283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
Los 348
HM Queen Elizabeth The Queen Mother (1900 - 2002) Signed black and white portrait photograph of The Queen Mother wearing a tiara, necklace and Order of the Garter sash, signed Elizabeth R and dated 1982 to the lower margin, glazed and framed in a blue morocco tooled leather frame bearing gilt Royal monogram to the top, 20.5cm x 15cm.CONDITION REPORT: The signature has faded with age, but it is still visible.
Los 167
Lionel Brookes, British 1915-2009 - Portrait of a Scots Guardsman standing in a landscape, 1942; oil on panel, signed and dated lower right 'Lionel Brooks '42', 35.7 x 28.6 cm (unframed) (ARR) Provenance: the Collection of Klaus Hinrichsen (1912–2004) Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery. Brookes studied at the Royal College of Art under Gilbert Spencer from 1937–40.
Los 209
Daniel O'Neill, Irish 1920-1974 - Down and Outs; oil on board, signed upper left 'D O'Neill', 65.5 x 86.8 cm (ARR) Provenance: Christie's London, The Irish Art Sale, 10th May 2007, lot 126 (unsold); private collection, UK Note: Bright, vivid colours identify this work as one created later in his career. The distorted faces of figures, whose eyes are reduced to sunken hollows, is an exaggeration of the darkened eyes in his portrait ‘Jeanie’ (1954). In the middle ground a figure stands with his arms outstretched, evoking powerful biblical images of the crucifixion. In the foreground, a figure adorned with a deep blue neckline of her dress is subtly suggested to be the Virgin Mary as such. O’Neill became a full-time painter in 1945, having previously worked as an electrician on Belfast shipyard, and visited Paris in 1949. Here he was influenced by Maurice Vlaminck, Georges Roualt and Maurice Utrillo. In the following decade he moved to Conlig, Country Down, where a small group of artists had formed. These included George Campbell and Gerard Dillon. Some of his works were exhibited at the Irish Museum of Modern Art in 2005 as part of an exhibit on Northern Irish Artists.
Los 56
Erna Hoppe-Kinross, German/British 1875-1964 - Portrait of Mrs Chambers; oil on canvas, signed lower right 'E.Hoppe Kinross', titled to label on the reverse 'Portrait of Mrs Chambers', 72 x 92 cm (ARR)Provenance:the Family of the Artists Grace English and Erna Hoppe-Kinross Exhibited: Chelsea, 1919 (according to the Artist's label attached to the reverse)Note:Hoppe-Kinross lived in Paris from 1906-14, where she exhibited at the Salons and at the Societe Nationale des Beaux-Arts. The present lot has been recorded to have been exhibited at Salon in 1907. She met her husband Charles Kinross there and they married. They had a holiday home at Giverny where they befriended Claude Monet - under his influence this was to become her most important period of painting.
Los 55
Erna Hoppe-Kinross, British 1875-1964 - Self portrait; plaster, H44 x W16.5 x D25 cm: together with a bronze bust of the artist's husband, H58 x W25.5 x D36 cm including base and a plaster bust of the artist's son, H20 x W12.5 x D12 cm (3) (ARR) Provenance: the Family of the Artists Grace English and Erna Hoppe-Kinross
Los 249
Sir Lawrence Gowing CBE RA, British 1918-1991 - Trees, 1934; oil on board, signed and dated on the reverse 'L Gowing June 1934', 28 x 39.3 cm (unframed) (ARR) Provenance: the Studio of the Artist; private collection Note: an accomplished portrait and landscape painter, Gowing was a pupil of William Coldstream and protege of Bloomsbury art critic Clive Bell. His sitters include Lord Attlee and Lord Halifax. He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Los 104
Edward Le Bas RA, British 1904-1966 - Houses in Venice; oil on panel, signed lower right 'E Le Bas' and signed again and titled on the reverse 'E le Bas Houses in Venice', 37.7 x 45.5 cm (unframed) (ARR) Note: works by the artist are in all major UK collections including the Tate, the National Museum of Wales, the National Portrait Gallery, London and the Government Art Collection. The artist was a friend of Duncan Grant and through his personal wealth amassed a large collection of works by Bloomsbury and Camden Town artists, as wells as important works by Edouard Vuillard, who was a major influence on his style.
Los 45
Edmund Dulac, French/British 1882–1953 - A Portrait of Francesco Barbari, 1919; gouache and pencil on paper, signed and dated upper left 'Edmund Dulac 19' and dedicated lower right, 26.3 x 27.7 cm Provenance: Bonhams, London, Decorative Arts and Contemporary Ceramics, 19th January 2019, lot 25; private collection
Los 180
Guido Biasi, Italian 1933-1983 - Portrait d'une Accoucheuse, 1961; oil on found painting on board, signed and dated lower left 'g.biasi 61', also signed, titled and dated on the reverse 'g.biasi Paris 1961 "portrait d'une accoucheuse" (huile sure toile ancienne', 63 x 51 cm (unframed) (ARR)Provenance:with Grosvenor Gallery, London (according to the label attached to the reverse);private collection, UKNote:a shipping label on the reverse reads 'E.Estorick LDN No.14'. Estorick established the Grosvenor Gallery in 1960 on Davies Street which was recognised as the largest gallery at the time, specialising in Italian art.
Los 186
Henryk Gotlib, Polish/British 1892-1966 - Fishermen mending nets; watercolour and pencil on paper, 34.2 x 24.7 cm (ARR) Provenance: the Estate of the Artist, no.317 Note: Gotlib was a key member of the Formist movement in Poland, which rejected the seemingly restrictive standards of Realism, still very much dominant in early twentieth-century Polish art, in favour of an expressionism which was heavily influenced by figures such as Egon Schiele and Max Beckmann. The looser, more fluid application of paint which defined Gotlib's best works become even more pronounced in his later decades, as he produced expressive works in a unique style highly informed by the effect of colour. Works by Gotlib are in a number of prominent collections, including those of the National Portrait Gallery, the Tate Gallery, and the Courtauld Gallery in London, the Ashmolean Museum in Oxford, and the National Museum of Wales in Cardiff, among others. The artist had solo exhibitions at Roland Browse & Delbanco and Crane Kalman Gallery in London in the post-war era.
Los 268
Malvina Cheek, British 1915-2016 - Self-Portrait (Wales); oil on canvas, 51 x 41 cm (ARR) Provenance: The Estate of the Artist Note: Alongside rural landscapes and maritime scenes, Cheek painted more intimate portraits of her close friends and family. Typically using a bold primary colour palette, she accentuates the mood and personality of her sitters.
Los 133
Sir Henry Elliott Blake, British 1902-1983 - Indian Market, 1942; oil on canvas, signed lower right 'Elliott', also signed, titled, dated and inscribed on the reverse 'H. Elliott Blake Indian Market 1942', 40.5 x 51 cm (ARR) Note: Sir Elliott-Blake was a surgeon and moonlighted as a painter. His portrait was painted by Anna Katrina Zinkeisen (1901–1976).
Los 54
Dame Ethel Walker, British 1861-1951 - Portrait of a young girl, half-length; oil on canvas, 61.5 x 51 cm Provenance: Christie's, London, Modern British Paintings, Watercolours and Drawings, 27th April 1989, lot 160; private collection Note: with unidentified gallery stock label attached to the reverse of the stretcher and numbered 'X4381' (possibly Lefevre Gallery, London). This is classic example of Walker's style, with its subtle gradations of chalky paint and quiet, almost breathless atmosphere. Other works on this theme are in public collections including the Government Art Collection, the National Galleries of Scotland and The Courtauld, London. The artist exhibited widely in the UK during her lifetime and was the subject of a major retrospective at the Tate in 1951, alongside her contemporaries Gwen John and Frances Hodgkins and organised by John Rothenstein. More recently, her work was central to Tate Britain's 'Queer British Art 1861-1967' in 2017.
Los 227
Richard Finny, British 1909-1987 - Portrait of a man; pastel, gouache and collage on paper, signed upper right 'Richard Finny', 35.5 x 26.5 cm: together with a mounted and unframed work on paper by the same artist 'Mortehoe, N. Devon' of a similar size and medium (2) (ARR) Provenance: from the Studio of Oswell Blakeston and Max Chapman.
Los 155
William Edward Narraway, British 1915–1979 - Informal Sketch for Portrait, Her Royal Highness the Princess Anne , c.1971-72; oil on canvas, signed lower right 'Narraway' and signed again, titled and annotated on the reverse, 115 x 89 cm (unframed) (ARR) Provenance: the Estate of the Artist Note: this informal portrait made between 1971 and 1972, that was exhibited in 1973 at the Royal Academy Summer Exhibition. The formal version was made for the Worcestershire and Sherwood Foresters Regiment in 1972. Narraway would also paint the late Queen Elizabeth II five times between 1972-78, one version of which 'HM the Queen (1926–2022), 1973', is owned by the Institution of Civil Engineers for Jubilee Year.
Los 123
Robert Duckworth Greenham RBA ROI, British 1906-1976 - Portrait of a woman, 1945; oil on canvas, signed and dated lower right 'Robert Duckworth Greenham 45', 35.5. x 25.5 cm (ARR) Provenance: with 20th Century Gallery, London (according to the label attached to the reverse of the frame); private collection
Los 127
Archibald Ziegler, British 1903-1971 - Portrait of a woman in a blue qipao; oil on canvas, signed lower right 'Ziegler', inscribed on the reverse, 75 x 49.5 cm (ARR)Note: born to a family of Jewish immigrants from Lithuania, the artist exhibited at important London galleries including the Wertheim Gallery in 1937, Leger Gallery in 1948 and the Ben Uri Gallery in 1947, 1950, 1959 and 1968. There was an exhibition of his work in his home neighbourhood of Hampstead at Burgh House, London in 2018.
Los 239
Paul Rebeyrolle, French 1926-2005 - Portrait of Olivier, 1953; oil on board, signed and dated lower right 'P Rebeyrolle 1953', 95.7 x 49.3 cm (ARR) Provenance: with Marlborough Fine Art Ltd., London (according to the label attached to the reverse of the frame); private collection Exhibited: Marlborough Fine Art Ltd., London, 'Rebeyrolle: Recent Paintings', February-March 1954, no.7 (according to the label attached to the reverse of the frame)
Los 58
Grace English, British 1891-1956 - Self Portrait, 1920; oil on canvas, signed lower right 'GEnglish', titled and dated on the reverse 'Self Portrait 1920', 51.5 x 41.5 cm (ARR)Provenance: the Family of the Artists Grace English and Erna Hoppe-Kinross Note:English studied at the Slade from 1912-14. She was close friends with Ethel Walker (1861-1951) and would go on to write a biography on Walker which was never published. Her works are in public collections including UCL Culture and Kensington Central Library.
Los 250
Sir Lawrence Gowing CBE RA, British 1918-1991 - Abstract study, c.1960s; oil on canvas, 25.5 x 35.5 cm (unframed) (ARR) Provenance: the Studio of the Artist; private collection Note: an accomplished portrait and landscape painter, Gowing was a pupil of William Coldstream and protege of Bloomsbury art critic Clive Bell. His sitters include Lord Attlee and Lord Halifax. He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Los 185
Henryk Gotlib, Polish/British 1890-1966 - Portrait of Janet Gotlib; watercolour and pencil on paper, signed lower right 'Gotlib', 39.8 x 31.7 cm: together with 2 other smaller works on paper by the same artist, 'Man and woman embracing, 1935' and 'Still life with vase and fruit', cat. no.203 (3) (ARR) Provenance: the Estate of the Artist (cat. no.20)
Los 51
Henry Lamb RA, Australian / British 1883-1960 - Portrait of George Arthur Wright; black and coloured chalks on paper, signed with initials and dated in pencil lower right 'H.L. 1905', 25 x 18.7 cm (ARR) Provenance: Bonhams, Chester, 7th December 2009, lot 764; private collection Note: George Arthur Wright taught at Manchester medical school where Lamb briefly studied in 1905.
Los 114
Kate Elizabeth Olver, British 1881-1960 - Portrait of young woman seated in a blue dress; oil on canvas, signed lower right 'Kate E. Oliver', 92 x 51 cm (ARR)Note:Olver studied painting at the Royal Academy Schools from 1901-1906. She is the wife of artist Charles Higgins ('PIC') (1893-1980_.
Los 184
Henryk Gotlib, Polish/British 1892-1966 - Surrey landscape with trees and a gate; oil on canvas, signed lower right 'Gotlib', 63.3 x 77 cm (ARR) Provenance:the Estate of the Artist, no.100 Note: the work is similar in style to the painting 'Surrey Landscape' now in the Government Art Collection. Gotlib was a key member of the Formist movement in Poland, which rejected the seemingly restrictive standards of Realism, still very much dominant in early twentieth-century Polish art, in favour of an expressionism which was heavily influenced by figures such as Egon Schiele and Max Beckmann. The looser, more fluid application of paint which defined Gotlib's best works become even more pronounced in his later decades, as he produced expressive works in a unique style highly informed by the effect of colour. Works by Gotlib are in a number of prominent collections, including those of the National Portrait Gallery, the Tate Gallery, and the Courtauld Gallery in London, the Ashmolean Museum in Oxford, and the National Museum of Wales in Cardiff, among others. The artist had solo exhibitions at Roland Browse & Delbanco and Crane Kalman Gallery in London in the post-war era.
Los 218
Isabel Rawsthorne, British 1912-1992 - Baboon; oil on canvas, signed with monogram lower right, 77 x 52 cm (unframed) (ARR) Provenance: Private collection and thence by descent Note: the artist was known variously as Isabel Nicholas, Isabel Delmer and Isabel Lambert. This work relates to the 'Baboon and Child, c.1964’ now in the Tate Collection and reflects the unique language of figurative painting Rawsthorne developed alongside her friends Francis Bacon and Peter Rose Pulham in the Post-War period. Bacon and Rawsthorne would go on to share an exhibition at the Hanover Gallery in 1949 and their relationship was a major feature of the recent exhibition 'Francis Bacon: Human Presence' at the National Portrait Gallery. Rawsthorne had made sketches at London Zoo throughout her life and in 1947 was elected Zoological Society of London Fellow. Like Bacon she was drawn to the baboon as a reflection of man's animalistic nature, here the vigorous yet delicate brushwork evoking a tension between physicality and fragility. Rawsthorne returned to the theme in the 1960s as a result of her experiences working at the Zaria Art School in Nigeria. Alongside her painting, Rawsthorne is celebrated for her position in European cultural circles across the 20th century, being associated with and depicted by figures including Jacob Epstein, Alberto Giacometti and André Derain.
Los 37
Stephen Ward, British 1912-1963 - Portrait of a woman in red; oil on board, 46 x 35.8 cm (ARR) Provenance: The Collection of Mary and Alan Hobart, Founders of Pyms Gallery Note: Ward is perhaps best known today for his involvement with the infamous 'Profumo affair', but he was also celebrated for his portrait paintings, which he sold alongside his work as a society osteopath.
Los 842
An 18th century oval portrait miniature on ivory of a military officer in powdered wig, his dark brown tunic with gold braid, 3.3 x 2.8 cm, in almandine garnet-set surround, velvet mount and foliate-chased gilt metal frame, in silk and velvet-lined leather folding pocket case (Ivory Submission Reference number APMG7GPQ); lot includes another miniature portrait on ivory of a young officer in tan tunic with gold braid Ivory Submission reference number ZMEQMLQV (2)
Los 585
Two 18th century oval portraits - Follower of Sir Peter Lely - Portrait of a young lady, oil on canvas, 66 x 53 cm and Portrait of a gentleman with red braided waistcoat, oil on canvas, 73 x 60 cm (2) female - Crazing all over, repair or overpainted area on right shoulder and left eye. Small dents to bottom but possibly due to being removed from frame at some point.
Los 281
A collection of three prints to include two framed lithographs after the 18th century originals by Francesco Bartolozzi along with a 20th century woodcut with colours, portrait of an Anglican bishop, signed Llewellyn Gwynne to the lower right in a glazed frame with notes to the reverse. H.34.5 W.41cm
Los 191
A snuff box, 750/1000 gold, engraved and enameled decoration, polychrome central reserve "Portrait of D. Pedro II, Emperor of Brazil", set with 4 garnets, Switzerland, 19th C., signs of use, Charles Magnin's maker's mark (1830-1876), remarked with Cabeça de Velho. Notes: "This snuffbox, by the Swiss maker Charles Magnin (1830-1876), must have been a gift from Emperor D. Pedro II of Brazil to some prominent contemporary figure. This type of offering became particularly popular during the 19th century, when it was given as a token of esteem and as a reminder of family/friendship or in gratitude for services rendered. A snuff box by the same maker and with the same representation of Emperor D. Pedro II of Brazil on the cover was auctioned by Maison R&C at the Hôtel Drouot, Paris, on January 30, 2024, selling for €48,000", Dim. - 2,5 x 9 x 5 cm; Peso - 133 g.
Loading...-
283287 Los(e)/Seite