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Los 31

British Provincial, Dorset, Shaftesbury, Shaftesbury Bank, Ten Pounds, 10 October 1843, no. 698, for W.B. Brodie & Thomas King, signed by W.B. Brodie (Outing 1919B; Grant 2586). Split and rejoined at centre, printed bankruptcy stamp and handwritten dividend stamp on front, pinholes, otherwise fine, rare William Bird Brodie (1780-1863), banker, bookseller and stationer, Whig MP for Salisbury 1832-43, was the proprietor of the Salisbury and Winchester Journal from 1808 until he was declared bankrupt in 1847. By 1811 Brodie had also taken over the banking business in Salisbury begun in the 1770s by Benjamin Charles Collins (1758-1808), nephew of the founder of the newspaper. Brodie, a former officer in the Wiltshire Militia, was appointed Lt-Col of the Salisbury Volunteer Infantry, a unit formed in the wake of the civil uprising which affected the city in November 1830 (Bennett, OMRS Journal, December 2009, pp.239-42, including a lithograph portrait of Brodie). He was an associate of the photographer W.H. Fox Talbot, published pamphlets on banking and slavery, as well as a book of poems. Thomas King (1806-63), a London banker whose country seat was at Alvediston, Wiltshire, entered into the banking partnership in 1834; after the bank failed he became a gentleman farmer at Norrington

Los 190

A staffordshire earthenware flatback portrait figure of the prince of wales 19th c

Los 191

A staffordshire earthenware flatback portrait figure of sir charles napier 19th c

Los 332

English school 19th c portrait miniature of a midshipman, bears signature

Los 71

A collection of various items including a part turned bone chess set, a portrait medallion of Napoleon, various inkwells, a small number of cigarette cards etc.

Los 396

Arnold Gerstl - Portrait of Miss J Hepburn, oil on board, signed and dated 1942, 17 1/4" x 13 3/4".

Los 445

Gordon Cumming, The Strand watercolour, 8" x 21", a further watercolour of The Strand, a collection of Royal portrait prints and two embroidered motto pictures.

Los 356

A collection of American and European silver items, to include a silver photograph frame and two late 19th century portrait photographs, in gilt frames

Los 390

English School, circa 1900, portrait of Ida Marguerite McAvity,oil on board, 27 x 33cm, together with an oil on board of flowers painted by Ida Marguerite McAvity

Los 881

An 18ct gold mounted miniature portrait pendant and a 9ct gold locket and chain, weight of locket and chain 10.4gms

Los 684

"Five 8 x 10 portrait stills, all signed and dedicated David inc Emma Thompson, Zoe Wanamaker (Chel), Rutge Hauer and Tom Selleck "

Los 689

"Four 8 x 10 portrait stills, all signed and dedicated David inc Gene Hackman, Anthony Hopkins, Sean Connery and Jane Seymour "

Los 702

"Oil on canvas, portrait of `Fernandel`, No. 2, signed Langford 64`, 97x 77cm, studio frame, label on reverse, Royal Academy, 1965"

Los 108

"Painted glass circular plaque with portrait of a Pre-Raphaelite lady, formerly a central section of a window, 28cm d"

Los 121

"Continental silver heart shaped box, the pierced hinged cover centred by an enamelled portrait of a soldier, Import marks by E.T.B, London 1896, 4cm w"

Los 379

"19thC cameo; a portrait study of a Greek maiden with laurel and floral garland and wearing a toga, 4x 3.3cm. A double layer cameo; a study of a lady (possibly Britannia) seated with arm outstretched holding garlands, set in brass mount adorned with two rows of scrolls, 5x 3.7cm"

Los 42

HARDEN SIDNEY MELVILLE, SIGNED, TWO PASTELS, Portrait Studies of Young Children, 28” x 21” (2)

Los 127

VICTORIA SWAIN, (SIGNED ALEXANDEINE), DATED 1991, OIL ON BOARD, Portrait of the Artist holding a Porcelain Model of a Bird, (see Royal Academy Summer Exhibition 1991 label verso), 19” x 15”; together with two similar (3)

Los 149

AVERIL BURLEIGH, SIGNED, OIL, Head and Shoulders Portrait of a Lady in Yellow Dress, Wearing Sun Hat, believed to be a self-portrait (see further details verso), 17” x 11”

Los 232

VICTORIAN SCHOOL, PASTEL, Head and Shoulders Portrait of a Lady Wearing Lace Cap, 15” x 12”

Los 263

ATTRIBUTED TO MRS ANNE JOSEPH MEE (FL 1804-1837), OIL, MINIATURE, Portrait of a Lady Wearing a Straw Bonnet with Blue Ribbon and White Ribbon Tie, 3” x 2 ½”; and a CASED PHOTOGRAPHIC MINIATURE of a Lady (2)

Los 265

SIR WILLIAM JOHN NEWTON, OIL, MINIATURE, DATED 1811, Portrait of Lady Jane Rodd (see attached biographical detail)

Los 266

19TH CENTURY ENGLISH SCHOOL, OIL, MINIATURE, Head and Shoulders Portrait of a Lady Wearing a Brown Dress and Pearl Necklace and Headdress, 2” x 1 ½”

Los 267

J W, INITIALLED AND DATED 1850, OIL, MINIATURE, Head and Shoulders Portrait of a Lady Wearing White Blouse, 2” x 1 ¾”

Los 268

WILLIAM BONE, INSCRIBED VERSO, OIL, MINIATURE, Head and Shoulders Portrait of a Lady in Elizabethan Dress, 2 ½” x 2”

Los 269

20TH CENTURY ITALIAN SCHOOL, OIL, MINIATURE, Portrait of an Elizabethan Lady, 3 ½” x 2 ½”

Los 279

19TH CENTURY SCOTTISH SCHOOL, OIL, MINIATURE, Head and Shoulders Portrait of a Gent, 2 ½” x 1 ¾”, within an ornate gilt frame

Los 281

VICTORIAN SCHOOL, OIL ON PORCELAIN, Three Quarter Length Portrait of a Young Girl Wearing Blue Flowing Dress and Ringlets in her Hair, 7” x 5” (in ornate gilt gesso frame, contained in a glazed cabinet)

Los 282

M S MEAKIN, SIGNED AND DATED MARCH 1841, PASTEL, Portrait of a Baby Seated on a Cushion Holding a Flag, 9” x 12”

Los 285

19TH CENTURY ITALIAN SCHOOL, WATERCOLOUR, MINIATURE, Head and Shoulders Portrait of a Veiled Lady, 3” x 2 ½”, within an ornate gilt gesso frame

Los 286

AFTER A VAN OSTADE, WATERCOLOUR, “The Painter in his Workshop (Self-Portrait – 1663)”, (see inscription verso), 9” x 8”

Los 291

ATTRIBUTED TO PHILIP TENNYSON COLE (INDISTINCTLY SIGNED UNDER MOUNT AND DATED 1909 VERSO), WATERCOLOUR AND CRAYON, Portrait of the Hon Nesta Donne Phillips Aged 5 ½ Years, in good quality oval gilt frame, 9 ½” x 7”

Los 462

18TH/19TH CENTURY ENGLISH SCHOOL, OIL, Head and Shoulders Portrait of a Young Nobleman, frame and stretcher bear the stamp Robert Mond, 12” x 9 ½”

Los 467

O L, MONOGRAMMED AND DATED 1863, OIL, Half-Length Portrait of a Lady, 10 ½” x 8 ½”

Los 487

ATTRIBUTED TO GEORGE RICHMOND, OIL, Portrait of Thomas Brown a Freeman of Hull, 23” x 19”

Los 488

JAMES F SCOTT, SIGNED AND DATED 1925, OIL, Half-Length Portrait of William Henry Brown, 29” x 24”

Los 489

CHARLES BAXTER NURSE, SIGNED, OIL, Head and Shoulders Portrait of a Military Gent, 29” x 24”

Los 585

19TH CENTURY ENGLISH SCHOOL, OIL, Three-Quarter Length Portrait of a Young Girl with Ringlets in her Hair, 14” diameter

Los 628

K C W, INITIALLED, PASTEL, Head and Shoulders Portrait of an Arab, 7” x 5” (unframed)

Los 631A

19TH CENTURY ENGLISH SCHOOL, OIL, Head and Shoulders Portrait of a Young Lady, 28” x 23” (oval)

Los 633

19TH CENTURY SCOTTISH SCHOOL, OIL, Portrait of Seated Piper, 35” x 27”

Los 65

* Bellin (Samuel). Robert Stephenson Esq. M.P., pub. Henry Graves & Company, February 21st. 1853, full length mezzotint portrait on wove after John Lucas, some overall toning and marginal spotting, good margins, 810 x 520mm. Stephenson is shown standing in front of the Britannia rail bridge which spans the Menai straits which he designed and built. (1)

Los 68

* Bodenehr (Gabriel). Franciscus I, Dei Gratia Romanorum Imperator Semper Augustus, Augsburg, Johann Daniel Herz, n.d., c. 1765, uncoloured mezzotint, on laid paper, some light surface stains and soiling, with margins, plate size 395 x 275mm, together with Ferdinand Albrecht, Herzog von Braunsch. und Lunaeburg, 1679, uncoloured mezzotint on laid paper, margins trimmed, some waterstains and surface marks, plate size 530 x 395mm. A portrait of Francis I, Holy Roman Emperor, who married Maria Theresa, the daughter of Emperor Charles VI, in 1736. (2)

Los 81

* Dixon (John). [Misses Crewe], n.d. c.1790, mezzotint on laid after Joshua Reynolds, thread margins, 510 x 360mm, mounted, together with Fisher (Edward), Mrs. Keck, 21st. March 1774, mezzotint on laid after R.Brompton, small margins, 600 x 375mm, with Young (John), Mrs Orby Hunter, Dec. 1st. 1800, mezzotint on laid after John Hoppner, dark impression, small margins, 640 x 385mm. The portrait by Dixon is believed to be the seventh and final state. With this state the plate was largely re-worked by another hand. (3)

Los 82

* Dixon (John). Elizabeth Countess of Pembroke and the Rt. Honble. George Lord Herbert, pub. R.Sayer & J.Bennett, 5th April 1777 [or later], mezzotint on laid after Sir Joshua Reynolds, small margins, 455 x 330mm, together with Beckett (Isaac), The Countess of Chesterfield, n.d. pub. 1680, mezzotint on laid after P.Lilly, fine dark impression, good margins, 345 x 250mm, with Neggs (Johann Simon), Untitled portrait of a Shepherdess, n.d. c.1780, mezzotint on laid after Ph. Mercier, good margins, 350 x 255mm, mounted, together with one other similar (4) £150-200

Los 91

* Faber (John). The Honble. Henry Medley Esq., Rear Admiral of the White Squadron of his Majesty’s Fleet &c., 1745, half length mezzotint portrait on laid after John Ellys, thread margins, 350 x 250mm, together with McArdell (James), Admiral Vernon, n.d. c. 1760, half length mezzotint portrait on wove after T.Gainsborough, trimmed to image, 335 x 250mm, with, Smith (John), The Right Honble. Sr. George Rooke Vice Admiral of England and Commander in Chiefe of her Majesties Fleet &c. and one of her Majesties most Honourable Prive Council, 1704, half length mezzotint portrait on laid after M.Dahll, thread margins, 345 x 265mm, with another five half length mezzotint portraits of British Admirals, various sizes and condition (8)

Los 107

* Green (Valentine, 1739-1813). To his Grace Charles Duke of Queensberry and Dover, pub. G.Willison, Oct. 22nd. 1770, mezzotint on laid after G.Willison, good dark impression, scratch letter proof before title, 605 x 425mm, together with another copy of the same image but a later state, together with Clarot (J.), Carl Erz-Herzog von Oesterreich, Vienna, 1796, mezzotint on wove after Edward Stroely, trimmed to plate mark, 695 x 500mm, with, Pether (William), Rembrandt as an Officer of the State (self portrait), n.d. c.1780, mezzotint on laid after Rembrandt, title area remains uncleaned, scratch letter proof before title, thread margins, 505 x 355mm (4)

Los 116

* Jones (John 1745-97, ). Mr. Henderson, pub. May 30th. 1783, half length mezzotint portrait after Thomas Gainsborough, scratch letter proof, thread margins, laid on later paper, 385 x 280mm, mounted, together with, Scott (Alexander), [Rear Admiral Sir James Clark Ross, D.C.L., F.R.S.], n.d. c.1845, mezzotint portrait, india on wove after Stephen Pearce, proof before title, facsimile signature below image, old fold and scratching affecting image, 540 x 420mm, mounted (2)

Los 149

* Pether (William, 1731-1821). Helena Forman, Wife of Rubens, pub. June 30th. 1769, mezzotint on laid after P.P.Rubens, dark impression, good margins, 505 x 360mm, together with Blackmore (John), Untitled portrait of a bare breasted woman, n.d. c.1770, mezzotint on laid after Frans Hals, good margins, 330 x 230mm, with one other similar (3)

Los 155

* Pratt (Joseph Bishop, 1854-1910). [His Majesty King Edward VII, pub. Thos. Agnew & Sons, 1902], full length mezzotint portrait on india wove after Luke Fildes, proof before title and letters, signed in pencil by artist and engraver below image, fine dark impression, good margins, 860 x 585mm, together with another state of the same image with open letter title, together with Townley (Charles), Hans Joachim van Zeithen, Berlin 1786, half length mezzotint engraving on wove, after F.C.Cunningham, trimmed to image on vertical margins, thread margins on horizontal margins, 360 x 260mm, with, Turner (Charles), This Plate of Sir Francis Chantrey R.A. &c. &c. &c. is with permission dedicated to Lady Chantrey, pub Mr. Turner, Feb. 2nd. 1843, mezzotint engraving on wove after Henry Raeburn, facsimile signature in lower margin, mount stained, 375 x 290mm, mounted, with ome other similar (5)

Los 158

* Purcell (Richard). A Jewess, n.d. c.1760, half length mezzotint portrait on laid after Rembrandt, one small repaired hole, 355 x 255mmThe engraver of this print is credited as C.Corbutt. This is a pseudonym for Richard Purcell, an Irish mezzotint engraver of portraits and caricatures who used this alternative name to conceal his identity as a plagiarist of other engraver’s plates. (1)

Los 172

* Smith (John I 1652-1742). Johannes Smith, 1716, half length mezzotint portrait on laid after Godfrey Kneller, 340 x 255mm, together with, Lupton (Thomas Goff), Richard Earlom Esq., pub. Hurst Robinson & Co. Successors to J & J Boydell, Feb. 1st. 1819, circular mezzotint on wove after G.Steuart, fine dark progress proof, together with another copy of the same image but a later state, 150mm diameter, with Kingsbury (Henry), James Northcote, c.1790, mezzotint on wove after P.Hoare, good margins, 275 x 220mm, with another copy of the same image but earlier state (5)

Los 182

* Turner (Charles). This Portrait of Thos. Wm. Coke Esq. M.P. for the County of Norfolk, is Humbly Dedicated to the Agriculturists of the United Kingdom by their obedt. Servts. J & W Freeman, 1814, full-length mezzotint portrait after T. Lawrence, trimmed inside plate mark and laid on later card, 680 x 420mm, together with Thos. Willm. Coke Esq. M.P. for Norfolk, 1819, half-length mezzotint portrait after T.Laurence, dec. engraved mount border, good margins, occ. spotting, 485 x 360mm (2)

Los 183

* Turner (Charles). To the King’s most Excellent Majesty, this print of the late Admiral Sir Richard King, Bart., Vice Admiral of the Red and Commander in Chief at the Nore, is with his Permission most humbly dedicated, 1835, half-length mezzotint portrait on wove after T.Saunders, good margins, 505 x 355mm, together with Smith (John), The Right Honble. Sr. George Rooke Vice Admiral of England &c. Admiral and Commander in Cheife of Her Majesties Fleet &c. and one of Her Majesties most Honourable Prive Council, 1704, half length mezzotint portrait on laid after M.Dahll, narrow margins, 345 x 260mm, with, Faber (John), The Honble. Sr. Charles Wager Knt., Admiral of ye Blue Squadron of his Maj.ties. fleet & one of ye Lds. Commiss.rs. of ye Admiralty &c., 1732, half length mezzotint portrait on laid after T.Gibson, good margins, 350 x 250mm, together with another six half length portraits of British Admirals, occ. duplicates, various sizes and condition (9)

Los 188

* Turner (Charles, 1773-1857). John Robison L.L.D., Professor of Natural Philosophy in the University of Edinburgh half length mezzotint portrait after Henry Raeburn, 510 x 360mm, framed and glazed in good 19th century stained wood frame, together with, Jones (John), 1745-1797, Joseph Edmondson Esq, Dec. 22nd., 1787, half length mezzotint portrait after T.Beach, on laid with good margins, 510 x 355mm, framed and glazed, with Ward (James), 1769-1859, The Honorable Henry Erskine, pub. A.Lawrie, mezzotint portrait after Henry Raeburn, good margins, 510 x 355mm, framed and glazed in good 19th century stained wood frame with gold slip, together with another five similar portraits, various sizes and condition (8)

Los 189

* Turner (Charles, 1773-1857). Mr John Jackson, pub. C.Turner, May 19th 1810, mezzotint portrait on laid after B.Marshall, small margins, partially strengthened on verso with linen, 640 x 455mm, together with, Mr. John Jackson, pub. C.Turner, April 14th. 1821, half-length mezzotint portrait on laid, some surface spotting and staining, good margins, 360 x 255mm. Two unusual portraits of the bare-knuckle prize fighter John Jackson Esq. (2)

Los 195

* Turner (Charles, 1773-1857). His Highness Prince Blucher of Wahlstadt, General Field Marshal of the Prussian Armies....., pub. R.Ackermann, 1st. August 1815, mezzotint portrait after C.Back, trimmed inside plate mark, 630 x 520mm, framed and glazed (1)

Los 84

MARIAN KRATOCHWIL (Polish, 1906-1997) Portrait of Boris Borkowski, Poland 1937, signed lower left, oils on board, 11" x 8 1/4" The artist shared a room with him in Warsaw and he was a great friend from the academy. Borkowski later lost a leg in the insurrection.

Los 88

MARIAN KRATOCHWIL (Polish, 1906-1997) Portrait of Dame Ethel Walker, London, circa 1946, red crayon, 9 1/2" x 8"

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