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283287 Los(e)/Seite
Los 742A
An early 18th century copper commemorative medallion, celebrating the capture of Portobello Harbour by Admiral the Hon Edward Vernon, 1739, with half-length portrait of Vernon, the reverse showing six ships entering Portobello Harbour, 4 cm diam, to/w a small quantity of Georgian copper coins Condition Report Work very fine, and nicked on edge
Los 323
Peter Godfrey Coker RA, British 1926-2004- "Self Portrait"; etching, signed, titled and numbered 8/10 in pencil, 17x13cm, (may be subject to Droit de Suite) Provenance: Purchased from Abbott & Holder Ltd , London in 2007 CONDITION REPORT: mounted in a glazed frame may or may not be stuck down, unexamined out of the frame appears in overall good original condition with no noticeable signs of defects
Los 353
Mary Mabbutt, British b.1951- "Self Portrait - Kitchen"; oil on canvas, inscribed to the reverse of the frame and dated February '97, 30x25.5cm, (may be subject to Droit de Suite) Provenance: Purchased from Messum's, London in 2002 CONDITION REPORT: mounted in a box type contemporary painted frame appears in overall good original with no noticeable signs of defects
Los 504
Pino Ponti, Italian 1905-1999- Portrait of a man and a woman; oil on canvas, 40x50cm (unframed) (may be subject to Droit de Suite) Provenance: Acquired directly from the artist by the current owner Note: Pino Ponti studied at the Academy of Fine Arts in Venice and in 1929 was invited to take part in the '900 Italian exhibition, alongside Giorgio de Chirico and Filippo de Pisis. In that same year, the Gallery of Modern Art in Milan and Venice acquired four works by the artist. Ponti held solo exhibitions throughout the 1930s, 1940s, 1950s and 1960s and in 1950 participated in the Venice Biennale. CONDITION REPORT: canvas has not been re-lined on the original wooden stretcher some staining on the reverse of the canvas old tape residue on the paint surface centre top to bottom some rubbing and scuff marks around the perimeters of the canvas drip marks top right small dent to the canvas centre right rubbing around the edge of the canvas otherwise good condition
Los 510
Margaret Kemplay Snowdon, British exh 1918-1938- Portrait of a lady seated full-length in white dress with pink ribbons and roses; oil on canvas, signed and dated 1906, in a reverse profile gilt composition parcel gilt and ebonised frame, 91.5x72cm (may be subject to Droit de Suite) Provenance: Christie's sale, 25th April 1996, lot 188 CONDITION REPORT: frame with some minor damages on the corners canvas has been re-lined retains the original wooden stretcher taping on the reverse is of recent application under inspection with uv lamp there is no evidence of retouching or restoration has been cleaned and re-varnished at some point in time overall in good condition
Los 518
Maria L Angus, British act. 1887-1910- "The Book of Spells"; watercolour, in a glazed gilt frame with running leaf pattern, 50.5x29cm: together with another watercolour by the same artist entitled 'My own portrait, a looking glass sketch', inscribed, titled and dated Apr 1904 on the reverse in pencil, 26.8x18cm (this sketch a/f torn into three pieces), (2) (part unframed) Provenance: The Anglo-German Exhibition 1913, Fine Art Section according to the label attached to the reverse of the frame: purchased by the current owner from Sotheby's Billingshurst, 21 July 1999, lot 945 CONDITION REPORT: The book of spells- frame with some small losses overall and slightly parting in the top right and bottom left corners, appears original to the work may or may not be stuck down unexamined out of the frame from the reverse the back panel and back of the frame has suffered from wood worm overall watercolour- appears slightly yellowed but overall colours remain good and it appears in overall good original condition My own portrait- unframed, inscribed in pencil on the reverse, this watercolour has been torn into three pieces vertically down the centre of the figure and towards the right side of the hat, there is losses to the board at the bottom and corners it appears to have suffered from water damage at some point evident in the bottom right corner which has black mould marks on it, there is further browned discolouration and time fading overall, will need extensive restoration
Los 523
Circle of Sir Godfrey Kneller Bt., German/British 1646-1723- Portrait of Lady Sophia Osborne, Baroness Lempster, seated half-length; oil on canvas, inscribed on the salvage verso, in a carved giltwood Louis XIII style frame, 96x73cm CONDITION REPORT: frame retains old gilding with minor chips and losses to the moulding in places giltwood frame has been re-backed with wood at some point in time wooden stretcher is a replacement with cross brace circa early century lower section of vertical cross brace with a hole has been relined and reduced canvas is a little loose and ruckled under inspection with uv lamp there is no evidence of any recent retouching or restoration otherwise good condition
Los 524
German School, mid 19th century- Portrait of a lady seated half-length in a white dress and mauve cape; oil on canvas, bears label for W F Ahrt Hamburg Schlusenbrucke 5 attached to the reverse of the frame, 71.5x55cm CONDITION REPORT: in a gilt composition frame with decape finish circa late 19th/early 20th century frame not the original frame lacks wooden block section left hand side of the reverse frame with wear to the corners and lower edge canvas not re-lined retains the original wooden stretcher canvas subject to bar marks fine old craquelure throughout under inspection with uv lamp there is are several small spots of restoration evident, as follows: on the forehead of the sitter two spots above the sitter's head to the left of the sitter's head otherwise good original condition
Los 551
Attributed to Sir George Hayter, British 1792-1871- Portrait of William Davey of Cowley House, Gloucestershire, seated half-length in a brown coat with white stock; oil on canvas, 91.5x71cm Provenance: By descent in the family of the sitter. Note: The sitter is traditionally held to be related by marriage to Sarah Tickell, depicted in the following lot 552 in this sale. CONDITION REPORT: in a 19th century gilt composition frame with minor losses to the gesso moulding frame has been later overpainted with gold-coloured paint canvas has been relined circa late 19th/early 20th century wooden stretcher with vertical cross-bracing. paint surface subject to old pigment separation in much of the background some old craquelure to face and stock isolated flecks of white paint on the surface, one below the eye of the sitter, right under inspection with uv lamp there is evidence of some retouching notably in the areas of shadow on the sitter's coat and buttons otherwise good condition
Los 552
Attributed to George Romney, British 1734-1802, Portrait of Mrs Tickell, nee Sarah Ley, seated three-quarter length turned to the left in a landscape; oil on canvas, in a carved and gilded Louis XIII style frame, 134x106.5cm Provenance: By descent in the family of the sitter. This lot is accompanied with a copy of the following letter: Mrs Tickell by George Romney 1754-1802. I Have carefully examined this picture there can be no doubt that it is one of several attempts which Romney made at painting the portrait of this very beautiful woman. Most of these are described in my "Catalogue Raisonne" of Romney's works pp 157-8. Why Romney abandoned this canvas and started afresh with another it is now impossible to say. But he frequently did this sort of thing & this accounts for the existence of so many and often rich charming , partly finished versions in oils & many of his portraits. It was apparently easier for him to start de novo than to make extensive alterations on a canvas on which he had already practically finished the portrait. In this most attractive picture we have an example of what may be called Romney in the making. Mrs Tickell sat for Romney in 1791. She was a Miss Ley who married as his second wife Richard Tickell whose first wife was Miss Linley, painted by Gainsborough. Mrs Tickell secondly married J C Worthington Esq. She died in 1817. W Roberts London Dec 27 1929 Note: The sitter is traditionally held to be related by marriage to William Davey, depicted in the previous lot 551 in this sale, as his great granddaughter married the great great grandson of Henry Tickell Esq of Leytonstone. CONDITION REPORT: carved and gilded frame in good condition canvas has been re-lined circa early 20th century wooden stretcher looks to be an early 20th century replacement stretcher bowed outwards slightly old repaired vertical tear to canvas lower centre in the arm of the sitter further old repaired tear to the left of the sitter's head paint surface subject to some old defects on the neck of the sitter some slight cracking to the pigment in the hair of the sitter under inspection with uv lamp there is no evidence of recent over-painting or restorations however, there are indications of older restorations beneath the varnish overall in good original condition with older restorations
Los 556
North Italian School, 17th century- Portrait of a pikeman; oil on canvas, 36x30cm CONDITION REPORT: in a carved and gilded Neoclassical frame, 18th century framing has been cut down and gilt surface is rubbed canvas is not re-lined on a wooden stretcher which is not the original has repairs sewn into canvas centre left and one patch paint surface suffers from raised craquelure throughout under inspection with uv lamp there is evidence of retouching in the lower section of the costume of the sitter there is a repaired tear to the left of the shoulder centre right the paint surface has been re-varnished and cleaned at some point in time this varnish has bled through to the reverse of the canvas overall in fair to good condition
Los 557
Ruskin Spear RA, British 1911-1990- Portrait of Lucy Philips nee Joad, c.1944-45; coloured pastel, 46.5x33cm, (may be subject to Droit de Suite) Provenance: from the studio of the artist: A letter from the sitter Lucy Philips accompanies this lot CONDITION REPORT: In a glazed, wooden frame with beige and cream mount. may or may not be stuck down unexamined out of frame. Top left hand corner has visible crease mark. Otherwise in general good condition.
Los 565
Maurice Field, British 1905-1988- Portrait of Bridget Gowing, seated full-length in an interior; oil on canvas, 45/5x35.5cm (may be subject to Droit de Suite) Provenance Sir Lawrence Gowing RA; thence by descent CONDITION REPORT: in a gilt moulding frame late 20th century canvas is not re-lined on the original wooden stretcher canvas a little loose on the stretcher in very good original condition
Los 588
Follower of Samuel Smart, British 1754-1787- Portrait of a gentleman, quarter-length turned to the right in a green coat; oil on canvas, 41x33cm CONDITION REPORT: in a gilt composition Neoclassical style frame, late 20th century on a replacement wooden stretcher canvas has been re-lined, mid-late 20th century canvas looks to have been reduced paint surface has been re-varnished paint surface with craquelure throughout under inspection with uv lamp there is evidence of retouching in the craquelure in the face some original varnish remains on the paint surface otherwise in good condition
Los 589
Manner of Guido Reni, 18th century- Portrait of a Saint; oil on canvas, in a gilded bolection frame, 35x25cm CONDITION REPORT: frame dates from circa 19th century frame has been re-finnished with oil gilding at some point in time with replacement wooden stretcher with single horizontal cross stretcher canvas has been re-lined paint surface with raised craquelure throughout subject to bar marks under inspection with uv lamp there is evidence of some retouching centre right edge some older varnish remains on the paint surface otherwise overall in good condition
Los 600
A Portrait Miniature, French School, late 18th century, depicting a gentleman quarter-length turned to the left in a brown coat, oval, within a glazed oval gilt metal filigree frame, 8x5.4xm: A Portrait Miniature, French School, 19th century, depicting Marie Sophie de Courcillon, Princess of Soubise after Jean-Marc Nattier, oval, within a glazed oval gilt metal frame, 8.2x6.5cm: A Portrait Miniature, European School, 19th century, depicting a lady, half-length turned to the right in a blue dress, oval, within a glazed oval giltwood frame, 7x4.5cm: together with one other miniature of a landscape subject, late 20th century, 3.5x2.75cm., (4)
Los 639
Jacob Kramer, Ukrainian/British 1892-1962- Portrait of the artist's mother; black chalk on coloured paper, signed and dated 1915, 41x34.5cm (may be subject to Droit de Suite) CONDITION REPORT: In glazed, mounted, wooden frame. Unexamined out of frame. Signed and dated lower right. Finger mark straces on the paper round the edges. Otherwise in good general condition.
Los 646
George French Angas, British 1822-1886- taken from 'The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda and Amakosa tribes; also, portraits of the Hottentot, Malay, Fingo and other races ... together with sketches of landscape scenery, etc. [With a portrait of the author.]', Publ. by J. Hogarth 1849, to include 'Hottentot Holland and Somerset West', 'Hottentot Heardboys', 'Hadji Hassan Nudin Ibarm Addallah or Karel (a Malay priest at prayers); Nazea, a Malay woman in her walking costume (the Lion's Head Mountain with part of Cape Town)', 'An old Hottentot woman with half-caste great-grand children' and 'Hottentot Herdsman'; lithographs with hand-colouring, 24.5x35cm, 30x18cm, 30x18cm, 31x20cm, 31x20cm, 24.5x16cm, and 24.5x16cm respectively, (in similar/matching frames) (7 in 4 shared mounts) CONDITION REPORT: In similar matching wooden, gilded, glazed with matching mounts,frames. Unexamined out of frames. Six of the lithographs are in shared mounts. Some time fading on all sheets. All images in shared mounts have some staining/spotting. Main image appear to have some dirt marks in the sky area. Otherwise in general good condition.
Los 651
Dame Ethel Walker NEA ARA RBA RP DBE British 1861-1951- Portrait of a girl, seated half-length turned to the right by a window; oil on canvas, 61x51cm., (unframed) (may be subject to Droit de Suite) CONDITION REPORT: retains the original wooden stretcher canvas is not re-lined bears inscriptions on the reverse edges and corners a little rubbed and worn salvage irregularly tacked on the reverse of the stretcher vertical tear lower centre left above and on the arm of the sitter has not been cleaned in recent years otherwise good original condition
Los 653
Dame Ethel Walker NEA ARA RBA RP DBE British 1861-1951- Portrait of a lady, seated three-quarter length in an interior by a window; oil on canvas, 77x64cm., (unframed) (may be subject to Droit de Suite) CONDITION REPORT: in a gilt composition frame, late 20th century retains the original wooden stretcher canvas is not re-lined bears inscriptions on the reverse some staining to the reverse of the canvas has not been cleaned in recent years in very good original condition
Los 662
Kenneth Martin, British 1905-1984- Portrait of a woman, traditionally held to be the artist's wife Mary Adela Martin, née Balmford, head and shoulders; coloured chalk, signed, exhibition mounted in a glazed gilded oak frame, 24x15cm (may be subject to Droit de Suite) CONDITION REPORT: frame in good condition mould growth on the inside of the glass some staining to the backboard may or may not be stuck down as unexamined out of the frame overall in good condition
Los 701
A Portrait Miniature, British School, early 19th century, depicting Sir Francis Grant PRA as a young child and his sister Mrs Lindsey, both seated half-length holding a dove, in a glazed rectangular ebonised frame with gilded metal mount, bears inscribed label attached to the reverse, 7x5.5cm Note: Sir Francis Grant PRA 1803-1878 was a noted Scottish portrait painter, who painted Queen Victoria and many distinguished British figures submitting over 253 works between 1833 and 1879 for exhibition at the Royal Academy. He served as president of the Royal Academy from 1866 until 1878. CONDITION REPORT: frame with chips and knocks to corners and edges glass dirty around the edges paint surface is time faded subject to some spotting and accumulated dirt particularly towards the lower half of the paint surface otherwise good condition
Los 702
A Portrait Miniature, British School, mid 19th century, depicting a daughter of Sir Francis Grant PRA, traditionally upheld to be Rebecca, quarter-length in a black dress, oval, in a pierced Florentine style glazed oval gilt metal frame, 8.8x6.9cm CONDITION REPORT: frame with some wear and tear to the surface of the reverse some defects to the edge of the paint surface upper centre left pigments somewhat time faded otherwise very good original condition
Los 703
A Group of Three Portrait Miniatures, British School, early 19th century, depicting John Smith, half-length in a brown coat and white turned to the left, Isabelle Smith, half-length in a blue green dress and white bonnet turned to the right and Mary Smith, half-length in a white dress turned to the right, each in matching oval gilt metal glazed frames with pierced spiral cresting and glazed reverse enclosing plated hair, two bearing inscribed labels John Smith, died April 4th 1822 aged 51, and Mary Smith, died *** 7th 1845 aged 60, 7.5x6cm., (3) Note: John and Mary Smith were husband and wife, Isabelle was their granddaughter in law. CONDITION REPORT: some minor markings to the frames slight scratching the the glass here and there all three in very good condition
Los 704
A Portrait Miniature, British School, mid 19th century, depicting Francis Smith standing half-length turned to the right in a black coat and red cape on a terrace, with glazing, 10x8cm: A Portrait Miniature, British School, mid 19th century, depicting Francis Smith, quarter-length turned to the left, in a black coat and white stock, oval gilt metal frame with engine turning to the reverse, bears inscribed label Francis Smith, born 1806 died Salt Hill 1872, 5.7x4.5cm (2) (part unframed) Note: Francis Smith was the son of John and Mary Smith, both depicted in the previous lot. CONDITION REPORT: lacking frame glass is taped to the backing paper/card some scratching to the glass reverse rubbed and grubby paint surface in good condition
Los 705
Attributed to Francis Hargreaves, British act. 1810-1854, depicting a lady traditionally held to be wife of Sir Francis Grant, quarter-length in a white dress and blue shawl turned to the right, oval, in a glazed gilt metal oval frame with enclosed plated hair and applied gilt metal cipher to the reverse, 7x5.5cm: A Portrait Miniature, British School, early 19th century, depicting a lady quarter-length in profile, in a green dress and hat turned to the right, with enclosed plated hair to the reverse, the frame engraved Elizabeth Lady George H Cavendish 1809, 8x6cm: A Portrait Miniature, early-mid 20th century, depicting Emma Hart after George Romney, oval, in a glazed gilt metal oval frame, 9x6.5cm., (3) CONDITION REPORT: lady quarter-length in a white dress and blue shawl turned to the right: some old splits to the edge of the frame marks to the glass on both sides edge bent slightly centre left defect to paint surface top left above the head of the sitter paint surface somewhat time faded lady quarter-length in profile, in a green dress and hat turned to the right: glass somewhat scratched both sides otherwise good condition Emma Hart after George Romney: in good condition
Los 706
A Portrait Miniature, British School, early 19th century, depicting a lady half-length in a white dress and straw hat with blue ribbon turned to the left, oval, within an oval yellow metal, white and red enamelled frame mounted with mine cut diamond chips, 7x5.8cm CONDITION REPORT: some scuffs and markings to the reverse of the frame scratching to the glass and engrained dirt around the paste settings paint surfacer somewhat time faded otherwise good condition
Los 708
Follower of Richard Cosway RA, British 1742-1821, A Portrait Miniature, depicting a lady, quarter-length in a white dress with blue ribbon turned to the right, oval, in a glazed gilt metal oval frame with enclosed locket of hair and enamel cipher on the reverse, 6x5cm CONDITION REPORT: front section of frame a little loose top edge paint surface slightly time faded otherwise good condition
Los 709
A Portrait Miniature, British School, early 20th century, depicting Ethel Smith (née Markham) half-length in a white dress with posy of hyacinths turned to the left, oval, signed with initials 'DW' and dated 1903, in a gilt metal glazed oval frame, in plush mounted Morocco leather presentation box with strut support, stamped Aug Walker 118 Bond St W, 7x5cm Note: Ethel Smith was the grandaughter of Sir Francis Grant PRA: A Portrait Miniature, early 20th century, depicting a lady half-length in a black shawl turned to the left, in a rectangular glazed gilt metal frame, 9.5x7.5cm: A Portrait Miniature, British School, early 20th century, depicting Lady Langham, after John Hoppner RA, oval, in a glazed oval gilt metal frame, 11.3x8.5cm., (3) CONDITION REPORT: lady half-length in a white dress with posy of hyacinths: leather case with rubbed corners marks around catch gilt metal frame oxidized paint surface and colours well preserved good condition lady half-length in a black shawl: paint surface slightly time faded otherwise very good condition Lady Langham, after John Hoppner: some spotting to the paint surface paint surface somewhat time faded otherwise good condition
Los 710
A Portrait Miniature, British School, early 20th century, depicting Major Ronald Anthony Markham, quarter-length in uniform turned to the left, oval, within a glazed oval gilt metal strut frame mounted with brass military buttons, 7.5x6cm Note: Major Ronald Anthony Markham, 2nd Battalion Coldsteam Guards served in the Crimean War and was the grandson of Sir Francis Grant, PRA: together with one other portrait miniature of the same sitter, oval, and two other portrait miniatures, one of Archibald William Smith and the other of Averil Smith, the nephew and niece of Major R A Markham, one oval and the other tondo, various sizes, (4) CONDITION REPORT: Major Ronald Anthony Markham, quarter-length in uniform: strut a little loose and mishapened buttons with ingrained dirt top and bottom edges of the paint surface suffering from some damp and or rubbing with losses otherwise good condition Same Sitter, oval, smaller: paint surface bloomed and time faded Boy: glazing cracked paint surface time faded Girl: paint surface time faded
Los 711
Anton Graff, Swiss 1736- 1813, a Portrait Miniature, depicting an officer, half-length in uniform, tondo, signed, in a glazed square wooden frame with sanded and gilded ground, 6.8cm., dia CONDITION REPORT: frame bowed convex top to bottom brown tape to the reverse of recent application glazing cracked paint surface very slightly time faded otherwise good original condition
Los 715
Follower of Thomas Phillips RA, British 1770-1845- Portrait of a lady, traditionally held to be Julia Floyd, later married to Sir Robert Peel, seated half-length in a white dress holding a lorgnette; oil on canvas, 76.5x64cm Note: For a portrait showing a similar likeness to the sitter, please see "Julia (née Floyd), Lady Peel" by Samuel Cousins, after Sir Thomas Lawrence, mezzotint, published 1832, an example of this edition is in the National Portrait Gallery collection. CONDITION REPORT: in a gilt composition frame circa 1900 some chips and minor looses to the corers of the frame canvas has not been re-lined on the original wooden stretcher small area of old flaking above the head of the sitter canvas is subject to bar marks and old craquelure under inspection with uv lamp there is evidence of the varnish having been cleaned there appears to be no evidence of any retouching or over painting otherwise good original condition
Los 724
Giovanni Boldini, Italian 1842-1931- Portrait of a lady; pencil, signed and dedicated a Valbreque in black pen, 16.5x9.5cm: British School, early 19th century- "Take a look at these horses, they're dead you'll say Hold them up to the light and they'll run away"; pen and brown ink, bears inscription on the mount Lady Delamere, 15.5x19cm., (2) (part unframed) CONDITION REPORT: Boldini: sheet very yellowed lower left and rich corner clipped other corners rounded old mount shadow on all edges of the sheet somewhat time faded otherwise good condition British School: sheet stuck down to the reverse of the mount on all edges mount ruckled and top right corner frayed somewhat time faded some foxing and staining to the edges small blemish above horse's head on the left overall good condition
Los 725
M Andrews, Sgt 11th Hussars, British Primitive School, mid 19th century- Portrait of a boy standing full-length in an interior; oil on board, signed, inscribed and dated 17th April 1845 on the reverse, in a gilt moulding frame, 28.5x24.5cm CONDITION REPORT: in a gilt moulding frame of wedge shape frame retains some of the original gilding although much rubbed and with chips to the corners further flaking to all sides of the frame may be the original frame old fie craquelure to the paint surface under inspection with uv lamp there is no evidence of any restoration or retouching in good original condition
Los 28
* LENA ALEXANDER (SCOTTISH 1899 - 1983), PORTRAIT OF A YOUNG GIRL pastel on paper, signed 35cm x 31.5cm Mounted, framed and under glass Note: Considered to be the last of the Kirkcudbright School artists, Lena Alexander was educated at Glasgow School of Art and Edinburgh College of Art and moved to Kirkcudbright in 1939. She primarily worked in pastels and produced vibrant floral still lifes and occasional portraits. Eight of her paintings are recorded in Public collections.
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283287 Los(e)/Seite