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283284 Los(e)/Seite
Los 327
A framed Napoleonic military document relating to Lieutenant General Sir John Moore and the Peninsula Wars, including details of the placing of infantry units and signed on a partly pre-printed official document at Salamanca on the 29th November 1808. And framed with an engraved portrait of him.Sir John Moore was a significant figure in the alliance with the Portuguese and the attacks on the Spanish and French which led up to the battle of Salamanca in 1812. Moore died in 1809 before seeing this action.Condition - fair to good.
Los 931
A SMALL QUANTITY OF PICTURES AND PRINTS, comprising an unsigned oil on canvas depicting a shop on Tregenna Hill in St Ives Cornwall at Christmas, a lone female figure is looking at the cakes and through the window, approximate size 40cm x 50cm, an indistinctly signed abstract oil on canvas study, a moonlit seascape signed H. Gailey, a Jon Cambeul print 'Mermaid of St Ives', a limited edition print depicting a portrait composes of newspaper clippings signed T. Barron, a decorative box canvas print depicting a Parisien scene, and a Peter Fellows photographic print of figures walking on a beach
Los 949
A 19TH CENTURY WATERCOLOUR PORTRAIT OF A FEMALE MUSICIAN, the full length standing portrait depicts her playing a Hurdy Gurdy, indistinct signature to the back of the watercolour, approximate size 24cm x 17cm, together with an unsigned 19th century lakeside watercolour landscape, approximate size 10cm x 14cm, Ciondition Report: first picture is loose in the frame
Los 950
JONATHAN RICHARD TURNER (1937-2023) 'HARRIET WALTER', a portrait of the award winning actress, she is seated and wearing a patterned dress, signed top right, signed and titled verso with Royal Academy Summer Exhibition label for 1996 verso, oil on canvas, approximate size 100cm x 70cm, Condition Report: painting is in good condition, frame marked in places
Los 27
Louis Hippolyte Mouchot (French, 1846 - 1893)"Portrait Painter"Interior painting of an artist at his easel painting a portrait of a nobleman who is seated at the opposite end of the room falling asleep.Oil on Canvas. Signed lower right.Housed in an elaborate gilt frame.Sight Size: 19 x 23 in.Overall Framed Size: 31 x 35 in.
Los 162
A finely executed antique KPM porcelain plaque, featuring the partially nude portrait "Erbluht", after the original painting by Angelo Asti. This masterfully hand-painted piece showcases delicate shading, soft tones, and lifelike details, characteristic of KPM artistry. Signed "Wagner", the plaque bears the KPM Germany backstamp, confirming its prestigious origin. It is elegantly housed in an ornate gilded oval frame with intricate floral motifs, enhancing its luxurious presentation. The back features handwritten markings and an aged wooden panel, indicative of its historical provenance. A stunning 19th-century German porcelain artwork, highly collectible for its exquisite craftsmanship and signed artistry.Issued: c.1880Dimensions: 12.5"L x 15"HCountry of Origin: AustriaCondition: Age related wear.
Los 273
A Moorcroft enamel box featuring an exquisitely hand-painted peacock design, marked as a trial piece on the base. The lid showcases a striking portrait of a peacock with its feathers fully fanned, while the sides depict a serene natural scene with peafowls in a grassy landscape. The interior lid is adorned with a detailed peacock feather illustration. This item has its original box.Issued: 2003Dimensions: 2" dia. Country of Origin: EnglandCondition: Age related wear.
Los 110
A striking drypoint etching by celebrated French artist Paul Helleu portraying the esteemed Comte Robert de Montesquiou-Fezensac, a poet, dandy, and influential figure of the Belle Epoque. This refined profile study captures Montesquiou's aristocratic features and distinctive presence, rendered with Helleu's signature fluidity and precision. The subject's poised elegance, accentuated by his boutonniere, reflects the artist's mastery in depicting the elite of his era. Signed on lower left: Helleu. Inscribed: tirer a 10, planche detruite, signifying that only ten impressions were printed before the plate was destroyed, ensuring its rarity and exclusivity. Housed in an ornate gold-tone frame with a double mat, this exceptional portrait stands as a testament to Helleu's artistic finesse and Montesquiou's enduring legacy as an icon of refinement and literary influence. Artist: Paul Cesar Helleu (French, 1859-1927)Issued: 1911Dimensions: 30.50"L x 39"HCountry of Origin: France Condition: Age related wear.
Los 86
An original oil painting by Donald James Zolan titled Contemplating. Donald Zolan was a renowned American artist celebrated for his nostalgic and heartwarming depictions of childhood, seasonal themes, and classic portraiture. His works are widely collected and appreciated for their emotive realism and warm, inviting compositions. This intimate portrait captures a bearded Rabbi deeply engrossed in reading, rendered with Zolan's signature expressive brushstrokes and rich color palette. The piece is housed in an elaborate ornate gilt frame with intricate scroll work and a brass nameplate inscribed with the painting's title and artist's name. The back of the painting bears a embossed seal stamped copyright notice, indicating restricted reproduction rights.Artist: Donald James Zolan (American, 1937-2009)Issued: 20th centuryDimensions: 12.25"L x 10"W x 2"HCondition: Age related wear.
Los 15
Finely executed Chinese ancestral portrait painting on paper, possibly depicting Empress Dowager Cixi, one of the most influential figures of the late Qing dynasty. The sitter is portrayed in a regal frontal pose, seated on an ornate wooden chair, wearing an opulent red robe richly adorned with five-clawed imperial dragons, stylized clouds, and auspicious Buddhist symbols. The robe's elaborate embroidery in gold, blue, and green pigments signifies high status, as such motifs were reserved for members of the imperial court. She wears an elaborate headdress featuring phoenix motifs, pearls, and floral embellishments, further reinforcing her noble standing. Ancestral portraits of this nature were traditionally commissioned for veneration and held deep significance in Confucian practices, serving as a means to honor lineage and preserve historical memory. Red seal on lower right. Framed in a simple yet elegant gilt frame.Issued: Late Qing Dynasty. 19th centuryDimensions: 21.50"L x 39.25"HCountry of Origin: ChinaCondition: Age related wear.
Los 92
GREAT BRITAIN EDWARD VII GOLD HALF SOVEREIGN 1903 Portrait bust facing right, reverse with St.George and the dragon, date below in exergue Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Los 356
CIRCLE OF JONATHAN RICHARDSON (c. 1665-1745) oil on canvas - Portrait of Arthur Williams of Meillionydd (1681-1723), inscription top left added by the Welsh artist William Parry in 1783/4, 76 x 63.5cmsNote: The arresting visual impact of this unusually prodigious Caernarfonshire squire is enhanced by his vibrant scarlet robe and a florid complexion suggestive of an early familiarity with port. When John Steegman compiled his list of the portraits at Nannau, he noted that this picture was so dirty that the inscription was ‘barely legible’. However, recent cleaning has revealed the canvas to be in excellent condition. The early decades of the 18th century present particular challenges with regard to the attribution of British portraits. This is a production of considerable quality which owes a good deal to the style of Jonathan Richardson. As the Penllyn squires were often more familiar with Dublin than with London, it is as likely to have been painted in Ireland as in Wales. Meillionydd lies east of the village of Rhiw in the remotest reaches of Penllyn. The original plas was much altered in the 19th and 20th centuries but part of the old house, dating from around 1600, remains intact. The Williams family were descended from the Cochwillan branch of the powerful Griffith family of Penrhyn and by the time Arthur Williams succeeded they had accumulated an extensive and productive estate. He served as High Sheriff in 1702 and the following year he further enhanced his family’s fortunes when he married Meriel Williames, the heiress of the Ystumcolwyn estate at Meifod in Montgomeryshire. Judging by his apparent youth, it seems likely that Arthur’s portrait was painted during this significant period of his life. In 1765, Arthur’s grand-daughter Ann, the heiress to Meillionydd, was betrothed to Robert Howel Vaughan. Their early married life was spent in and around Chester where Vaughan was working as a surgeon. However, in 1783 he succeeded his unmarried brother Hugh to become owner of four estates: Nannau, Hengwrt, Meillionydd and Ystumcolwyn. Robert Howel Vaughan was a major patron of the Welsh portrait painter William Parry, who, in 1784, painted both husband and wife and included their coats-of-arms and identifying inscriptions. It is clear from the matching script that he also added identifying inscriptions to the Williams family portraits which Ann Vaughan brought to Nannau following her marriage.Nannau was sold by the Vaughans in 1966, but they retained all their family portraits and associated relics. These were later distributed amongst their daughters who, in turn, began a long process of disbursal from the late 1980’s until 2008. In 1990, Arthur Williams’ picture was included in a sale of British and Old Master Paintings at Sotheby’s when it was bought by an Irish dealer, and it subsequently entered a private collection in Ireland.Provenance: By descent at Nannau, Dolgellau; Sotheby’s, 28 February 1990, lot 235 (Hammer price £2800, with a portrait of an unknown lady c. 1720); Private Collection, IrelandComments: framed, ready to hang
Los 139
‡ AUGUSTUS EDWIN JOHN RA (1878-1961) pencil - entitled verso 'Portrait of a Lady' on Martin Tinney Gallery label, signed and dated 1900, 22 x 19cmsProvenance: private collection Vale of GlamorganComments: framed and glazed. Arts Council of Great Britain, Belgrave Square London gallery label, Royal Academy of Arts gallery label, and Temple Museum Augustus John 1946 Exhibition label verso.
Los 176
‡ NICHOLAS SINCLAIR (b.1954) limited edition (74/150) giclée print - portrait of Sir Kyffin Williams in his studio, signed by Nicholas Sinclair and Sir Kyffin Williams, printed by Curwen Chilford Press, 25.5 x 25.5cmsAuctioneer’s Note: In 1987 Sinclair began photographing Britain’s leading artists in their studios, in a series which has continued for nearly 30 years. He has edited several books on Sir Kyffin Williams and his art.Provenance: private collection Vale of GlamorganComments: unframed, foxing present around border
Los 42
COLLECTION OF HARDBACK BOOKS ILLUSTRATED BY C.F. TUNNICLIFFE OBE RA, including Williamson (Henry) 'Tarka the Otter', Hemingway (Ernest) 'The Old Man and the Sea', Williams (Harcourt) 'Tales from Ebony', Edwards (Monica) 'Punchbowl Midnight', Williamson (Henry) 'On Foot in Devon', Williamson (Henry) 'Salar the Salmon', Uttley (Alison) 'Secret Places', 'Roving with Nomad' (Norman Ellison, Nomad of the BBC and Children's Hour), 'Out of Doors with Nomad', 'Over the Hills with Nomad', 'Adventuring with Nomad', 'Northwards with Nomad', 'Wandering with Nomad', and 'Over the Hills with Nomad', two signed on the front cover 'Sincerely Nomad'; together with collection of Brooke Bond picture cards illustrated by C. F. Tunnicliffe, including African wildlife, Asian wildlife, wildflowers, and tropical birds; group of seven hardback Ladybird books illustrated by C. F. Tunnicliffe, Uncle Dan's Bird Book, Brocklehurst (Nellie W.) 'Up with the Country Lark', Gould, R. N (Lt. Commdr. R. T.) 'Communications Old and New', Warren (C. Henry) 'Happy Countryman', Johns (Rev. C. A.) 'British Birds in Their Haunts', Rogerson (Sidney) 'Both Sides of the Road: A Book About Farming', Russ (Patrick) 'Beasts Royal' (collectable), along with Tunnicliffe (C. F.) 'Bird Portraiture', 'Portrait of a Country Artist', 'The Peregrine Sketchbook', and 'Tunnicliffe's Birds' (qty)Provenance: private collection Ynys Môn (Anglesey)Comments: please see images, inspection advised
Los 198
‡ SIR KYFFIN WILLIAMS RA (1918-2006) rare set of nine uniformly numbered (4/85) Gregynog Press limited edition linocuts, each entitled verso:'Pentre Pella' on Martin Tinney Gallery label, signed with initials, signed in pencil, 15 x 27cms, limited edition (48/85)'Patagonian Horseman' on Martin Tinney Gallery label, signed with initials, 20 x 27cms'The Hill Farmer' on Martin Tinney Gallery label, signed with initials, dated verso 2002, 22 x 27cms'Rhoscryman' on Martin Tinney Gallery label, signed with initials, dated verso 2002, 18 x 19cms'The Artist at Work' on Martin Tinney Gallery label, signed with initials, dated verso 2002, 19 x 17cms'Fantasy' on Martin Tinney Gallery label, signed with initials, dated verso 2002, 10 x 13cms'Self Portrait' on Martin Tinney Gallery label, signed with initials, 21.5 x 15cms, limited edition (48/85)'Man Resting' on Martin Tinney Gallery label, signed with initials, dated verso 2002, 23 x 20cms'Naples' on Martin Tinney Gallery label, signed with initials, dated verso 2002, 17 x 25cmsProvenance: private collection Vale of Glamorgan, a rare opportunity for a collectorComments: framed and gazed
Los 357
‡CHRISTOPHER WILLIAMS RBA (1873-1934) oil on canvas - entitled 'Harlech Castle: Moonlight', dated 1917, 28 x 38cmsNote: During World War I, Christopher Williams' travels were restricted to family vacations along Cardigan Bay. He painted spontaneous plein air sketches of the coastline, its limpet-encrusted rocks and breaking waves, craggy coves, sandy beaches and mountainous backgrounds. Williams surveyed the firmament midday and midnight, dusk and dawn, hail or shine. Most of these exploratory oil sketches were not intended for public display. It was only after Williams’ death that his son began to exhibit them. He probably painted Harlech Castle by moonlight on one of his visits to the Gwynedd home of his friend and patron David Lloyd George, whose portrait he also painted that year.Provenance: private collection CeredigionComments: framed and glazed, ready to hang
Los 228
UNKNOWN 19TH CENTURY oil on panel - portrait of Mr John Roberts b. 1816, Royal Welsh Harpist, Newtown, 46 x 36cmsAuctioneer's Note: Roberts was a Romani Gypsy harpist, born in 1816. He was famed as the country’s leading performer on the Welsh triple harp, an instrument popular with Welsh musicians in the 17th and 18th centuries. He was given the title Telynor Cymru or Harpist of Wales by Gwilym Cowlyd during the bardic festival held by Glan Geirionnydd in 1886. During his time living on Frolic Street, John Roberts fathered 9 children with his wife Eleanor, including two sets of twins. They nearly all grew up to be musicians and performed with their father as the Original Cambrian Minstrels and were in demand as performers all over Wales, winning countless Eisteddfod prizes and gold medals.Provenance: deceased estate DenbighshireComments: unframed
Los 570
PABLO PICASSO Malaga 1881 - 1973 Mougins: Picasso. Un demi-siècle de Livres illustrés (Portrait de Jacqueline). Ausstellungsplakat der Galerie H. Matarasso, Nizza 1956/57. Farboffsetlitho nach einer 1956 entstandenen Zinkographie Picassos, um 1956. Czwiklitzer (dtv) 126. Vgl. Bloch 1274. - Mit dem Datum „4.12 56“ in der Darstellung sowie typographischem Plakattext, Druckeradressen von Devaye, Cannes und J. Berto, Marseille. Auf Vélin. 70 x 50,4 cm. Mit leichten Randlknickspuren. [bg]
Los 400
JR Paris 1983 - lebt in Paris und New York: Braquage: Ladj Ly, cité des Bosquets, Montfermeil, vu par JR. Aus der Fotoserie „28 Millimètres, Portrait d’une génération“ 2004. Offsetlitho um 2004. In der rechten unteren Ecke typographisch bezeichnet. Auf festem Vélin. 45,5 x 68 cm. Mittelpunkt ist der mit einer Kamera „bewaffnete“ Schauspieler und Filmemacher Ladj Ly. [bg]
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283284 Los(e)/Seite