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Preisdatenbank abonnierenQUEEN ELIZABETH THE QUEEN MOTHER (1900-2002) A 1965 Christmas card, with a mounted colour portrait within of the Queen Mother, standing three-quarter length, signed in black ink 'from Elizabeth R'; and a 1969 Christmas card, with a mounted colour bust portrait within of the Queen Mother, signed in black ink 'from Elizabeth R', (2).
QUEEN ELIZABETH THE QUEEN MOTHER (1900-2002) A 1966 Christmas card, with a mounted black and white photographic portrait within of the Queen Mother disembarking an aircraft in Australia, unsigned; and a 1967 Christmas card, with a mounted colour half-length portrait within of the Queen Mother aboard a ship, signed in blue ink 'from Elizabeth R', (2).
QUEEN ELIZABETH THE QUEEN MOTHER (1900-2002) A 1968 Christmas card, with a mounted colour portrait within of the Queen Mother, after an oil painting by an unknown hand, signed in blue ink 'from Elizabeth R'; and a 1978 Christmas card, with a mounted colour photograph within of 'The Royal Lodge, Windsor Great Park', signed in black ink 'from Elizabeth R', (2).
AUTOGRAPH - 'MR & MRS GENERAL TOM THUMB' [CHARLES SHERWOOD & LAVINIA WARREN STRATTON] (1838-1883 & 1841-1919) American dwarf and Barnum circus artist: a carte-de-visite portrait photograph of the couple on their wedding day [1863], signed verso 'Compliments of Charles S. Stratton' and 'Compliments of Lavinia Warren Stratton', approximately 10cm x 6cm.
ROBERT DUDDINGSTONE HERDMAN A.R.S.A. (1863 - 1922) Framed, signed with initials, dated 1895, oil on canvas, bust length portrait of Charles Wallace Alexander Napier Cochrane-Baillie, 2nd Baron Lamington G.C.M.G. (1860 - 1940) Governor of Queensland, Australia, (1896 - 1901) Governor of Bombay (1903 - 1907) Conservative MP for St Pancras North, depicted in semi profile in brown jacket and red tie, original bill from artist attached to stretcher verso, inscribed and titled on label verso, see Aitken Dott & Son, Edinburgh, label verso, in decorative gilt frame, 74.5cm x 62cm.
LUCRETIA JOHNSON. Framed, signed, watercolour on paper, study of Jack the donkey titled and inscribed verso, 'Jack waiting for passengers', 'The Cellar Studio, Clovelly', together with ARTHUR F. BELCHER. Framed, signed, watercolour on paper, living room interior with table and chairs before windows, and framed, indistinctly signed, dated 1939, gouache on paper, full length portrait of a Gurkha, 8.5cm x 14cm, 22.2cm x 17.2cm and 26.5cm x 19.3cm, (3).
Group of ten portrait miniatures of the Maling family of Sunderland 19th century, each depicting members of the Maling family including Ellen Baron Dove (m. Robert Saunders Maling), two of Selina Ann Maling (1789-1812), two of Ann Martha Maling (1770-1850), Christopher Sheels Maling (1774-1808), Colonel Warre (m. Selina Ann Maling), Colonel Irwin Maling (1781-1825), Sophia Martha Maling, and one untitled, with two framed daguerreotypes and two printed photographs in double frame, presumably members of the Maling family, and a book titled "Songs and Verses" by W. Maling Wynch (14) Note: William Maling founded what is now known as Maling pottery company in 1762. He appointed two of his sons, Christopher Thompson Maling (1741-1810) and John Maling (1746-1823), to run the business. Christopher Sheels, Irwin, Selina Ann and Ann Martha are children of Christopher Thomas Maling. Ellen Barrow Dove married a son of Irwin. Sophia Martha Maling is presumably a great-grandaughter of Christopher Thompson Maling. Provenance: By descent through the Maling family
Manner of George Engleheart (1750-1829) - Oval miniature on ivory - Portrait of a young man wearing a blue jacket and high collar, unsigned, 7cm x 6cm See lot 130, we feel this is almost certainly the same young man whose profile portrait by Samuel Andrews is included in the Crommelin family group Condition: **No obvious restoration - General condition consistent with age
Two 19th Century French moulded glass pin dishes, each containing sulphide portraits - Voltaire & Rousseau and Napoleon I, 8.5cm diameter together with a flat domed paperweight containing a sulphide portrait, probably Louis XVI, 11cm diameter Condition: Please see extra images and TELEPHONE department for further details
19th Century French glass circular portrait medallion containing a sulphide portrait of Czar Alexander I, marked Andrieu to the truncation, 6.5cm diameter together with another glass portrait medallion containing a sulphide, probably George Washington, 8cm diameter Condition: Please see extra images and TELEPHONE department for further details
Small 19th Century glass paperweight containing a sulphide portrait of Queen Victoria, 4.75cm diameter, a 19th Century circular medallion containing a sulphide portrait of a gentleman, 5cm diameter, an oval medallion containing a sulphide portrait of a gentleman, 2.75cm high and a similar medallion now mounted as a brooch, 2.75cm high Condition: Please see extra images and TELEPHONE department for further details
19th Century glass paste portrait medallion depicting a gentleman in profile on a mottled red ground, 4.5cm high together with a circular glass portrait medallion depicting Charles II, signed Simon, 4.25cm diameter Condition: Please see extra images and TELEPHONE department for further details
19th Century white glass paste irregularly shaped medallion depicting an unknown lady and signed Henning, 6cm high, a small oval similar medallion depicting a portrait of a gentleman signed Marchant, 3cm high and three others Condition: Please see extra images and TELEPHONE department for further details
Carved lilac glass oval portrait intaglio depicting Napoleon Bonaparte, signed Harris, 4.5cm high, a clear carved glass oval portrait intaglio depicting an unknown gentleman, signed Marchant, 3.5cm high and six others, 2cm - 4.5cm high Condition: Please see extra images and TELEPHONE department for further details
Two 19th Century gilt metal Pitt Club members medallions, the first inset with a Tassie type portrait medallion depicting William Pitt and engraved to the reverse William Dombrain Esq, the second with a different portrait medallion and engraved Thomas Harding Esq, 4.5cm high Condition: Please see extra images and TELEPHONE department for further details
Carved intaglio amber glass oval portrait of a gentleman, now mounted as a ring, 3.5cm high, a small oval amber intaglio glass portrait of a lady signed Wray, an intaglio glass swivel fob and an opalescent intaglio glass seal decorated with a portrait of a gentleman Condition: Please see extra images and TELEPHONE department for further details
Glass paste portrait medallion signed Henderson, now mounted as a ring, 2.25cm high, a carved shell cameo depicting a portrait of a young gentleman, 4.5cm high, a black glass portrait of Prince Albert, now mounted as a brooch, 4.25cm high and two oval lava cameos depicting George II and Cellini, 5.5cm and 3.5cm high Condition: Please see extra images and TELEPHONE department for further details
19th Century circular turned oak box and cover made from the timbers of the Medieval canoe ferry discovered in 1849 during excavations in Small Street, Bristol, inset into the top is a silvered portrait of Henry III, a hand written letter dated 1851 states 'In the year 1240 a Mandamus was issued by King Henry III to the Mayor and authorities in Bristol to begin to make the New Quay and in 1247 the stone bridge was finished, the river was thus diverted from its course from Stephen & Baldwin Streets along St Augustines, the side of the river was consequently built up to form the quay wall and the ground at the bottom of Small Street filled up. An old canoe or boat used probably for the ferry which then existed, of a peculiar description, was covered over. It remained so until 1849 when Mr Armstrong in excavating with difficulty succeeded in cutting out a piece of it, the bottom was 4" thick and it appeared to be part of a boat scooped crudely out of a solid oak tree of very large size. It is evident therefore this box of oak is nearly 800 years old and thus 27 generations of citizens have gone to their rest while it still endures. The City Arms of that day favour the supposition it was a canoe made in the fashion of those times. J.S. Birtle, November 1851', 12.5cm diameter Condition: The hand written paperwork is in several pieces and split along the seams - **General condition consistent with age
A Doulton Lambeth stoneware water jug of tapered form, having a flared rim and loop handle, produced to celebrate the reign of Queen Victoria, decorated in Art Nouveau taste, in tones of green, blue and brown with organic designs, a profile portrait of the monarch and text bears impressed & incised marks
Edward Holmes, RBA (British, fl. 1841-1891) A Milkmaid with two calves signed lower left on the trough "E Holmes" oil on canvas 44 x 59cm (17 x 23in) Frederick Lee Bridell (baptised 5 December 1830 – died 20 August 1863) was a popular painter of 19th century Britain, initially as a Portrait artist, gaining favour with luminaries such as Elizabeth Barrett Browning who entertained Bridell and his wife (Eliza Florence Fox, a fellow artist), for their wedding meal at Bocca di Leone, Rome in 1859 After a short period in Paris, where he copied works in the Louvre, he established himself in Munich. Here he became influenced by the Dutch school, copying works by Cuyp, Van der Velde and Berchem. He was inspired by the mountainous landscape of the Tyrol, and its wooded valleys. Returning to England in 1855, he completed works from his sketches abroad and completed numerous commissions for the well-to-do of Southampton. He began to exhibit at the Royal Academy, the British Institution and the Liverpool Academy 1858. He set up a studio in Rome, near the Spanish Steps,in December of that year. There are entertaining descriptions of life in the city at this time, written by Nathaniel Hawthorne. Both he and his wife were interested in the culture and art and wrote details of their visits in French and Italian Notebooks. In Rome in 1859, Bridell met and married Eliza Fox, an artist, and the daughter of an MP, William Johnson Fox. She was known to influential writers and thinkers of the time, and Robert Browning, ‘gave her away’ at the ceremony. The newly wedded couple had their ‘wedding dinner’ at the Browning’s apartment in Bocca di Leone. Two days later they were both painting at their respective studios. Bridell, freed from the deprivation of his early years, embarked on his most prolific period. In Italy, he completed monumental works inspired by the landscape near Rome. It was however, in the vicinity of the Italian Lakes that he was most inspired to paint. Driven by his all consuming desire to record the grand vistas before him, he ignored the illness that was taking hold of his body. Returning to England in 1863, he died in Kensington in August of that year and was buried in Brompton Cemetery Writing Bridell’s obituary,[5] Sir Theodore Martin stated ‘Had he lived,he must have earned a European reputation; and numerous and fine as are the works he has left, his early death is, in the interests of Art, deeply to be deplored. We have only to add, that in manners Mr.Bridell was simple, amiable and modest. Firm without self-assertion, sincere without being obtrusive, we can believe he was beloved by his friends, as most certainly he was respected by those whose knowledge of him was comparatively slight’. Relined and cleaned.
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![AUTOGRAPH - 'MR & MRS GENERAL TOM THUMB' [CHARLES SHERWOOD & LAVINIA WARREN STRATTON] (1838-1883 & 1841-1919) American dwarf](https://cdn.globalauctionplatform.com/e7dde010-1548-4a54-ab3b-a49d00b6b3b8/15522894-2687-445f-d7c6-8c4b5ae300c3/468x382.jpg)
