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283287 Los(e)/Seite
Los 623
Edith Todd - portrait of a seated gentleman wearing a top hat, oil on canvas, signed lower right with James Bourlet of London gallery labels verso, 101x75cm Condition Report / Extra Information Frame with some wear/scuffs to edged extremities, some areas of light crazing to paint, otherwise good
![GORDON COUTTS [AMERICAN 1868-1937], "BEDOUIN", H 29", W 23": Portrait of a Bedouin, signed lower right. Carved gilt wood fram](https://cdn.globalauctionplatform.com/efabdeac-934b-4af5-9f85-a51b00b28ac3/9dff71a8-f116-44c9-f928-06b6999d434d/468x382.jpg)
![GUSTAVE COURBET [FRENCH, 1819-1877] OIL ON CANVAS, H 13", W 9", PORTRAIT OF A MAN: Initialed lower left; framed. Jean Désiré](https://cdn.globalauctionplatform.com/efabdeac-934b-4af5-9f85-a51b00b28ac3/e8fed980-7453-41e4-f9f1-27d7599ee152/468x382.jpg)
Los 2022
GUSTAVE COURBET [FRENCH, 1819-1877] OIL ON CANVAS, H 13", W 9", PORTRAIT OF A MAN: Initialed lower left; framed. Jean Désiré Gustave Courbet [French, 1819-1877] was a French painter who led the Realist movement in 19th-century French painting. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
![ATTRIBUTED TO FEDERICO DE MADRAZO Y KUNTZ, [SPANISH, 1815-1894] OIL ON CANVAS, H 28" W 21 3/8", PORTRAIT OF A WOMAN: Canvas s](https://cdn.globalauctionplatform.com/efabdeac-934b-4af5-9f85-a51b00b28ac3/a8a72ab5-eb63-4815-8151-5556f1a2baa1/468x382.jpg)
![KARL KASPAR PITZ [GERM. 1756-1795], OIL PAINTING, C1784, H 28", W 23, BRIDAL PORTRAIT: A portrait of a woman in a bridal dres](https://cdn.globalauctionplatform.com/efabdeac-934b-4af5-9f85-a51b00b28ac3/cae4c837-5c0a-4e12-bb56-7fefe3d7855c/468x382.jpg)
Los 26
TERRY BOYD FAMILY PORTRAIT/PORTFOLIO Professional Portrait/Portfolio Session Voucher. 12 edited printed 7x5 prints and all photos on usb stick Location Home with portable studio or another location mutually agreed. Estimated Value: £100+ Terms and Conditions: Non exchangeable, returnable or refundable Valid for 6 Month from 16th October 2015, Session 1 - 8 People Lasting Up to 4 Hours Advanced booking required, subject to availability Travel distance approximately 100 miles from Glasgow city centre
Los 100
*@Brockhurst (Gerald Leslie, 1890-1978). A Ballynakill Woman, 1926, etching on laid paper, from the edition of 107 proofs published April 1926, signed in pencil, a very good, dark impression, plate size 137 x 105 mm (5.4 x 4.1 ins), sheet size 224 x 189 mm (8.8 x 7.5 ins), with old typewritten label to backing board Wright 53, vii/vii. A portrait of a Connemara peasant, also mother to the two children in Brockhurst's etching The West of Ireland (see lot 59). (1)
Los 122
*McBey (James, 1883-1959). The Ford, 1913, (Hardy 140), etching on laid paper, from the edition of 50 proofs, signed in ink, and numbered XV, plate size 140 x 240 mm (5.5 x 9.5 ins), sheet size 200 x 277 mm (7.9 x 10.9 ins), together with Brockhurst (Gerald Leslie, 1890-1978), Marquett, 1925, (Wright 51), etching on Whatman laid paper, from the edition of 106 proofs published December 1925, signed in pencil, plate size 216 x 175 mm (8.5 x 7 ins), sheet size 415 x 275 mm (16.3 x 10.8 ins), plus Strang (William, 1859-1921), Portrait of Hans Richter (1843-1916), etching on F.J. Head laid paper, signed in pencil, plate size 400 x 275 mm (15.75 x 10.8 ins), sheet size 570 x 430 mm (22.4 x 17 ins), and other various etchings, including Muirhead Bone, Ian Strang, James G. Power, H. Gordon Warlow, Bertram Buchanan, J. Reginald Taylor and J.R.G. Exley (4) (13)
Los 125
*Merritt (Anna Massey Lea, 1844-1930). Ophelia, 1880, etching on thick laid paper, plate size 225 x 172 mm, sheet size 316 x 241 mm (12.5 x 9.5 ins), together with 3 other late 19th-century etchings: Sir Frederick Leighton, Athlete wrestling with a python, 1881, Lawrence Alma-Tadema, Childish Affections, circa 1881, and Percy Thomas, Portrait of Henry Wadsworth Longfellow (4)
Los 160
Nevinson (Christopher Richard Wynne, 1889-1946). Modern War. Paintings by C.R.W. Nevinson, with an Essay by P.G. Konody, Grant Richards, 1917, lacks colour frontispiece, 24 monochrome reproductions, original cloth-backed green boards, with paper label to spine and upper cover, rubbed and marked with some soiling, 4to Presentation copy from P.G. Konody, inscribed to front endpaper: 'To Walter Barnett from P.G. Konody with best wishes Christmas, 1916', and additionally inscribed by Nevinson in ink below '& my best wishes C.R.W. Nevinson May 18th 1917.' The dedicatee is most likely to have been H. Walter Barnett (1862-1934), the Australian professional photographer, who moved to London in 1898, establishing himself as a highly successful portrait photographer, particularly of the artistic world. In 1917 he held an exhibition of his work entitled Warriors All: Exhibition of Portraits of Officers of the British, Overseas and Allied Forces and Ladies Engaged in War Work. (1)
Los 1370
HENRI LEHMANN (1814-1882) PORTRAIT OF MARIO, THE OPERA SINGER Bust length vignette, signed and date avril 1858, also signed by the sitter, pencil, mounted on board, unframed Image 18 x 15cm. * Giovanni Matteo Mario (1810-1883) was the outstanding Italian operatic tenor of his age, feted in London and Paris, and he married the noted soprano Giulia Grisi (1811-1869) following her divorce from Count de Melcy. The couple had six daughters. Lehmann was a pupil and celebrated associate of Jean Auguste Dominique Ingres whose influence is evident in this finely executed study. ++ Some light staining, foxing and handling marks.
Los 1372
FREDERICK CRUICKSHANK (1800-1868) PORTRAIT OF CHARLES PRINSEP (1825-1887) Seated three quarter length, wearing a blue coat, a palette in his left hand, a brush and watercolour in his right hand, signed with initials and dated 44, watercolour and pencil 44.5 x 31.5cm.; with another by Cruickshank, probably of E. A. Prinsep, standing, wearing a brown coat, signed and dated 1847, 54.5 x 40.5cm. (2) ++ Each a little faded and foxed
Los 1373
GEORGE RICHMOND, RA (1809-1896) PORTRAITS OF SIR FREDERICK LEMAN ROGERS, Bt. (1782-1851); and of his wife SOPHIA, LADY ROGERS, nee DEARE (1786-1871) A pair, bust length, the later signed and dated 1859, coloured chalks on buff paper Each 60 x 46cm. approx. (2) * The latter portrait was a gift from the artist to Lady Rogers' daughter, Marian Legge (1814-1890) in May 1866 ++ Each with some light staining etc
Los 1374
EIGHT 18th/19th CENTURY DRAWINGS & WATERCOLOURS to include a lady with an urn, style of Richard Cosway, 16.5 x 11cm.; a rural landscape subject by the portrait painter Mason Chamberlin, 1787, 14.5 x 19.5cm.; a farmyard scene by a follower of Paul Sandby, 19.5 x 25.5cm.; `Jesrusalem Liberated` from Tasso, by John Thurston, 14.5 x 12.5cm.; two subjects by Thomas Stothard, 11 x 10.5cm and 9 x 7cm.; a coastal subject attributed to John Thomas Serres, 21 x 30cm.; and a view of Carisbrooke Castle by Henry W. Burgess, 1823, 22 x 32cm.; various media, only the last framed (8) ++ Mixed condition; generally fair
Los 1439
FOLLOWER OF DMITRY LEVITZKY (1735-1822) PORTRAIT OF A NOBLEMAN Half length, wearing the uniform of a Knight of Malta, a crown to his left, oil on canvas, unframed 78.5 x 63.5cm.; with another oil of a historical subject by a follower of Benjamin West, unframed, 86 x 65cm. (2) ++ Each lined; the former worn, with flaked losses and damages; each needs a clean
Los 1444
ATTRIBUTED TO WILLIAM MOSMAN (1727-1771) PORTRAIT OF BARBARA STEWART OF CORRIE, WIFE OF LORD PRESIDENT CRAIGIE Quarter length, wearing a grey dress and blue mantle, within a painted oval, oil on canvas 74 x 62cm. Provenance: By descent in the family of the sitter. ++ Lined; new stretchers; some associated retouching
Los 1446
CIRCLE OF JOHN OPIE, RA (1761-1807) PORTRAIT OF A YOUNG GENTLEMAN Bust length, bears inscription verso: The Hon. Spencer Perceval/ Sketch by/ John Opie RA/ The Hon. Spencer Perceval was assassinated by John/ Bellingham in the Lobby of the House of Commons/May 1812, oil on board 47.5 x 37.5cm. ++ Damage/tear near right ear; losses/breaks at left corners; bloom; needs renovation
Los 1447
AFTER THOMAS GIBSON (c.1680-1751) PORTRAIT OF ROBERT WALPOLE, 1st EARL OF ORFORD (1676-1745), PRIME MINISTER Standing, long half length, wearing a brown coat with Garter Star and blue sash, an Earl's coronet to his right, bears inscription T Gibson Pinx, oil on canvas 33 x 24.5cm. ++ Lined; retouching over many old damages; carved wood frame with losses
Los 1454
ATTRIBUTED TO FRANCOIS BUNEL (1552-c.1599) PORTRAIT OF KING HENRY IV OF FRANCE (1553-1610) Standing, long half length, wearing a blue-grey tunic with gold brocade, matching plumed hat, riff collar and sash, inscribed upper right: Henricus. 4 D. G. Rex Francorum/ Et Navare. Aetatis-suae.40/ 1591, oil on canvas 97 x 71cm Provenance: Private Collection, Dorset; Crewkerne, Lawrences, 21st April, 2005, lot 1364; Private Collection, Staffordshire ++ Lined; retouching; small loss at lower edge centre and upper left corner
Los 1455
MANNER OF CHRISTOFANO ALLORI (1577-1621) PORTRAIT OF A CONDOTTIERE, TRADITIONALLY SAID TO DEPICT NICCOLO DA TOLENTINO (c.1350-1435) Standing, long half length, wearing black armour and a red sash, holding a baton, a helmet to his right, bears inscription NICOL DA TOLE upper right, oil on canvas 120.5 x 99.5cm. ++ Lined; replaced stretchers; associated retouching, in a French Empire frame
Los 1456
ATTRIBUTED TO SIR GODFREY KNELLER, Bt (1646-1723) PORTRAIT OF ADMIRAL SIR JOHN LEAKE (1656-1720) Quarter length, wearing a blue coat, russet waistcoat, white neckcloth and a long wig, within a painted oval, oil on canvas 74 x 61.5cm. * John Leake was born in London, the son of a master gunner. He joined the Navy at sixteen and was earmarked for promotion following distinguished service at the Battle of Texel in August 1673 when barely seventeen: he was Master Gunner by 1683, then Commander (1688), Captain (1689), Commodore and Rear Admiral (both 1702), Commander in Chief at Portsmouth and Vice Admiral (1703) and Admiral (1706). He held commands on ten vessels and was active in the Third Anglo-Dutch War, the Nine Years' War and the War of Spanish Succession as well as the Twelfth Siege of Gibraltar. In addition to service throughout the Mediterranean, he took eight ships to Newfoundland during the War of the Spanish Succession and destroyed fifty one enemy vessels. He rose to First Lord of the Admiralty in 1710 and was also an MP for Rochester from 1708-1715. Leake was a benefactor of St Mary's Church in Beddington, Surrey, but died at his town house in Greenwich in 1720. He left a widow Christiane (nee Hill) and a son. Remembered with affection and respect by those who knew him, one tribute in 1812 described him as `virtuous, humane and gallant .. one of the greatest admirals of his time`. Leake sat to Sir Godfrey Kneller for a larger format portrait in c.1705-1712 (National Maritime Museum). Despite his significant role in British Naval history, few portraits of Leake are recorded. Leake's pocket watch will be offered at Lawrences in a forthcoming auction. Provenance: By descent in the family of the sitter. ++ Lined; replaced stretchers; some associated retouching
Los 1458
CIRCLE OF JOHN BAPTIST MEDINA (1659-1710) PORTRAIT OF LADY KATHERINE ANNE ERSKINE (1697-1733), DAUGHTER OF THE 9th EARL OF BUCHAN Standing, full length, wearing a blue dress and red mantle, holding a basket of blooms, a parrot upon a balustrade to her left, bears later inscription upper left, oil on canvas 164 x 110.5cm. * Lady Katherine was the eighth child and elder daughter of David Erskine, 4th Lord Cardross and later 9th Earl of Buchan (d.1745), and of his wife Frances (nee Browne). She married the Hon William Fraser of Fraserfield MP in 1724. There was a son of the marriage, William (1725-1788) ++ Lined; retouching and old scattered minor damages; needs a clean
Los 1530
JAMES LEAKEY (1775-1865) PORTRAIT OF A LADY, TRADITIONALLY SAID TO BE A PORTRAIT OF THE ARTIST'S WIFE, ELIZA HUBBARD (nee WOOLMER) Seated half length at a table, wearing a black dress and patterned shawl, a vase of flowers to her left, signed J Leakey/ Exeter on the envelope she writes, oil on panel 17 x 13.5cm. Exhibited: Exeter, Royal Albert Memorial Museum, Loan Exhibition of Works by Early Devon Painters, 1932, no.88 (lent by Dr. C. Montague Leakey) Provenance: By descent in the artist's family until acquired by the current owner ++ Good condition; needs a light clean; period gilt frame
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283287 Los(e)/Seite