hugh Dormer's Diaries Wavell Portrait of a Soldier by Bernard Fergusson 1961, 1949 Edition of Crusade in Europe and 1947 Edition of Operation Victory by Major-General Sir Francis De Guingand
Scott, Peter (written and ills by) "Wild Chorus", Country Life Limited 1939, colour frontis, colour and other plates, decorated pictorial ep, part of the dj is present, green cloth and gilt titles Scott, Peter "Morning Flight, a Book of Wildfowl", Country Life Limited 1939, frontis colour portrait, colour and other plates throughout, blue cloth, backstrip split at the top ,not much of the dj "The Eye of the Wind, an Autobiography", Hodder & Stoughton 1961, photographic and other ills, pictorial ep, blue cloth, silver titles, dj not price clipped Huxley, Elspeth "Peter Scott, Painter and Naturalist", Faber & Faber 1993, bkpl to ffep, ills, green cloth, dj price clipped Southgate, Frank R.B.A. (ills) "Wildfowl and Waders, Nature and Sport in the Coastlands", Country Life 1940, an article from either The Field or Country Life stuck in, an accompanying letter, a postcard, another article from Country Life, part of dj present , green cloth (6)
Palmer, E H "Oriental Penmanship, Specimens of Persian Handwriting ...", to which are added illustration of the Nagari character, bearing book shop stamps from Bombay and another with Eastern characters, bears date 1893, W H Allen & Co 1886Britton, John "Memoire of John Aubrey FRS ...", printed by Nichols & Son 1845, contemporary name and date 1845 on tp, frontis portrait rebound and put in wrong place, bearing bkpl inside front board, blindstamped and gilt decorated boards with shelf wear and fading (2)
A YELLOW METAL PORTRAIT PENDANT, of an oval form, holding a photo of a gentleman, within a textured collet mount, within a further snake chain and black enamel charm surround, tapered plain polished bail, fitted with a brown leather back, tested as 18ct gold, approximate dimensions 45.9mm x 36.1mm x 7.5mm, approximate gross weight 14.4 grams
AFTER SIR PETER LELY 'COUNTESS OF MEATH', a seated portrait of Elizabeth Lennard (1645-1701), wife of the 3rd Earl of Meath, an unsigned modern oil on canvas copy of the original held in the National Gallery of Canada, unframed, size approximately 90cm x 62cm (Condition:- creases and small areas of paint loss)
ST MIKOLAJCZYK (20TH CENTURY), 'Self Portrait with Lace Collar', a portrait of a young man after Rembrandt, signed, titled and dated 1984 bottom right and verso, oil on canvas, framed, size approximately 40cm x 32cm (Condition: 2cm scratch to painting, two scuffs to the varnish approximately 8cm in length)
Baker (Richard), A Chronicle of the Kings of England and The Works of Sir William Temple in Two Volumes, the former printed for Ben Tooke et al, London, 1695, engraved frontispiece, bookplate of Stafford S[tratton?] Baxter and ink inscriptions for previous owners, Dudley Baxter Jnr (?) and Patrick Wykeham Montague-Smith (front board partially detached); the latter comprising Volume the First, The Works, with engraved portrait frontispiece, bookplate of John Grenfell and inscription to Sidney Grenfell and Volume the Second, Letters, inscription to Sidney Grenfell, printed by J. Round et al, London 1740 (3, all in contemporary calf and with faults)
attributed to CHARLES JERVAS (British 1675-1739) A PAINTING, "Portrait of a Young Lady with Silver Belt in Blue Silk," CIRCA 1730, oil on canvas, the adolescent with short curled hair looks out, painted in 3/4 length with blue eyes, holding white flowers of Bethlehem, her unadorned raw blue silk overcoat and linen undercoat are clasped by faceted sterling silver hexagonal dress clips, at her waist a silver-gilt couched belt with tied end; a burning orange atmospheric landscape shades the background. 28 3/4" x 23" Condition: Lined canvas, inpainting, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DIEGO RIVERA (Mexican 1886-1957) A GROUP OF TWO PRINTS, FROM "Frescoes of Diego Rivera," MOMA, SIGNED, NEW YORK, 1933, comprising two color calotype prints on heavy paper, each plate signed and dated on plate, respectively in blue and black ink, "Diego Rivera, 1942," "Detail from Day of the Dead (Street Fair)," plate III, signed and dated in blue ink L/R, 10 7/8" x 8 5/8"; "Detail from A Division of the Lands," plate IV, signed and dated in black ink L/L, 11" x 8 3/4"; both in situ at, "The Ministry of Education, Mexico City," color plates printed in Germany by Ganymed, Berlin, for The Museum of Modern Art, New York, "Color Reproductions of Mexican Frescoes by Diego Rivera," exhibition running February 20 - March 12, 1933. Note: The "Detail of Day of the Dead," presented here curiously captures the head of a man with a yellow hat, which unwaveringly favors the artist. The consideration that this is indeed a self-portrait of the artist hidden among the festivities cannot be missed.Original Exhibition press release (facsimile): "Saturday afternoon or Sunday, February 18, 19th, 1933. The Mexican murals of Diego Rivera, in a setting of modern interior architecture will be offered to the public at the Museum of Modern Art, 11 West 53d Street, New York, on Monday, February 20th, when the Museum opens its permanent Architecture Room with a showing of the first color reproductions of the famous murals executed by Diego Rivera in Mexico City, Chapingo, and Cuernavaca. The exhibition marks the publication by the Museum of Modern Art of the Rivera Portfolio which contains 19 color plates printed by the Ganymed Press in Berlin, Germany, selected from the frescoes on the walls of the Ministry of Education and the National Palace in Mexico City, the Agricultural School in Chapingo, and the Palace of Cortez in Cuernavaca. In addition 14 monotone plates, printed by the Plandome Press in New York, show on a smaller scale the entire fresco of which each color reproduction is a part. The portfolio also contains a note on the technique of Rivera's frescoes by Jere Abbott, Director of the Smith College Art Museum. The book has been in preparation for over a year and its publication has been made possible by the generosity of a member of the Advisory Committee of the Museum of Modern Art. The Architecture Room, in which the prints will be shown, will be a permanent feature of the Museum. It has been installed and decorated as an example of modern interior architecture, under the supervision- of Philip Johnson, Director of the Department of Architecture. The furniture is designed by Le Corbusier, Pierre Jeaneret, and Charlotte Perriand. The colors of the room are gray, brown, and blue. Two walls of gray homespun have aluminum base moldings. One wall is covered by navy blue raw silk curtains and the fourth wall is white. Two windows in this wall are of ribbed translucent glass. Curtains of white fishnet cover this entire wall. The floor is dark brown linoleum." The recipient attributed as Beatrice Joyce Kean (1923-1972), of the Joyce Family and Joyce Foundation, which dedicates considerable charitable donations through grants to the Great Lakes region, focusing on "advancing racial equity and economic mobility," since 1948. Printer reference: Malet, Marian, and Sara MacDougall, ed. et al, "Applied Arts in British Exile from 1933: Changing Visual and Material Culture: Yearbook of the Research Center for German and Austrian Exile Studies, Brill, Leiden, 2019, page 154.Copyright by Ray Slater Murphy, noted collector and MoMA Patron. Condition: Very minor surface wear and toning, some small bends at corners of matting, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
MORTIMER L. MENPES (Australian 1855-1938) A PRINT, "Portrait Studies [From Whistler As I Knew Him, by Mortimer Menpes]" CIRCA 1880, etching & drypoint on paper, signed in pencil L/R. 7 1/4" x 5 3/8" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
MANUEL GONZALEZ SERRANO (Mexican 1917-1960) A PAINTING, "Portrait of a Raven Haired Beauty," 1939, oil on canvas, signed, placed, and dated L/R, "M. Gonzalez Serrano, Mexico, 1939." 37" x 27" Note: The sitter in a black high fashion Lanvin style dress is attributed as Eleanor Freed, Houston art critic, on tag verso, labeled, "Hart Galleries." The beauty with raspberry lipstick and rouged cheeks holds a pale pink rose in one hand, and on the other she wears a gold and emerald bangle, ending with en vogue dusty mauve polished nails. A powder blue and gilt striped Art Deco vase stands at her back. Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Some surface wear throughout including some scratches and abrasive losses and damages, but overall in fair to good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
CLIVE BARKER (British b. 1940) A SCULPTURE, "Portrait of Francis Bacon," CIRCA 1978, bronze, artist stamp at base of neck. Height: 26" Width: 39" Depth: 39" Note: Depicting a full bronze sculpture taken from a life mask of the painter Francis Bacon under an umbrella, an object which frequently appears in Bacon's work. Clive Barker created six bronze and six plaster versions of a life mask of Francis Bacon. Both artists completed several portrait works of one another. There was a second edition of three further bronzes made. Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Tip of umbrella broken, apparent adhesive substance used previously to reattach, minor surface wear commensurate with age, generally in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
R.B. KITAJ (American 1932-2007) A GROUP OF FIVE PRINTS, FROM "First Series: Some Poets," 1966-1970, comprising five works on paper from "First Series: Some Poets," a portfolio published by Kelpra Studios. "Ed Dorn," screenprint on paper, signed in image in pencil L/R, "Kitaj," numbered L/L 39/70, stamped verso, 25 5/8" x 20 1/2"; "Star Betelgeuse, Robert Duncan," screenprint and collage on paper, numbered 40/70, 33" x 17 7/8"; "Portrait of W.H. Auden," screenprint and lithograph on paper, numbered 33/70, 18 1/2" x 24 1/2"; "Revolt on the Clyde (Hugh Mac Diarmid)," screenprint and photo-screenprint on blue card, signed and numbered in pencil L/L "Kitaj 52/70," 25 1/2" x 20 1/4"; "Fifties Grad Swank: Morton Feldman," signed and numbered in pencil L/L, "Kitaj 63/70," 31 1/2" x 14 3/4". Provenance: Estate of David E. Brauer, Houston, Texas. Condition: "Ed Dorn" has light marks from creasing along right edge, and is hinged to black matboard. Generally in good to very good condition; "Revolt on the Clyde (Hugh Mac Diarmid)" has slight residue along lower edge, along with some scratching to the frame; "Fifties Grad Swank: Morton Feldman" has slight crease in U/R corner, slight discoloration in L/L corner, along with a small crease in L/R corner, otherwise all in generally good to very good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DEREK BOSHIER (British b. 1937) A PAINTING AND A SKETCH, "David Brauer on Planet Vasari Centauri," AND "Brauernaut," 2018, comprising one painting and one drawing, "David Brauer on Planet Vasari Centauri," 2018, oil on canvas, signed, titled, and dated verso in permanent marker. 48" x 24"; together with "Brauernaut," n.d., ink on paper sketch. 7 1/2" x 8 1/2". Note: David Brauer made Houston his permanent home after traveling to witness a space launch at NASA’s Johnson Space Center. His personal collection boasted many books, films, ephemera objects, and photographs documenting space travel and study. This passion earned him the nickname "Brauernaut" with Derek Boshier. This 2018 portrait depicts Brauer holding a book by Giorgio Vasari, the 16th-century Italian painter, architect, writer, and historian standing quite comfortably on a hot orange martian landscape with a spacecraft looming in the distance. Provenance: Both works exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama. Estate of David E. Brauer, Houston, Texas. Condition: Painting generally in good condition. Ink sketch has some spots and rough-cut edges, typical with nature of the work. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
MAN RAY (American 1890-1976) A PRINT, "The Imaginary Portrait of Marquis de Sade," 1970, color lithograph on paper, signed L/R, and numbered Artist's Proof, "Eprime d'Artiste," L/L in pencil. 24 3/8" x 19 5/8" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Moderate foxing and spotting throughout, overall fair to good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

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