TWO BOXES OF SEWING RELATED ITEMS AND TRINKET BOXES, to include a workbox with mother of pearl inlay, relined with a modern embroidery of a butterfly, the inner tray with eleven compartments contains needle and bobbin cases, scissors, key, etc, two purple cases containing mother of pearl handled bodkins, hooks and pocket knives, with packets of needles and thimbles, etc, a case holding silver, ebony and faux tortoiseshell handled implements, an orange velvet covered case with bone handled items and a bone thimble, a case of 'Superior Egg Eyed Needles', a needle case embroidered with metallic thread, containing two Edwardian portrait photographs, a wooden sewing box labelled 'Auckland, N.Z 1913-14', two small pieces of antique lace, mother of pearl buckles, scissors, etc, together with a collection of trinket boxes in various materials from around the world, etc (2 boxes) (sd)
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An original silver gelatin photograph on paper, capturing the timeless elegance of Anna May Wong, Hollywood's first Chinese-American movie star and an icon of the Golden Age of cinema. This striking portrait, taken in 1938, showcases Wong's poise and beauty, reflecting her groundbreaking career that paved the way for greater diversity in film. Known for her roles in classics such as Shanghai Express (1932) and The Thief of Bagdad (1924), Wong became an international sensation and a symbol of glamour and resilience in an era that often limited roles for minorities. The photograph was taken by George Hurrell, the celebrated "Grandfather of Hollywood Glamour Photography," whose mastery of light and shadow redefined the art of portrait photography. Hurrell's innovative techniques turned Hollywood stars into ethereal icons, and his work adorned the covers of countless magazines and studio promotional materials. Taken at Hurrell's legendary Sunset Boulevard studio in Los Angeles, this hand-developed, large-format print is from the original negative and bears Hurrell's signature in black ink on the lower right. The edition number, "211/250," is inscribed on the lower left. Published as part of Portfolio Hurrell, Vol. III by Creative Art Images, Inc., Los Angeles, CA, this photograph exemplifies the collaboration between Wong, a cinematic pioneer, and Hurrell, the defining visual artist of Hollywood's Golden Era. Artist: George Edward Hurrell (American 1904-1992)Issued: 1979Dimensions: 16"L x 20"HEdition Number: 211 of 250Country of Origin: United StatesCondition: Age related wear.
An exquisite original gelatin silver print on Portriga fiber paper by legendary photographer George Hurrell, featuring Hollywood icon Joan Crawford. This photograph, taken in 1941 at Joan Crawford's home in Brentwood on Bristol Avenue, epitomizes the glamour and sophistication of the Golden Age of Hollywood. Hurrell, celebrated as the "Master of Hollywood Glamour Photography," is renowned for his dramatic lighting and innovative techniques that defined the aesthetic of Hollywood's elite during the 1930s and 1940s. His work continues to be revered by collectors and photography enthusiasts alike. Joan Crawford, one of the most iconic actresses of her era, is remembered for her commanding presence and her Academy Award-winning performance in Mildred Pierce (1945). This portrait captures Crawford at the height of her career, showcasing her elegance and star power that solidified her status as a legend of the silver screen. The photograph is part of Portfolio Hurrell, Vol. III, published by Creative Art Images, Inc., Los Angeles, CA. It is hand-signed by George Hurrell in black ink on the lower right and is editioned 211/250 on the lower left. The photograph comes with its original double-sided protective cover. Artist: George Edward Hurrell (American, 1904-1992)Issued: 1979Dimensions: 16"L x 20"HCondition: Age related wear.
Portrait of a Boy made with gouache, watercolor and graphite on heavy beige paper. This delicately painted full-length profile portrait depicts an upper-class child decked out in a dark suit as he holds a small whip. Housed in its original wooden frame under glass. Period newspaper clippings still on back. Artwork dimensions: 5.25"L x 5.75"H. Frame dimensions: 9.25"L x 9.75"H x 1"W. Artwork can be unframed and rolled for shipment. Issued: c. 1830Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Olly Alcock (British contemporary) acrylic on board 'Billy Connolly' monochrome portrait of the famous Scottish comedian and musician, signed lower right, entitled, signed and dated verso, unframed 40cm x 40cm overall. *Olly and Bill Connelly knew each other personally when Billy was gigging with his band 'The Humblebums' and Olly with his band.
Mabel Gwendoline MARSTON (1862-1936) Floral Still Life Oil on board, signed, 39.5cm x 32.5cm, 45.5cm x 38cm framed. Mabel Gwendoline Marston was a London based portrait and flower painter. She was born in 1862 and spent the majority of her life working and living in Maida Vale where she had a studio at Blomfield Road. She exhibited at all the principal London exhibitions, including nine works - all floral still-lifes - at the Royal Academy, first in 1888 and through to 1927. She also exhibited eight works at the Royal Society of British Artists, fifteen at the Ridley Art Club, four works at the Royal Society of Artists in Birmingham, one at the prestigious Grosvenor Gallery, seven at Royal Institute of Oil Painters and one at Manchester City Art Gallery, as well as at the Society of Women Artists. Two of her works exhibited at an Exhibition of Women Artists at the Royal Institute of Painters in Watercolours were famously stolen from the exhibition in 1928, one of which had been purchased by Princess Mary (the daughter of King George V).
Elaine BLAMEY (Royal Society of Portrait Painters) Two Portraits and the artist's palette Mrs Joyce Hubbard, a fellow Royal Society of Portrait Painters artist, seated with her own palette, 56cm x 44cm, 66cm x 53cm; together with a further portrait titled 'Portrait Study (In Blue), 45cm x 34.5cm, and a well-covered palette. (3)
Elaine BLAMEY (Royal Society of Portrait Painters) A portfolio of works from the artist's studio Seventeen works on canvas and board comprising portraits, including a self portrait titled 'Me In the MIrror', and landscape views, mostly of Cornwall. Mostly signed to the verso, either Elaine Blamey or Elaine Lewis, her name before marriage. Largest 38cm x 30cm.
British School (19th century) Portrait of a young girl holding a bird, with a cat looking on Initialled J. E (obscured by the mount), watercolour, 33cm by 26cm (oval); Together with an English School 19th century "Wild Flowers" watercolour; three pencil and watercolour botanical studies each initialled S. A. G. and dated 1973; a reverse print on glass depicting a still life of flowers after Simon Pietersz Verelst; a limited edition print of common blue butterflies on grasses and a set of botanical prints frames in fours (qty)Provenance for "Wild Flowers": Malcolm Innes Gallery. The Selected Contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins
British School (19th century) Portrait of a gentleman, half length, seated by a table Oil on canvas; together with a continental oil on panel depicting a head and shoulders portrait of a gentleman, 29.5cm by 25cm (oval) and 12.5cm by 11cm respectively (2)Provenance: The Selected Contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins
After Richard Cosway (1742-1821) Countess of Sefton, Isabella Molyneux Engraving, 26.5cm by 20cm, with Thomas Agnew & Sons and Henry Young and Sons labels verso; together with a good collection of engravings and prints of portrait and military interest; also a pastel portrait of a gentleman indistinctly signed and dated 1857?, various sizes (quantity)Provenance: The Selected Contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins
English School (20th century) Head and shoulders portrait of an elegant young lady Initialled CSJ and dated 1921, pencil and pastel, together with a companion by the same artist and the same date depicting a lady in a pearl necklace (presumably the mother), 59cm by 43cm; together with further portraits including a pastel oval (unframed), a charcoal head study of an elegant lady and a print of two children (5)Provenance: The Selected Contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins Young lady: Overall good condition, dust and debris on surface and trapped under glass, possible minor foxingLady in a pearl necklace: Dust and debris, holes in paper to bottom right of bust and to left, not entirely secure in frame
Manner of Angelica Kauffman RA (1741-1847) Swiss A couple in an interior Oil on panel; together with a provincial school oil on panel portrait of a lady in a white lace shawl and cap; and a further oil on canvas portrait of a female figure in formal dress with a laurel wreath headdress, 22cm by 28cm (oval), 26cm by 20.5cm and 39cm by 31cm (oval) respectively (3)Provenance: The Selected Contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins
Pete Best the 5th Beatle Drummer 1960/62 signed Internetstamps official 2003 FDC. Super cover from Buckingham covers with 1st Class record cover stamp and 30/1/2009 Liverpool postmark, 1st Class portrait stamp with Merseyside Music Abbey Road London postmark plus 50th ann Cavern Club 16/1/2007 cachet with early 1 1/2d green stamp and The Beatles Final Live performance 30/1/1969 cachet. Nice early image of the Fab Four on the cover. Numbered out of 100 issued to reverse with nice Beatles Facts information below. Randolph Peter Best is an English musician who was the drummer for The Beatles from 1960 to 1962. He was dismissed immediately prior to the band achieving worldwide fame and is one of several people who have been referred to as a fifth Beatle. Best's mother, Mona Best (1924 1988), opened the Casbah Coffee Club in the cellar of the Bests' house in Liverpool. The Beatles (at the time known as the Quarrymen) played some of their first concerts at the club. The Beatles invited Best to join the band on 12 August 1960, on the eve of the group's first Hamburg season of club dates. Ringo Starr eventually replaced Best on 16 August 1962 when the group's manager, Brian Epstein, fired Best at the request of John Lennon, Paul McCartney, and George Harrison following the band's first recording session. Over 30 years later, Best received a major monetary payout for his work with the Beatles after the release of their 1995 compilation of their early recordings on Anthology 1; Best played the drums on 10 of the album's tracks, including the Decca auditions. After working in several commercially unsuccessful groups, Best gave up being in the music industry to work as a civil servant for 20 years before starting the Pete Best Band. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
YEAR : 2002MONARCH : Queen Elizabeth IICOMPOSITION : 22 ct / .9167 AuWEIGHT : 7.98g OBVERSE : Queen Elizabeth II 4th Portrait bust (right), wearing Girls of Great Britain and Ireland Tiara, script: ELIZABETH·II·DEI·GRA REGINA·FID·DEF, Ian Rank-Broadly (engraver) initials.REVERSE : Crowned Royal Shield of Arms, date, Timothy Noad (designer) initials.EDGE: Reeded In protective acrylic coin case.

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