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283287 Los(e)/Seite
Los 500
ANDREY BELLOLI (RUSSIAN 1821-1881) The Young Countesses Novosiltsev (Apraksine), oil on canvas 42 x 32 cm (16 9/16 x 12 5/8 in.) signed lower right PROVENANCECollection of a St. Petersburg family, prior to 1917Thence by descent to the parents of the present owner on the occasion of their marriage, 1950 LOT NOTESFor a portrait of the countesses with their siblings and mother, Ekaterina Ivanovna Novosilteva-Apraksine, see the painting by celebrated portraitist Karl Wilhelm Bardou (Russian-German 1757-1867), executed circa 1830, in the collection of the Orlov Museum of Fine Arts (ref. image 1)
Los 506
VLADIMIR MAKOVSKY (RUSSIAN 1846-1920) Portrait of a Revolutionary Alexander Soloviev , 1879 oil on canvas laid on board 37.5 x 30 cm (14 3/4 x 11 3/4 in) signed and dated center right PROVENANCECollection of E.V. Smirnov, Leningrad (label on verso)Alfa Art, Moscow, January 25, 1992, lot 5Private collection, JapanAcquired from above by the present owner EXHIBITEDScientific-Research Museum of the Russian Academy of Arts, Leningrad, Exhibition of paintings by Russian masters of the second half of 19th century. From private collections of Leningrad, March-May 1951 (listed on p. 10 of the ex. cat. by L.F. Galich and T.A. Petrova)LITERATURELeningradskaya Pravda (Leningrad, March 24, 1951), p. 3, No. 70.Vecherny Leningrad (Leningrad, March 26, 1951), p. 3, No. 70.
Los 654
A DOUBLE-SIDED WORK BY MIKHAIL CHEMIAKIN (RUSSIAN B. 1943) "Petrushka," Portrait of the Famous Russian Dancer Rudolph Nureev, Born a Bashkir (recto), Jester (verso), from Carnival of St. Petersburg series, 1979 lithograph (recto); ink on paper (verso) image (recto): 30 x 30 cm (11 3/4 x 11 3/4 in.); sheet (verso) measuring approximately 31.5 x 31.5 cm (12 3/8 x 12 3/8 in.) signed and dated in plate lower right, signed and dated lower left, titled upper right; signed and dated on verso
Los 726
A RUSSIAN TWO-HANDLED PORCELAIN VASE, MIKLASHEVSKY PORCELAIN FACTORY, VOLOKITINO, 1840S-1850S of baluster form, with gilt rocaille details, on spreading foot, the pale green ground centered on recto with portrait of emperor Alexander I in military uniform, on verso with his Imperial cypher, marked underneath red overglaze factory mark; overall height: 32 cm (12 5/8 in.)
Los 40
NGUYEN TRUNG (VIETNAMESE B. 1940) Portrait of Maggie Nguyen, 1981 oil on canvas 80.5 x 80 cm (31 5/8 x 31 1/2 in.) signed and dated lower left PROVENANCECollection of Dr. Tuan Anh Nguyen, former Minister of Finance of South Vietnam, scholar and author, and diplomat for the US State Department (acquired directly from the artist)
Los 134
HARRY JACKSON (AMERICAN 1924-2011) Grace Hartigan, 1949 oil on canvas 151.5 x 91.2 cm (59 5/8 x 35 7/8 in.) signed and dated upper right PROVENANCEEstate of the artistEXHIBITEDCody, Buffalo Bill Historical Center, "Harry Jackson: A Retrospective Exhibition", May 1-September 24, 1981 (label on verso stretcher)LITERATURELarry Pointer, Donald Goddard, Harry Jackson (New York: Harry N. Abrams, Inc., 1981), p. 51, no. 56 (illustrated) LOT NOTESIn his unparalleled creative trajectory from realism to abstraction to realism again, Harry Jackson - as perhaps no other American artist of the period - embodies the spirit of relentless inquiry that came to define the art of the 20th century. One of the most prolific and significant Western artists of his generation, Jackson also produced an immensely diverse body of work, represented in lots 133-135, including two important canvases from his Abstract Expressionist period.Prior to settling in Wyoming to make his best-known work, Chicago-born Jackson had served in World War II as a combat Marine artist, awarded a Purple Heart, and, in 1944, stationed in Los Angeles. Soon after, he saw Jackson Pollock's The Moon-Woman Cuts the Circle and The She-Wolf, which impressed him profoundly. Determined to meet Pollock, Jackson moved to New York, where he became a close friend of the artist and gained notoriety for his own Abstract Expressionist works, capturing the attention of Clement Greenberg and Meyer Shapiro (who featured him in their Talent 1950 show at the Kootz Gallery) and later exhibiting at Tibor de Nagy Gallery.Eventually, Jackson's childhood fascination with cowboys (he, aged 14, had run away from home to a Wyoming farm), his academic training at the Art Institute of Chicago, and a 1954 tour through Italy reinvigorated Jackson's interest in Realism. Perspective and modeling, infused with the ethos of abstraction, made their way into his works. During a second trip to Italy in 1956, Jackson began studying sculpture at the Vignali-Tommasi Foundry, producing the first of his Western bronzes in the tradition of Frederic Remington and Charles M. Russell. He made trips to both the American West and Europe throughout the 1950s and 60s, setting up his own foundry and finally relocating his studio to Wyoming in 1970.The present portrait of Grace Hartigan, a fellow second-generation Abstract Expressionist, to whom Jackson was married in 1949, is an exquisite example of Jackson's dynamic work, of the kind hailed by New York Times critic Stuart Preston for the buoyant, generous and intricate arabesque of shapes and... the freshness and pungency of... color. The connection between the artist and his wife-model, a short but explosive affair by many personal accounts, make this painting a perfect encapsulation of the predominant art movement of the time.
Los 149
A GROUP OF 21 DRAWINGS AND LINOCUTS BY VINCENT HLOZNIK (SLOVAK 1919-1997) comprising:a) nine drawings of male portrait, each pencil on paper, 35 x 25.5 cm (13 3/4 x 10 in.)b) twelve abstract linocuts on paper, each 42 x 31 cm (16 1/2 12 1/4 in.)[sight], each signed in pencil lower right PROVENANCEGrosvenor Gallery, London
Los 285
Art Books - Henry Matisse, Pierre Schneider with 928 Illustrations, 22 in colour pub. Thames & Hudson 2002, David Hockney Portraits, pub. National Portrait Gallery 2006, Anatomy Drawing School, Drawing Master Class and other art books Condition Report Click here for further images, condition, auction times & delivery costs
Los 1041
Lady Holding a Mirror, 19th century crystoleum after Conrad Kiesel, Portrait of a Lady, cyrstoleum after Baron Cuno Von Bodenhausen, both pub. Franz Hanfstaengl and one other max 26cm x 19cm (3) Condition Report Seated Lady - crack to top leftClick here for further images, condition, auction times & delivery costs
Los 1053
'Rouen Cathedral from the River' and 'Near Granville Nomandy', two early 20th century watercolours signed R Randolf, Portrait of a Bearded Man and Camping in the Woods, two oils on canvas unsigned max 45cm x 30cm (4) Condition Report Click here for further images, condition, auction times & delivery costs
Los 676
P*** Liverick (20th Century) Three works by the same artist including "Bridget", a head and shoulders portrait of a young girl, her head resting on her hand, one further portrait of an unnamed young lady, painted in profile, and a larger work depicting two artists working 'en plein air' at their easels, latter work framed, signed and dated '82, portraits unframed, 38 x 33 cm, 38 x 33 cm and 49 x 39 cm respectively
Los 261
Watson, The Rev. John. The History and Antiquities of the Parish of Halifax in Yorkshire, London: T. Lowndes, 1775. Quarto, full contemporary calf with oxblood morocco title label, armorial bookplate to front pastedown for John Lord Sheffield, Sheffield Place, Sussex; armorial bookplate to front free endpaper for William Channey, 1905; loosely inserted invoice from Francis Edwards, Bookseller, 83 High Street, Marylebone, London (addressed to William Channey and dated 4 June 1908). Etched frontispiece portrait of Rev. Watson, plus further engraved plates (some folding). Contents very good, clean, bright; binding solid with some wear to extremities and splitting to joints
![Davila, Enrico Caterino. Histoire des Guerres Civiles de France [History of the Civil Wars of France], in two volumes, Paris:](https://cdn.globalauctionplatform.com/15229385-8f30-4383-b4b6-aaf0010f9f86/66cb37e0-539f-4a45-a08e-aaf200c3de86/468x382.jpg)
Los 265
Davila, Enrico Caterino. Histoire des Guerres Civiles de France [History of the Civil Wars of France], in two volumes, Paris: P. Rocolet, 1657, red & black title page with woodcut illustration of galleon, engraved frontispiece, engraved portrait, and other engraved & woodcut capitals and vignettes within text. Folio, contemporary calf, raised bands, oxblood title label present on second volume, gilt crests to upper boards, ink stencil to opening blank leaf of each volume for John Kerrich, Geldestone Hall. Contents generally good and bright, occasional wear (title page detached); bindings worn with loss to leather (2)
Los 255
A ROYAL DOULTON GLAZED STONEWARE PRESERVE POT, commemorating "Lord Nelson 1758-1805", blue glaze with rope twist surrounding portrait and Trafalgar vignettes, 7.5cm high, together with TWO ROYAL DOULTON STONEWARE VASES with impressed decoration and b lue glaze, and a similar JUG, the tallest vase 24cm high (4)
Los 121
A CAMEO SET CHOKER NECKLACE, the oval shell cameo with classical decoration set in a 9ct gold mount, on a black velvet ribbon with 9ct gold clasp, cameo 3.5cm x 2.5cm, together with A LARGE SHELL CAMEO BROOCH, profile portrait of a classical young w oman, in a yellow metal, coral bead mounted frame, cameo 4.5cm x 4cm (2)
Los 113
HESING: Also known as Xi Cheng. Mandarin who travelled in the Keying, first Chinese junk to ever sail from Hong Kong to New York and further to London. Signed 8vo portrait drawing of Hesing. Signed `Hesing´ in bold black ink at the foot beneath his portrait, also adding the junk name `Keying´ and `L A Hilllbeck´ to the head, all with their equivalent Chinese characters beneath. The drawing bears to the upper corner a red ink stamp with Chinese characters, being the seal of Prince Hui Rui. Few stains not affecting the signatures. Small folding and creasing. The Keying was a three-masted Chinese trading junk that sailed from Hong Kong in December 1846 with a mixed crew of Chinese and British sailors. The vessel had been purchased surreptitiously by a conglomerate of enterprising English businessmen. It was placed under the command of Captain Kellett with the intention of carrying curiosities and merchandise to England and thereafter serving as a kind of floating museum. The Chinese crew members that they were embarking on such an extended journey were not aware of such plans. The Keying arrived in New York City on July 9, 1847, creating a sensation, with seven thousand visitors per day. In late March 1848, the Keying arrived in London to great fanfare, and several different medals were struck to commemorate its appearance, including one that had a bust of Mandarin Hesing. It was visited by the Queen Victoria, whose right to be the first European woman to visit it was reserved, The Duke of Wellington and Charles Dickens. It has been suggested that the Chinese Emperor was aware of the project from the start and secretly kept informed about it, and that the mandarin served as an informer to report back in detail. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
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283287 Los(e)/Seite