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283284 Los(e)/Seite
Los 800
Titled, "La Paraise", depicts a fantasy scene of a boat with two Haitian female figures, a small child-like figure, a lion and two chickens, oil on canvas, signed lower right. Nearly identical to the one sold at Doyles w same composition very similar size, the boat and the fish all the same but the title of ship is different.Orville Bulman is known for fantasy, genre, portrait, and coastal view painting. A self-taught artist, Bulman was born in Grand Rapids, Michigan. After graduating high school, he worked as a newspaper cartoonist before assisting in running the family business. In the late 1940s, Bulman was painting Social Realist paintings as well as dark, haunting pictures of old barns and churches. During the early 1950s, while painting regionalist scenes of American country and southern life, Bulman happened to see pictures of Haiti and admired the island's style, verve and gracefully trimmed houses with lacy appliqué carved wood. Painting seven imaginative works inspired by photographs, he subsequently visited Haiti for the first time in March of 1952, and traveled to other Caribbean islands during the 1950s as well. Bulman loved Haiti and its people and felt that they were the best inspiration for further work. He lived with the islanders in the rustic hills for a time and felt like he was a part of their village, deeply experiencing their religion, humor and lifestyle and respecting their way of life far better than other Americans. Overall size: 23 7/8 x 27 1/4 in. Sight size: 18 1/2 x 21 3/4 in.
Los 810b
Exquisite ethereal portrait of a gamine young woman wearing a hat. Watercolor on paper, signed mid-left. Hinge-mounted in mat. Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron when she painted. She had a celebrated love affair with Guilliame Appollinaire, great French modern critic, but was never able to marry him because of demands of her domineering mother. Called the 'muse' by her fellow painters, her works are loved for their fragile beauty. Though they may be feminine in subject and execution, the distortion of form and the simplicity of expression mark her for a Modern Master. Laurencin painted girls in all kinds of poses and all had her personal mark, smooth young faces, pale skin and dark eyes. Her early work was not easily accepted; it showed the influence of Toulouse-Lautrec and of cubism. World War I took her out of the Paris circle for a while; she married a German painter, Otto von Waetjen, and they were forced to leave France. They lived in Spain, then she got a divorce and returned to Paris. In her later years, she became almost a hermit, although mothers with daughters in tow still came to her. Marie Laurencin died in Paris in 1956; she was buried in a white dress holding a rose in one hand and a love letter from Guillaume Apollinaire in the other. Overall Size: 17 1/2 x 13 1/4 in. Sight Size: 10 3/4 x 7 in.
Los 840
Portrait of Jessie Valle Ewing. Oil on board, signed titled on reverse. Born in Portsmouth, New Hampshire, Susan Knox excelled at painting portraits and figure works of mothers with children. She was also known for pen and ink silhouettes. Knox lived primarily in New York City but summered in York Harbor, Maine where she and her mother paid for their lodging with their paintings. She also traveled widely in the Southwest, where until the mid 1930s she painted during the winters in Arizona and New Mexico. Subjects included the Hopi, Apache, and Pima Indians. Overall size: 26 x 21 in. Sight size: 19 1/2 x 15 1/2 in.
Los 893
Portrait of a Beautiful Young Woman, wearing a white dress and holding a small flower, demurely looks directly at the viewer. Oil on chamfered board, signed upper right. Condition: minor paint losses and abrasions, see photos. Frame as is, see photos. Tito Conti was born in Florence, Italy, and became among the most significant painters of the late nineteenth century. He painted superb historical and genre scenes; his portraits are in the tradition of the depiction of beautiful females, gentle, sweet and somewhat coy. Overall size: 13 3/4 x 11 3/4 in. Sight size: 9 1/2 x 7 5/8 in.
Los 923
Welcoming chamber with figures, oil painting on chamfered board, signed lower left. An important 19th century genre and portrait painter, Giuseppe Castiglione was celebrated in Paris salons and known for his emphasis on color and perspective. Overall size: 16 1/4 x 18 1/2 in. Sight size: 8 x 10 in.
Los 943
English 19th Century Sporting Scene, O/C/B. Oil on canvas laid on board. Signed Caffyn in the lower right. Walter Caffyn was a member of the Royal Society of British Artists and exhibited at the Royal Academy in London between 1876 and 1897. Caffyn rarely painted characters in his landscapes but was a good friend of and was known to have collaborated with famous fish portrait artist Henry Leonidas Rolfe. Rolfe used Caffyn to paint in the backgrounds to his fish portraits. Overall size: 20 1/2 x 28 1/2 in. Sight size: 15 1/4 x 23 1/4 in.
Los 263
Fernand Toussaint "Ladies' portrait" oil on canvas with an annotation on the reverse on the chassis: "Lolette de Marmol - Bruxelles" par Toussaint || TOUSSAINT FERNAND (1873 - 1956) olieverfschilderij op doek : "Damesportret" - 60 x 51 met op verso een annotatie op chassis : "Lolette de Marmol - Bruxelles" par Toussaint
Los 84
18th Cent. oil on panel - signed Pierre Fr. Joseph De Glimes and dated 1789 this is most likely a portrait of Jeanne de Bellem (1767 - 1798), mistress of Henri Van der Noot (1731- 1827) || DE GLIMES PIERRE FRANÇOIS JOSEPH (1744 - 1800) olieverfschilderij op paneel : "Elegante edeldame zittend op een canapee" - 33 x 26 getekend en gedateerd 1789 dit is hoogstwaarschijnlijk een portret van Jeanne de Bellem (1767 - 1798), maîtresse van Henri Van der Noot (1731- 1827)
Los 569
Daniel Panagopoulos ink drawing with a fauvist style portrait - with on the back a stamp of the Succession with certificate || PANAGOPOULOS DANIEL (1924 - 2008) inkttekening met een fauvistisch uitgewerkt portret - 29 x 19 met op verso een stempel van de successie van het atelier van de kunstenaar met certificaat
Los 445
A Victorian carved mahogany over mantel mirror, decorated in relief with a portrait medallion of Queen Victoria138w x 123h cmOverall is complete and usable. Looks to be complete, but is dirty. The shell cresting on the top has been added. Back looks original but dirty. Collected from a local house, where it had been for some time.
Los 320
A collection of cosmetics, many still with contents, to include Bouquet complexion powder (Hammond's Hull Ltd), Yardley Powder (2), Dorothy Gray Portrait face powder (2), Guerlain, Poudre Nilde, Paris, Rachel Nacre parfum de Coty (4), Jane Seymour Powder, Apogee Violet, Paris, Parfum Antiques par Jeromee, Houbigant Naturelle, etc.
Los 969
A miscellany to include WWI Christmas tin 1914, a vintage advertising letter opener with enamelled portrait of Mr Punch, Salter's Letter Balance, vintage Rolls Razor, Wates Volt Amp Test meter, field dressing May 1939, penknife, postcards to include 1920's birthday and Spanish embroidered etc.
Los 433
Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Portrait Mirror, plate glass, moulded frame, each corner with a carved rose, with carved mouse trademark, 76cm wide, 208.5cm highWaddington's Shop, Worksop, Notts, 1958.Generally good condition throughout. No issues to speak of, if anything would benefit from a polish.
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283284 Los(e)/Seite