283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 6610
T Lawrence Whitaker (Lieutenant 65th Regiment) (British early 19th century): Seated Portrait of 'Christina Eaton Boucher', pair oval pencil and watercolours inscribed and dated 1828, inscribed verso 'Phillipstowe 8th April 1828, For Mrs. Eaton's acceptance with Mr Whitaker's compliments', 16cm x 13cm (2)
Los 6612
After George Romney (British 1734-1802): Portrait of Lady Emma Hamilton in Straw Hat, circular engraving indistinctly signed in pencil; After John Hayter (British 1800-1891): 'Rose Bradwardine' and after Sir Thomas Lawrence (British 1769-1830): 'The Countess', pair engravings with hand colouring together with another similar max 18cm x 13cm (4)
Los 6635
English Naive/Primitive School (19th century): Full Length Portrait of Huntsman in Riding Attire with Foxhound in Open Pasture with Sheep, oil on canvas signed J Hall, inscribed verso T Tindall Wildridge 1812-1880, 74cm x 62cmNotes: Note verso attributes huntsman to John Backhouse, huntsman to J Hall
Los 1062
European (20th century)Portrait of a young girl, half-length, seated in a chair, hands clasped wearing a ribbon in her hairIndistinctly signed and dated, chalk, together with a further chalk drawing of a lady head and shoulders, arms folded and two further mixed media works of a woman wearing a red headscarf and a young gentleman, head and shoulders in profile, all unframed, 44.5cm by 29.5cm
Los 178
A Royal Copenhagen Bisque Porcelain Self-Portrait Figure, 2nd half 19th century, after the plaster original by Bertel Thorvaldsen, the standing sculptor wearing loose robes leaning on a figure of Hope on a rectangular plinth, painted mark in blue and impressed Eneret, 34.5cm high This self-portrait by Bertel Thorvaldsen was created as a plaster model in 1839 and a marble version produced posthumously by Herman Wilhelm Bissen in 1859. A bronze cast was erected in Central Park, New York City, in 1894Loss to the end of the left foot of the statuette, also object in her right hand and left finger, slight to the main figures hair, some minor staining throughout
Los 82
Nicolás Enríquez (Mexico, 1704 - 1790) "True Portrait of Our Lady of Solitude of the Victoria of Madrid" Oil on copper. Signed. 32,5 x 26,5 cm. This is the True Portrait that depicts the sculpture that was venerated in the Convent of the Victoria, belonging to the Minims Order in Madrid, made by Gaspar Becerra in 1563, and commissioned by Isabel de Valois. Its fame reached New Spain, and the Cathedrals of Mexico and Puebla both have a chapel dedicated to her image, as does a Church in Oaxaca.
Los 109
A Meissen later-decorated figure of a gentleman with a hound, the porcelain circa 1760Modelled by J.F. Eberlein with the gentleman seated on scrollwork edged in gilding, wearing an elegant puce patterned jacket with green cuffs, a floral gilt waistcoat and blue breeches, a hound jumping up to his raised hand, the base moulded with gilt-edged scrollwork and applied with leaves and flowers, 18.4cm high, crossed swords mark in underglaze-blue to the rear of the base (restoration to cuff and scrollwork tip)Footnotes:Another example is illustrated in Y. Adams, Meissen Portrait Figures (1987), p.23.For further information on this lot please visit Bonhams.com
Los 167
A Sèvres écuelle, cover and stand (Écuelle 'ronde tournée' et plateau 'rond'), circa 1760-65Of the third size, probably painted by Vielliard, with oval cartouches enclosing still life landscapes depicting a baby in a basket, a beehive, a portrait of mother and child, various pieces of ceramics and gardening implements, all in a rural setting, the gilt tooled cartouches linked by trailing gilt foliage, the écuelle with entwined branch handles and the cover with branch and berried finial, the stand: 19.4cm diam., the écuelle: 11.3cm high, incised 'o' to the écuelle and xv or xp to the stand (chip to stand) (3)Footnotes:Provenance:Anon. sale, Christie's London, 28 June 1993, lot 7;Sèvres Porcelain from an International Private CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 182
A Sèvres blue-ground portrait cup and saucer (tasse à chocolat AB et soucoupe), dated 1825-27Painted with the portrait of François I, King of France, titled above, after the painting by Titian, within an oval panel surrounded by formal gilt borders heightened with platinum against a blue ground, gilt and platinum borders to the rim and footrim, applied with an elaborate gilt scroll handle, the saucer with a gilt flowerhead and similar gilt and platinum borders, the cup: 12.2cm high; the saucer: 15.7cm diam., interlaced LL monogram enclosing a fleur-de-lys/25 and 27 stencilled in blue, the saucer dated 25 9.bre 23 in green, the cup dated 29 av 24 E in green, both with gilders' and incised marks (handle restuck)Footnotes:Provenance:Collection Manoel A. S. Braga (paper label to reverse of saucer)The plaster model for this shape still exists; illustrated by Geoffrey de Bellaigue, French Porcelain in the Collection of Her Majesty the Queen, vol. III (2009), p.1035.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 36
A Meissen plate from the Podewils service, circa 1741-42Of hexafoil shape, decorated with scattered sprigs of indianische Blumen and a coat of arms surrounded by the Order of the Black Eagle, surmounted by a gilt coronet and flanked by two black eagle supports each with crowned FR monogram, standing on gilt and red scrolling supports, the double gilt line around the moulded rim interspersed with five moulded gilt shells at the corners, 25.5cm diam., crossed swords mark in underglaze-blue, P. 1 in gilding inside footrim, impressed 21 (minor stacking wear)Footnotes:Provenance:Given by Augustus III of Poland and Saxony to the Prussian envoy, Heinrich Graf von Podewils, probably in 1742;Ole Olsen Collection, Copenhagen, by 1924, sold Winkel & Magnussen Copenhagen, 12 May 1948, lots 336-388 (the service);With Andreina Torre, Zürich;The Hoffmeister Collection, Hamburg, sold in these Rooms, 26 May 2010, lot 83Literature:D. Hoffmeister, Meissener Porzellan des 18. Jahrhunderts, II (1999), no. 353Exhibited:Hamburg, Museum für Kunst und Gewerbe, The Hoffmeister Collection, 1999-2009Heinrich von Podewils (1695-1760) entered Prussian service in 1720 and, together with his two brothers, was raised to the rank of Graf (Count) in 1741. He was Prussian envoy in Copenhagen and Stockholm in 1728-29, and subsequently was Prussian negotiator following the Silesian wars, signing the peace treaties of Breslau (1742) and Dresden (1745). It was probably in connection with the First Silesian War that Podewils was sent by the newly crowned King of Prussia, Frederick the Great, on a mission to Dresden, where he arrived on 15 November 1741. Podewils himself recorded in a memoir, 'as of the end of 1741, I was posted by His Royal Majesty to the court of Dresden where, after having successfully accomplished my commission, the King in Poland most graciously made me a gift of a portrait of himself, lavishly set with diamonds, and a costly porcelain table service' (quoted in Samuel Wittwer, Liasons Fragiles: Exchanges of Gifts between Saxony and Prussia in the Early Eighteenth Century. In Cassidy-Geiger (ed.) 2007, p. 101)).The shapes for the service had been developed around the same time for the Elector Clemens August of Cologne (Hoffmeister 1999, II, no. 361), and a handful of slightly later examples with simple flower painting have also survived. Dr. Wittwer speculates (op. cit., p. 102) that the Podewils service decoration of indianische Blumen may originally have been intended for the Elector, who preferred more European flowers. The design may then have been adapted for Podewils, perhaps because the service was urgently required. Additions to the service appear to have been ordered at Meissen, and at the Berlin manufactory after Podewils' death. In a letter to Karl-Wilhelm Finck von Finckenstein, Frederick the Great wrote of Podewils after his death: 'I regret very much poor Podewils. He was a man of honour and a good citizen. The loss of such a worthy and faithful servant will always remain a sorrowful memory' (quoted in Hoffmeister 1999, II, p. 608). One hundred and sixty-three pieces from this service (including some Berlin replacements), including sixty-four plates of this size, were in the collection of Ole Olsen, which was sold in Copenhagen between 1943 and 1953.For further information on this lot please visit Bonhams.com
Los 138
δ Henri Matisse (1869-1954)Portrait de Claude D. (Duthuit 585)Lithograph, 1946, signed in pencil, numbered from the edition of 75, on annam appliqué supported on Arches wove paper, with full margins, sheet 655 x 500mm (25 3/4 x 19 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 9
Giulio di Antonio Bonasone (1498-1580)The Last Judgement from the Sistine Chapel, after MichelangeloEngraving, circa 1540s, an excellent detailed impression of the second state (of two), on thick laid paper without watermark, sheet 583 x 450 mm (23 x 17 3/4 in), trimmed to or just within the platemark, old horizontal crease and associated folds, minor nick into the lettered cornice at the upper edge, scattered surface dirt (unframed)Literature:Bartsch 80; Massari 79 ii/ii[Together with]Agostino Carracci (1557-1602)Portrait of TitianEngraving, 1587, a good impression of the lettered state with some signs of wear, on laid paper without watermark, sheet 330 x 237 mm (13 x 9 1/4 in), mounted on 18th century paper support with Italian collector's ink inscription below, some surface dirt and browning, old folds and minor handling creases (unframed)Literature:Bartsch 154 iii/iv
Los 14
Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, on fine laid paper without watermark, platemark 94 x 63 mm (3 3/4 x 2 7/8 in), sheet 100 x 68 mm (3 7/8 x 2 5/8 in), minor spotting, printers' crease visible in the upper left corner (unframed)Literature:Bartsch 26; New Hollstein 210 iii/iii
Los 59
James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, platemark 160 x 120 mm (6 1/4 x 4 3/4 in), sheet 220 x 160 mm (8 5/8 x 6 1/4 in), exposure lines and toning to sheet margins, faint creases to upper right quadrant and upper left, other minor handling creases and surface dirt, small loss to extremity of lower edge but well outside the image (unframed)Literature:Kennedy 32 ii/ii; MacDonald 37 iii/iii⁂ Intimate portrait of the artist's half-sister, Deborah Delano Haden, née Whistler, the wife of the artist Francis Seymour Haden.
Los 11
Giovanni Benedetto Castiglione (1609-1664) Five head studies, from the series of 'Large Oriental Heads' Etchings, circa 1645-1650, all good well inked impressions on various laid papers, the etching 'Bearded head full-face in shadow' with a watermark of postal horn within crowned armorial device, the portrait traditionally identified as Lorenzo Bernini without watermark but paper appears "early" albeit trimmed just within the the platemark at lower edge, the other 3 on slightly thicker cream laid papers without watermarks, each platemark approx. 180 x 150 mm (7 x 5 3/4 in), some spotting and surface dirt (unframed) Literature: cf. Bartsch 48-53; Bellini 41-45
Los 15
** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermark, platemark 132 x 102 mm (5 1/4 x 4 1/8 in), sheet 146 x 115 mm (5 3/4 x 4 1/2 in), old folds to edges (unframed)Literature:Bartsch 17; New Hollstein 120 iv/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 6181
19th century Sunderland orange lustre tankard 'The Token or Jacks Safe Return to his True Love, If you Loves I as I Loves you, No pair so Happy as We Two' possibly by Scott or Ball, a pink lustre tankard transfer printed with a portrait of John Wesley and a pink lustre meat dish and cover 'Mariners Compass' (3)
Los 137
A Roman chalcedony head of a boy Circa 1st-2nd Century A.D.With thick wavy curls, swept forward into a fringe the large eyes with drilled pupils, a dimple to either side of the full lips, 1.9cm highFootnotes:Provenance: European private collection.Anonymous sale: Sotheby's, New York, 13 June 2002, lot 279.This chalcedony head may have come from a miniature portrait bust such as the chalcedony portrait bust of a young woman in the Metropolitan Museum of Art, acc.no.07.286.125, and is of similar quality and carving to an Imperial Period chalcedony head of Mercury (Hermes), also at the Metropolitan Museum of Art acc.no.1977.187.4. For further information on this lot please visit Bonhams.com
Los 89
A Romano-Egyptian stucco mask of a young woman Circa 2nd Century A.D.The eyelashes and eyebrows delicately painted in black, with traces of pink pigment remaining on the lips, the whole face covered in a pale pink wash, The remains of the headdress in added black, 14cm highFootnotes:Provenance:With Charles Ede Ltd, London.Property of a private collector, Edinburgh (1938-2021), acquired from the above on the 28 November 1989. Published:Charles Ede Ltd, Catalogue 149, December 1989, no.16.In Roman Egypt, such plaster masks as this example were attached either to coffin lids or linen wrappings. The masks served as a substitute for the head of the deceased, giving them immortal status while also showing portrait-like qualities. Cf. S. Walker amd M. Bierbrier, Ancient Faces, Mummy Portraits in Roman Egypt, British Museum 1997, p.131, fig.132 and p.157 fig.176.For further information on this lot please visit Bonhams.com
Los 8042
Early 20th century gold demantoid garnet and split pearl circular pendant, with portrait miniature of a Pomeranian to both sidesCondition Report:Approx 10.5gm, gold tested between 14-15ct, overall good condition, well presented, stones secure, portraits good, diameter 32mm, Ivory exemption submission reference: B2T3Z8Z6
Los 8098
Early 20th century 9ct gold glass portrait frame brooch, 9ct gold tigers eye ring and a Victorian silver 'Mizpah' ring, Birmingham 1881Condition Report:Brooch approx 19gm (gross), gold ring approx 3.3gm, brooch dimensions 7.3cm, tigers eye ring size S, stone loose in setting, Mizpah ring size Q-R (shank bent)
Los 267
FRANCIS BLOMEFIELD & CHARLES PARKIN: AN ESSAY TOWARDS THE TOPOGRAPHICAL HISTORY OF NORWICH, London, printed for William Miller by W Bulmer, 1805-10, 11 vols, some plates misbound, appears to lack the portrait of Henry Spelman in vol 6, modern half blue leather morocco gilt spine labels, new end papers (11)
Los 154
A 19TH CENTURY FRENCH SILVER AND RED ENAMEL CIRCULAR BOX POST 1838 BOAR MARK With translucent red enamel over engine turning, the cover inset with a portrait of a lady 5cm (2in) diameter Together with a Limoges enamel oval box, decorated with floral sprays and stars to a blue ground, 5cm (2in) long
Los 1397
A 19TH CENTURY JACOBIAN REVIVAL PEARL AND PORTRAIT MINIATURE NECKLACE the pearl necklace mounted with two gold discs with enamel decoration and three portrait miniatures, mounted in gold frames, depicting: Mary, Queen of Scots, Nell Gwyn, after a 17th portrait by Sir Peter Lely and Catherine of Aragon or possibly Jane Seymour, with nine small pearls set to the square-shaped gold clasp, 38.5cm long In fitted case by D.S. Lavender, D.S. Lavender (Antiques) Ltd., 16b Grafton Street, London
Loading...-
283284 Los(e)/Seite