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283284 Los(e)/Seite
An interesting WWII RAF “Observer’s and Air Gunners Flying Log Book” to Wireless Operator/Air Gunner W Newman, based at No 25S Yatesbury and North Weald, covering the period 27/8/41 to 3/12/44; aircraft flown include Domini, Proctor, Whitley, Manchester, Lancaster, Wellington and Oxford; operational flights include Dresden, Hamburg, Aachen, Bremen, Osnabruck, Kassel, etc, operations to Berlin and Nurnburg in March 1944 show 73 and 96 aircraft missing; operation on 4th July 1944 to “Rocket Installation Domleger”, hit by flak on operation to Stettin 16th Aug 1944 etc, with a portrait photograph; and a similar log book to Sgt Air Gunner L Grant, covering training flights only from 22/8/44 to 7/2/45, on Anson, Baltimore and Ventura aircraft, with a small portrait photograph. GC (some external wear). . (2)
Third Reich insignia, documents, etc, relating to Leutnant d Res Gunter Kosoatz, Grenadier Ersatz Bataillon 512, including Iron Cross 1st Class (swastika erased), Infantry Assault badge, and wound badge in black and silver; citation for silver wound badge dated 5th April 1944; 2 ink written journals entitled “Erinnerungen an die Jugendzeit (1920-39), II Der Weltkrieg 1939-45”, several portrait photographs personal letters, postcards, etc. Generally GC
A WWII German Flugbuch, to wireless operator on night fighters Heinz Claus, who flew in Me 110s, Do 217s and Ju 88s, covering the period 18/5/42 to 29/1/44, including 27 operational sorties; he was killed in action when his Ju 88 crashed in Holland on 30/1/44; together with typed details of his service, photo copies from records, showing that he was entitled to the Airgunners’ badge, Iron Cross and Nightfighter clasp in bronze, and a copy portrait photograph. GC
A first world war commemorative cup and saucer decorated with polychrome flags and mottoes, with fluted bodies and gilded rims; and an Edward VIII 1937 commemorative coronation sugar bowl, decorated with oval portrait of the King flanked by flags, with green and gilt line to rim - printed marks. (3).
A hallmarked silver vesta case with hinged lid, decorated with golf clubs to side panel with balls, flags and bags; another hallmarked silver vesta case modelled as waist-length portrait of a lady golfer, with hinged lid and striking plate to base; and another similar circular case embossed with a scene of golfers in landscape, mounted with ring hook. (3).
Montague Dawson, F.R.S.A., R.S.M.A. (1895-1973) Study of two model frigates in the artist's studio signed 'Montague Dawson' (lower left) pencil and watercolour 30 x 22 in. (76.2 x 55.9 cm.)"At first sight, the fully-rigged model occupying the main thrust of this rather whimsical picture seems to be a Royal Navy frigate of the early to mid-eighteenth century but, as in any painting, whatever its subject, appearances can sometimes be deceptive. Despite her single gundeck and numerous other features so reminiscent of a typical naval frigate, it is more likely this vessel was a privateer which, if true, would make her - quite literally - the model for one of Dawson's very popular works 'The Duke and Duchess '. This splendid depiction of the two famous Bristol privateers sailing in company in the first decade of the eighteenth century has been widely reproduced and is deemed to have all the ingredients of a classic Dawson historical narrative. This particular model occupied a prominent place in Dawson's studio, as evidenced by the photograph of the artist illustrated within the introduction to Ranson's book, and may even have been one of the artist's favourite 'props' given that it inspired its own portrait. The other model, more obviously a frigate of the Royal Navy judging from her characteristic 'rampant lion' figurehead, is only partially rigged and has her topmasts 'down' as if she is laid up and in reserve. Much less distinctive than her fully-rigged companion, it is less apparent which works she might have inspired although her lines and general appearance would have provided useful guidance for many of Dawson's pictures of real historical incidents.
Attributed to Sir William Beechey R. A. (1753 - 1839), Portrait of a girl with King Charles Spaniel, oil on canvas, 75 x 62cm. * Entered RA schools in 1774 and first exhibited at the Royal Academy in 1776 and then fairly steadily up to 1839 - one of the longest careers as an Academy exhibitor. Beechey was made portrait painter to Queen Charlotte in 1793. For the rest of his life Beechey turned out a steady stream of fashionable portraits, which are sound likenesses and show considerable variety.
A GRAND NATIONAL COMMEMORATIVE TROPHY, 1907 winner 'Eremon', an easel frame incorporating a shoe of the victor presented to Tom Coulthwaite of Cannock, his trainer, framing an oval photograph portrait of both surrounded by profile silver profile of the horse, surmounted by a light blue jockey cap in the colours of the owner Stanley Howard flanked by the arms of Newcastle under Lyme and Liverpool, hallmarked Birmingham 1907 height 19cm, (Also included in this lot are manuscript memorabilia of T. Coulthwaite, 1861-1948)

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