Royalty, 2 Christmas cards from 'The Princess Mary and Friends at Home' dated 1914 and 1915 together with a small photographic card of Princess Mary (from the soldiers Christmas tins), a Lady's Pictorial magazine dated Feb 2nd 1901 'Queen Victoria In Memoriam' together with its original colour portrait insert, a cotton handkerchief printed with 'The Absent Minded Beggar' and a portrait of Queen Victoria and Lord Roberts, an insert from 'The Schoolgirls Own' dated Feb 25th 1922 depicting Viscount Lascelles D.S.O. and H.R.H. The Princes Mary (gd) (6)
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Postcards, a selection of cards and ephemera mainly related to the Graf. Zeppelin. Showing RP's of LZ127 in flight, possible view of construction and interior. Also artist impression by Hans-Rudolf-Schultz, photo portrait (printed) of Eckener. Also 5 plastic phone cards illustrated with the Graf. Zeppelin, with 5, 10 and 20 dollar values. Sold with a small selection of 9 Zeppelin Cinderella stamps and an RP of the airship Parseval in Hamburg. Also a collection of approx. 500 German topographical cards and booklets in box (mixed condition, fair/gd)
A collection of reference books to include: The Sitwells, NPG Exhib, Nat Portrait Gallery 1994Façades, John Pearson, Macmillan 1978Splendours and Miseries, Sarah Bradford, Farrar Strauss1992Taken Care Of -Autobiography, Edith Sitwell, Hutchinson 1965Osbert Sitwell, Philip Ziegler, Random House 1998Osbert Sitwell Autobiography comprising Left Hand, Right Hand (+signed 1st ed), The Scarlet Tree, Great Morning, Laughter in the Next Room and Noble Essences, Macmillan 1945Tales My Father Taught Me, Osbert Sitwell, Hutchinson 1962Queen Mary and Others, Osbert Sitwell, Book Club 1974(14)
A collection of art reference books to include: Dictionary of British Equestrian Artists, Sally Mitchell, ACC 1985The Pre-Raphaelites, Andrea Rose, Phaidon 1981Apollo Annual 1949, Various, Apollo 1949Victorian Days and Modern Ways, Noel Carrington and Jocelyn Rose, Oxford U P n/aKenneth Webb, Josephine Waslpole, ACC 2003Dictionary of 18th Century Painters(2), Ellis Waterhouse ACCPaula Modersohn Becker, Averil King, ACC 2009The Williams Family of Painters, Jan Reynolds, ACC 1975Larousse Encyclopedia of Renaissance and Baroque Art, René Huyghe, Paul Hamelin 1964The Portrait in British Art, John Hayes, Nat Portrait Gallery 1992The Pre-Raphaelites , Christopher Wood, Book Club Assocs 1981 (12)
* ELIZABETH BLACKADDER DBE RA RSA RSW RGI DLitt (SCOTTISH b 1931), STILL LIFE IN WHITE AND GREY watercolour on paper, signed and dated 1972 in pencil 62cm x 104cm Mounted, framed and under glass. Label verso: Mercury Gallery, 26 Cork Street, London. Purchased September 1972. Note: Elizabeth Blackadder is the first woman to be elected to both the Royal Scottish Academy and the Royal Academy. She studied at Edinburgh University and Edinburgh College of Art from 1949 to 1954. In 1954 she was awarded a Carnegie Travelling Scholarship by the Royal Scottish Academy, which took her to southern Europe. Blackadder also received an Andrew Grant Post-Graduate Scholarship. In 1955 she was awarded another Travelling Scholarship and spent nine months in Italy. In 1956 Blackadder married the painter, John Houston and lectured in Drawing and Painting at Edinburgh College of Art from 1962 to 1986. Blackadder’s first solo exhibition was held in 1959 at 57 Gallery, Edinburgh. Since then, solo exhibitions of her work have been held almost every year to date, both nationally and internationally. She has also participated extensively in group exhibitions around the world. Blackadder has received a number of awards, including the Guthrie Award, Royal Scottish Academy (1962) and the Pimms Award for Work on Paper (Royal Academy, 1983). She was joint-winner of the Royal Academy’s Watercolour Foundation Award in 1988. Blackadder was elected Member of the Royal Scottish Academy in 1972, a Royal Academician in 1976 and a Member of The Royal Glasgow Institute of Fine Arts in 1983. She is an Honorary Member of the Royal West of England Academy, the Royal Watercolour Society and the Royal Society of Painter-Printmakers, and an Honorary Fellow of the Royal Incorporation of Architects in Scotland and the Royal Society of Edinburgh. She has also received Honorary Doctorates from four Scottish universities. In 2001 she was appointed Her Majesty’s Painter and Limner in Scotland. Elizabeth Blackadder lives and works in Edinburgh. Selected public collections: Abbot Hall Art Gallery, Aberdeen Art Gallery, Carlisle Museum and Art Gallery, Contemporary Art Society, The Carnegie Trust, Edinburgh City Art Gallery, Tower Art Gallery (Eastbourne), The Fleming Collection, Glasgow Museum and Art Gallery, UK Government Art Collection, Greater London Council, Heriot Watt University, Kirkcaldy Museum & Gallery, Museum of Modern Art, New York (MOMA), National Portrait Gallery, London, Royal Acedemy of Arts, The Royal Scottish Academy, Scottish Arts Council, Scottish National Gallery of Modern Art, Scottish National Portrait Gallery, Tate Gallery, London, University of Cambridge, Kettle’s Yard, University of Edinburgh, University of Glasgow, Hunterian Art Gallery, Whitworth Gallery, Wustun Museum, Racine, Wisconsin, USA.
* PAUL GUNN (BRITISH b 1934 - ), RIVERSIDE oil on panel, signed; titled verso in pencil 15cm x 27cm Framed. Note: Paul Gunn was born in London, in 1934, the only son of the Scottish artist Sir James Gunn, R.A. He was educated at Ampleforth College, and then spent two years in the Life Guards. Much of his early life was spent at Carsthorne on the shore of the Solway Firth, where he spent happy holidays roaming the wild sea shore, and the surrounding countryside, developing a great love of nature and the sea. He took up painting seriously after his father died in 1964, when after 15 years in industry he became an art student, studying at the City and Guilds School in Kennington under Rodney Burn and Robin Guthrie for four years. He has exhibited at the Royal Academy (London), the Royal Society of Portrait Painters, has pictures in national collections, and has held over 20 one man shows between London and New York. Paul has travelled widely in his search for subjects. He paints mainly in middle tones, in oil on board, and his charming pictures depict with equal success the soft grey light of London, the pearly mist of a Vietnamese morning or the sun sparkling on the Mediterranean. A keen fisherman all his life, he excels at painting the effect of light on water.
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), HEATWAVE oil on linen, signed 86cm x 107cm (approx 34 x 42 inches) Framed and under glass. Partial label verso: Glasgow Art Club, with title and artist's address (Clevedon Road, Glasgow G12 0NT). Provenance: Private Scottish collection since aquisition in 1970's. We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating this painting and confirming that the painting probably dates to the late 1970's and that the model is the artist's French wife Marie-Renee (Mainee). Furthermore, the location is Goudie's studio within the family home at Amewood House, Clevedon Road, Glasgow. Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
* SARAH ASPINALL (BRITISH b 1965), SOUND MAN AT ASCOT oil on canvas, signed and dated 1996 55cm x 70cm Framed. Note: Sarah Aspinall is a respected equestrian portrait artist who usually works to commission but also exhibits at The Osborne Studio Gallery (London). "Sound Man" won the Tingle Creek Chase at Sandown (a Grade 1 National Hunt Steeplechase) in 1995 and 1996. He was trained by Edward O'Grady in Ireland for owner David Lloyd and ridden for both wins by Richard Dunwoody.
* SARAH ASPINALL (BRITISH b 1965), SOUND MAN AND VIKING FLAGSHIP, CHELTENHAM oil on canvas, signed and dated 1996 52cm x 70cm Framed. Note: Sarah Aspinall is a respected equestrian portrait artist who usually works to commission but also exhibits at The Osborne Studio Gallery (London). "Sound Man" won the Tingle Creek Chase at Sandown (a Grade 1 National Hunt Steeplechase) in 1995 and 1996. He was trained by Edward O'Grady in Ireland for owner David Lloyd and ridden for both wins by Richard Dunwoody.
* CATRIONA CAMPBELL (b 1940), YELLOW STILL LIFE oil on board, signed and dated 1994 60cm x 60cm Framed and under glass. Label verso: Gatehouse Gallery, Rouken Glen Road, Giffnock. Inscribed with title, artist's name and dated 1994. Note: Catriona Campbell has been awarded the GSA Somerville Shanks Prize for Portraiture, the Society of Scottish Woman Artists Founder’s Prize, the Anne Redpath Award and Morton Fraser Award. Catriona exhibits widely and has been a regular exhibitor at the Royal Scottish Academy, The Royal Glasgow Institute, The Society of Scottish Artists and the Royal Society of Portrait Painters. She has been a member of Visual Arts, Scotland since 1986 (previously The Society of Scottish Artists and Artist Craftsmen). Her work is in public and private collections in the UK, Spain, America, Canada, Australia, New Zealand and Hong Kong.
* ALEXANDRA (SANDIE) GARDNER (SCOTTISH b 1945), THE ROSE oil on canvas, signed 150cm x 85cm Framed. Note: A large and very special exhibition centrepiece work. Alexandra (Sandie) Gardner studied at Glasgow School of Art under David Donaldson from 1963-1968 and lectured there until 1988. She has won many awards and her highly individual paintings encompass a remarkably wide range of subjects - still life, figure and portrait studies, the nude, landscape, moody bars, diners, restaurants and barber shops.
(See English version below)Schlafende Katze. Tusche auf Papier. 26,1 × 38 cm ( 10 ¼ × 15 in.). Rückseitig mit dem Nachlassstempel in Schwarz.Rückseitig: Brustbild. Tusche. [3207]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier ungleichmäßig schwach gebräunt. In der oberen rechten Ecke zwei, in der unteren linken Ecke eine schwache Knickspuren (max. 2,1 cm). In drei Ecken Montierungslöchlein. Vereinzelt hellbraunen FleckchenWir berechnen auf den Hammerpreis 30% Aufgeld.Schlafende Katze. India ink on paper. 26,1 × 38 cm ( 10 ¼ × 15 in.). With the estate stamp in black on the reverse.On the reverse: half-length portrait. India ink. [3207]Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses. The paper showns irregular minor browning. In the upper right corner two and the lower left corner faint creases (max. 2,1 cm). In three corners minuscule mounting holes. Isolated light brown small stainWe charge 30% premium on the hammerprice.
A late 19th/early 20th century Sèvres-style two-handled porcelain serving tray centrally decorated with a vignette of a French king within floral gilt cartouche against a cobalt-blue ground, the two handles decorated with interlaced 'L's' (44cm diameter)Upon inspection to the underside it is noted that there is glaze crazing as expected commensurate with age and there are some scratches and marks on the foot, again as expected through age. The gilding to the front looks reasonable as does the portrait painting although upon close inspection there is some glaze crazing and some gilt bubbling to the edges at the top and the vertical gilding lines framing the cartouche. No chips, cracks or restorations noted - the item purports to be in good honest original condition.

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