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Preisdatenbank abonnierenPortret medaillon van een heer, begin 19e eeuw. in beneden wettelijk gehalte gouden montuur, de achterzijde met gevlochten haar (glas vervangen voor kunststof). bruto 21,8 gr., h. 7 x 5 cm [1] Below legal gold alloy pendant, early 19th century. The front with miniature portrait of a gentleman, the back with braided hair (glass back replaced by plastic)
Portret miniatuur, dame met bloemenkrans in het haar, kanten kraag en collier met Wedgwood Jasperware hanger, begin 19e eeuw. In beneden wettelijk gehalte gouden montuur, de achterzijde met blauw glas. bruto 38,9 gr., h. 8 x b. 6 cm [1] Below legal gold alloy pendant, early 19th century. The front with miniature portrait of a lady with flower wreath in her hair, lace collar and necklace with Wedgwood jasperware pendant. The back with blue glass.
French history. 1823 Napoleon in Exile: or, a Voice from St. Helena. The Opinions and Reflections of Napoleon on the most important events of his Life and Government in his Own Words. By Barry O' Meara Esq., his late Surgeon. In Two volumes. Publ. R. Norris Henry, New York. Bound in full straight grain morocco by Taffin. Gilt tooled decorative borders, titles & date to spine, gilt raised bands, and gilt insects to spine; some rubbing to front hinges and with smoke damage to corners. Gilded upper edge and dentelles. Ownership bookplate to front pastedown of each volume, small library stock label to ffep, pages a touch age toned & with the odd spot. Complete with engraved frontispiece portrait of Napoleon Bonaparte, and publisher's advertisements. Small 8vo.
Bindings. Homer & Pope, Alexander (trans.):- 1796-7 The Odyssey of Homer and the Iliad of Homer. A New Edition, with additional Notes, Critical and Illustrative by Gilbert Wakefield. Printed by Bye and Law for T. Longman et al. Contemp. full straight scarlet grain morocco binding, gilt tooled spine & titles, boards blind stamped and with gilt borders featuring central crest of Trinity College Dublin to front boards; spines discoloured & rubbed, resulting in some loss, particularly to the tails of the spines, extremities rather bumped & with some loss; edges all gilt, 1833 prize bookplate to front pastedown & later Royal Victoria Yacht Club library bookplate to ffep. First volume of the Iliad complete with engraved folding plate of the shield of Achilles, frontispiece portrait of Homer loosening but present. Odyssey complete with the Battle of Frogs and Mice bound to final volume. A lovely 18th century edition of this important Greek epic translation. 8vo.
Shakespeare, William. c1880 The Library Shakspeare. Illustrated by Sir John Gilbert, George Cruikshank, and R. Dudley. Publ. William Mackenzie. Eight volumes in the publisher's original green cloth, gilt decorative front boards and spines featuring portrait of the author to front board, bumping to the heads & tails of the spines and extremities, some occ. light rubbing, all edges gilt, some occ. spotting & age toning internally, otherwise a smart set. Along with 1996 The Norton Facsimile of the First Folio of Shakespeare, second edition prepared by Charles Hinman, presented in slipcase with portrait to front cover of case. Folio.
Childish, Billy (pseudonym of Steven John 'Bill' Hamper) & Brown, Neal. 2008 Billy Childish, a Short Study L-13. Published by the aquarium. One of four artist's proofs containing an original portrait photograph of Childish taken by Gareth McConnell pasted to ffep, signed beneath in pencil by McConnell; signed by Childish with his monogram and by author Neal Brown to title page. Illustrated with colour plates bound to verso. Publisher's original full cloth binding, some light edgewear. 8vo. 1 of 4 artist proofs containing a portrait photograph of Billy Childish by Gareth McConnell, signed by Neal Brown and Billy Childish (monogram)
Literature. A collection of ten early 20th century first editions in dust wrappers. The lot comprising 1931 The Only Penitent by T. F. Powys, 1930 Diary of a Provincial Lady by E. M. Delafield, 1938 Birth of an Old Lady and Other Stories by Edita Morris, 1925 The Enchanted Wood by Sir Francis Newbolt, 1927 Others Abide by Humbert Wolfe, 1927 Cursory Rhymes by Humbert Wolfe, 1930 "...& Co." by Jean-Richard Bloch in Gollancz yellow jacket; 1918 Through the Magic Door by Arthur Conan Doyle (Nelson reprint with Doyle's portrait to front cover), 1943 Ticky by Stella Gibbons, and 1931 Little Windows by Stacy Aumonier. All in unclipped dust wrappers, various conditions but generally smart for their age. 8vo.
Likely Eugene "Pinny" Field II (American, 1887-1944). Portrait of a Native American man after Charles Russell along a front page of volume one of the two-volume set of "Native American Indians." Field was the son of poet Eugene Field Sr. and Julia Field. He was known to have forged Russell paintings in books such as the example offered here. He also forged, along the his associate Harry Dayton Sickles, numerous papers bearing a false signature of Abraham Lincoln.George Catlin, "North American Indians: Being Letters and Notes on Their Manners, Customs, and Conditions, Written During Eight Years' Travel Amongst the Wildest Tribes of Indians in North America, 1832-1839," Edinburgh: John Grant, 1926. Two volume set. The two volume set with 320 illustrations carefully engraved from the author's original paintings. Each volume bound in a tan leather with impressed gold foil designs.(Each) height: 10 in x width: 7 in x depth: 2 1/4 in.Condition: All pages appear present. Wear to the covers: the front cover of volume one is torn along the top and bottom; there appears to be some moisture exposure to the back cover of volume one; there are scratches and scuffs to the covers throughout. The pages are in good condition. Some very light toning to the sheets. No obvious major tears, creases, or losses. The painting is in good condition.
Pedro Moreno Meyerhoff (Spanish, b. 1954). Oil on canvas painting depicting a full-length portrait of a young girl leaning against a stone wall holding a tambourine. Initialed P.M. along the lower right.Sight; height: 56 1/2 in x width: 29 in. Framed; height: 60 in x width: 32 1/2 in x depth: 2 in.Condition: The colors are bold and deep and the surface is stable. The varnish is toned. There are no major visible tears. When viewed under UV light, there are signs of restorations and repairs throughout the work that fluoresce under UV light, especially above the woman's head, along the center of the work, and along the lowest quarter of the work. Verso not inspected. Light wear to the frame.
Group of works from “Portfolio 15,†a group of prints by Minnesota artists, from commissioned works from a Northwestern National Bank of Minneapolis 1978 exhibition; printed by Vermillion Editions, Limited, Minneapolis, Minnesota, 1979. Including several other prints, not from this portfolio, published by Vermillion Editions. Including:"Orizonte" by Susan Fiene Brown, "Untitled" by Steve Beyer, "Site Drawn" by Lee Bjorklund, "Diamond" by Andrew Leicester, "According to What Plan" by Steve Sorman, "Span" by Steve Sorman, "Spaces between Words / A Deaf Man Sees" by Steve Sorman, "Objects Indicating Certain Direction" by Thomas A. Rose, "Houses by the Track" by Mike Lynch, "Self-Portrait" by Jerry Ott, "Metaphor I" by Nancy Randall, "Ray's First Etching" by Ray Herdegen, "Shell/Butterfly" by Stuart Nielsen, "Impulse Driver" by Scott Sandell, another print by Scott Sandell, "Chocolate" by Christine Benson, and one illegibly signed print.(Portfolio) Height: 48 in x width: 36 in x depth: 2 in.Condition: The prints appear to be in good condition. The colors are bold and bright. There is very light wear along the deckled edges. None are framed. There is some light wear to the box.
Julio Vila y Prades (Spanish, 1873-1930). Oil on canvas depicting a portrait of a woman draped in a colorful floral robe holding a vibrant blooming rose between her teeth. Signed and inscribed "Seville" along the lower right.Provenance: Christie's New York, Sale 7841, February 13, 1996, Lot 129; Private Minnesota Collection.Sight; height: 35 in x width: 25 1/2 in. Framed; height: 42 1/2 in x width: 33 1/2 in x depth: 3 1/2 in.Condition: The colors are bold and deep and the surface appears stable. There are no major visible tears or losses. When viewed under UV light, there are some signs of inpainting, primarily along the left side of the painting and the lower right of the woman's dress. Housed within a wooden frame; light wear to the frame including some scuffs and gilt loss along the extreme edges. Not inspected out of frame.
Jose Lerma (Spanish/Puerto Rican, b. 1971). Pastel on paper drawing titled "St. Just in Red" depicting a portrait of a man with flowing hair, 2014. Signed and dated along the lower right.Sight; height: 14 in x width: 11 in. Framed; height: 17 1/4 in x width: 14 1/4 in x depth: 1 3/4 in.Condition: The colors are bold and bright. There are no visible tears, creases, or losses. Light undulation to the sheet. The work is floated on a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Victor Yepez (Ecuadorian, 20th/21st c). Oil on artist board painting titled "Recuerdo de Una Persona [illegible] (Memory of a Person...)" depicting a portrait, 1997. Signed and dated along the lower right. Titled, signed, and dated in pencil along the verso.Victor Yepez was born in Ecuador. Educated at the School of Fine Arts, Central University in Quito, Ecuador, he immigrated to the U.S. fifteen years ago and has worked as a sculptor, muralist, art teacher, and public artist. His biggest inspiration is his day-to-day surroundings. Relying on his imagination, he turns everyday reality into his own visual language. Yepez strongly believes that art is for everybody; he hopes that his work will play a role in creating a positive future with respect for the earth, justice, and dignity for everyone.Height: 15 in x width: 12 1/2 in.Condition: There are no major breaks, losses, or restorations. Some wear along the edges. A few areas of skimming to the verso. The work is not framed.
Duncan Hannah (American, 1952-2022). Mixed media collage depicting a portrait of the artist in sunglasses drinking from a coffee mug and a building facade, 1981. Signed and dated in pink pencil along the lower right.Sight; height: 14 in x width: 10 3/4 in. Framed; height: 16 3/4 in x width: 13 1/4 in x depth: 3/4 in.Condition: The colors are bold and bright. There is a small tear along the upper left edge. A few light creases and areas of toning through. The work is floated on a cloth mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Noel Daggett (American, 1925-2005). Acrylic on board painting depicting a standing portrait of a Native American chief, draped in an American flag, holding three feathers, surrounded by flames. Signed along the lower left.Sight; height: 16 in x width: 7 3/4 in. Framed; height: 21 in x width: 12 3/4 in x depth: 3/4 in.Condition: The colors are bold and bright and the surface is stable. There are no visible losses or restorations. Light wear to the frame. Not inspected out of frame.
Dia Al-Azzawi (Iraq, born 1939)Wrong Target acrylic on canvassigned 'Azzawi' and dated '04' (lower left), further signed, dated and titled on the verso, executed in 2004198 x 138cm (77 15/16 x 54 5/16in).Footnotes:Provenance:Property from the collection of AbdulMagid Breish, LondonPublished:Louisa Macmillan, Mysa Kafil-Hussain et others, In Vested Interests: from Passion to Patronage, The AbdulMagid Breish Collection of Arab Art, Skira, Milan, 2020This large painting from Dia Al-Azzawi's Land of Darkness series, a painful portrait of the human cost of war, is a bleak, beautifully simple and almost silent ode to the fallen. Wrong Target shows a bicycle, overlaid with young legs still in position to ride away, at the moment of being attacked by occupying forces: mere collateral damage. The strike causes an explosion, marked with roaring shapes and overwhelming energy, enveloping the child on their bicycle. Even if they have somehow survived this onslaught, they will be scarred by the destruction of their childhood, lost to the legacy of war. Despite the limitations of the monochrome palette, the pain, shock and solemn emptiness can be felt through the black, white and grey, in a time when it truly felt like Iraq was stripped of its colour.- Mysa Kafil-HussainThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Louay Kayyali (Syria, 1934-1978)The Shoe Shine Boy (masih al-ahdhia) oil on panel, framedsigned 'Louay Kayyali' and dated '1972' in Arabic (lower left), titled on the verso, executed in 197275 x 89.5cm (29 1/2 x 35 1/4in).Footnotes:Provenance:Property from a private collection, BeirutAcquired in Beirut, circa 197sKayyali was born in Aleppo, Syria in 1934. He received an art scholarship in 1956 to study at Rome's Academy of Fine Arts and participated in numerous exhibitions and fairs during his time in Italy, including representing Syria along with Fateh Al Moudarres at the 1960 Venice Biennale. In 1961, Kayyali returned to Syria where he took up a professorship at the Damascus Higher Institute of Fine Arts. After the Arab defeat in the Six-Day War with Israel in 1967, Kayyali abandoned painting due to depression. In the early 1970s, he returned to painting and began producing numerous paintings depicting everyday people from the streets of Syria's such as newspaper sellers, shoe-shiners, and the characters depicted in the present worksThe Shoe Shine Boy is a prime examples of Kayyali's mature period in which key characters from Syrian daily life merge to the forefront. In this body of work, Kayyali highlights the protagonist's struggle and vividly captures how political upheaval affected the Syrian population's demeanour, shaping a culture and society that led to poverty and societal marginalization. Kayyali conveys a mixture of empathetic admiration and sad affection for his poor but noble subject mattersThis mesmerizing portrait condensing all minor detail articulates the softness and vulnerability of Kayyal's subject. Melancholy, resignation and solitude best characterise much of Kayyali's work after the 1967 war and the sentiments of political failure in Syria and the Arab world in general. His paintings externalized the pressing humanitarian and political issues that surrounded him. Kayyali's powerful depictions of ordinary people are characterized by strong fluid lines that define the figures and the absence of extraneous detail.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
George Bahgory (Egypt, born 1932)Self-Portrait mixed media on canvas, framedsigned 'Bahgory' in Arabic and English (upper left)92 x 70cm (36 1/4 x 27 9/16in).Footnotes:Provenance:Property from a distinguished private collection, CairoGeorge Bahgory's self-portrait captures his signature blend of playfulness and boldness, presenting himself with a Christ-like aura that is both striking and whimsical. The composition, with its large, round, almost halo-like head, echoes a long tradition in art history where powerful figures have depicted themselves as prophets or religious icons—figures like Cesare Borgia or Alexander the Great come to mind. However, unlike these historical examples, Bahgory's portrayal feels more tongue-in-cheek than grandiose. The exaggerated features and abstract rendering reflect his larger-than-life personality, offering a playful, almost narcissistic reflection that avoids the pitfalls of arrogance. This self-portrait is as much a statement of Bahgory's humor and self-awareness as it is a nod to his place within the wider artistic tradition.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Raoul Du Gardier (Wiesbaden 1871-1952 Pornic)Portrait d'un sonneur de trompe de chasse signé 'R du Gardier' (en bas à droite)huile sur toilesigned 'R du Gardier' (lower right)oil on canvas100.1 x 65.2cm (39 7/16 x 25 11/16in).For further information on this lot please visit the Bonhams website
Hugo Vilfred Pederson (Copenhagen 1870-1959)Portrait d'indienne avec amphore signé 'Hugo V. P' (en bas à droite)huile sur cartonsigned 'Hugo V. P' (lower right)oil on board53.60 x 38.80cm (21 1/8 x 15 1/4in).sans cadre unframedFor further information on this lot please visit the Bonhams website
Lester Piggott signed and worn Charles W. Engelhard Jr. racing silks. 1960s, green body with red and yellow arms, signed in black marker pen, glazed and framed.These silks were from Fulke Johnson Houghton's stables at the Woodway Stables in Blewbury. The most notable Enelhard horses trained by Fulke Johnson Houghton and ridden by Lester Piggott would include the brothers Ribocco, Ribero and Ribofilio. The first two both won the Irish Derby and the St Leger in 1967 and 1968 respectively; whilst Ribofilio won the Champagne Stakes and Dewhurst Stakes in 1968, and was believed to have been ‘got at’ when flopping in the 2,000 Guineas.Other Lester Piggott-ridden Charles Engelhard horses trained at Blewbury include Tin King (Norfolk Stakes & Cornwallis Stakes 1965), Falcon (Norfolk Stakes 1966, Temple Stakes 1967) & Habitat (1969 Wills Mile).These silks have a distinctive square patch repair. A colour portrait press photograph of Lester Piggott, with a file date of 1st July 1968, shows Lester wearing these repaired colours.
A silk Derby scarf commemorating the victory of Sea Bird in the 1965 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Jean Ternynck’s winner with Pat Glennon up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, green border, approx. 90cm. square, some marks and pin holes, but overall good condition.
A Victorian colour lithograph featuring the Royal Derby winner of 1896 Persimmon,fine quality but with no artist or publication details, featuring a picture within a picture, Persimmon portrayed as an oil painting portrait on an easel being admired by HRH The Prince of Wales and jockey John Watts, trainer Richard Marsh in a vignette lower left, title plaque to frame, mounted, framed & glazed, 63 by 76cm., very good condition; sold together with a small print of Secretariat after the artist Helen Hayse, mounted, framed & glazed, 33cm. square, good condition, (2 items).
Eight signed photographs of leading National Hunt racing personalities,colour press photos mostly 10 by 8in., comprising: A P McCoy, Ruby Walsh (Hedgehunter, Grand National), Jim Culloty (Bindaree, Grand National), Richard Dunwoody (One Man, Charlie Hall), slight smudge, Mick Fitzgerald (Monksfort at at Cheltenham), Mick Fitzgerald and Richard Johnson double-signed (1997 John Hughes Memorial at Aintree) & Barry Fenton, and a portrait of trainer Martin Pipe; the lot also including a signed Harry Cobden publicity card, (9).
A silk Derby scarf commemorating the victory of Lavandin in the 1956 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Pierre Wertheimer’s winner with Rae Johnstone up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, blue border, approx. 90cm. square, some marks but overall in good condition.
A silk Derby scarf commemorating the victory of Larkspur in the 1962 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Raymond R. Guest’s winner with Neville Sellwood up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, red border, approx. 90cm. square, some colour run, good condition.
A silk Derby scarf commemorating the victory of Lavandin in the 1956 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Pierre Wertheimer’s winner with Rae Johnstone up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, red border, approx. 90cm. square, some marks and colour run but overall in good condition.
Two original photographs of the jockey Fred Archer,the first in an oval picture frame, 7 by 5.5cm., contained in a velvet-lined folding leather photo case, Archer wearing racing silks; the other, 9 by 5.5cm., in a wooden frame, an oval portrait of Archer in smart attire; the lot also including a further folding case, containing an engraved portrait of Archer produced as a commemorative after his death in 1886, closed case size 20 by 15cm., (3 items).
A silk Derby scarf commemorating the victory of Hard Ridden in the 1958 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Sir Victor Sassoon’s winner with Charlie Smirke up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, yellow border, approx. 90cm. square, some marks but overall in good condition.
11 signed photographs of National Hunt racing personalities,mostly 10 by 8in. colour photographs, comprising: 2 x Jim Culloty (Best Mate), Charlie Swan (Life of a Lord), 2 x portraits of Mick Fitzgerald, Ruby Walsh (Papillon), 2 x A P McCoy, Adrian Maguire (King Credo) and the trainer Martin Pipe; also a small b&w; portrait signed by Richard Dunwoody, good condition, (11).
Earthenware jug commemorating the jockey Fred Archer circa 1886, black transfer printed decoration featuring Archer aboard Ormonde and a head & shoulders portrait to reverse, inscribed with his birth & death dates and career details, underside marked Rd. No. 63356, John Fennell, Manchester, height 11cm., repaired.Exhibited: Derby Day 200 Exhibition, Royal Academy of Arts, 5th April to 1st July 1979, Cat. No. 1.24, illus. p.34; and Fred Archer, Sporting Hero, 1857-1886, Pittville Pump Room Museum, Cheltenham, 1st November 1986 to 24th January 1987, Cat No.30.
Portrait in oil of the jockey Lester Piggott by Frank L. Geere (British, 1931-1991),signed, oil on canvas, 45 by 35cm., gilt frame, overall 64 by 53cm., good condition.The colours in this portrait are those of Eric Moller, albeit lacking the jacket braiding. Lester rode his final Derby winner on Mr Moller's Teenoso in 1983.
A silk Derby scarf commemorating the victory of St Paddy in the 1960 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Sir Victor Sassoon’s winner with Lester Piggott up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, ginger border, approx. 90cm. square, good condition.
A collection of five period photographs of jockeys,comprising: a 19th century studio double-portrait of jockeys, possibly American, in velvet-lined hinged leather case, 9 by 8cm.; a pair of oval portraits with no identification, the frames on easel supports, height 17cm.; an Anscomb of Newmarket portrait of Charlie Smirke aboard the Aga Khan's Derby winner Tulyar, framed & glazed 28 by 33cm; and another horse & jockey portrait, unknown, but from a similar period, framed & glazed 24 by 29cm., (5).
A silk Derby scarf commemorating the victory of Parthia in the 1959 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Sir Humphrey de Trafford’s winner with Harry Carr up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, green border, approx. 90cm. square, some marks but overall in good condition.
An oil painting of Arkle by W F Perrin (British, 20th century),signed & titled, oil on canvas, head & shoulders portrait, 36 by 26cm., framed, overall 39 by 28cm., good condition; sold together with a Beswick china model of Arkle; and Ivor Herbert's book 'The Full Story of the Champion Arkle, (3 items).
A silk Derby scarf commemorating the victory of Santa Claus in the 1964 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of John Ismay’s winner with Scobie Breasley up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, red border, approx. 90cm. square, areas of substantial colour run.
Three signed photographs each of the champion flat race jockeys Letser Piggott, Pat Eddery and Frankie Dettori.mostly 10 by 8in.9, Lester subjects comprising him holding the 2,000 Guineas trophy after Rodrigo De Triano win in 1992, a portrait wearing the Khalid Abdullah colours, and a further portrait taken at Newmarket's Craven Meeting in 1992; Frankie Dettori, comprising a portrait on Authorized after winning the 2007 Derby, on Catrail at Royal Ascot in 1994, and the third photographed double-signed with Saeeed bin Suroor after he secured the Trainers Championship with the Dettori-ridden Russian Snows at Doncaster 8.11.96; two portraits of Pat Eddery taken at the Dante Meeting at York in 1993 and after winning on Ashtina at the Chester May meeting in 1995, and in action at a Tattersalls sponsored race, all signatures in black marker, good condition, (9).
A collection of 12 vintage b&w; photographs of horse racing,comprising: an image of Lt-Col Giles Loder's Colorado Kid being led in after winning the Jubilee handicap at Kempton park in 1933; a Clarence Hailey of Newmarket photo of the broodmare Bellavista with her filly foal by Hurry On (Hasty Sister), dated 1924; three W.A. Rouch racehorse portraits, Chief Gossip, Happy Boy & Kilvemnon; portrait of Royalist with jockey up by Tom Reveley of Wantage; four images of steeplechasing including a dramatic unseating of rider by “Topical Photo”, a water jump by E Hulton, a finish of a 2 ½ mile handicap hurdle at Uttoxeter won by Can't Grumble ridden by Georges Pellerin, and jumping a flight of hurdles; Birijik with Tommy Weston up at Sandown Park in 1947; and racing at Doncaster circa 1960s, various sizes, framed & unframed. overall in good condition, (12).
Racing plate of Bachelor's Button the only horse to have defeated Pretty Polly on home soil in the 1906 Ascot Gold Cup,mounted with a Clarence Hailey photographic portrait and title plaque, framed & glazed, with easel support, 23cm. square, good condition.Provenance: Lots 72 to 90. The late Richard “Dickie” Onslow, horse racing journalist, author and historian.
11 signed photographs of leading flat race jockeys,mostly 10 by 8in., all colour press photographs, comprising: two portraits of Lester Piggott, Frankie Dettori, Mick Kinane and Kieren Fallon; a portrait and an action shot of Pat Eddery (winning the Fred Darling on Musicale); and an action photograph double-signed by Frankie Dettori and Pat Eddery (Frankie winning on the Queen's horse Arabian Story), good condition, (11).
A silk Derby scarf commemorating the victory of Phil Drake in the 1955 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Suzy Volterra’s winner with Freddie Palmer up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, green border, approx. 90cm. square, some colour run but overall in good condition.
A silk Derby scarf commemorating the victory of Relko in the 1963 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Francois Dupre’s winner with Yves Saint Martin up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, ginger border, approx. 90cm. square, some marks but overall in good condition.
John Beer (British, 1860-1930) print celebrating the race career of the outstanding filly Pretty Polly between 1903 and 1905,with central portrait surrounded by nine scenes of her greatest triumphs, published by Fores, mounted, framed & glazed, overall 57 by 82cm.Provenance: Lots 72 to 90. The late Richard “Dickie” Onslow, horse racing journalist, author and historian.
A silk Derby scarf commemorating the victory of Crepello in the 1957 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Sir Victor Sassoon’s winner with Lester Piggott up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, red border, approx. 90cm. square, some marks but overall in good condition.
A silk Derby scarf commemorating the victory of Never Say Die in the 1954 Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Mr Robert Sterling Clark's winner with Lester Piggott up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, red border, approx. 90cm. square, some colour run, but overall good condition.
A silk Derby scarf commemorating the victory of Psidium in the 1961 Derby, by Welch Margetson & Co. Ltd., London, with a central portrait of Etti Plesch’s winner with Roger Poincellet up, surrounded by vignettes with printed details of every Derby winner since 1780 and Derby Day scenes, blue border, approx. 90cm. square, some marks but generally good condition.
A silk Derby scarf commemorating the victory of Pinza in the 1953 ‘Coronation’ Derby,by Welch Margetson & Co. Ltd., London, with a central portrait of Sir Victor Sassoon’s winner with Gordon Richards up, surrounded by vignettes with printed details of every Derby winner since 1780, blue border, approx. 90cm. square, good condition.
A ladies silk scarf commemorating the victory of the Vincent O'Brien-trained Royal Tan in the 1954 Grand National,portrait of the steeplechaser with Bryan Marsall up jumping an Aintree fence, and printed details of winners since 1839, red border, published by Wetherall of Bond Street, printed by Broome & Foster Ltd, approx. 90cm. square, one hole to border but otherwise good.
A collection of nine horse racing china commemorative plates,by Royal Doulton, British Sporting/Racing Heritage & Royal Worcester, subjects comprising: Dancing Brave, Willie Carson's Classics, Desert Orchid. Legend of Lester & Portrait of a Legend [Piggott], Frankie's Magnificent Seven, Aldaniti, Mill Reef & Dawn Run, various sizes, typically 8 or 9in. diameter, all in original condition, (9).
Doulton Lambeth jug commemorating the jockey Fred Archer circa 1886,with a portrait of the jockey and inscribed REFT FROM OUR MIDST BY UNTIMELY FATE, PLEDGE ME HIS SPIRIT BEFORE WE SUP, PLEDGE ME ONE WHO THROUGH LIFE WAS STRAIGHT, STRAIGHT AS HE RODE FOR THE PLATE OR CUP, AH! DEATH'S PALE HORSE MUST HAVE FELT ELATE, AS HE SPED THROUGH THE SHADOWS WITH 'ARCHER UP', an inverted jockey cap forming a spout, the handle moulded with horse tack, incised artist's mark MRC, retailer's mark for John Mortlock, Oxford Street, London, height 18cm., 7in., very good condition.
A group of three period b&w; horse racing photographs,comprising: a superb 15 by 12in. photograph by the French photographer P. Tricaud of Beauvais, portraying a tight finish at Royal Ascot circa 1920 with the Royal Enclosure and Grandstand beyond, damp damage to original matting, image unaffected, photographer's label to reverse, unframed; and a 7 by 9in. portrait photographs of Lord Woolavington's 1926 Derby winner Coronach by Frank Griggs of Newmarket, and an unsigned 9 by 11in. portrait of Lord Derby's 1928 St Leger winner Fairway, both in original mounts with printed legends, original wooden frames, the larger 37 by 45cm., (3).
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