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Preisdatenbank abonnierenCirca 1760 English school - portrait mourning miniature on ivory, the obverse being the bust of a gentleman, the reverse with funeral urn surrounded by inscription and dates, 20 x 16mm, housed in a yellow metal mount with pendant loop, unmarked but tests as approx 15ct, gross weight 3.2gIvory submission reference UCNK44ZF
Early 19th century English school - half-length portrait of a gentleman in a blue coat with brass buttons, miniature watercolour on ivory, monogrammed with the letter M, 35 x 30mm, housed in a yellow metal backed mount, unmarked but tests as approx 18ct, gross weight 12.1gSome paint flaking.Ivory submission reference F2DNCGQJ
Mid-19th century English school - half-length portrait of a gentleman wearing a brown tunic with silk ruff, miniature watercolour on ivory, unsigned, 35 x 20.5cm, housed in a yellow metal backed mount and formally worn as a brooch, unmarked but tests as approx 15ct, gross weight 6.9gIvory submission reference 4PV3TH73
Mid-19th century English school - Three-quarter length portrait of an elderly woman, wearing a bonnet, miniature watercolour on paper, 9.2 x 7.5cm; together with a profile silhouette of Napoleonic officer, framed as oval, PRINT, 9.5 x 7.2cm; after Sir Thomas Lawrence - Mrs Siddons, colour mezzotint, 11.5 x 9.5cm; and one other portrait mezzotint of a middle-aged man (4)Mrs Siddons – some losses to black border.Old lady – good.Officer – is a print contrary to previous description.Man – some fading/browning.
Kl. Teller im Renaissance-Stil,KPM Berlin 2. Hälfte 19. Jh. Glatte, runde Form m. leicht erhöhter Fahne. Ges. Oberfläche m. handkoloriertem Druckdekor im antiken Stil: Mittig Portrait-Medaillon, darum herum u. auf d. Fahne Grotesken m. Greifen, Nereiden u. Leuchtern m. feinen Ranken. Fahne m. hellrosé Fond. Kante braun staffiert. Am Boden Zepter- u. Pfennigsmarke, eisenroter Reichsapfel, Press- u. Malerzeichen. Oberfläche minim. berieben. D 17,5 cmDruckdekor, Greif, Grotesken, Nereiden, Pfennigmarke, Renaissance-Stil, Zeptermarke
Gr. Tasse "Andacht", um 1820mit UT, KPM Berlin um 1900. Zylindr. Tasse m. ausschwingender Lippe u. dort aufgerolltem Blattranken-Henkel, d. UT m. breit gewölbter Fahne. Tasse schauseitig m. gr. farbigem Bildfeld m. Brustbild einer jungen Frau, in Gedanken versunken eine Hand ans Gesicht, d. andere an d. Kette m. Kreuzanhänger auf ihrer Brust geführt. Feine, radierte Goldrahmung, breite Goldränder. Tasse ungemarkt (nur Ritzr.), UT m. Zeptermarke u. eisenrotem Reichsapfel, Goldmaler- u. Presszeichen. Gold partiell leicht berieben, Henkelansatz m. kl. Riss, UT- Standring m. Chip. UT D 17,7 cmBiedermeier, Frau, Goldrand, Miniatur, Portrait, Schmuck, Zeptermarke
Scottish School, 19th century, Thomas Chalmers, Scottish Minister, portrait sketch, pen ink & wash, 15cm x 11cm; together with another similar of Allan, both inscribed in pencil; together with a watercolour sketch of Plumper, signed and dated LL: 1856, 49cm x 34cm; and a caricature signed in pencil John Clerk (4)
Andrew Geddes, Scottish (1783-1844), Portrait of Colonel Molesworth Phillips (1755-1832), a rare and unique set of 'progress proofs', in etching and drypoint, 23cm x 15cm (4 different 'states). The colonel was a Lieutenant of Marines when he accompanied Captain Cook on his final voyage and was on shore when Cook was killed in 1779. In the second state Cooks death has been added to the etching. Provenance: Bourne Fine Art.
oval and with shaped scrolling handles, on spreading conforming foot, engraved with an inscription, with assorted ephemera relating to the presentee and the race20cm wide, 19cm high, 15oz 6dwt, 476grThe inscription reads 'Morecambe Cross Bay Championship 1922 Second Prize Won by Miss Lucy Morton Time 3 hours 9 mins'.Lucy Morton, later known as Lucy Heaton after her marriage, was born in New Tatton, Cheshire, later moving to Blackpool. By 1920 Lucy held the world record in the breaststroke and was selected to represent the United Kingdom at the 1924 Paris Olympics where she won a gold medal.Fully marked near rim. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the engraving. The lot includes four Grange over Sands postcards; two Morecambe postcards; a 'Camera Portrait' of the presentee; a photocopy of another photograph of the presentee, shown with various trophies and medals and a typed biography.
celebrating the 25th anniversary of the coronation of Elizabeth II, tapering cylindrical and on slightly stepped foot, one side applied with the Royal cypher 'ERII', the handle cast with a portrait bust11.5cm high, 10oz 3dwt, 316grFully marked near rim. The marks are clear. There is some surface scratching and wear, consistent with age and use.
After Sir Joshua Reynolds PRA FRS FRSA (1723-1792)"A Child's Portrait in Different Views: Angel's Heads"Pastel, together with a further watercolour study of a child's head amongst clouds, possibly a momento mori of sorts, initialled RC, 62.5cm by 53.5cm and 27.5cm dia. (oval) respectively (2)
Circle of Balthasar Denner (1685-1749) German Portrait of a bearded elderly man, bust length, in profile Oil on panel, 46cm by 38.5cm Bears fragmentary label verso giving the work to Balthasar DennerGlazed. Surface dirt, discoloured and deteriorated varnish which has taken on a chalky/opaque quality that is more evident around certains areas of the grain of the wood, splits and cracks to the panel and some of the imperfections to the surface in general. Pronounced vertical split from top to bottom of panel (see images) with associated essentially right angled triangular loss which is approx. 1.5cm on longest side at bottom of split and lower edge of panel. Further pronounced vertical graining or possible old repairs to background upper left hand side. Bloom to surface. Likely old treatment to surface with areas of thinned paint etc... AF.
English School (Late 17th/ early 18th century)Portrait of a man, thought to be William ShakespeareOil on panel, possibly canvas laid onto panel 14cm by 9cmGlazed. Covered in a layer of dirt and discoloured varnish. Widely spaced stable craquelure most notably to the forehead and nose. There are two more significant lines of cracking, one through the centre of the forehead and one horizontally above the eyebrows. A notable area of pitting approx 2cm by 1cm to the sitters ruff towards left edge of frame. Fairly consistent infilling and retouching to old craquelure visible under UV. There are areas of panel at the top and bottom edges of the picture left exposed when the work was laid down.
Follower of Willem Wissing (1656-1687) DutchPortrait of William III, half length, standing, wearing an armoured breast plate, lace cravat and a powdered wig, in a feigned ovalOil on canvas, 72cm by 60cmOld reline. Cleaned and revarnished. The surface has been somewhat flattened and the paint is thin in places such as his right armoured shoulder etc as a result of the restoration process. Slight stretcher shadow. Now covered in a thick layer of dirt and discoloured varnish. Mostly small-sized cracquelure essentially throughout which is more pronounced in areas such as across his forehead, background and his right shoulder and chest. Pin marks to corners, further pin mark right-hand side middle. Slightly loose in the frame. Evidence of some fairly consistent strengthening throughout the background left-hand side. Much of his right shoulder and arm is strengthened and repainted with less consistent areas of strengthening to definition and shadow across his chest, in and around his white lace cravat, the outline of his chin and left cheek and elements of curls and definition through his powdered wig. Likely restoration of two periods with some less apparent and consistent retouches to the face and background etc. Some general rubbings and abrasions to outer edges with further imperfections consistent with age.
Samuel Howell of Huddersfield (1807-1876)Portrait of Mrs R.R.Bloxam of Rugby, head and shoulders, seated in a red upholstered chair, wearing a black dress and a white bonnet tied with black ribbons Oil on canvas, 74cm by 61cm Provenance: By descent in the family of Sir Thomas Lawrence's sister Anne, who married Rev. Richard Rouse Bloxam in 1790
Bob Dylan, a collection of six LP's to include GWW "VD WALTZ" TMOQ BD 508, orange vinyl in green sleeve, Black Nite Crash, Bootleg, plain orange label, handwritten side 1 side 2, plain sleeve with folding paper outer sleeve, Blood on the Tracks ASF 1837, South African pressing, Before the Flood CBS 22137 red label, Dylan CBS 69049 Biograph, 5 record deluxe edition, boxed set, OOAP3136~40 and Self Portrait CBS66250 (6)
Bob Dylan, a collection of thirteen LP's, to include Blood On The Tracks Canadian pressing PC 33235, Planet Waves Promotional Broadcast and Review Not For Sale 7E-1003, Before The Flood IDBD 1, Self Portrait 40AP 279~80, The Real Royal Albert Hall Concert 88985361441, Nashville Skyline 63601, John Wesley Harding S 63252, New Morning 69001, More Greatest Hits 67239, Greatest Hits II 40AP 282-3, Greatest Hits III S 63 111, Seventy Dollar Robbery bootleg 3512 and The Best Of A Rare Batch Of Little White Wonder Italian pressing LPUP 5122. (13)
Bob Dylan, the Bootleg series, mainly box-sets, to include Vol. 5 Rolling Thunder Review, Vol. 6 Live 1964, Vol. 7 No Direction Home, the soundtrack Martin Scorsese picture, No. 8 Telltale Signs, rare and unreleased 1989-2006, Vol. 9 The Witmark Demos 1962-64 (sealed), Vol. 10 Another Self Portrait 1969-71 (sealed), Vol. 11 The Basement Tapes Raw (sealed), Vol. 12 The Best of the Cutting Edge 1965-66 (sealed), Vol. 13 Trouble No More 1979-81 (sealed), Vol. 14 More Blood More Tracks (sealed), Vol. 15 Travellin’ Thru, featuring Johnny Cash 1967-69, Vol. 16 Springtime in New York 1980-85. (12)
J.H. Dallmeyer 3.B "Soft Focus", um 1890J.H. Dallmeyer, London. Nr. 19543, Brennweite ca. 29 cm, für Steckblenden, Höhe 21 cm, Frontlinse Ø 8,9 cm, Frontglied mit schwacher Separation am Rand, sonst Gläser sauber, Rückglied nur ansatzweise einschraubbar, nur das Gewinde am Rohrstutzen muß nachgearbeitet oder durch mit Poliermittel versehenes Einschrauben restauriert werden. Voll bewegliche Weichzeichnerverstellung. - Die Besonderheit ist, daß die hintere Linse drehbar ist, wodurch die sphärische Aberration zunimmt und ein "Soft Focus"-Effekt entsteht. Mit einer Steckblende. - Gesuchtes Portraitobjektiv. Start Price: EUR 400 Zustand: (3/4)J.H. Dallmeyer 3.B "Soft Focus" Lens, c. 1890J.H. Dallmeyer, London, No. 19543, focal length approx. 11 in., for Waterhouse stops (one included), height 8 in., front element Ø 8,9 cm, front element with some separation on the border, otherwise glass clean, rear element can only be partially screwed in since the thread is damaged, restoration may be possible by retooling the thread or treating with a polishing compound. Fully flexible soft-focus adjustment. - Interesting to note is the rotating rear-element mount, through which the spherical aberration can be influenced and a fully-flexible "soft-focus" effect achieved. - Sought-after portrait lens! Start Price: EUR 400 Condition: (3/4)
10 bunte KamerasEastman Kodak, Rochester. 1-2) Rainbow Hawk-Eye No. 2 Folding Model B, rot und blau. (2/3) - 3-4) No. 2 Beau Brownie in Hellbraun/Beige und in Schwarz/Dunkelbraun. (2-/3) - 5) No. 2A Beau Brownie, schwarz/dunkelbraun. (3/3) - 6) No. 2A Brownie Model C, in Grün, mit Portraitlinse No. 0. (3/3) - 7) No. 2 Brownie Model F, in Grün. (3/3) - 8) Canadian Kodak. No. 1A Pocket Kodak Jr., in Grün. (2-/3) - 9) Agfa Billy in Braun. (3-/3) - Und: 10) Coro-net in Braun. (4/3) Start Price: EUR 140 Zustand: (-/-)10 Colorful CamerasEastman Kodak, Rochester. 1-2) Rainbow Hawk-Eye No. 2 Folding Model B, red and blue. (2/3) - 3-4) No. 2 Beau Brownie in brown/beige and black/brown. (2-/3) - 5) No. 2A Beau Brownie, black/brown. (3/3) - 6) No. 2A Brownie Model C, in green, with portrait lens No. 0. (3/3) - 7) No. 2 Brownie Model F, in green. (3/3) - 8) Canadian Kodak. No. 1A Pocket Kodak Jr., in green. (2-/3) - 9) Agfa Billy in brown. (3-/3) - And: 10) Coronet in brown. (4/3) Start Price: EUR 140 Condition: (-/-)
Portrait Euryscop 4AVoigtländer, Braunschweig. Nr. 35576, 4,5/270 mm, Glas sauber, mit Staubblende für 4,5, Höhe mit Sonnenblende 15,5 cm, mit Anschraubring. Start Price: EUR 450 Zustand: (3/3+)Portrait Euryscop 4A LensVoigtländer, Braunschweig. No. 35576, 4,5/270 mm, with Waterhouse stop for 4.5, threaded ring, ht. with sunshade 15.5 cm, glass clean. Start Price: EUR 450 Condition: (3/3+)
4 Alben, um 18601) Westentaschen-Lederalbum, 106 x 66 mm, mit 6 Tafeln für 24 Bilder im Format 32 x 24 mm, beginnend mit Friedrich Wilhelm Nikolaus Karl von Preußen (1831-1888), dem späteren Kaiser Friedrich III., handschriftlich betitelt "Crown Prince", sowie 23 weitere, meist betitelte Portraits vornehmlich englischer Personen. (3/3) - 2) Dunkelgrünes französisches C.d.V.-Album, Vorder- und Rückseite mit je 6 preußischen Eisernen Kreuzen dekoriert, mit 12 Tafeln für 48 Bilder, mit C.d.V. englischer Familien gefüllt, z.T. betitelt. Sehr europäisches Album! (3-/3-) - 3) Carte-de-Visite-Album, 13 x 16 cm, mit 20 Tafeln für 40 C.d.V., z.T. Klebungen, u.a. ein Damenbild mit Stereoskop. Alles Portraits aus England. (3-/3-4) - Und: 4) Grünes Miniatur-Lederalbum 5 x 6 cm, mit 6 Einschubfächern für 42 mm breite und 37 mm lange Objekte wie Steckblenden, aber auch Miniaturbilder. (3/3) - Diese Alben wurden um 1990 in England erworben, eventuell ein Hinweis für Historiker, die dem englischen Freundeskreis von Friedrich III. nachgehen wollen. Start Price: EUR 140 Zustand: (-/-)1) Pocket-sized leather album, 106 x 66 mm, with 6 plates for 24 pictures in 32 x 24 mm format, containing portrait of Frederick William Nikolaus Karl of Prussia (1831-1888), the later Emperor Frederick III, with handwritten title "Crown Prince", as well as 23 other portraits, mostly titled English persons. (3/3) - 2) Dark-green French carte-de-visite album, front and back decorated with 6 Prussian Iron Crosses, with 12 panels for 48 pictures, filled with cartes de visite of English families, some captioned. (3-/3-) - 3) Carte-de-visite album, 13 x 16 cm, with 20 pages for 40 English cartes de visite, some pasted in, including an unusual image of a lady with a stereoscope. (3-/3-4) - And: 4) Miniature green leather album, 5 x 6 cm, with 6 slots (42 mm wd. x 37 mm lg.) for a variety of objects such as lens waterhouse stops and also miniatures. (3/3) - Note: These albums, acquired in England around 1990, may prove an interesting avenue for historians researching Frederick III’s friends and connections in England. Start Price: EUR 140 Condition: (-/-)
Mascher’s Improved Stereoscope und Union Cases, ab 18551) Philadelphia, USA. Mascher‘s Improved Stereo-scope, am Rand geprägt: "H.A. Eickmeyer Case Maker Phila.", mit 2 Stereobildern - eine Stereo-Ferrotypie sowie neuzeitlich montiertes Albumin-Stereobild unter das Passepartout (auswechselbar). Deckglas mit Abplatzer am Rand, Teil der Schließe fehlt. (3-/3-) - Union Cases, 3 ¼ x 3 ¾ in., alle innen mit Etikett: 2) Littlefield, Parsons & Co, USA. "The Musicians", 1857, mit Ambrotypie eines Mädchens. Guter Zustand. (3/3) - 3) Holmes, Booth & Haydens, USA. "Früchtekranz", Ambrotypie einer Mutter mit 2 Töchtern. (3/3) - 4) Littlefield, Parsons & Co. "Seefahrer", am Rand Abplatzer, schöne Ambrotypie eines Herrn mit Kalesche. (4/4) - 5) S. Peck & Co. Achteckig, braun, schöne Ambrotypie eines jungen Manns, koloriert, neuzeitlich montiert. (4/4) - 6) S. Peck & Co. Kleines Union Case in Braun, Ferrotypie eines jungen Manns. (3-/3) - 7) Lederetui 96 x 123 mm, England, innen "Richard Beard", Ferrotypie eines Mädchens mit Puppe, neu montiert. (3/3) - Und: 8) Lederetui, 92 x 118 mm, fleckige Ambrotypie einer Ranch. (3-/3) Start Price: EUR 240 Zustand: (-/-)Mascher’s Improved Stereoscope and Union Cases, 1855 onwards1) Philadelphia, Mascher‘s Improved Stereoscope, embossed on the edge: "H.A. Eickmeyer Case Maker Phila.", with a stereo tintype and an overlaid albumen stereo portrait in removable passe-partout, cover glass chipped off at the edge, part of the clasp is missing. (3-/3-) - Union cases, United States, 3 ¼ x 3 ¾ in., all labeled inside: 2) Littlefield, Parsons & Co, USA. "The Musicians", 1857, with ambrotype of a girl. Good condition. (3/3) - 3) Holmes, Booth & Haydens, with motif of garland of fruit, ambrotype of a mother and her two daughters. (3/3) - 4) Littlefield, Parsons & Co., with motif of sailor, chipped at the edge, attractive ambrotype of a gentleman with a carriage. (4/4) - 5) S. Peck & Co., octagonal, brown, attractive tinted ambrotype of a young man, in modern mount. (4/4) - 6) S. Peck & Co., small brown union case, in brown, tintype of a young man. (3-/3) - 7) English leather case, 96 x 123 mm, marked "Richard Beard", re-mounted tintype of a girl with a doll. (3/3) - And: 8) Leather case, 92 x 118 mm, ambrotype of a ranch, mottled. (3-/3) Start Price: EUR 240 Condition: (-/-)
Suter-"Rapid Portrait"-OptikSuter, Basel. Nr. 27694, "Rapid Portrait Lens No. 5 F. 3.75", ca. 3,8/30 cm, Glas sauber, Petzval-Typus, Rücklinse schraubbar, Höhe mit Sonnenblende 20 cm, mit einer Steckblende. Start Price: EUR 400 Zustand: (3/3)Suter Petzval-Type Rapid Portrait LensSuter, Basel. No. 27694, "Rapid Portrait Lens No. 5 F. 3.75", threaded rear element, with one Waterhouse stop, approx. 3,8/30 cm, glass clean, height with sunshade 20 cm. Start Price: EUR 400 Condition: (3/3)
J.H. Dallmeyer 3.B "Soft Focus", um 1900J.H. Dallmeyer, London. Nr. 31022, Brennweite ca. 29 cm, für Steckblenden, Höhe 21 cm, Frontlinse Ø 8,9 cm, Gläser sauber, Rückglied herausschraubbar, bewegliche Weichzeichnerverstellung. - Die Besonderheit ist, daß die hintere Linse drehbar ist, wodurch die sphärische Aberration zunimmt und ein "Soft Focus"-Effekt entsteht. Mit einer Steckblende. - Gesuchtes Portraitobjektiv. Start Price: EUR 700 Zustand: (-/-)J.H. Dallmeyer 3.B "Soft Focus" Lens, c. 1900J.H. Dallmeyer, London. No. 31022, focal length approx. 11 in., for Waterhouse stops (one included), height 8 in., front element Ø 8,9 cm, threaded rear element and soft-focus movement, glass clean. - Interesting to note is the rotating rear-lens mount, through which the spherical aberration can be influenced and a "soft-focus" effect achieved. - Sought-after portrait lens! Start Price: EUR 700 Condition: (-/-)
Claudet-Stereodaguerreotypie, um 1855Antoine Claudet, England. 8,6 x 17,7 cm, Damenbildnis, mit rückseitigem Claudet-Etikett. Vor langer Zeit Rahmung nachgebessert, Bildton gut erhalten. - Sehr selten. Start Price: EUR 600 Zustand: (3/3)Claudet Stereoscopic Daguerreotype, c. 1855Antoine Claudet, England. 8.6 x 17.7 cm, portrait of a lady, with Claudet label on the back, frame retouched, picture tone well preserved. - Very rare. Start Price: EUR 600 Condition: (3/3)
Portrait-Optik "Kunst-Objektiv ‘Plasticca‘" 4/40 cm, um 1920Oscar Zwierzina, Dresden-Blasewitz. Nr. 1778, Serie A F = 40 cm, D.R.G.M. D.R.P.a. graviert, Portraitoptik in Messingfassung, Glas sauber, hinteres Original-Gelbfilterelement mit bildtechnisch unbedeutenden zarten Rissen seiner Verkittung, gut erhalten. Höhe der Optik 41 mm, Ø 9 cm. - Seltene und gesuchte Por-traitoptik - nur in kleiner Stückzahl gefertigt! Start Price: EUR 240 Zustand: (3/3)Rare Brass-Bound "Plasticca" 4/40 cm Art Portrait Lens, c. 1920Oscar Zwierzina, Dresden-Blasewitz. No. 1778, Serie A F = 40 cm, engraved "D.R.G.M. D.R.P.a.", original yellow element with some minor cracks in the cement, otherwise good condition, ht. of the lens 41 mm x dia. 8.9 cm. - Rare and sought-after lens produced in small numbers. Start Price: EUR 240 Condition: (3/3)
Lenbach von, Franz (1836 - 1904), Portrait des König Albert von Sachsen, Öl/Lw., Darst.des Königs in Uniform m. Großkreuz des eisernen Kreuzes um den Hals, li. o. sign., Bildgröße ca. 65 x 85 cm, in üppiger Goldstuckrahmung (ca. 100 x 127 cm). Altersbed. Zustand, Rahmung bestoßen, Altersfirnis, Verschmutzungen. Echtheitsbescheinigung eines Kunsthändlers namens Gustav Gerstenberger aus Chemnitz vom 12.9.1929 anbei.
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