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283287 Los(e)/Seite
Robert Peel signed 1830 Free Front with career details and colour copy of portrait painting. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut Ken Money signed 10 x 8 inch colour portrait photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut John Casper signed 10 x 8 inch colour portrait photo Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut Richard Truly signed 10 x 8 inch colour portrait photo to Walter Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut Guy Gardner signed 10 x 8 inch colour portrait photo to Walter Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut Gordon Fullerton signed 10 x 8 inch colour portrait photo Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut Jo Kerwin signed 10 x 8 inch colour portrait photo Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut Joseph Allen signed 10 x 8 inch colour portrait photo Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
George Melly genuine authentic signed autograph display. High quality professionally mounted 17x11 inch overall sized display. 3D double mounted in acid free mountboard. Consists of an 8x10 inch colour portrait photograph and signature piece matted below the photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut Martin Fettman signed 10 x 8 inch colour portrait photo Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut William Thornton signed 10 x 8 inch colour portrait photo to Walter Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Astronaut Taylor Wang signed 6 x 4 inch colour portrait photo Space Shuttle NASA. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Kathryn Harrold signed 10 x 8 inch b w portrait photo. She is an American counsellor and retired film actress, best known for her leading roles in films The Hunter (1980), Modern Romance (1981), The Pursuit of D. B. Cooper (1981), Yes, Giorgio (1982), and Raw Deal (1986). Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
William Hartnell Dr Who very rare signed 6 x 4 inch b w portrait photo in middle age head and shoulders pose. Signed in Blue fountain pen. Dated on back received Nov 16th, 1946. Scarce and highly collectable. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A selection of 20th century porcelain and enamel boxes, floral decorated small dish, three glass scent bottles, brass oval shaped carriage timepiece, three modern watercolour on ivorine miniatures depicting continental scenes, three miniatures depicting a cardinal, 19th century gentleman, bust portrait of a 17th century gentleman and a 19th century silhouette
Henri Griset (19th century) French, Six character studies, pencil, sold together with the original purchase receipt, 12.5cm by 6cm (framed as one), together with British School (20th century), Portrait of a lady in a red dress and hat, inscribed verso 'Ruth E Lillie, May 1909, watercolour, 13.5cm by 8.5cm (2)
*HML (20th century) Head and shoulders portrait of a woman Signed and dated (19)67, charcoal, together with a head and shoulders portrait of a man, together with J* Olimba (20th century) Man with canoe, signed and dated (19)67, pencil, 59cm by 46cm and 84cm by 33cm respectively (3) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Ibou Diouf (Senegalese, born 1943)Portrait de Mere signed and dated 'Ibou Diouf '71' (lower right)oil on canvas118 x 88cm (46 7/16 x 34 5/8in).Footnotes:ProvenanceAcquired directly from the artist;A private collection, SenegalThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Akinola Lasekan (Nigerian, 1921-1972)Portrait of a Yoruba Lady signed 'Akinola Lasekan' (lower right); bears inscription 'Onileku, Akinola Lasekan' and 'K A Player, QES' (verso)oil on board50 x 40cm (19 11/16 x 15 3/4in).Footnotes:ProvenanceMs Kathleen A Player.Kathleen Player worked in Nigeria as Woman Education Officer at King's College, Lagos and then was the founder of Queen Elizabeth School, Ilorin where she served as principal from 1954-1962.The inscription 'Onileku' refers to the village of that name in Oyo State, not far from the artist's birth town of Ipele, both in the heart of Yorubaland.For further information on this lot please visit Bonhams.com
Benedict Chukwukadibia Enwonwu M.B.E (Nigerian, 1917-1994)Head of Osagboivo signed 'ENWONWU/ BEN ENWONWU/ 1949' (to the side of the neck)wood44 x 16 x 19cm (17 5/16 x 6 5/16 x 7 1/2in).Footnotes:ProvenancePurchased by grandfather of vendor directly from the artist during his time in Lagos as technical director of Nigerian Breweries until independence;Thence by descent to present owner.ExhibitedLondon, Berkeley Gallery, 1950.London, Galerie Apollinaire, July - August 1950. Cat. no. 13.Washington D.C., Howard University, 1950.Boston, Schweitzer Foundation Festival of Arts, 1950.New York, Roosevelt House at Hunter College, 1950.New York, Vasser College, 1950.New York, Syracuse University, 1950.Vermont, Bennington College, 1950.'The quality of a piece of sculpture carved in ebony is like having produced a metallic wooden sculpture. This is more so when it is highly polished but I prefer to leave my pieces a little dull.' - Ben Enwonwu, 1950This ebony head was carved by Enwonwu in Benin City, Nigeria in 1949, shortly after the artist had returned from the UK. Enwonwu spent time with the traditional carvers in Benin, in order to learn more about their techniques. Enwonwu said the following about this sculpture when he visited the United States for an exhibition and lecture tour in 1950:''Head of Osagboivo' is a portrait. Mr. Osagboivo is head of the Benin Wood Carving Guild in Benin City. His father was a carver but unlike the time of his father, he has to work in the Native Administration Department, where the old art has become another, of cheap commercialism. Osagboivo does not like the idea. But what the Nigerian needs, is to develop a conscious, aesthetic appreciation of art and the artist, to have a critical sense of evaluation of the artistic merits and demerits. This above all else, would maintain a continuity of good work which is lacking today in all Africa. But the people would have to have an art school in which these thing can be taught to them.For I feel that the West African, having lost his art, is incapable of recognising art when he sees it. But the reason for the disappearance of the aesthetic traditions of Africa is the fault of the British Government who have not created opportunities for the younger generation to pursue the art studies that are of great importance today in all West African colonies.Even Osagboivo knows this and he complains bitterly. He remembers the days of yore in Benin City, when his father was an eminent master craftsman of the Court of Oba Ado, King of there Benins.'For further information on this lot please visit Bonhams.com
Amoako Boafo (Ghanaian, born 1984)Portrait signed, dated and inscribed 'Amoako M/ Boafo 2019/ KING' (lower right)oil on card30.2 x 30cm (11 7/8 x 11 13/16in).Footnotes:Provenance:Acquired directly from the artist;A private collection.Though born in Accra, Ghana, Amoako Boafo now lives and works in Vienna. His work questions contemporary misunderstandings of blackness by contrasting personal and structural perceptions and portrayals of black people. His expressionistic and sensitive portraits of friends and acquaintances highlight their self-perception and beauty while challenging the misconceptions of blackness that objectify and dehumanize black people. 'I wanted to paint the Black diaspora, or Black people, the way I see them.'Amoako BoafoFor further information on this lot please visit Bonhams.com
Ephrem Solomon (Ethiopian, born 1983)Untitled (Portrait Series), 2013 (3) woodcut and mixed media 32 x 32cm (12 5/8 x 12 5/8in). each.Footnotes:ProvenanceAcquired from Tiwani Contemporary, London in 2014;The Saatchi Collection.ExhibitedLondon, Tiwani Contemporary, Ephrem Solomon: Untitled Life, 2014London, Saatchi Gallery, Pangaea II: New Art From Africa And Latin America, 2015LiteratureSaatchi Gallery, 'Pangaea II: New Art From Africa And Latin America', 2015, pg. 143 & 147For further information on this lot please visit Bonhams.com
Aboudia Abdoulaye Diarrassouba (Ivorian, born 1983)Self Portrait, 2011 signed 'ABOUDIA' (upper centre) and dated '2011' (lower right), signed and inscribed verso 'Aboudia, Self Portrait'mixed media on canvas 120 x 140cm (47 1/4 x 55 1/8in).For further information on this lot please visit Bonhams.com
William Joseph Kentridge (South African, born 1955)Homecoming signed and dated 'Kentridge '(19)86 15/6' (lower left)charcoal91 x 63.5cm (35 13/16 x 25in).Footnotes:ProvenanceAcquired from Cassirer Fine Art, 'William Kentridge', Johannesburg, 1988;A private collection.Kentridge has described his work as 'a portrait of Johannesburg'. However, it is the psychological landscape of South Africa that truly interests him. The social upheaval, racial injustice, and violence that characterised apartheid is reflected in his creative process. Kentridge's works in charcoal are created by 'partial erasure', a process in which parts of one drawing are rubbed out and the next drawing is begun over the top of the remnants. This erasure alludes to the way in which the authorities have selectively 'disremembered' the atrocities that have been visited upon sections of South African society throughout modern history.'I have never tried to make illustrations of apartheid, but the drawings are certainly spawned by and feed off the brutalized society left in its wake. I am interested in a political art, that is to say an art of ambiguity, contradiction, uncompleted gestures and uncertain things. An art (and a politics) in which my optimism is kept in check and my nihilism at bay.' (Kentridge)In this charcoal drawing, Homecoming, fragmented images are layered one on top of the other. In the background, a built up street with derelict looking buildings recedes into the distance. In the foreground, a man embraces a cheetah, whilst the naked figure to the right turns away from us. The shadowy and indistinct scene is more of a dreamscape, than any recognizable location.Curator, Carlyn Christov-Barkargiev, describes Kentridge's work as an 'elegiac art that explores the possibility of poetry in contemporary society, and provides a powerful satirical commentary on that society, while proposing a way of seeing life as a continuous process of change rather than a controlled world of facts'.For further information on this lot please visit Bonhams.com
Irma Stern (South African, 1894-1966)Portrait of an Indian woman signed and dated 'Irma Stern/ 1945' (upper right)watercolour 37 x 29.5cm (14 9/16 x 11 5/8in).(excluding frame).mounted in artist's original raffia frame.Footnotes:ProvenanceCollection of Mr. Harold Hanson (1904-1973).By direct descent.Harold Hanson was one of the most highly regarded lawyers practising in South Africa in the 1950s and 60s. He studied at the University of Witwatersrand and was called to the bar in 1926.Harold was a fervent advocate for civil liberty and on a number of occasions agreed to defend the accused without a fee. He was best known for his contribution to the Rivonia Trial in June 1964, in which he argued mitigation for Nelson Mandela and nine other men who had been accused of sabotage and conspiracy to overthrow the State.It was during this trial that Harold established a friendship with the young advocate, Sydney Kentridge. Kentridge later acknowledged the importance of the older man's guidance, crediting him as an invaluable mentor:'Harold was one of the most extraordinary advocates I have ever heard in any court. It is not easy to anyalze or even describe the essence of his brilliance. His performance in court was in every case based on meticulous preparation...yet it was always delivered with spontaneous eloquence which gripped the listener. He was always able to command the interest, if not the sympathy, of the judges.'Harold Hanson also had a keen appreciation for the arts. This painting was acquired by him along with another gouache by Irma Stern (lot 29) circa 1950s, and has been in the family's collection ever since.For further information on this lot please visit Bonhams.com
Monsengwo Kejwamfi 'Moke' (Democratic Republic of Congo, 1950-2001)A man in a cafe, probably a self portrait titled, signed and dated 'PEINTRE NAΪF/ MOKE./ 83' (lower left)oil on canvas 94 x 69cm (37 x 27 3/16in).Footnotes:In 1983 Moke participated in an exhibition of Art Naif at the Goethe Instituit in Kinshasa, DRC.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
JAMIE REID (born 1947)Old Queen (Red), 1997 signed, dated and numbered 87/200 in pencilscreenprint in red101.5 x 73.5cm (39 15/16 x 28 15/16in).Footnotes:British artist and anarchist Jamie Reid is probably best known for his work with The Sex Pistols, which includes the Cecil Beaton Silver Jubilee portrait of the Queen with a safety pin through her lip (artwork featured in this lot). His work features letters cut from newspaper headlines in the style of a ransom note, and his style is often considered a defining part of the image of punk rock, particularly in the UK. His best known works include the Sex Pistols album Never Mind the Bollocks, Here's the Sex Pistols and the singles Anarchy in the UK, and God Save The Queen. In 1997, Reid produced a series of screen prints, to mark the twentieth anniversary of the birth of punk rock.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Andy Warhol (1928-1987)Mao, 1972 signed in ball-point pen and stamp-numbered 233/250 on the reversescreenprint in colours91.4 x 91.4cm (36 x 36in).Footnotes:LiteratureFeldman & Schellmann, Andy Warhol Prints 1962-1987, Fourth edition, 2003, no. II.95, pg. 83'Since fashion is art now and Chinese is in fashion, I could make a lot of money... Mao would be really nutty not to believe in it, it'd just be fashion but the same portrait you can buy in the poster store.' Andy WarholFor further information on this lot please visit Bonhams.com
GREY ORGANISATION/TOBY MOTTCover art for the De La Soul debut album '3 Feet And Rising', 1988 original hand-drawn mock up for the 12inch vinyl album record sleeve, as approved for development by Tommy Boy Records, comprising a vintage black and white photographic silver gelatin print of the group, the portrait shot by Mott and Marie Hennechart, with overlaid sheet of transparent acetate hand-coloured in Posca paint pen, pigments by Mott, together with an album flat and sticker30 x 30cm (11 13/16 x 11 13/16in).Footnotes:In 1988, Tommy Boy Records contracted the Grey Organization to create a visual graphic identity for the hip hop group, De La Soul, comprising Kelvin 'Posdnous' Mercer, Dave 'Trugoy the Dove' Jolicoeur, and Vincent 'Pasemaster Mase' Mason, including art direction for their debut album, 3 Feet High And Rising. Released on March 3, 1989, the album became a critical and commercial landmark of late 20th century pop culture, selling millions of copies worldwide and expanding the vocabulary of hip hop as an emerging art form.In 1998, 3 Feet High And Rising was named as one of 'The Source' magazine's '100 Best Rap Albums' of all time. In 2010, the US Library Of Congress selected the album for inclusion in the National Recording Registry, which identifies American sound recordings 'that are culturally, historically, or aesthetically significant.' In an article for 'The Guardian' newspaper on the occasion of the album's 25th anniversary, Toby Mott recounted his collaboration with the group. Their starting point was De La Soul's psychedelic 'Da.I.S.Y. age' concept (according to Posdnous, '...we coined the term 'the daisy age' after we noticed a nightgown in a store that had a picture of Minnie Mouse holding a daisy on it. Although the daisy stood for 'Da Inner Sound Y'All', it was also about suggesting a sunnier style of rap.') and Grey Organization developed a visual concept that incorporated the now iconic dayglo flower motifs associated with the group's early period. For the album cover photo shoot, De La Soul visited the Grey Organization's loft, where Mott asked Posdnuos, Trugoy and Mase to lie down on the floor, facing up, so their heads would form a triangle. 'We [Mott and photographer Marie Hennechart] photographed them precariously from the top of a step ladder, one idea being that the cover would not have a right way up.' Since compact discs had not yet become the dominant musical format, the design process centered on production for the album's 12inch LP record sleeve. Working at scale, Mott layered brightly colored hand-drawn flower designs made with Posca paint pens on acetate as an overlay for Hennechart's black and white portrait of the group. 'This was well before the time of Apple Macs and scanning,' Mott recalls. 'Our intent was to be new and bright, with the overlaying of the fluorescent flowers and text reflecting a synthetic pop cartoon look. For De La Soul, it was a self-conscious move away from the prevailing macho hip hop visual codes of the era, which continue to dominate today.' [Note: The final album cover layout based on this artwork is credited to graphic designer Steven Migilo]. Grey Organization provided tour support and directed two videos for the group, Potholes On My Lawn and Say No Go, 1988 and 1989 respectively.Toby Mott's relationship with music started when he was a teenager. Mott was 13 in 1977, when Punk exploded in London. His career encompasses co-founding East London art group, the Grey Organisation, in the early 1980s, creating the cover artwork offered here and designing the fashion line, Toby Pimlico.For further information on this lot please visit Bonhams.com
FONTENEY (Ernest, compiler): neatly arranged commonplace book of manuscript verse and prose dated August-September 1881, French language with decorative headings and title incorporating tin-type portrait, contemporary brown crushed morocco with gilt inner dentils and decorative endpapers, aeg, related printed and manuscript items loosely inserted: together with another volume of bound manuscript material in French language, 19th century. (2)
A Collection of twelve lithographic prints from The Curwen Studio, comprising David Suff (British, b.1955), The Walled Garden at Nymans', titled, signed and dated 1987 and numbered 37/195, sheet size 55 x 66cm; Albany Wiseman (b1930), 'Mitchell's Yard', titled, blindstamped, numbered 84/100 and signed, sheet size 63.5 x 51cm; Chris Corr (British, b.1955) 'Santa Monica Beach', signed and numbered 118/200, sheet size 57.5 x 73.5cm; Susan Horsfield (British, b.1928), 'Filston Lane, Shoreham', titled, signed and dated 84 and numbered 146/250, sheet size 56 x 70cm; Andrew Holmes (British, b.1959), 'Plum Tree Commune', titled, signed and dated 83 and numbered 59/110, sheet size 44 x 55cm; Alistair Crawford (British, b.1945), 'Hacienda II', signed and dated 84 and numbered 86/200, sheet size 57.5 x 73.5cm; Susan Morland (British, b.1931), Donkey, signed and inscribed Archives, sheet size 43 x 51cm; Gerald Mynott (British, b.1957), Italian Villa Tuscany, signed and numbered 159/250, sheet size 72 x 56cm; Kent Jones, Madwoman of Cork, together with sheet bearing rhyme, artists proof, signed and dated 87, sheet size 38 x 52cm; Charlotte Ardizzone (1943-2012) Kitchen, signed and numbered 29/195, sheet size 47 x 38cm; Albert Houthuesen (1903-79), Portrait, Curwen Proof, sheet size 65 x 50cm; and and Jane Corsellis RWS (British, b.1940), French Interior, signed and numbered 147/220, 66 x 50cm
§ Hans Schwarz RBA, RP, RWS, NEAC (Austrian, 1922-2003). 'Nick Dawes on Indian Miner', oil on board, signed, 118cm x 89cm. Provenance: Royal Society of Portrait Painters Exhibition 1997, label verso. Please note that artist resale right may be additionally payable on this lot up to a maximum of 4%, please visit www.dacs.org for more information
Quantity of watercolours, to include Maurice Brand (b.1924), View of a street, signed and dated 93 lower right, unframed, 28.5 x 36.5cm; a view of a beach, framed, 22 x 31cm; R. I. Coleman, Landscape with village and trees to background, signed and dated 1969 lower right, unframed, 33 x 50cm, view of a cobbled street with pier to background, signed 'Marjorie Bales', unframed, 17.5 x 12.5cm; Frank Broadbent, Landscape, signed lower right, unframed, 12.5 x 18cm; unsigned mountainous landscape, unframed, 10 x 16.5cm; seven unframed works signed 'Roch Denis' to include a portrait and six landscapes, 30 x 40cm; two Japanese style portraits mounted on black paper, one signed Steph Cony and dated 78, unframed, 28.5 x 23cm and 41 x 30.5cm; and an unframed view of a lake, monogrammed and dated 89 lower right, 31 x 42cm
England & Wales.- Ogilby (John) An Actual Survey of all the Principal Roads of England and Wales, 2 vol. in 1, titles, the second printed in red and black, engraved dedication and portrait of Charles Boyle, with 100 engraved plates, no. 99 bound in upside down, surface dirt and browning throughout, a few rough edges, contemporary calf, rebacked, rubbed and worn, 4to, 1719.
ATTRIBUTED TO DANIEL GARDNER (c. 1750-1805) A portrait of a young man half-length in profile, possibly a self-portrait, watercolour and pastel. 23cm x 17.5cm (oval). Provenance: Inscribed verso "From the collection of Lady Strachey, formerly the property of Lord Carlingford, K.P., purchased from Anne Eliza Dixon, the grand-daughter of Daniel Gardner the Artist" Lady Strachey's collection of 63 portraits by Gardner were dispersed at Christie's on 17th July, 1911

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283287 Los(e)/Seite