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283287 Los(e)/Seite
Los 125
From the Collection of Admiral Grindall, an Able Seaman aboard Captain Cook?s Resolution during his second circumnavigation; thence by direct descent through his family. A portrait miniature of Katherine Grindall (née Festing). 19th Century. In an early 19th Century red leather presentation case with clasp. Dimensions: 3.25 in (H) x 2.5 in (W)
![[?] Portrait of A Melanesian (?), standing proudly full length. (Circle of John Singer Sargent). Circa 1880. Oil on canvas.&n](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/cc5f70f6-e31a-4bc7-84df-ae6600e8fa56/468x382.jpg)
![[?] Portrait of A Gentleman (After Van Dyck). Oil on canvas. Dimensions: Unframed: 18 in (H) x 14 in (W)](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/54d93ced-e442-4680-a5aa-ae6600e32ec8/468x382.jpg)
![[?] Portrait of A Gentleman. Oil on bevelled oak panel. With family crest and motto 'omnia puta'. Inscribed upper right 'Ano](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/0300bab6-c4fe-4b79-b510-ae6600e3c089/468x382.jpg)
![[?] Portrait of a Gentleman In A Turban (17th century). Oil on panel. Dimensions: Unframed: 12 in (H) x 10.5 in (W)](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/2f9c9401-0433-4af3-8565-ae6600e35232/468x382.jpg)
![[?] Portrait of Inigo Jones (After Van Dyck). Oil on panel. Inscribed upper left: 'Inigo Jones'. Dimensions: Unframed:](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/9d5d6398-e754-46f4-86d9-ae6600e2ad51/468x382.jpg)
![[?] A self-portrait after Rubens. Oil on canvas, unframed. Dimensions: Unframed: 25.5in (H) x 20.5 in (W)](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/be5bcb33-c039-41d9-a3a4-ae6600e882e2/468x382.jpg)
![[Δ] Full-length Portrait of a Boy in Red, holding a badminton racquet beneath a tree, a dog asleep at his feet with a sh](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/6faa20cb-dbbd-4c0e-b1b6-ae6600e380b9/468x382.jpg)
![[?] Portrait of a Child with a Toy. Attributed to Nikolaos Gyzis (1842 - 1901). Oil on canvas. Unframed. Dimensions: 16](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/ef8fe6dc-c903-4735-81ae-ae6600e2ec5b/468x382.jpg)
Los 207
Nicholas Van Helt, Called Stocade (1614-1669). A Portrait of Two Girls In A Landscape. Dutch School Dimensions: (Unframed) 45.5 in (H) x 36.75 in (L) (Framed) 56.5 in (H) x 47.75 in (L) Provenance: Private Collection, Isle of Wight Lot Essay: Nicholas van Helt Stocade was born in Nijmegen in 1614. He travelled to France and Italy, and spent some time in Antwerp before returning to Amsterdam, where he died in 1669. Besides landscapes and individual group portraits, he produced large, history paintings, including three for the new Amsterdam town hall. Indeed, upon occasions in the 1660s, civic authorities ordered paintings for their municipal buildings; most notable were the commissions Amsterdam?s burgo-masters gave for the embellishment of the city?s new town hall. This type of painting became more popular after the middle of the century. In Amsterdam, Stocade painted allegorical ceilings for the two large front rooms of the grand Trippenhuis owned by members of the Trip family which made its fortune as munition dealers. Stocade is one of Bartholomeus van der Helst?s (1613 ? 1670) most talented followers, emulating his master?s poignant, colourful portraiture. The present work depicts two young children in sundry dress. Life size companion portraits of couples in sundry lengths were more common than double portraits, probably because of the small size of Dutch houses. Portraits of children are common in Dutch visual culture, and were used to express status and wealth, and also to record a child?s life, often shortened prematurely due to a high infant mortality rate. Flowers and toys are used to highly symbolic effect by Stocade. The eldest figure holds a flower, whilst the youngest grasps a doll, which appears to be in military garb. The flower can be interpreted here as the blossoming of the child?s education, just like fruit represented the ripening of their maturity, whilst the doll possesses an edifying moral quality. Both children are wearing necklaces and bracelets made of bright coral. Carlo Grivelli?s 1490 painting, La Madonna della Rondine, underlines the long lasting use of coral iconography. The Virgin holds her Child wearing a beaded coral necklace, both a health talisman and a reminder of his forthcoming sacrifice on the cross, due to coral?s association with blood. Coral jewellery was commonly used in the seventeenth century for its legendary protective qualities. Believed to ward off the evil eye, coral was considered as a talisman repelling sickness and disease, and also used for teething pains. Worn as amulets, coral jewellery was a common baptism gift, often carried until marriage and then passed on to one?s child.
![[?] A Portrait of Francis Bacon (18th Century (?)). Oil on oak panel. Dimensions: Unframed: 19 in (H) x 14.5 in (](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/1743f19b-00b2-4943-91ce-ae6600e82d5e/468x382.jpg)
Los 214
A Portrait of Francis Walsingham (C. 1532-1590), statesman and spymaster to Queen Elizabeth I. Oil on bevelled oak panel. 18th century (?). Close to the prototype portrait in the National Portrait Gallery, London, by De Critz The Elder (1551-1642). Dimensions: Framed: 17 in (H) x 14.5 in (W) Unframed: 12 in (H) x 10 in (W)
Los 242
Portrait of Catherine Warneford, née Calverley, of Warneford Place, half-length, in a blue silk dress, and a lace fichu, within a painted oval. Thomas Gainsborough, R.A. PROVENANCE: By family descent to the sitter's great-great grandson, Jack Warneford (1881?1960). His daughter, Mary Isabella (1905?90), who married Harold Gibson (d. 1961). Thence by descent to her granddaughter. NOTES: It was during his stay at Bath that Gainsborough?s career as a portraitist started to flourish, and in November 1766, when the fashionable King's Circus, designed by John Wood the Elder, was nearly complete, that Gainsborough decided to relocate his studio here from Abbey Street. It was around this time that Catherine Warneford, recently enriched by a sizeable inheritance from her late father, sought out the most fashionable artist working in Bath. The Warneford family has a long history dating back about eight hundred years. Catherine was one of the most successful and influential of that name; she built Warneford Place in Wiltshire, and her fortune went on to found two hospitals. Her inherited wealth and position as head of the family is evidenced here by her choice of an elaborate and expensive costume for this portrait, which Rosemary Harden of the Fashion Museum, Bath has described thus: The sitter wears an open robe of blue silk, decorated with robings of ruched silk, together with a button-through stomacher of matching fabric which is trimmed with a serpentine pattern of the same ruched silk. Around her neck, Catherine wears a black ribbon choker (very typical for this date) and a neck handkerchief, or fichu, of cream silk lace. She wears a muslin cap on her piled up hair, generally worn indoors at this date or under a broad-brimmed straw hat when walking outside.The provenance of this portrait is exceptionally complete, in that we can trace the painting from the sitter through seven generations to the previous owner. This portrait will be included in the forthcoming catalogue raisonné of the artist's paintings being prepared by Dr. Hugh Belsey. Dimensions:(Frame) 36 (H) x 30 in (W)(Canvas) 30 in (H) x 25 in (W)
![[?]Property of a Gentleman A portrait miniature of a British Infantry Officer in a rectangular frame. 1809 - 1816. Yellow fac](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/49a6b7b5-6fc3-4ff1-b9ec-ae6600ea0cd9/468x382.jpg)
![[?]Property of a Gentleman An oval portrait miniature of a gentleman in an oval frame. Attributed to George Engleheart (1750](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/495646fe-59b6-4b99-a492-ae6600e98da6/468x382.jpg)
![[?]Property of a Gentleman An oval portrait miniature of a gentleman in an oval frame. Painted by George Engleheart (1750 - 1](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/483899af-331a-4cc7-9ad8-ae6600e92db8/468x382.jpg)
![[?]Property of a Gentleman An oval portrait miniature of a gentleman in an oval frame. Late 18th / Early 19th Century. Dimen](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/6f52e555-7aef-4573-96a5-ae6600e8770b/468x382.jpg)
![[?]Property of a Gentleman An Oval Portrait Miniature of a Lady in an oval frame. Attributed to George Engleheart (1750 - 182](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/c47f806f-7e3d-4f39-af17-ae6600e804d3/468x382.jpg)
![[?]Property of a GentlemanAn oval portrait miniature of a gentleman in an oval frame. Late 18th / Early 19th Century. Dimens](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/9ee0b17e-b0c6-46bb-b2e6-ae6600e89d71/468x382.jpg)
![[?]Property of a Gentleman An oval portrait miniature of a young boy in an oval frame. Attributed to George Engleheart, (1750](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/d7610ac0-c81b-4e02-83cb-ae6600e8ff35/468x382.jpg)
![[?]Property of a Gentleman An oval portrait miniature of a small child in a rectangular frame. Early 19th Century. Dimensions](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/5fabf794-bbb4-4b85-8cf8-ae6600e3c71e/468x382.jpg)
![[?]Property of a GentlemanA Turnbull Family Portrait Miniature of a woman (c. 1840). With a family note: "Aunt Janet Turnbull](https://cdn.globalauctionplatform.com/932893a2-7f90-4001-8226-ae6200b8d7b5/4a42a7ff-edc9-4faa-b502-ae6600e3505e/468x382.jpg)
Los 619D
A large oval shell cameo, half length portrait of an angel with dove, the scalloped yellow metal surround stamped 9ct; a Victorian cameo brooch, woman and cherub--Can postlarge cameo in good conditionsmaller cameo has some flaws visible under strong ight and the image is generally quite worn
Los 145
° ° Leusden, Johanne - Philologus Hebraeus, continens Quaestiones Hebraicas ... editio tertia ... engraved pictorial and printed titles, portrait frontis, decorated initial letters. Utrecht: ex officina Francisci Halma ... 1686; bound with : Leusden, Johanne -Philologus Hebraeo-Graecus, continens Questiones Hebreo-Grecas .. editio secunda ... engraved title device, head and tailpiece decorations, decorated initia letters; old (unlettered) vellum. Leyden: apud Jordanum Luchtmans, 1685, Quae Circa Vetus Testamentum Hebraeum feremoveri solent, 1686
Los 192
° ° Rickman, Philip - A Selection of Bird Paintings and Sketches, one of 500 signed by the artist, folio, original half green morocco gilt, with mounted portrait and 31 mounted plates, Curpotten Ltd., London, 1979, in slip case, together with an a/l - ‘’Dear Rose, Thank you so much for your very kind note which is much appreciated, I am so delighted that you are so pleased with your book……love, Philip’’, and two other small notes bearing sketches of birds.
Los 34
° ° Nash, Paul - Outline. 1st ed. Complete with 3 plates, 2 being coloured, and numerous full page text illus. Publishers cloth with Letters direct on upper and spine and original illustrated d/j. 8vo Faber and Faber Limited, London, 1949.Slight rubbing to cover edged, heavier to d/j with some staining. Minor soiling to ends; Eates, Margot [ed.] [and] Nash, Paul - Paintings Drawings and Illustrations. 1st ed. With frontis, 15 coloured plates plus numerous text illus. publishers buckram with letters direct on spine and vignette on upper. With original d/j. 4to. Lund Humphries, London, 1948. Rubbing to edges, worse to d/j which has small tears. Minor foxing in places inside; Bertram, Anthony - Paul Nash the Portrait of an Artist. 1st ed. with coloured frontis and numerous text illus. Publishers cloth with vignette on upper and letters direct on spine, illustrated end papers and original d/j. 8vo. Faber and Faber, London, 1955. Sunning to d/j and minor rubbing. (4)
Los 103
Circle of Bartholomeus van der Helst (Haarlem 1613-1670 Amsterdam)Portrait of a lady, half-length, in a black dress holding a fan oil on canvas79.9 x 65.7cm (31 7/16 x 25 7/8in).Footnotes:ProvenanceThe Collection of Sir H. Bunbury, Barton Hall, Bury St. EdmundsHis sale, Christie's, London, 15 June 1901, lot 23With Agnew's, LondonSale, Christie's, London, 30 October 1981, lot 17 (The Property of Two Families, as 'B.van der Helst')Sale, Christie's, South Kensington, 11 December 2009, lot 53, where purchased by the present ownerLiteratureJJ. de Gelder, Bartholomeus van der Helst, Rotterdam, 1921, p. 223, no. 740 ExhibitedLondon, British Institution, 1851, no. 82For further information on this lot please visit Bonhams.com
Los 109
Attributed to Jacob Huysmans (Antwerp 1633-1696 London)Portrait of a general, possibly General Monck, 1st Duke of Albermarle, oil on canvas oil on canvas137.2 x 112.2cm (54 x 44 3/16in).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 114
Gaspard Rigaud (Perpignan 1661-1705 Paris)Portrait of a young man, bust-length, in armour with a white sash bears inscription 'fais par gaspar Rigaud/ Le Jeune a paris en 1694' (on reverse, probably transcribed from the original canvas)oil on canvas laid down on board, oval72.1 x 59.3cm (28 3/8 x 23 3/8in).Footnotes:ProvenanceSale, Christie's, New York, 10 January 1990, lot 55With Bruno Cooper Antiques, UK, where purchased by the present owners in 1991This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 12
After Sir Anthony van Dyck, 17th CenturyPortrait of Lady Mary Villiers as Saint Agnes oil on canvas127.6 x 101.2cm (50 1/4 x 39 13/16in).Footnotes:The present composition is based on van Dyck's original portrait of Lady Mary Villiers, later Duchess of Richmond and Lennox, which is now in the Collection of Her Majesty the Queen (RCIN 404402).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 123
Angelica Kauffmann (Coire 1740-1807 Rome)Portrait of General James Masterson MP., bust-length, in a red coat and buff waistcoat, within a painted oval oil on canvas76.2 x 63.5cm (30 x 25in).Footnotes:ProvenanceRuth Klein Stone (1931-2003), New York, and by descent, from whom acquired by the vendor ofSale, Sotheby's, London, 4 December 2019, lot 199, where purchased post-sale by the present ownerWe are grateful to Dr. Bettina Baumgärtel and Prof. Wendy Roworth for confirming the attribution to Angelica Kauffmann on the basis of digital photographs.James Masterson was the son of an Edinburgh Merchant, and in 1742 he was recorded as a Lieutenant in the 1st Regiment of the Foot Guards. After serving with the Hanoverian army at the Battle of Falkirk in 1746, he became an aide-de-camp and confidant to Prince William, Duke of Cumberland (1721-1765). By 1761 Masterson had risen to the rank of Lieutenant Colonel and became Deputy Adjutant-General for Ireland. His military career continued to flourish, as he went on to serve with the Duke of Cumberland in Portugal and Germany during the Seven Years War. Masterson was to retire from Cumberland's staff in 1762 with the rank of General, and continued a political career as MP for Stirling Burghs in 1768. After his subsequent electoral defeat Masterson was to reside in London at 4 Sackville Street and died unmarried on 7 August 1777.For further information on this lot please visit Bonhams.com
Los 124
Attributed to Charles d'Agar (Paris 1669-1723 London)Portrait of a boy, full-length, with his dog in a landscape oil on canvas127.3 x 102.7cm (50 1/8 x 40 7/16in).Footnotes:ProvenanceSale, Christie's, London, 29 May 1952, lot 95 (as by Kneller, 45gns. to Bewdley)Private Collection, USAThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 139
French School, 18th CenturyPortrait of a Henri de Suarez, half-length, wearing the Order of a Knight of Malta charged with the sitter's coat-of-arms (upper right)oil on canvas92.2 x 72.5cm (36 5/16 x 28 9/16in).Footnotes:The sitter, Henri de Suarez d'Aulan (1704-1775) was made a Knight of the Order of Malta in 1719.For further information on this lot please visit Bonhams.com
Los 167
Arnold Boonen (Dordrecht 1669-1729 Amsterdam)Portrait of a gentleman, bust-length, in black bears signature 'A.Boonen Pinx.' (on reverse, possibly transcribed from the original canvas)oil on canvas78 x 65.5cm (30 11/16 x 25 13/16in).This lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com
Los 168
English School, 18th CenturyPortrait of a lady, said to be Mrs Falconer, half-length, in a hat, holding her dog oil on canvas76.2 x 63.5cm (30 x 25in).This lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com
Los 169
Circle of Reverend Matthew William Peters (Freshwater 1741-1814 Kent)Portrait of a young lady, half-length, in a landscape oil on canvas75.8 x 62.6cm (29 13/16 x 24 5/8in).unframedThis lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com
Los 189
English School, circa 1600Portrait of a lady, three-quarter length, in a black dress, a white ruff and holding a fan oil on canvas95.7 x 74.3cm (37 11/16 x 29 1/4in).unframedThis lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com
Los 208
Manner of Ottavio Maria Leoni, 19th CenturyPortrait of a lady, half-length, in black, embroidered costume and lace ruff oil on canvas90.3 x 72.2cm (35 9/16 x 28 7/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 21
Circle of Sir Peter Lely (Soest 1618-1680 London)Portrait of a gentleman, traditionally identified as Sir William Morice, half-length, in armour oil on canvas75.2 x 63.1cm (29 5/8 x 24 13/16in).Footnotes:ProvenanceSale, Christie's, London, 22 March 1968For further information on this lot please visit Bonhams.com
Los 210
Circle of François Quesnel (Edinburgh 1543-1619 Paris)Portrait of a lady, said to be Jeanne de Pol, bust-length, in an embroidered dress charged with the sitter's coat-of-arms (upper right)oil on panel37.2 x 27.4cm (14 5/8 x 10 13/16in).For further information on this lot please visit Bonhams.com
Los 216
Bartholomew Dandridge (London 1691-1755)Portrait of Jane Austen, nee Grey, three-quarter-length, in a white dress, seated in a landscape with her dog; and Portrait of Ralph William Grey, three-quarter-length, in a grey velvet coat and green and gold embroidered waistcoat the former signed 'BDandridge/ pinxit' (lower left) and the latter signed 'BDandridge/ Pinxit' (lower right) a pair, oil on canvas126.9 x 101.5cm (49 15/16 x 39 15/16in). (2)Footnotes:ProvenanceBy descent through the sitter's family toThe Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired byWith Lane Fine Art, UK, where purchased by the present owners in 1996Literature'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill.A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13Jane Grey was the daughter of William and Ann Grey of Backworth: born on the 30 August 1713, she married Captain Robert Austen in 1748. Jane was brought up at the home of her uncle, Richard Gifford in Poland Street in Soho, until his death in 1739, when she moved to nearby Dean Street, where she continued to live after her marriage until her death in 1753. The Country Life article compares the composition of Jane's portrait to Gainsborough's celebrated portrait of Mrs Robinson in the Wallace Collection, 'even to the train of convolvulus in the background.'Ralph William Grey's father, the first Ralph William was thirty-four when he married Miss Molly Rawstorne, who bore him a daughter, who died in infancy and a son, the present sitter. Within a year of his birth Mrs Grey died and, according to the Country Life article 'From that time forward all Mr Grey's faculties were concentrated on the well-being of his son. The possession of an heir gave zest to his efforts to build up the family fortune: he was successful in most of his ventures. Years later his interest in life was centred in the home of his daughter-in-law and grandchildren' (op. cit.). Grey's right hand is depicted in the present portrait resting on Locke's Essays and the Country Life article also records that there are constant references to John Locke in Grey's notebooks; he is thought to have visited the widow of the philosopher in France when he made his grand tour in 1733. It is thought that the suit shown in the portrait is the one he wore for the Court Ball in May 1736 on the occasion of the marriage of Frederick Louis, Prince of Wales, at which time Grey was living in Leicester Fields.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 246
English School, 19th CenturyPortrait of a naval officer, full-length, in uniform, his arm resting on a canonoil on canvas 211 x 144cm (83 1/16 x 56 11/16in).Footnotes:The colours of the ribbon of the sitter are those of the Order of Saint Michael and Saint George which was originally awarded to those holding a command or a high position in the Mediterranean territories during the Napoleonic Wars.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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283287 Los(e)/Seite