Henry Fenton Spread (Irish / American, 1844-1890) Oil on Canvas Undated, signed lower right, a portrait of a man with beard wearing a collared shirt, jacket and tie, behind glass in a gold-tone wood and plaster frame; having Albert Roullier Chicago gallery label en verso Property from: an Evanston, Illinois estate Height: 23 1/2 inches, Width: 19 1/2 inches (sight)Frame Size: 29 3/8 inches by 25 1/4 inches Condition: Very Good, light areas of accretions behind glass; no other condition issues to artwork noted; minor ware to frame consistent with age; gallery label taped to back of frame Disclaimers: not examined outside of frame Category: Fine Art > American Paintings Estimated Sale Time: 12:09 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
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Max Band (Lithuanian / American, 1900-1974) Oil on Panel Undated, signed lower right, portrait of a young boy, in a wood frame Height: 12 1/2 inches, Width: 10 1/2 inches (sight)Frame Size: 20 1/2 inches by 18 1/2 inches Condition: Very Good, frame rubbing along edges; paint losses at edges Category: Fine Art > American Paintings Estimated Sale Time: 12:20 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Illinois (8%), Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Mixed Artists Painting Assortment (2) undated items including Jessica Fine (American, 21st Century), pastel over oil wash, undated, signed lower left, depicting a sunset over the Mediterranean sea as figural silhouettes look on, framed under glass; and oil on copper portrait of a girl holding a toy, signed 'J. Montiel' lower right, in a painted wood frame Property from: a Dixon, Illinois estate Height: 14 3/4 inches, Width: 7 1/2 inches (pastel sight)Frame Size: 17 1/4 inches by 11 inches Condition: Very Good to Good, rough surface of metal plate original condition; light dirt accumulation Disclaimers: not examined out of the frames Category: Fine Art > Other Estimated Sale Time: 1:52 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4
Limoges Painted Enamel Tastevin Wine Tasting Cup Polychrome painted on copper cup having a flat handle, a portrait of Christ on inside bottom and a mill on the underside Provenance: Collection of Lucy and Stanley Lopata, St. Louis, Missouri; thence by descent Property from: a Chicago, Illinois (Gold Coast) estate Length: 5 inches, Width: 3 5/8 inches Condition: Good, overall light wear consistent with normal use and (attributed) age; having 1-inch chip at inside rim extending over the top to the outside; and 1.5-inch chip across topside base of handle; outside handle flanked by 2 chips; crack the length of the flat handle where it connects to the cup on the outside Category: Decorative Arts > Objects Estimated Sale Time: 10:23 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Original vintage advertising poster for X International James Joyce Symposium held in Copenhagen 16-21 June 1986 organised by The James Joyce Society of Copenhagen, with the addresses for correspondence listed below a simple drawing in blue of a man. James Joyce (1882-1941) was an Irish writer best known for Ulysses, Dubliners, and A Portrait of the Artist as a Young Man. Excellent condition. Country of issue: Denmark, designer: Unknown, size (cm): 62x42, year of printing: 1986.
Original vintage Soviet propaganda poster showing member of the Politburo - Central Comittee of the All-Union Communist Party. A portrait of Josef Stalin appears above the other members of the comittee - Andreyev, Voroshilov, Zhdanov, Kaganovich, Kalinin, Mikoyan, Molotov, Khruschev, with candidates Beria and Shvernik, in a red scroll with the Kremlin below. Fair condition, tears, folds, creasing, paper loss, browning. Country of issue: Ukraine, designer: I. Hotinok, size (cm): 61x42, year of printing: 1940.
Original vintage Soviet propaganda poster depicting a portrait of a Russian revolutionary and politician Vladimir Lenin (Ulyanov; 1870-1924) over a red banner in the centre with factory workers and agricultural farmers, armed soldiers and common people, and a cosmonaut holding up the emblem of the Soviet Union, all carrying banners that read - For Industrialisation! For Collectivisation! For the power of the Soviets! For Soviet Motherland! Towards Communism! Always with Lenin! Horizontal. Fair condition, folds, tears, creasing, foxing. Country of issue: Russia, designer: O. Savostyuk, B. Uspenskiy, size (cm): 68x94, year of printing: 1966.
Set of five original vintage art exhibition advertising posters. 1. Artwork by Marion Heerup depicting a red haired lady in a white and red dress next to a horse and a calf with an abstract blue mask and bright yellow sun over them, grey text below - Marion Heerup paintings / billeder exhibition held from 4 December to 8 January 1982 at DB Gallery in Copenhagen. Excellent condition. Country of issue: Denmark, designer: Maarion Heerup?, size (cm): 42x29.5, year of printing: 1982.; 2. Jantzen's Summer, a text by Ole Sarvig for 8 litographs by Sys Hindsbo at Brondums forlag / Jantzens sommer en tekst af Ole Sarvig til 8 litografier af Sys Hindsbo, featuring a colourful illustration of two men in red and yellow clothing seated on chairs with various art objects surrounding them - paintings and a model goat head, black text below the image. Very good condition, minor creasing in the bottom left corner. Country of issue: Denmark, designer: Unknown, size (cm): 62x44, year of printing: 1980s.; 3. Kund Nielsen Stadier Pa Vejen / Kund Nielsen's exhibition Stages on the Road held 2-17 March 1974 at Tarbny Radhus Amager Kunstforening, featuring an abstract illustration in black, green, orange, brown and blue, set over light background. Excellent condition. Country of issue: Denmark, designer: Kund Nielsen, size (cm): 64.5x41.5, year of printing: 1974; 4. Kjeld Jensen (1992-1998) artwork exhibition at the Galerie Actu-Art at Stengade 64 Helsingor featuring an abstract black, white, blue, red, and yellow image. Excellent condition. Country of issue: Denmark, designer: Kjel Jensen, size (cm): 70x50.5, year of printing: 1980s.; 5. Jens Juel I Privat Eje / Jens Juel and Privat Eje exhibition held at the Kunstforeningen / The Art Society, now officially called Gammel Strand, from 16 November to 12 December 1982, featuring a great illustration of a lady in a brown dress holding a silk cloth and a little girl in a green dress reaching her hand forward. Jens Juel (1745-1802) was a Danish painter known for his portrait works. Excellent condition. Country of issue: Denmark, designer: Jens Juel, size (cm): 55x42.5, year of printing: 1982.
Golf interest: a collection of trophies and awards including The Edinburgh Draper's Athletic Association, Domino Tournament trophy, dated 1939 and a Draper's Club snooker flyer, presented by Tenants Caledonian Brewers Ltd. two photographs showing The Edinburgh Draper's Alliance Golf Club and a portrait photograph of Sir Robert Maule, JP President 1905-1932 (more trophies than in illustration of lot)
Lot de 4 grandes photos d’époques : une du 5° bataillon de chasseurs à pied de Remiremont vers 1896, une photo de groupe du 21 RI classe 1896, un portrait de soldat du 21°RI, et une photo de groupe de l’école de Saint Cyr, l’encadrement provenant des Dragons, au verso elle est datée 1911 avec les signatures
A Late 19th Century Russian Cameo and Diamond Brooch, by Edward Schramm, circa 1880, the oval shell cameo plaque to the centre depicting a portrait of the Goddess Diana, within a yellow scrolled foliate mount, with a crown motif surmount formed of old cut diamonds in claw and collect settings, and a single old cut diamond similarly set to the base, total estimated diamond weight 2.60 carat approximately, measures 6.0cm by 4.2cm, cased by L SaefftigenEdward Wilhelm Schramm was a well-known workmaster to houses such as Fabergé and Bolin.Condition report: There is a chip to the girdle of the largest diamond in the crown and evidence of lead solder repairs. It fastens with a pin and C-hook catch. The pin is twice struck with 'ES' the workmasters initials (Edward Schramm) and also with the '56' standard mark and in our opinion would test as gold. The approximate qualities of the diamonds are; colour J/K/L, clarity SI2/I1/I2. Box by L Saefftigen, the St Petersburg goldsmith Leopold Carlovich Saefftigen firm of jewellers was located close to Fabergé at no.16 Morskaya. Gross weight 23.3 grams. CR made 30.09.21.
Ruben Ward Binks (1880-1950)" A portrait of Mr. Shepherd's Walwyn Cocker Spaniel"Signed, with inscribed artist's label verso, watercolour and gouache heightened with white, 33.5cm by 40cm Condition report: Private collection with artist label to reverse.In broadly good and original state of preservation, some light surface dirt. Odd tiny piece of debris trapped between sheet and glass, no evidence of cockling. Not examined out of the frame.
Edward Lloyd (1818-1901)Portrait of Shaughraun, Winner of the Dublin Jumping Prize, Champion Stone Wall Prize 1880Signed and dated 23rd August 1881, inscribed to stretcher verso, oil on canvas, 52cm by 75cmCondition report: In restored condition relined, cleaned, and revarnished. There is a relatively small amount of fine retouching and infilling across the horse which is more concentrated around the area immediately behind the saddle and neck. Presumably to restore old flaked paint. There is also further relatively minor and sporadic areas of infilling to old cracquelure etc. Within the shadow, left-hand side edge and across the gate up to the horse. In addition to other small areas within the foreground in the main. Some surface dirt and discoloured varnish, various sized craquelure throughout. Minimal amount of rubbings to parts of outer edges.
Frederick (Fred) Stead ARCA (1863-1940)Portrait of Mr Joshua F Garnett, head and shoulders, wearing a black suit and tieSigned and dated 1910, oil on canvas, 75cm by 60cmPresented to Mr Joshua F Garnett by the Church & Congregation of the Upper Chapel, Idle in grateful recognition of upwards 10 years of service as Deacon, Superintendent & Teacher October 22nd 1910With City of Bradford, Corporation Art Gallery label verso
Circle of Sir Henry Raeburn RSA FRSE (1756-1823)Portrait of a lady, said to be a member of the Heygate family, of Southend, Essex, three-quarter length seated at a draped table, wearing a white dress and yellow bonnet decorated with a ribbonOil on canvas, 90cm by 70cmFootnote: The sitter is said to be a member of the Heygate family, of Southend, Essex. Condition report: In fully restored condition. Fairly stiffly relined, cleaned, and revarnished. The background shows a fairly comprehensive course of strengthening and overpainting. Finer areas of retouching and restrengthening are evident in the shadows and definition for the ribbon tied to the lady's bonnet. Lightly tear/damage with a prominent patch of overpainting below and centre of the lady's lefthand arm which is approximately 6 by 4 cm and is visible by eye. Some minor rubbings/abrasions to outer edges. Some general flattening to impasto of paint as a result of the restoration process. Some surface dirt and discoloured varnish. Minor superficial slightly diagonal surface scuff towards lower right-hand corner approximately 2 cm in length. Otherwise in a stable state of preservation.
Circle of Jonathan Richardson (1667-1745)Portrait of a lady, half length, wearing a blue satin dress, with white chemise, in a feigned ovalOil on canvas, 71.5cm by 59.5cmCondition report: In broadly country house condition- relined, covered in a thick layer of dirt discoloured varnish and bloom. Pronounced essentially fine cracquelure which is lifting and flaking in areas including around the ladies hair and ear, left-hand side neck, lower shoulder, left-hand side sleeve, lower torso, right-hand side sleeve and more minor flakes elsewhere with some areas of a precarious nature. The paint is signed J.Wallaston Pinx 1736. Under UV the majority of the background has been overpainted and strengthened, finer wisps and detailing of the lady's hair have also been strengthened in addition to darker pigments between the lips and the odd fine area around the eyes and eye brows, nostrils etc. Shadows and definitions within the folds of her attire also show signs of general strengthening.
After Sir Anthony van Dyck (1599-1641)Portrait George Digby, 2nd Earl of Bristol, half length standingOil on canvas, 101cm by 84cm (unframed)Condition report: In fairly tired and country house condition, old reline, cleaned and revarnished. Pronounced varying sized cracquelure which is exaggerated by deteriorated varnish. There are also areas where cracquelure is flaking and paint is coming away most notably effectively in line with left-hand side upright stretcher and evident rudimentary infilling to areas of flaked paint, general losses along the lower edge, and rubbing abrasions. Less significant losses to other edges. Stretcher shadow, numerous surface scuffs, scratches and abrasions. Mostly contained to the upper third. Various consistent strengthening, overpainting throughout background and folds and definition of the gentleman's cloak, outline of the face, and parts of the hair. The face and flesh remains in better seemingly more original order with possibly only minimal restoration, surface generally somewhat flattened from restoration process etc.
Circle of Sir Peter Lely (1618-1680)Portrait of a lady, bust length in a feigned ovalOil on canvas, 76.5cm by 64cm (unframed)See illustrationCondition report: Old re line, patch repair to reverse with up turned L shaped tear and damage to front to her left cheek approx 1-2cm on the long horizontal edge and 1-2cm on the upright edge. Covered in a thick layer of dirt and discoloured varnish. General rubbing and abrasions to edges and odd minor and isolated patch of fine flaking i.e background towards upper left hand corner, in addition to on her left hand breast. Surface slightly flattend and paint is thin in places from historical restoration. There has been some general strenghtening through the background in addition to some of the shadows and definition within her costume and attire under the curl of hair right hand side, etc.The face and flesh areas seem broadly less affected. The face and flesh tones generally less affacted with small area of flaked paint to her left hand cheek in addition to the damage, otherwise in broadly country house condition consistant with age including the odd relatively minor surface scuff, abrasions, etc.
Follower of John Riley (18th century)Portrait of a Judge, half length, wearing a white powdered wig and red open robeOil on canvas, 63.5cm by 61cm Condition report: In fully restored condition, relined, cleaned, and revarnished. Dirt and discoloured varnish now in evidence to surface. Subtle stretcher shadow shows signs of some restoration or intervention. Background broadly strengthened/overpainted. General retouching and strengthening to the shadow and darker tones immediately right of the gentleman collar which extends to include strengthening to the shadows and outline of his left-hand side face and lower half of his left-hand side wig. Further comprehensive overpainting to the area between the fur-trimmed edges of his robe further general strengthened to the folds of his attire, lower right-hand side. More minor and delicate retouching and infilling within the white areas of his attire, mostly right-hand side. Odd delicate retouch to parts of the face. Retouching to stretcher shadow has deteriorated and is visible by eye. Varnish has chalky/opaque quality along the top edge. Surface slightly flattened from reline and restoration process, varying sized cracquelure throughout etc
English School (17th/18th century)Portrait of Capt. Lawrence Parson (died at Newton in 1673) according to label verso, half length wearing armourOil on canvas, 66cm by 47cmCondition report: In fully and relatively heavily restored condition. Evidence of likely two phases of restoration, consistent retouching overpainting and strengthening broadly throughout with some additional finer elements to detailing within the armour and bow tie. Relined, cleaned and revarnished. Some surface dirt, discolouration and deterioration to varnish in places, stretcher shadow, fine evident cracquelure which is fairly pronounced in places and maybe liable to lift and peal. Tiny white coloured flecks across the surface, mostly contained to background left and background right centre. Odd minor surface scuff, abrasion, some of the retouching and restoration has deteriorated and is evident by eye etc.
A Regency Pressed Horn Snuff Box and Cover, circa 1820, of circular form, with a bust portrait titled CAROLINE QUEEN OF ENGLAND, the base with engine-turned decoration within a band of thistles, signed WILSON SHEFFIELD, 8.5cm diameterCondition report: Small flat chip to base. Some typical minor scuffing and wear.
A Worcester Porcelain Mug, circa 1770, of cylindrical form, printed en grisaille with a full-length portrait of William Shakespeare flanked by figures of maidens allegorical of Comedy and Tragedy, 15.5cm highFootnote: See Spero (Simon) 18th Century English Transfer Printed Porcelain and Enamels, The Joseph M Handley Collection pg.29 where it is discussed that the engraving of Shakespeare is taken from Peter Schwemaker's monument to Shakespeare in Westminster Abbey and that the figures of Comedy and Tragedy are after a painting by Sir Joshua Reynolds painted in 1761, entitled Garrick between Comedy and Tragedy.Condition report: Some typical very minor surface scratching. No restoration.
A Late 19th Century Sheraton Revival Satinwood and Rosewood Crossbanded and Painted Table, with a central portrait oval painted with a female and cherubs within a country scene surrounded by pearls and flowers, breakfront frieze with two small drawers and two further drawers painted with garlands of flowers, on tapering painted legs and castors, 106cm by 56cm by 76cmCondition report: Provenance: With original receipt (see in drawer)
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