Tagore (Rabindranath) Gitanjali (Song Offerings), with an introduction by W. B. Yeats, one of 750 copies, printed in red and black, engraved portrait frontispiece with small loss to upper corner, not affecting image, ink ownership stamp to pastedown, occasional light spotting, original cloth, lightly rubbed and toned, light ring-mark top of cover, spine faded, [Wade 263], 8vo, Printed at the Chiswick Press for the India Society, 1912.
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Britain.- Chamberlayne (John) Magnæ Britanniæ Notitia: or, the Present State of Great Britain ..., engraved portrait frontispiece, contemporary ink inscription to frontispiece verso, one or two ink annotations in the same hand, scattered faint spotting, contemporary calf, rebacked retaining original backstrip, 8vo, 1723.
NO RESERVE China.- Dennys (N. B.) The Folklore of China and its affinities, with that of the Aryan and Semitic Races, half-title, illustrations, contemporary half morocco, sympathetically rebacked, 1876 § Mossman (Samuel) The Mandarin's Daughter - A Story of the Great Taiping Rebellion, new edition, plates and illustrations, ink inscription to endpaper, original cloth, some light darkening and surface soiling, [1893] § Bland (J. O. P.) Li Hung Chang, frontispiece portrait, original cloth, dust-jacket, light browning to spine, a little creased at head, 1917; and another, China, 8vo (4)
Milton (John) Paradise Regain'd. A Poem in Four Books, engraved portrait frontispiece, 5 engraved plates, scattered faint spotting, bookplate, contemporary calf, sympathetically rebacked with repairs to corners, 1752; The Works of John Milton, 2 vol., engraved portrait frontispiece, scattered spotting, vol. 1 lacking k4 (blank), contemporary calf, rebacked retaining original backstrips, some neat repairs to corners, 1753; and 4 others, Milton, 4to & 8vo (7)
NO RESERVE Europe.- Pardoe (Julia) The Beauties of the Bosphorus; from drawings by William H. Bartlett, engraved portrait frontispiece, additional engraved title, 84 engraved plates, c.1855, bound with, Beattie (William) The Danube; illustrated by W. H. Bartlett, engraved portrait frontispiece, additional engraved title, 79 engraved plates, 2 maps, c.1844; scattered spotting, occasional faint off-setting, bookplate, cracked hinges, contemporary half-morocco, rebacked with original spine laid down, a little rubbed, 4to.
Nelson (Horatio).- Nicolas (Sir Nicholas Harris) The Dispatches and Letters of Vice Admiral Lord Viscount Nelson, 7 vol., second edition, portrait frontispiece, 4 battle plans (3 folding, 2 colour), 4 folding facsimile letters, bookplates to front pastedowns, occasional spotting or light foxing, contemporary half calf, spines gilt with red and green morocco labels, 8vo, 1845-46
19TH CENTURY WATERCOLOUR ON IVORY PORTRAIT MINIATURE,a young couple, the gentleman in military bicorn and red coat bearing star medal, the lady in elaborate bonnet and cream lace dress, apparently unsigned, with tortoishell surround in gilt brass frame, the image 8 x 6.2cm and under glass, the frame 15 x 10.8cm
REGENCY ENGLISH SCHOOL,PORTRAIT MINIATURE OF A YOUNG GIRL,watercolour on ivory, signed 'Percy', and dated '1825',framed and under glass, 8.7cm x 7.3cm overallCondition report: Provenance: a private Scottish collectionHairline crack lower left section, visibly approximately 3cm long; two small diagonal lines upper right; slight dirt or mark right side; scratches and rubbing to frame ; additional images available
19TH CENTURY BRITISH SCHOOL,PORTRAIT MINIATURE OF GENTLEMAN,watercolour on ivory, signed L.P.,framed and under glass,15.9cm highCondition report: Gold surround has been knocked in places and come away from the very top of the image; apparent surface dirt and flecks to image beneath the glass; frame with chips and splits
Follower of David Teniers The Younger, (1610-1690) Two portraits, the first of a man smoking a clay pipe, unsigned oil on board, 13.5cm x 16cm excluding the frame, the rear of the board with the text Four Senses Teniers 1690, the second portrait depicting a man holding money in his hand, unsigned oil on board, 13cm x 16cm, the rear of the board with the text Teniers 1690, (2)
Mid 19th Century Staffordshire pottery commemorative jug, 'Richard Oastler, The Friend of the Poor', transfer printed in black with a three portrait of Oastler holding a scroll Ten Hour Bill, No Bastiles, the text also to the jug Richard Oastler The Friend of the Poor and Dwell in the and & Verily thou shalt be fed, with images of a farming scene and church spire, figures with speech bubbles "Quarter loaf for Four Pence", 2 4 Pence" and "Oastler for ever", 15cm highRichard Oastler [1789-1861] was a factory reformer and abolitionist who fought for the rights of factory workers in the Factory Act of 1847 which limited the working day for children to 10 hours a day.
ASSORTED COLLECTABLES comprising a carved wood half-length figure of an angelic cymbalist, 27cm high; a Linsden Ware bakelite demi-lune desk tidy, with revolving interior storage compartments, 16.5cm wide; a small bronze hand-bell, the stem modelled as a standing figure of Napoleon, overall 11cm high; and a silhouette portrait miniature, unsigned, of a lady in a bonnet, profile to the right, 8.75cm x 6.5cm, framed, (4).
Italian School Old Master portrait of a lady in oil on canvas. The subject glances out at the viewer in three-quarter view, fondling her luscious fur stole with her left hand. Her delicate gold jewelry stands out against the dark background and heavily shadowed figure. The painting is housed in an elaborately carved gilt frame. Framed; Height: 38 in x width: 33 in. Unframed; Height: 26 in x width: 21 in.
Paul Gregoire (French, 1755-d. unknown). Old Master graphite on paper portrait depicting Charles Michel de l'Epee, a French priest who is credited with the standardization of French sign language. Signed and dated 1785 along the lower left. An inscription along the lower center names the subject of the work. Framed; Height: 20 1/4 in x width: 18 in. Sight; Height: 10 1/4 in x width: 8 1/2 in.
French School portrait of a young aristocratic boy, ca. early to mid 18th c. The subject stands with his right hand extended, his left arm cradling his plumed hat. The figure's clothing is rendered in exquisite detail, particularly his delicate lace cuffs and jabot. Framed; Height: 42 in x width: 24 1/2 in. Unframed; Height: 32 in x width: 25 in.
W. Herbert (Buck) Dunton (1878-1936). Etching on paper titled "Petra, Saint Domingo Pueblo" depicting a portrait of a young girl. The etching is titled along the lower left and signed along the lower right. Sight; height: 9 1/2 in x width: 7 1/2 in. Framed; height: 17 1/2 in x width: 14 1/2 in.
Italian School oil on canvas portrait of Infanta Maria Luisa of Spain (1745-1792). This three-quarter length portrait depicts the Infanta seated, wearing the Order of Saint Stephen breast star, an order of knighthood she founded in 1764. She is elegantly dressed, and holds a fan in her left hand. Her pet dog, seated on the table to her right, looks on. Sight; Height: 40 in x width: 31 1/2 in. Framed; Height: 46 in x width: 36 1/2 in.
David Hockney (British, b. 1937). Offset lithograph print titled "Celia, Carennac, August" depicting a portrait study of Celia Birtwell, a textile designer and fashion designer, in a green chair wearing a long, flowing floral patterned dress in red, blue, and white. Titled and signed in plate along the lower right. Sight; height: 27 5/8 in x width: 21 5/8 in. Framed; height: 33 3/8 in x width: 27 3/8 in.
* WENDY WOOD (SCOTTISH 1892 - 1981),WOODLAND LANDSCAPEwatercolour on paper, signedimage size 22.5cm x 14.5cm, overall size 37cm x 27cm Mounted, framed and under glass. Label Verso.Note: Wendy Wood, born Gwendoline Emily Meacham, was a campaigner for Scottish independence and one of the founders of the Scottish National Party. An eccentric and colourful figure, she was also a gifted artist, sculptor and writer. Her antics often created controversy. From 1956 Wood shared an artists studio and house with her partner, Florence St John Cadell in Edinburgh. Wood’s art was widely acclaimed and rare to the market. Her portrait is held by the Scottish National Portrait Gallery in Edinburgh.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.

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