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Clifton Tomson (1775-1828) A dark bay hunter outside a stable block, landscape beyond signed and inscribed `Clifton Tomson, Nottingham 1827` bottom left and `Waterloo` bottom middle also inscribed on the stretcher `Portrait of the charger that carried George Quicke of the 1st or Kings Dragoon Guards, which formed part of the Household Brigade at the Battle of Waterloo June 18th 1815, he was seventeen hands high .....` oil on canvas 60 x 75cm.
Hesketh Raoul Lejarderay Millais (1901-1999) Miss Rosemary Schreiber riding Fishergirl at Tetbury, Gloucestershire signed and dated Raoul Millais `33 in red bottom right oil on canvas 70 x 90cm. Miss Schreiberlater became Mrs Rosemary Cooke, and then Mrs Rosemary Moss, the wife of the horse breeder and horse judge, John (Jonny) Moss. The bay horse, who hunted with the Beaufort c.1931/1932, is Fishergirl out of Flyfsiher dam Fairisle and was bought from Oliver Dixon in 1928 Millais was a portrait and equestrian painter and sportsman. His grandfather was Sir John Everett Millais, founder of the Pre-Raphaelite Movement. His father was John Guille Millais, artist, naturalist, hunter, writer and explorer. Millais attended the Byam Shaw and Royal Academy schools of art. In 1924 he travelled in Africa with his father and in 1936 held his first solo show of 50 pictures, all of which sold, and 16 subsequent commissions lasted him several years. He spent much of his life hunting and shooting, regularly picking-up further commissions en route. From 1947 Millias lived at Westcote Manor in the Cotswolds and his last exhibition was at the Tryon Gallery in 1982.
A KPM Berlin porcelain plaque of oval form enamelled with a three quarter length portrait of Ruth standing in a landscape wearing a head scarf and smock with a sheaf of corn under one arm, 18 cm high, impressed KPM and sceptre mark, inscribed A.H. Greive, Dresden, 1889, with glazed hardwood frame.
An Austrian porcelain cabinet cup and saucer together with a matching sugar box and cover each finely enamelled with a circular panel containing a head and shoulders portrait of an attractive girl, signed Sietze and Kantler respectively, reserved on a wine ground with raised gilt embellishment, painted shield marks, model no.3168 and captioned `Sommer` and `Meditation` respectively, late 19th century.

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